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Themes in the awakening by kate choping
What is the central theme of the awakening
Themes in the awakening by kate choping
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Recommended: Themes in the awakening by kate choping
Anne Ziegler
Dr. Hatwalkar
EN 222
8 May 2017
Writing Project 2
During this Introduction to literature class we read the novel, The Awakening, by Kate Chopin. This novel explored many themes including; identity, life, consciousness, and love. The reason I mention these themes specifically is because the final two paragraphs of the novel contradict them. The last few lines of the story say this,
"Good-bye--because I love you." He did not know; he did not understand. He would never understand. Perhaps Doctor Mandelet would have understood if she had seen him--but it was too late; the shore was far behind her, and her strength was gone.
She looked into the distance, and the old terror flamed up for an instant, then sank again. Edna heard her father's
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As previously mentioned in chapter ten Edna takes her first swim, while that is important in her quest to find her identity it also deals with the theme of life and consciousness. As Chopin writes “The voice of the sea is seductive; never ceasing, whispering, clearing, murmuring, inviting the soul to wander for a spell in the abysses of solitude; to lose itself in mazes of inward contemplation. The voice of the sea speaks to the soul. The touch of the sea is sensuous, enfolding the body in its soft, close embrace.” (Chopin pg. 17). This passage refers to life and consciousness by the way it describes the sea calling to the soul to wander, basically giving life to the soul. Edna’s first swim also brings up another instance of this theme, “A feeling of exultation overtook her, as if some power of significant import had been given her to control the working of her body and her soul. She grew daring and reckless, overestimating her strength. She wanted to swim far out, where no woman had swum before.” (Chopin pg. 36). This speaks volumes about the theme of life because the sea has given her a new outlook on life. She feels alive and has been jolted by the sea to be daring and reckless and to strive to reach new heights in life. After her life changing swim, Edna starts to try new things and grasps a new perspective on life. As can be seen in chapter sixteen, when she says, “I would give up the …show more content…
Edna loves her children but it isn’t until she begins her “relationship” with Robert that we see the depth of her love. As she proclaims in chapter fifteen, “For the first time, she recognized the symptoms of infatuation which she had felt incipiently as a child, as a girl in her early teens, and later as a young woman… The present alone was significant; was hers, to torture her as it was doing then with the biting conviction that she had lost that which she held, she had been denied that which her impassioned, newly awakened being demanded.” (Chopin pg. 59). Here we see Edna’s passion reignited in her feelings for Robert. Yes, this means she doesn’t love her husband to the same extent but her love has been rekindled she now has a seed of love planted and as the novel progresses we see this love flourish. Though Edna and Robert are never on the same page throughout most of the novel regarding their relationship, that doesn’t change the love they share for each other. They finally get to act on this love in chapter thirty-six when Edna leans over Robert to kiss him as Chopin writes, “She put her hand up to his face and pressed his cheek against her own. The action was full of love and tenderness. He sought her lips again. Then he drew her down upon the sofa beside him and held her hand in both of his.” (Chopin pg. 142). Though it is a subtle act, Edna and Robert are
From a mother, wife, and society woman, Edna progresses to a unique woman of her own, free and independent. By deciding to choose her own paths to take in life, breaking the rules and expectations of the people around her, Edna achieves total control of her destiny. The backdrop of Edna's journey of her awakening is the tantalizing whisper of the ocean. The ocean awakens Edna's senses, teaches her the thrill of taking a risk and offers her inspiration to "dare and defy" (109).
“A feeling of exultation overtook her, as if some power of significant import had been given her to control the working of her body and her soul” implies the tremendous joy that encourages her to shout, as well as underscores the significance of the experience in terms of the greater awakening, for the experience actually does provide Edna with the ability to control her own body and soul for the first time. Her “daring and reckless” behavior, her overestimation of strength, and the desire to “swim far out, where no woman had swum before” all suggest the tragic conclusion that awaits Edna. Whether her awakening leads her to want too much, or her desires are not fully compatible with the society in which she lives, she goes too far in her awakening. Amazed at the ease of her new power, she specifically does not join the other groups of people in the water, but rather goes off to swim alone. Indeed, her own awakening ultimately ends up being solitary, particularly in her refusals to join in social expectations. Here, the water presents her with space and solitude, with the “unlimited in which to lose herself.
She begins by becoming “passionately enamored of a dignified and sad-eyed cavalry officer;” then “her affections were deeply engaged by a young gentleman who visited a lady on a neighboring plantation;” and finally, “the face and figure of a great tragedian began to haunt her imagination and stir her senses” (39). All of these figures are unattainable and, therefore, leave her discontented, yet she feels desire for them and so she feels passion, which to her is better than numbness. Chopin indicates that she needs something exciting, something beyond the ordinary routine of life. Edna wants to be “passionately enamored,” and have her affections “deeply engaged.”
Essentially, Edna is not able to fulfill any of the roles that are presented by Chopin in the novel: mother, sister, daughter, wife, friend, artist, lover to either man, and finally the traditional role of a woman in society. She does not quite fit into any niche, and thus her suicide at the end of the novel is the only way for Edna’s story to end. Chopin must have Edna die, as she cannot survive in this restrained society in which she does not belong to. The idea of giving yourself completely to serve another, Edna declares “that she would never sacrifice herself for her children, or for any one” (47). However, her awakening is also a realization of her underprivileged position in a male dominated society. The first sign that Edna is becoming comfortable with herself, and beginning to loosen the constrictions of not being an individual is when she asks Robert, her husband, to retrieve her shawl: "When he returned with the shawl she took it and kept it in her hand. She did not put it around her" (30). Edna is trying to establish herself as an artist in a society where there is no tradition of women as creative beings. For any woman to suggest a desire for a role outside the domestic sphere, as more than a mother or housewife, was perceived as
The irony in Robert’s desire to make Edna his wife is that Robert left to be way from Edna because she was married to Mr. Pontiellier, but now Robert is back with even deeper emotions for her. For example, Robert states, “There in Mexico I was thinking of you”, which leads to the conclusion that Robert does demonstrate deep feelings for Edna and her hand in marriage.
She desperately wanted a voice and independence. Edna’s realization of her situation occurred progressively. It was a journey in which she slowly discovered what she was lacking emotionally. Edna’s first major disappointment in the novel was after her husband, Leonce Pontellier, lashed out at her and criticized her as a mother after she insisted her child was not sick. This sparked a realization in Edna that made here realize she was unhappy with her marriage. This was a triggering event in her self discovery. This event sparked a change in her behavior. She began disobeying her husband and she began interacting inappropriately with for a married woman. Edna increasingly flirted with Robert LeBrun and almost instantly became attracted to him. These feelings only grew with each interaction. Moreover, when it was revealed to Edna that Robert would be leaving for Mexico she was deeply hurt not only because he didn’t tell her, but she was also losing his company. Although Edna’s and Robert’s relationship may have only appeared as friendship to others, they both secretly desired a romantic relationship. Edna was not sure why she was feeling the way she was “She could only realize that she herself-her present self-was in some way different from the other self. That she was seeing with different eyes and making the acquaintance of new conditions in herself that colored
Edna’s first action that starts off her route to freedom from her relationship is when she fell in love with Robert. Edna had already married a man that she had not loved but he has not been treating her a...
Unfortunately Edna has no clue that she is being treated so poorly in the beginning of this story. With Mr. Pontellier being absent from home so often she finds plenty of time to spend with Robert. Through the whole summer she does not realize the feelings she is developing for Robert and only sees him as a friend. She enjoys spending all of her free time with him and gets along with him much better than her husband. It is not until she is back home and Robert leaves for Mexico that she starts to "awaken" and realize her true feelings not just for Robert but also for life in general.
In fact, Edna seems to drift from setting to setting in the novel, never really finding her true self - until the end of the novel. Chopin seems highly concerned with this question throughout her narrative. On a larger scale, the author seems to be probing even more deeply into the essence of the female experience: Do women in general have a place in the world, and is the life of a woman the cumbersome pursuit to find that very place? The Awakening struggles with this question, raising it to multiple levels of complexity. Edna finds liberation and happiness in various places throughout the novel, yet this is almost immediately countered by unhappiness and misery.
It was very appropriate that the ending scene took place at the sea, for it was ion the sea when Edna experienced her first taste of freedom (see Chapter ten). Edna finally empowered herself by deciding her own fate, instead of allowing others to choose it for her.
... on, thinking of the bluegrass meadow...believing that it had no beginning and no end" (Chopin 190). It is there in the ocean that she first realizes her physical, mental, and emotional potential. It is only natural that the water, which has seduced her with its sound reclaims her.
The time Edna spends in water is a suspension of space and time; this is her first attempt at realizing Robert's impermanence. In a strange way, Edna is taking her self as an object of meditation, where at the extremity of self absorption, she should be able to see through her own selflessness. "As she swam she seemed to be reaching for the unlimited in which to lose herself[emphasis added]" (Chopin 74). Edna has left her earthly existence on the shore and looked forward to a new existence, with the "unlimited", or nirvana as a tantalizing prize on the other shore. Her mistake lies in looking back.
During the summer of Edna's awakening, the sea's influence increases as she learns how to swim, an event which holds much more significance that her fellow vacationers realize. “To her friends, she has accomplished a simple feat; to Edna, she has accomplished a miracle” (Showalter 114). She has found a peace and tranquility in swimming which gives her the feeling of freedom. The narrator tells us that as she swims, "she seem[s] to be reaching out for the unlimited in which to lose herself" (Chopin 74). She sees the freedom t...
In Creole society, women are dominated by men, but at least the freer attitude toward sexuality allows a woman opportunities for romance which are lacking in Anglo-Saxon culture. But sexual freedom is of little interest to Edna unless it can be used as a means of asserting her overall freedom as a human being. Learning to swim is thus important to her, because it allows her to have more control over the circumstances of her own life through the overcoming of the dread of water and the fear of death which it symbolizes. Again, the process through which Edna attains liberation and, in the author's words, begins to "do as she likes and to feel as she likes," is a gradual one. From stat...
The sexual aspect of Edna’s awakening is formed through her relationship with a supporting character, Robert LeBrun. In the beginning of the novel, Robert assigns himself to become the helper of Mrs. Pontellier and his advances help to crack the barrier in which Edna is placed in due to her role as a woman of the Victorian era. Her feelings begin to manifest themselves as she intends to liberate herself from her husband and run away with Robert. He on the other hand has no intention of having a sexual affair because of the role placed upon him as a man of the Victorian era which is not to destroy families. Her quest for complete independence ultimately brings her to committing suicide at the end of the story. Her suicide does not represent a disappointment in how she cannot conform to the society around her but a final awakening and symbol for her liberation.