The Audio Engineer as an Industry Professional

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The Audio Engineer as an Industry Professional

As soon as the beats of our favourite songs or musics pierces our ears, feet tap as fingers mingle. Music is what fascinates one and all, but is anyone bothered about who in which are behind this fascination and happiness? Is it the musician, singer or the album producer? Yes, they all have their part to play but it is the audio engineers who help even singers or musicians in the 21st century to realise their dream. These audio engineers are people that have brought about the dramatic changes to the face of music.

Audio engineers have a noteworthy combination of character and traits. They have a tendency to love music and want to play a hand in making it and at the same time are lovers of technology and ‘cool gear’. Together with the interest in technology sometimes comes associate interest in how it works. They have the desire to form new technology which can provide the final touches to a recording in listening/processing/recording etc. Experienced audio engineer in a daily’s hard work operate and build amplifiers, loudspeakers, microphones, pre amplifiers, tape machines etc.

An associate audio engineer has four areas of responsibility: direction audio technicians and technologists, project management, working with purchasers, and providing advice and acting as a resource. An associate audio engineer is provided charge for the operation of the cavity resonator and different equipment within the recording of music, words, sounds or any combination of such materials. Working in various motion-picture shows, music recordings, theatre or game industries, an audio engineer is also chargeable for winning implementation of all audio related components for such events even in live ...

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...hnicians of other fields. Their potential to work well can’t be ignored. Technicians of different streams together make a technology but the in availability of even a technician of single stream may dwell the technique from being developed. Thus this the need of this rapidly advancing generation of 21st century to understand the importance of every stream of technology because there is no use of incomplete technology.

References:
1. Neville Fletcher, 2010. The Physics of Musical Instruments. Edition. Springer.
2. John M. Eargle, 2002. JBL Audio Engineering for Sound Reinforcement. Edition. JBL Pro Audio Publications.,
3. Victor A. Ginsburgh, 2006. Handbook of the Economics of Art and Culture: 1. 1 Edition. North Holland.

4. Stewart Ross, 2010. Sports Technology (New Technology). Edition. MMS Gold.
5. 2009. Audio Engineering Explained. 1 Edition. Focal Press.

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