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Critically examine the Merchant of Venice as a tragicomedy
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The Antagonists Iago in Othello by William Shakespeare
During this most recent semester we, as a class, have waded through a sufficient sampling of works by the good bard. During this experience, a plethora of characters have successfully held the spotlight, evoked aspects of the nature of man, and twisted the extremes of human emotions into knots. By retreating to ponder these noble souls and most horrid villains, one immediately recognizes a character worthy of more close examination is the dastardly and enigmatic puppeteer culpable for the tragic finale of Othello. Iago, or more ironically, "honest Iago," as he is called, is complex role to be considered for two principal reasons. Primarily, because the depth of his character is somewhat endless, but also because when we contrast him with other main antagonists throughout other Shakespearean efforts, some interesting insights can be revealed. Stemming from said contrasts involving Iago, we immediately begin to shift our thoughts to the apparent differences between antagonists within the Shakespeare. This brings us to the pressing issue of do we consider Iago to be the most complete antagonist? Is he the bard's most complete depraved creation, or just an assemblage, or mosaic of previous more one-sided evil doers?
When beginning to flesh out the skeleton of Iago's character, it must be first understood that he is not the admitted and obvious opponent of the tragic hero. Iago is a hidden antagonist, or rather he disguises his intentions within the actions or deeds others. He manipulates and "plays" other characters (pardon the pun) showing the reader that he values others as if they were tools available to be used for achieving his own ends, or pawns in a game center...
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...s from all aspects of Iago's character. Oddly, the Merchant of Venice comes midway through the Poetic period which falls before the Tragic period, and in some ways we could consider it a transitional work because of its obvious similarities and stark differences.
Either way, whether we consider above chronological significance or not, there is certain thread constantly reminiscent of Iago running throughout these plays which cannot be denied. Thus Iago, and all the horrible splendor surrounding him, must certainly fall into the category of Shakespeare's greatest and most complex villains. Hopefully, if nothing more, examination of these characters will help us to avoid calling out, as Cassio did for the very enemies who have created our unfortunate situations. In Act 5, Scene 1, we hear Cassio say "Iago! I am spoil'd, undone by villains! / Give me some help!"
In Shakespeare's play Othello, Iago Is shown to be the villain. With the cunning use of his brilliance and manipulation, he is able to orchestrate an entire plot to take his revenge on Othello the center of all his ill tempered aggression. By lying to characters like Roderigo and many others, including his wife, in order to
Iago was the villain men envied and woman wanted. Some theorist hypothesized that Iago in fact had no interest in the ladies but was more captivated by the men. Iago was likely the most vicious villains in Shakespeare. He played the two faced liar smiting and betraying his fellow characters. He plays three sides of a story, while at one point he is the best comrade a person could have, at another he is back stabbing and yet another throwing hints to the audience. Iago is, in my opinion, the main character creating the most depth and interest throughout the entire play.
In Othello, Iago is Shakespeare’s most malicious character and serves as a vehicle to these two themes. Iago despises Othello; he has a strong will to destroy Othello’s life, yet the motive behind his plan goes unexplained. Iago is a great manipulator of the tongue and lies to everyone in order to advance his plan; however, every character in the play considers Iago an honest character, and Othello even associates Iago with light and eyesight. Othello continuously asks Iago to explain or make something clearer. Until the very end, Iago appears to be honest and helpful to the other characters, but underneath this seemingly harmless façade, Iago is a demon with the strongest will; he will stop at nothing until he ruins Othello’s life. Iago uses a positive appearance to enact his
Iago is the main antagonists against Othello, throughout the entire play. Iago is not realistically motivated. Even though Iago makes many of his decisions with careful thought, he does have a main flaw that will come back to haunt him in the end. Iago unlike other characters, doesn’t have true honorable morals. Because of this, he makes many situations which are manageable, and takes them further out of proportion he does this for his own pure enjoyment to create havoc for sport. Iago manipulates the characters who trust too easily, such are Roderigo and Othello. Iago uses them as an addition to his plans, which he manages so they will work in his favor in the end, or so he believes they will.
Few characters in Shakespeare's plays outside of the leading "main" character ever are associated to actively pursue an agenda that destroys other characters lives. Charles III is well known as a Shakespearean bringer of chaos and Machiavellian figure however, he is dwarfed by Iagos malevolent nature. Iago is complex character that seeks the utter destruction of Othello emotionally and physically. Iago as a character is manipulative and secretive only revealing his inner workings to his audience through soliloquy and demonstrating his deceitful nat...
In the play, Othello, written by William Shakespeare Iago is one of the most unique and interesting characters. Not only is Iago a main character, but he is also one of the most controversial, causing more drama and quarrels than any other character in the play. Shakespeare does a good job with the character of Iago by creating an atmosphere where Iago can keep the reader's attention on each and every individual scene throughout the entire play, as one tries to figure out Iago's true intentions. When reading the play it is easy for an individual to view Iago as an evil person who gets pleasure from malicious acts he inflicts upon others around him.
In Shakespeare’s Othello, Iago is the antagonist and villain who causes all the trouble and disorder. Othello is the protagonist, and is the main person Iago’s destruction and revenge is aimed towards. Othello is naïve and gives everybody his trust even though he may not know them or they haven’t earned his trust yet. He often refers to Iago has “Honest” Iago, which is a direct showing of irony because Iago is not honest at all (Shakespeare, I, iii. 289). Iago is so angry that Othello didn’t give him the promotion that was given to Cassio that he plans to seek revenge against Othello. He seeks his revenge against Othello by manipulating and lying to all of the people around him including his closest friend Roderigo, Cassio, Othello’s wife Desdemona and even his own wife Emilia. In the end, Iago’s lies and manipulation led to the deaths of Roderigo, Emilia, Othello and Desdemona. This isn’t the first time many of these individual characteristics have shown up in one of Shakespeare’s plays.
Have you ever met a devil who does evil for his own sake? Iago in William Shakespeare's Othello could seem like he has good motives, but I feel that he uses them as his excuses. The first thing that I did was uncovered Iago's motives. Iago is the most controversial character in Othello. He is able to keep his true thoughts and motives from everyone. Are his motives only excuses for his actions? Iago pretends to have so many motives that they seem more like excuses. Iago then uses these excuses to justify his actions, which are pure evil. I also feel that Iago has motives and actions that cause his actions. Does Iago have many different excuses, or does he only have one? This paper will prove that Iago has one clear motive and reason for his madness. Iago is not looking for justification that causes him to act the way he does. There is much more though to Iago. He is not a man of only excuses, he has goals with his motives, which causes him to act the way he does.
Iago is not really evil or the vice character he is the misunderstood and wonderful character who can only be seen through a certain lens before it all goes back to black and white and good and evil fights one another for the main stage again. Shakespeare pulled many themes into this story but in all truth I believe that Iago is true main character, not Othello or Cassio, but Iago with all of his problems and vices, he is the truest expression of being human. Works Cited Rosenberg, Marvin. “In Defense of Iago.” Shakespeare Quarterly.
In this tragedy, Othello, Shakespeare, has created a villain who behaves in this manner. Iago’s hatred, method of revenge, and vengeful hatred are the reasons for the lives lost in this play and the reasons that led to Iago’s downfall. Iago’s hatred of Othello and Cassio causes him to seek revenge, and he is able to succeed because his victims are too innocent to suspect him. Iago is a Machiavellian Shakespearean character who cunningly convinces his victims of his full moral support and proves his innocence in a way that his victims do not suspect him. When Cassio finishes his conversation with Desdemona about how he will not have his job back, Iago unfolds his mischievous plan against Desdemona when he says that, “so will I turn her virtue into pitch, And out of her own goodness make the net that shall enmesh them all” (Shakespeare, 49).
“I am not what I am,” proclaims one of Shakespeare’s darkest and most enigmatic villains, Iago, in the tragedy Othello. Iago’s journey for revenge enables him to become capable of immoral acts, and whilst his malevolence excites us, we are no more intrigued by his attributes than we are of the play’s tragic hero, Othellos’. Rather, both characters’ confrontation with jealousy and their subsequent moral demise as a result of failing to control such an emotion provides the true excitement for audiences. Iago’s spiteful manipulation of Othello makes him a multifaceted character — whose corrupt attributes make the audience examine their own morality. However, the same can be said of Othello; his failure to withstand Iago’s ‘pouring of pestilence’
Shakespeare develops the character Iago into an instigator and evil man. Iago attempts and succeeds to convince Othello that his wife has had an affair with his friend Cassio. We see Iago beginning his plans at the very start of the play. “But I will wear my heart upon my sleeve for daws to peck at, I am not what I am.”(Oth 1:1:64-65) He immediately tries to start trouble with Brabantio and Othello over the marriage to Desdemona. Iago want to get in Othello’s way because he was passed over for general and Cassio was chosen instead. We see from the start how he plots against Othello and he involves several characters in his plans. “And what’s he then that says I play the villain? When this advice is free. I give and honest, probal to thinking, and indeed the course to win the Moor again? For tis easy Th’ inclining Desdemona to subdue in any honest suit; she’s framed as fruitful…”(2:3:295-300).
Iago's manipulative nature has a profound effect on the decisions made by other characters in Shakespeare's ‘Othello’. Through his relations with those around him Shakespear characterizes him as a man full of malice, vengeance and dishonesty that is wholly inspired by jealousy. Furthermore it would appear that Iago has an exceptional ability to scheme, a talent which he uses to snake his way into the lives of others and exploit them through their weaknesses. Whether he does this for profit or for pleasure is a separate issue.
Iago, the evil villain of Shakespeare's Othello, is more than just a villain. In many ways he is the most intelligent and appealing character in the play. Iago shows superiority over the rest of the characters in the play. He has the ability to manipulate the characters in the play, therefore controlling the play with every sequence of events. His intelligence shines through his ability to deceive, his ability to strategize, and his ability to twist the truth. Iago is appealing to the characters of the pay because he gives them what they want. Iago is appealing to the reader as well. His character is totally unconflicted about being evil, making him known to some authors as the villain of all villains. Iago is, in many ways, the most intelligent and appealing character in the play.
In the play "Othello", many can and would label Iago as a villain or even an/the enemy of the play. I'm not going to disagree or agree with anyone's opinion on whether Iago is the/an villain or not, because everybody has their own point of view. The purpose of me writing this paper is to prove that Iago is not a villain, well at least not a villain in the play "Othello".