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Society of an age of innocence
The age of social innocence
Society of an age of innocence
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Unlike Fitzgerald’s The Great Gatsby and Kästner’s Fabian, Edith Wharton’s Pulitzer Prize winning work, The Age of Innocence (1920) is not set after World War I. In fact, her work is set prior to it at the turn of the century. She describes Old New York from late 19th and early 20th century in great detail, “New York society and customs…are described with an accuracy that is almost uncanny: to read these pages is to live again.” She also looks at the upper class, instead of middle and lower class society with its dance halls of debauchery and improper solicitations. The threat of modernity after war and depression are not factors in her work. Yet, not all of the elements and motifs seen in Kästner and Fitzgerald are absent. Wharton pays particular attention to women and social change; especially in the context of Victorian virtues and expectations. To Wharton, Old New York forced its members to follow dogmatic rules and expectations for nearly ever course of actions including: mannerisms, popular fashion, and behaviors. Scorn and exile were reserved for those that violated the social codes. These virtues and social rules were the very same rules that Flappers and the New Woman specifically debased after World War I, “Mrs. Wharton is all for the new and against the old: here, at all events, her sympathies are warm. She would never … fear youth knocking at the door.”
Like her contemporaries, Wharton was a well established author by the time she wrote The Age of Innocence. Her “admirable career” claimed the titles of The House of Mirth, Edith Frome, and several others that captivated the American and European publics. The Age of Innocence, however, won her a Pulitzer Prize. She won it for the works “silver correspondences”, its ...
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...f Innocence, Wharton looks at women’s struggle with Victorian dogma and traditionalist values of high society. Old New York high society in Wharton’s work lives by these notions in which people were ruled by the social code. The world seems innocent and free from individual thought and strife. Members of this society continue to conform to hold the status quo. Going against the grain is seen as selfish, ignoble, and scandalous. The Countess Olenska, however, is a representation of the modern woman and the symbol of the new century. She goes against the grain of society. The Countess Ellen Olenska, Ellen Mingott lives an unconventional life. She is set apart from society and its stiff rules and expected behaviors. In this Old New York society, she is a source of scandal. The Countess Olenska is an individual. She thinks and feels beyond the limitations of the group.
Despite the common cliché, ?don?t judge a book by its cover,? you never get a second chance to make a first impression, most first impressions are derived from appearance. Edith Wharton harshly juxtaposes the appearances of Mattie and Zeena, to such an extreme that it almost seems bias. From the beginning of the novel, Zeena is depicted as an old and ?repugnant? (46) housewife. Substantial background information is not given, nor causes for her worn out and ?bloodless? (53) demeanor. ?Though she was but seven years her husband?s senior, she was already an old woman.? (53) In harsh comparison, Mattie is portrayed as a youthful, vivacious woman, yet with natural beauty. This drastic juxtaposition is black and white, with no grey areas, just the strong Mattie and the feeble Zeena. However, the colors used to describe Mattie and Zeena are not black and white, they each ...
Throughout “Ethan Frome,” Edith Wharton renders the idea that freedom is just out of reach from the protagonist, Ethan Frome. The presence of a doomed love affair and an unforgiving love triangle forces Ethan to choose between his duty and his personal desire. Wharton’s use of archetypes in the novella emphasizes how Ethan will make choices that will ultimately lead to his downfall. In Edith Wharton’s, “Ethan Frome.” Ethan is wedged between his duty as a husband and his desire for happiness; however, rather than choosing one or the other, Ethan’s indecisiveness makes not only himself, but Mattie and Zeena miserable.
Edith Wharton’s brief, yet tragic novella, Ethan Frome, presents a crippled and lonely man – Ethan Frome – who is trapped in a loveless marriage with a hypochondriacal wife, Zenobia “Zeena” Frome. Set during a harsh, “sluggish” winter in Starkfield, Massachusetts, Ethan and his sickly wife live in a dilapidated and “unusually forlorn and stunted” New-England farmhouse (Wharton 18). Due to Zeena’s numerous complications, they employ her cousin to help around the house, a vivacious young girl – Mattie Silver. With Mattie’s presence, Starkfield seems to emerge from its desolateness, and Ethan’s vacant world seems to be awoken from his discontented life and empty marriage. And so begins Ethan’s love adventure – a desperate desire to have Mattie as his own; however, his morals along with his duty to Zeena and his natural streak of honesty hinder him in his ability to realize his own dreams. Throughout this suspenseful and disastrous novella, Ethan Frome, Edith Wharton effectively employs situational irony enabling readers to experience a sudden shock and an unexpected twist of events that ultimately lead to a final tragedy in a living nightmare.
Wharton’s parents raised her in aristocratic society. Her father, George supported the family working in real estate, while her mother Lucerita was a stay at home mom. Her mother was devoted to high society, and was unsupportive of her interests in writing. (Todd and Wetzel) Unlike her mother, Morton Fullerton supported Wharton. While in England, Wharton met Fullerton. As their relationship progressed, she became close friends with Katharine Fullerton. Katharine was Morton’s orphaned sister, that his family took in. (Witkosky) While Wharton was in England her husband was seeking “cures” for his depression. As portrayed in the novel, Ethan Frome’s wife Zeena was constantly seeking cures for her illness. Like Teddy, Zeena was isolated from society and kept to herself. Ethan’s wife was devoted to high society because she came from an aristocratic home. Therefore, Zeena never supported Ethan’s interest in becoming an engineer. Wharton’s mother was alike to Zeena when it came to how her life was lived. Ethan’s lover, Mattie Silver, was taken in by the Frome’s in the novel. She had no family who wanted her just like Katharine Fullerton. Mattie was raised by the Frome’s in a society she did not know how to adapt to because she was never taught how. “Mattie is attempting unsuccessfully to fit in a society she does not understand.”
One of the ways to turn a critical lens onto Edith Wharton’s writing would be to approach texts through various modes of reading. Through this approach, critical discourse often assumes that the text offers readings that work in spite of the text itself and that authorial intention does not matter. The premise of these tenets, of course, is that so much of textual analysis is rooted in a separation of text and author and also between text and reader. These distinctions provide a space in which Wharton thrives, particularly in Ethan Frome, whose narratives are multiple and fluid. Indeed, as a story fixed in rural Masachusetts, a town entirely of its own character and yet anonymous enough to serve as any town, Ethan Frome emblematizes an
Novels such as “The Age of Innocence”(The Editors of), which discusses a “ picture of upper-class New York society in the 1870s” (The Editors of), strongly relates to Wharton and her background. “The Age of Innocence” is considered Wharton’s “finest work” (The Age Of). The novel is based off Newland Archer and May Welland’s troubled marriage. At first, the married couple live in harmony and joy, however this dramatically changes throughout the book. Once Newland meets “May's cousin, the Countess Ellen Olenska, on the run from an unhappy marriage” (The Age of Innocence), Newland immediately falls in love. Society plays a major key role in this book. Therefore, Ellen cannot divorce her husband or make a public announcement of her feelings for Newland. As Newland’s feelings grow deeper for Ellen he feels a strong need to run away with her and live their life together. However, Newland knew that severe consequences would be upheld against him if he were to run away with Ellen. Such as, being disowned from his family. However, he never cared much about the consequences and put Ellen as his main focus. May is a sharp woman and figured out their feelings toward each other and as a result, the day they planned to leave was the day May announced her pregnancy with Newland. The book ends with May and Newland carrying on their unhappy marriage and kids while Ellen and Newland’s relationship is forever
Edith Wharton, a famous author of many outstanding books, wrote a chaotic love story entitled Ethan Frome. The story took place in the wintery town of Starkfield, Massachusetts. Wharton was a sophisticated young woman who found love in sitting down and holding people’s attention by way of a pen. Wharton wrote yet another thriller that told the tale of two love stricken people that barely found it possible to be together; which later forced them to fall into the temptation of love that cannot be controlled. Wharton had many different writing styles but for different books meant different needs. In Edith Wharton’s novel, Ethan Frome, frustration and loneliness play roles in disappointment while imagery, symbolism, and individual responsibility provide the novel with a tortuous plot.
The lives we lead and the type of character we possess are said to be individual decisions. Yet from early stages in our life, our character is shaped by the values, customs and mindsets of those who surround us. The characteristics of this environment affect the way we think and behave ultimately shaping us into a product of the environment we are raised in. Lily Bart, the protagonist in Edith Wharton’s The House of Mirth, is an exceedingly beautiful bachelorette who grows up accustomed to living a life of luxury amongst New York City’s upper-class in the 20th century. When her family goes bankrupt, Lily is left searching for security and stability, both of which, she is taught can be only be attained through a wealthy marriage. Although, Lily is ashamed of her society’s tendencies, she is afraid that the values taught in her upbringing shaped her into “an organism so helpless outside of its narrow range” (Wharton 423). For Lily, it comes down to a choice between two antagonistic forces: the life she desires with a happiness, freedom and love and the life she was cut out to live with wealth, prestige and power. Although, Lily’s upbringing conditioned her to desire wealth and prestige, Lily’s more significant desires happiness, freedom and love ultimately allow her to break free.
Restuccia, F. L. "The Name of the Lily: Edith Wharton's Feminism(s)." The House of Mirth: Case Studies in Contemporary Criticism. Benstock, S. (ed.). New York, Bedford Books, 1994, 404-418.
The characters in the novel get caught up in a frenzy of hate, scandal, and love. Newland Archer is a wealthy societal man who views his wife, May, as the reason for his unhappiness. In addition, Newland Archer get swept into the scandal and falls in love with Ellen, who he sees as a route to independence. Ellen Olenska, the cousin of May, brings a tornado of scandal to New York and becomes the center of criticism in society. In The Age of Innocence by Edith Wharton, Archer and Ellen describe the desire for freedom in order to portray society as an oppressor.
Newland loathes the monotonous conversations with May and repetitiveness of his job. Newland respects and loves May with all his heart, but when she begins to call him original, Newland realizes she was always “going to say the right thing” (Age of Innocence 22) because she was simply giving the replies “instinct and tradition” have taught her (Age of Innocence 72). Cynthia Griffin Wolff, in her article entitled “Edith Wharton”, declares that the small world of New York was “suffocating” and “stifled spontaneous expressions of emotion” (3). Also, Newland lived in a kind of “hieroglyphic world” where what someone actually wanted to say was never said or thought, but just “represented by a set of arbitrary signs” (Age of Innocence 40).
In her lifetime, Edith Wharton experienced the restraining nature of societal expectations against her attempts to establish her individual identity, in both her sexuality and publication of her written works. Wharton specifically has an excellent opportunity to criticize the expectations placed on American women during the Realist era because she emigrated to France and experienced a radically different system to that of America’s. This enabled her to more clearly contemplate how society limited and impacted the personal development of women without Wharton being restricted by her knowledge of solely the American social system. The struggle with societal expectations establishes itself in her novella Summer, in which Charity Royall faces the
Edith Wharton once stated that she “ . . . [doesn’t] know if [she] should care for a man who made life easy; [she] should want someone who made it interesting,” showing how Edith reflects Lily Bart, an unwed woman living in the midst of the elite society of New York, who struggles to find a suitable husband and live in the elite society that leads to her inevitable demise, in Edith's novel The House of Mirth (CITATION). Although many of the characters in the novel were in an elite and prominent society, they were possibly the most morally corrupt people since women married men for their wealth, and men expected women to constantly act proper and sophisticated. Edith Wharton’s modern novel The House of Mirth demonstrates why people in the
The title of Edith Wharton's novel The House of Mirth waxes poetic irony in the case of the old money society of turn-of-the-century New York. The individual as part of the collective of society which seeks to oppress individuality is representative of the "house" in the novel's title. To remain ignorant and play by the "rules," therein lies the "mirth." Clearly, the victimization of the story's heroine, Lily Bart, by the elite social "set" she associates herself with illustrates Wharton's disdain for the rigidity of this society against the individual. Lily is, at first, an example of the collective society she is a product of; however, as she finds herself being victimized for embracing individuality, a metamorphosis of her character takes place through an internal struggle over the faults of her external world, leading to her discovery of the truth and the loss of her innocence.
Although the Romantic period was really focused on the nature and imagination the Victorian era was a different story. The Victorian Era was similar but no different to the Neoclassical period. The Victorian Era was strict and had a strict Monarchy government that had rule that were suppose to be followed at every minute of every day. Religion was also very strict the main religion was christianity. The rules were strict and harsh and had to be followed at precisely the rich minute or a person would get in trouble.