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Victimization, essay
Victimization, essay
Tess Of The D'urbervilles As A Trgedy
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Recommended: Victimization, essay
On September 13th 2009, Kanye West interrupted Taylor Swift at the VMAs, leading her to victimize herself for years to come. In novels such as Tess of the D’Urbervilles, The Fountainhead, and The Awakening, victimization of women is caused by the relentless harsh acts of the surrounding males, not unlike Swift. Tess is seduced into a submissive murderess, Dominique allows males in her life to control her decision making, and Edna’s fate is sealed through her disastrous actions involving men.
Apart from characters in the following novels, Tess D’Urberville is a victim almost from the moment the novel is launched. With the untimely death of her family’s horse, Prince, comes the entrapment of guilt which follows her through the novel. The arrogant
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Early in the novel she mentions how she saw a greek god statue she liked, "I threw it down the air shaft…So that no one else would ever see it"(Rand, 104). This philosophy is what leads her to associate with Ellsworth Toohey, testify against Howard Roark, and marry Peter Keating. Keating did not meet her emotional requirements for a husband, nor did she appreciate his attributes. She married him as a punishment for not publicly supporting her true love, Howard Roark. Roark, being the free-thinker he is, made it difficult for Domonique to make decisions about her love life. This self penalizing behavior was brought about by the men in society constantly telling her how wrong she would be if she chose Roark, because his ideas are so different. In this way, Dominique begins to realize how corrupted the ideals and social standards are, and overcomes the rut she had fallen into, while at the same time gives in to her feelings rather than hard-wired …show more content…
Her ultimate downfall is received through the assumptions that the repercussions to her actions will have no effect on her and that they will resolve themselves. When becoming bored with her housewife routine, Edna starts up a steamy affair with a man named Robert. He eventually leaves to go to Mexico, symbolizing how unstable the decisions Edna is making are. This instability follows her back into her family life, and she decides to become independent. But, the unhealthy spirals she submits herself to earlier in the novel continue, leading to her death by drowning in the end, “She felt like some new-born creature, opening its eyes in a familiar world that it had never known”(Chopin,125); an act that symbolizes the embrace of social death she experienced in her life. The events leading up to the undoing of the women in Tess of the D’Urbervilles, The Fountainhead, and The Awakening were dire in the sense that men pushed each woman over the edge. Each downfall is symbolized: the emotional death of Tess D’Urberville when she is hanged, the moral death of Dominique Francon when she marries Roark, and the social death of Edna Pontellier when she drowned. Taylor Swift dramatizes her life through the lense of social media, but the lense of these three women demonstrate the real drama of love, loss, and
We first meet Edna on her way back from a swim with Robert Lebrun, as Chopin begins to establish Edna’s burgeoning transformation in the context of her relationship with Robert and to the sea. While Robert and Edna’s relationship develops, Edna becomes increasingly dissatisfied with her marriage to Léonce Pontellier and her traditional roles as wife and mother to her two children, Rauol and Etienne. Edna learns to swim, takes up painting, befriends Madame Reisz, an eccentric old woman that plays the piano, and moves into her own house. After Robert leaves for Mexico, she engages in an affair with Alceé Arobin, until Robert returns and they affirm their love for one another. However, Robert, afraid of the social repercussions of their affair, leaves town. As a result of losing Robert, failing to find fulfillment in her life without a man, and failing to reconcile her roles as a good and faithful wife and mother while becoming an artist and falling in love, Edna commits suicide by drowning herself in the sea.
Essentially, Edna is not able to fulfill any of the roles that are presented by Chopin in the novel: mother, sister, daughter, wife, friend, artist, lover to either man, and finally the traditional role of a woman in society. She does not quite fit into any niche, and thus her suicide at the end of the novel is the only way for Edna’s story to end. Chopin must have Edna die, as she cannot survive in this restrained society in which she does not belong to. The idea of giving yourself completely to serve another, Edna declares “that she would never sacrifice herself for her children, or for any one” (47). However, her awakening is also a realization of her underprivileged position in a male dominated society. The first sign that Edna is becoming comfortable with herself, and beginning to loosen the constrictions of not being an individual is when she asks Robert, her husband, to retrieve her shawl: "When he returned with the shawl she took it and kept it in her hand. She did not put it around her" (30). Edna is trying to establish herself as an artist in a society where there is no tradition of women as creative beings. For any woman to suggest a desire for a role outside the domestic sphere, as more than a mother or housewife, was perceived as
She desperately wanted a voice and independence. Edna’s realization of her situation occurred progressively. It was a journey in which she slowly discovered what she was lacking emotionally. Edna’s first major disappointment in the novel was after her husband, Leonce Pontellier, lashed out at her and criticized her as a mother after she insisted her child was not sick. This sparked a realization in Edna that made here realize she was unhappy with her marriage. This was a triggering event in her self discovery. This event sparked a change in her behavior. She began disobeying her husband and she began interacting inappropriately with for a married woman. Edna increasingly flirted with Robert LeBrun and almost instantly became attracted to him. These feelings only grew with each interaction. Moreover, when it was revealed to Edna that Robert would be leaving for Mexico she was deeply hurt not only because he didn’t tell her, but she was also losing his company. Although Edna’s and Robert’s relationship may have only appeared as friendship to others, they both secretly desired a romantic relationship. Edna was not sure why she was feeling the way she was “She could only realize that she herself-her present self-was in some way different from the other self. That she was seeing with different eyes and making the acquaintance of new conditions in herself that colored
to keep her out of the house” (138). The sexist and racist attitudes of that era, in addition to the idolized Kurtz’s savage behaviour towards the Africans, amplify the anomaly of an African woman instilling fear into colonial white men. Conrad establishes the influence that women can have, as it clearly contrasts Hardy’s insinuation of the powerless nature of females when compared to men. While both novels show women embodying traditional male roles and characteristics, the chivalric trait of honour in a woman is most prominent in Tess of the D’Urbervilles.
... perfect exemplars of how an ideal innocent women, can face undoubtedly tragic fates. Despite much strength in their characters, both Daisy and Desdemona exhibit the vulnerability of their innocence, the ability for others to take advantage of them, and glaring weaknesses. They are unaware of their surroundings, which lead to questionable actions. Their inevitable tragedies occur because of how each character dealt with these situations placed in front of them. All in all, Daisy and Desdemona are responsible for their tragedies because they are women placed in unfamiliar positions and are unable to deal with situations placed in front of them.
When Edna looked back toward the shore, she notices the people she left there. She also notices that she has not covered a great distance. Then a "quick vision of death smote her soul" (Chopin 74), a sense of death that reaffirms her selfhood and reminds her of her clinging to Robert. Her meditation is broken by the wavering of her mind to other objects and senses. Her struggle to regain the shore becomes a kind of near-death experience, at the end of which comes an utter physical exhaustion, a stretching of her self's physical boundary. Edna's intellectual self, the mind, another creation of ignorance, awakens as well. She begins to "feel like one who awakens gradually out of a dream, a delicious, grotesque, impossible dream, to feel again the realities pressing into her soul" (Chopin 78).
In the end, her internal conflict tears her apart and, to escape the feeling of entrapment, she drowns herself. Edna’s internal journey reflects the struggles of women during the Victorian era, as well as the meaning of the novella as a whole. Gender roles of the time confined women to living as married housewives with children. These limitations and expectations were a seemingly pressing issue for Chopin and other women of her time. Edna’s journey also highlights the importance of finding oneself apart from their duties.
Jacobus, Mary. "Tess: the Making of a Pure Woman." Thomas Hardy's Tess of the D'Urbervilles. Ed. Harold Bloom. New York: Chelsea House Publications, 1987. 45-60.
She cleans, entertains, and takes care of the children. Her diversion from her usual routine as a mother woman is started by her own inward questioning when she goes down to the beach with Adele Ratignolle and she asks her what she is thinking. Edna expresses a want to know herself, even though Adele and many others tell her that it is a useless wish. Edna has no one who truly understands her; she is isolated from society by a barrier of self knowledge that they deem madness. The only person who might understand is Robert, who she loves. But even he turns pale when Edna speaks derisively of his want for her husband to give her to him, saying that she can give herself to whomever she chooses. There is no one in the novel who has the same mindset as Edna. The isolation and pressure from society and her husband adds to her madness, cumulating in an eventual breakdown where she smashes a vase and throws off her wedding ring. The casting away of her ring symbolizes Edna throwing off the shackles of society and a loveless marriage to be her own person. She stamps on the ring, showing her distaste for her path in life and her choices in the past. Edna’s madness, and break down, show her deteriorating patience with her life and the mothering façade she wears day to day. Society views her as mad when she moves out of her husband’s house to live on her own. She breaks away from her life to set herself
Edna is a big part of this novel, being the main protagonist and all of her ethical choices that have an enormous consequence on her. Some of these choices are, wanting to be with Robert, to follow the path of Mademoiselle Reisz and becoming an artist, and ultimately deciding to take her life. One person who displays a perfect example of the theme, “Choices have inevitable consequences” is Leonce. Leonce is portrayed as the perfect husband of his time. He is rich, and is a good caretaker for Edna.
Tess is no stranger to casual wrong. Throughout her life indifferent nature has occurred. Her parents were not the greatest of parents. She had a tough life, she was poor. When she met Alec d'Urberville, she was considerate and kind, but later on Alec took advantage of her and seduced her in a forest called the Chase, "He knelt and bent lower, till her breath warmed his face, and in a moment his cheek was in contact with hers.
There, Tess meets a man, Alec d´Urberville, and in a short time he manages to seduce her and he forces her to do something she didn’t want to. She leaves immediately that town and shortly after finds out that she is pregnant but her baby, soon after being born, dies. This makes her have a lot of anger towards men.
Tess of the D’urbervilles was a wildly controversial novel in its time. The novel’s questioning of religious belief and social hierarchy are still discussed today. Critics disagree on Tess’ role in her own life’s course: whether she made decisions or whether her fate was decided for her, and to what extent she is to blame for her rape, her marriage failure, and the death of Alec D’Urberville? In my view, Tess can only be held partially responsible for the events which befall her. She can be considered unlucky since the events are often spoken of as being out of her control. Often her faults seem to come only as a result of her own innocence and good nature. These are traits which present her as an admirable and a just heroine.
The sexual aspect of Edna’s awakening is formed through her relationship with a supporting character, Robert LeBrun. In the beginning of the novel, Robert assigns himself to become the helper of Mrs. Pontellier and his advances help to crack the barrier in which Edna is placed in due to her role as a woman of the Victorian era. Her feelings begin to manifest themselves as she intends to liberate herself from her husband and run away with Robert. He on the other hand has no intention of having a sexual affair because of the role placed upon him as a man of the Victorian era which is not to destroy families. Her quest for complete independence ultimately brings her to committing suicide at the end of the story. Her suicide does not represent a disappointment in how she cannot conform to the society around her but a final awakening and symbol for her liberation.
Hardy’s novels are ultimately permeated upon his own examination of the contemporary world surrounding him, Tess’s life battles are ultimately foreshadowed by the condemnation of her working class background, which is uniquely explored throughout the text. The class struggles of her time are explored throughout her life in Marlott and the preconception of middle class ideals are challenged throughout Hardy’s exploration of the rural class. Tess of the D’Urbervilles revolves around Hardy’s views of Victorian social taboos and continues to be a greatly influential piece from a novelist who did not conform to the Victorian bourgeois standards of literature.