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Literary devices in the glass menagerie
The glass menagerie analysis
The glass menagerie characterization
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Tennessee Williams is widely known as one of America's best but also one of the most controversial playwrights of the twentieth century. Critics, playgoers, and fellow playwrights have dubbed Williams one of the founders of the so-called "New Drama", characterized for pushing the limits of the conventional individual play. Throughout his various works one can get a strong sense of how his life struggles were used to fuel his art throughout. After struggling for years writing it, on March 31st, 1945, his first play, The Glass Menagerie, opened on Broadway, marking the start of his successful career. In pioneering form and style foreign to the early 20th century, Tennessee Williams portrayed the harsh difficulty of accepting reality with the …show more content…
Her constant cautious choice of wording shines light on the ideals she wants to place on her children. Amanda’s intense nostalgia is due to the fact that she has been unsuccessful in the modern world, therefore causing her to distract herself with memories. The first time she met Jim as he came to dinner she brings up how her life changed quickly from a that of a southern belle to a husbandless housewife. In describing her days in the south, Amanda acquires a girlish tone and southern charm. She describes the many 'gentleman callers' she experienced, and in turn implied to Jim specifically what she expected out of the dinner. Williams uses Amanda's constant fluctuation between reality and illusion to portray just how far one will go to escape reality. Anytime she is presented with harsh realities she turns her mind to a childhood memory to avoid thinking. It is obvious that one cannot live in the past to escape the present, which is why Amanda's use of fabrications to fill boredom and void within her life pushed her son away in the …show more content…
We see an illustration of this when Tom announces in the first scene of the play, "He gives you illusion that has the appearance of truth. I give you truth in the pleasant disguise of illusion". (scene 1) This statement blatantly portrays the theme of appearance v. reality and provides possible insight as to why Tom feels this issue has been so prevalent in his and his family's life. Another recurring symbol in relation to Tom is that of the fire escape. Outside the fire escape is the dance hall, which is used as a symbol for the world outside of the small apartment. Tom is frequently standing out on the fire escape smoking, portraying a figurative and to some degree, literal, release from his daily life. In one instance, while he is out taking a smoke, he notices two kids kissing in the alley. As he notes "This was the compensation for lives that passed like mine, without any change or adventure. Adventure and change were imminent in this year." In saying this, Tom makes the recognition that while he continues to live the dull and eventless life he has been leading, the people he observes experiencing life outside of his gloom show him that there is more to life than his current state and give him hope to escape the current issues he
... Amanda’s past inside Tom’s memory, removes the audience from the real world to the image and back, adding to the eerie atmosphere of the play.
A play, The Glass Menagerie, was written by Tennessee Williams in 1944. Many films have been produced after this play was published. An example of these films would be the one produced in 1987 by Paul Newman. There are many similarities in addition to differences between the play and the film.
Amanda Wingfield is mother of Tom and Laura. She is a middle-aged southern belle whose husband has abandoned her. She spends her time reminiscing about the past and nagging her children. Amanda is completely dependent on her son Tom for finical security and holds him fully responsible for her daughter Laura's future. Amanda is obsessed with her past as she constantly reminds Tom and Laura of that " one Sunday afternoon in Blue Mountain when she once received seventeen gentlemen callers" (pg.32). The reader cannot even be sure that this actually happened. However, it is clear that despite its possible falsity, Amanda has come to believe it. Amanda also refuses to acknowledge that her daughter Laura is crippled and refers to her handicap as " a little defect-hardly noticeable" (pg.45). Only for brief moments does she ever admit that her daughter is crippled and then she resorts back into to her world of denial and delusion. Amanda puts the weight of Laura's success in life on her son Tom's shoulders. When Tom finally finds a man to come over to the house for diner and meet Laura, Amanda blows the situation way out of proportion. She believes that this gentlemen caller, Jim, is going to be the man to rescue Laura. When in fact neither herself nor Laura has even met this man Jim yet. She tries to explain to Laura how to entertain a gentleman caller; she says-talking about her past " They knew how to entertain their gentlemen callers. It wasn't enough for a girl to be possessed of a pretty face and a graceful figure although I wasn't slighted in either respect.
The Glass Menagerie closely parallels the life of the author. From the very job Tennessee held early in his life to the apartment he and his family lived in. Each of the characters presented, their actions taken and even the setting have been based on the past of Thomas Lanier Williams, better known as Tennessee Williams.
Later, Amanda once again harrasses Tom for jeopardizing his job and the family’s security, all to go to the movies and drink liquor. Foreshadowing his own leaving, Tom angrily gestures to his father’s picture on the wall saying to his mother, “you say self [myself], self’s all I ever think of. Why, listen, if self [myself] is what I thought of, Mother, I'd be where he is - GONE!” (3. Tom) To elaborate, Tom is saying that if he was truly as selfish as his mother describes, he would have left long ago, just like his father. Throughout The Glass Menagerie, Tom remains hateful to his mother, and even names her a witch during one of their arguments. It is safe to say that Amanda is the one person that really drives Tom
Robin Williams: Living the American Dream Americans are blessed with the freedoms of life, liberty, and the pursuit of happiness. Each person is entitled to pursue the true dreams and desires of his or her heart. These individualized opportunities are often referred to as the American Dream. Difficulties frequently arise on the journey to one's dream. One must find a way to conquer these struggles to make his or her dream a reality.
Amanda was a woman who lives in a world of fantasy and reality. In the past memory and the future of the fantasy made Amanda very strong, but in the face of reality she was fragile. Just like Tom used to explain “I give you truth in the
The family dynamics for Tennessee Williams are evident of a lifestyle of despondency and tension within the household. Tennessee Williams mother Edwina Williams she considered herself a Southern Belle, and his sister Rose Williams was a sickly adolescent whom he shared his imaginative dramatizations with as he transcribed his plays. While Williams was in graduate school at the University of Iowa, Rose was institutionalized for schizophrenia and was underwent a pre-font lobotomy. “The symbolization of lobotomy in the “Glass Menagerie” play signifies the hurt that Tennessee Williams felt by his parents by not collaborating to him that his sister underwent surgery. In the play, Williams substitutes the mental illness of his real sister, with a physical limitation “a limp” which Williams substituted for the mental illness of his real sister, Rose. Even the father’s absence reflects periods when his bullying sales man father, Cornelius Coffin Williams, would go on the road, leaving Tom, Edwina and Rose at one another’s mercies (Charles Matthews, 1996-2016).”
Bloom, Harold, Frank Durham, and Nancy M. Tishcler. Tennessee Williams's The Glass Menagerie. New York: Bloom's Literary Criticism, 2007. Google Books. Web.
In the study of Tennessee Willliams' plays: "Suddenly Last Summer" and "The Glass Menagerie", we can find a great deal of autobiographical connections. "The Glass Menagerie" is particularly considered the author's most biographical work. It is described by the playwright as "a memory play"; indeed, it is a memory of the author's own youth, an expression of his own life and experiences. Similarly, "Suddenly Last Summer" includes many of Tennesse Williams' real life details.
Tennessee Williams was one of the greatest American dramatists of the 20th century. Most of his plays take us to the southern states and show a confused society. In his works he exposes the degeneration of human feelings and relationships. His heroes suffer from broken families and they do not find their place in the society. They tend to be lonely and afraid of much that surrounds them. Among the major themes of his plays are racism, sexism, homophobia and realistic settings filled with loneliness and pain.1 Tennessee Williams characters showed us extremes of human brutality and sexual behavior.2 One of his most popular dramas was written in 1947, and it is called A Streetcar Named Desire.
Amanda a loving and caring mother devoted her life for her childern .she is abondaned by her husband,the only one she loved deeply.She struggles to secure her children`s lives and when she is overwhelmed by despair she resorts to her memories.
Generally when some one writes a play they try to elude some deeper meaning or insight in it. Meaning about one's self or about life as a whole. Tennessee Williams' "The Glass Menagerie" is no exception the insight Williams portrays is about himself. Being that this play establishes itself as a memory play Williams is giving the audience a look at his own life, but being that the play is memory some things are exaggerated and these exaggerations describe the extremity of how Williams felt during these moments (Kirszner and Mandell 1807). The play centers itself on three characters. These three characters are: Amanda Wingfield, the mother and a women of a great confusing nature; Laura Wingfield, one who is slightly crippled and lets that make her extremely self conscious; and Tom Wingfield, one who feels trapped and is looking for a way out (Kirszner and Mandell 1805-06). Williams' characters are all lost in a dreamy state of illusion or escape wishing for something that they don't have. As the play goes from start to finish, as the events take place and the play progresses each of the characters undergoes a process, a change, or better yet a transition. At the beginning of each characters role they are all in a state of mind which causes them to slightly confuse what is real with what is not, by failing to realize or refusing to see what is illusioned truth and what is whole truth. By the end of the play each character moves out of this state of dreamy not quite factual reality, and is better able to see and face facts as to the way things are, however not all the characters have completely emerged from illusion, but all have moved from the world of dreams to truth by a whole or lesser degree.
AMANDA WINGFIELD the mother. A little woman of great but confused vitality clinging frantically to another time and place. Her characterization must be carefully created, not copied from type. She is not paranoiac, but her life is paranoia. There is much to admire in Amanda, and as much to love and pity as there is to laugh at. Certainly she has endurance and a kind of heroism, and though her foolishness makes her unwittingly cruel at times, there is tenderness in her slight person. (Williams 781)
As a playwright write William’s was not afraid to depict his own life through his literary works. William’s has been a very significant author in literature, as described by the New York Times (1983) as “the most important American playwright after Eugene O 'Neill”. Tennessee William’s was also recognized because of the way he wrote, and his impact on society, and his personal experiences, inserted into the plays. ‘He had a profound effect on the American theater and on American playwrights and actors. He wrote with deep sympathy and expansive humor about outcasts in our society. Though his images were often violent, he was a poet of the human heart’ (M. Gussow, 1983). Three of his most famous works, out of all that he had were The Glass Menagerie, A street Car Named Desire, and lastly Cat on a Hot Tin Roof. In all three of these plays they depicted/ reflected a point in time where William’s went through a negative experience, which influenced him to insert these experiences into the plays. Also in all his plays, they were about a family and their struggles to see the reality of their world and trying not to go along with the norms of society. A similarity in all the plays was that William’s made the women in all these plays as himself. In other words the women represented his life. "It 's true my heroines often speak for me. That doesn 't make them transvestites. Playwrights