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Fitzgerald's life in Tender is the Night
Theme of death and loss in literature
Theme of death and loss in literature
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Recommended: Fitzgerald's life in Tender is the Night
Loss as a Literary Theme In the book Tender is the Night, by F. Scott Fitzgerald, there were two themes that presented themselves throughout the book more so than some other themes. Love was widely presented and in many different ways. The love for a child, the love for a wife as a lover and friend, and a love for a girl that transformed from a fatherly love to something more than it ever should have been. Loss was the other theme presented in Tender is the Night. Loss was also presented in a variety of ways. One of the main characters, Nicole, has a psychotic episode towards the end of the first third of the book. Dick, her husband, begins to distance himself from her and turns to alcohol instead, and in turn, Nicole too, drifts away from her husband and finds a new love. One can learn from this book that “Loss of another can too quickly lead to the loss of oneself. Numerous instances really showed the theme of loss. One can find that it wasn’t necessarily the loss of someone close to the character through death, but much rather through spirit. In the first third of the book, towards the end of the chapter, a man was murdered in Rosemary’s room(Rosemary is the other major …show more content…
Nicole ended up getting fed up with him and divorced him for another man. Dick moves to America permanently and becomes extremely depressed and dives deeper into alcoholism. After taking a deeper look at what the loss of another can do to oneself, and what it did to Dick, one can connect this theme to the real world and how the death of another, or the falling out of friends really can affect a person. They end up becoming someone they’re not, and then trying to cover it up with activities such as new lovers, alcohol, and drugs. To conclude, “the loss of another can too quickly lead to the loss of oneself” is shown in F. Scott Fitzgerald’s book Tender is the Night, you just have to know where to find
Sometimes the power of love does not always lead to a happy ending. In his novel, The Great Gatsby, F. Scott Fitzgerald tells the story of a tragic love story on American life. Two lovers are joined together after five years knowing that one of them is married and has a child. As uncontrollable conflicts occur, these lovers are separated and forced to leave behind their past and accept failure.
A soft breeze lifts off the Sound and brushes Nick Carraway’s face as he emerges from the shadows into the moonlight. His eyes first gaze across the bay to the house of Tom and Daisy where Nick sees past the walls to people who “...smashed up things and creatures and then retreated back to their money or their vast carelessness or whatever it was that kept them together...” (Fitzgerald: 187- 188). Nick’s head then turns to his side where he views Gatsby’ s mansion. His heart swells for the man who was unable to let go of the past, and move toward his future. With the two houses juxtaposed in his mind’s eye, Nick ponders his experiences in the East, and enters the car to take him home with a new perspective on life. Nick’s maturity becomes evident as his perspective of society becomes more realistic as a result of his observing the consequences which occur in unhealthy relationships.
When referring to the demise of Dick in Fitzgerald's Tender is the Night, I think it is impossible that we not consider the demise of Dick and Nicole as a couple. They begin the book as a unit rather like a Chinese dragon with Dick at the head and Nicole following behind, both covered by the decorative cloak of the appearances they maintained. There are several transitions that they go through that upset the balance that allowed them to maintain a functioning marriage. I believe that while there were several factors impacting their relationship, it is the increasing independence and strength of Nicole that ultimately ends the marriage, and severs the tie that allows Dick to maintain his identity.
In chapter 2 of The Great Gatsby, Fitzgerald illustrates the change of Nick’s emotions. During the early 1920s a new dawn buds out with Nick, and Tom traveling to New York. On their way they stop to visit Tom’s lover Myrtle Wilson at the Valley of Ashes. Myrtle Wilson invites Tom, Nick, the Mckee family, and her sister Catherine to her apartment for a party in New York. During the end of the party Nick expresses a variety of emotions, as he is “enchanted” and “repelled” by the arguments, and the careless gibberish of the drunken souls . Nick is enchanted by the amount of secrecy humans can disclose to a “casual watcher” when they are careless. He is “repelled” by the arguments and the derogatory comments Myrtle, and Tom makes about other people as they start to drink more.
All of the main characters in Tender is the Night are wealthy enough that they can lead a life of leisure. One of the main activities of this lifestyle is drinking. Drunkenness causes and is the result of many negative things that happen to the characters. This is evidenced the most by the actions of Abe North and Dick Diver. The first time we meet Dick Diver in Fitzgerald's Tender is the Night he is "going from umbrella to umbrella carrying a bottle and little glasses in his hands"(Fitzgerald, 11). From that point on there is alcohol involved in almost every scene.
The complete loss of control over Nicole and over her illness is the ultimate demise of Dick. "She hated the beach, resented the places where she had played planet to Dick's sun. Why I'm almost complete, I'm practically standing alone, without him"(321). Nicole's realization of her freedom leads her away from Dick, and his only success was in the end his greatest failure, the loss of love of his wife and his loss of the life he knew.
Through this character, Fitzgerald conveys a skeptical and logical, yet romantic and hopeful tone. This is shown by Nick’s cynical, but tender personality. “‘You can’t repeat the past.’ ‘Can’t repeat the past?’ he cried incredulously. ‘Why of course you can!’” (110; Ch. 6).This quote shows Nick’s logical look on life and how he believes these hopeless romantic ways of Gatsby’s will not always work . “You’re worth the whole damn bunch put together.” (154; Ch. 8). Contrary to the previous quote, this quote shows Nicks admiration for Gatsby. This quote also may suggest that Nick wishes for something better; he longs for a love like Gatsby’s.This possible romantic side of Nick is also shown by his relationship with Jordan, “.... I put my arm around Jordan’s golden shoulder and drew her toward me and asked her to dinner.”(79;Ch. 4). Nick’s assessment and criticism toward Jordan, Tom, and Daisy also show his skeptical and logical outlook on others around him.This tone shows Nick’s struggle between being like the emotionless and careless people around him (like Tom) or to be his own hopeful and romantic man (following
At the hotel gathering, Gatsby struggles to persuade Daisy to confront her husband and she responds with “Oh, you want too much! . . . I did love him once--but I loved you too” (Fitzgerald 132). Daisy desperately tries to satisfy Gatsby but his imagination blocks his mind to such a degree that it eliminates his chances of learning how to comprehend reality. After Myrtle’s murder, Nick advises Gatsby to leave town but instead he realizes that “[Gatsby] wouldn’t consider it. He couldn’t possibly leave Daisy until he knew what she was going to do. He was clutching at some last hope and I couldn’t bear to shake him free” (Fitzgerald 148). No matter how hard Nick attempts to help him make the better choice, Gatsby continues to skew his priorities like a juvenile. Unfortunately for Gatsby, Daisy stays with Tom, a more secure and experienced adult, leaving Gatsby alone. As Gatsby’s life loses his vitality, he obviously needs learn how to act like an adult and survive in the world; but unable to accomplish this, Wilson kills him soon
Mrs. Mallard’s repressed married life is a secret that she keeps to herself. She is not open and honest with her sister Josephine who has shown nothing but concern. This is clearly evident in the great care that her sister and husband’s friend Richard show to break the news of her husband’s tragic death as gently as they can. They think that she is so much in love with him that hearing the news of his death would aggravate her poor heart condition and lead to death. Little do they know that she did not love him dearly at all and in fact took the news in a very positive way, opening her arms to welcome a new life without her husband. This can be seen in the fact that when she storms into her room and her focus shifts drastically from that of her husband’s death to nature that is symbolic of new life and possibilities awaiting her. Her senses came to life; they come alive to the beauty in the nature. Her eyes could reach the vastness of the sky; she could smell the delicious breath of rain in the air; and ears became attentive to a song f...
In Fitzgerald’s works, losing love to someone of a higher status is a recurring motif. In The Great Gatsby, Gatsby and Daisy are two lovers, brought apart by war. During this time Daisy marries a man named Tom, an extremely privileged young man, because of her need for love and falls in love with the wealth, rather than the man and the “perfection” that comes with it. When returning from the war, Gatsby sees their life in the newspapers
Another way that death and loss is evidenced by this novel is when Lennie killed Curley’s wife. When Lennie is in the barn (after killing his new puppy) Curley’s wife came into the barn and came on to Lennie. Lennie not knowing what was happening let her lull him into touching her hair. To Lennie it was like petting any other animal. Curley’s wife became flustered when Lennie became scared and would not let go of her hair. She started to scream and Lennie tried to cup her mouth, which concluded in him killing her. Lennie was truly remorseful after this action. Soon after killing her Lennie can be heard saying to himself, “I done a bad thing. I done another bad thing (121).”
Tuttleton, James W. "Vitality and Vampirism in Tender Is the Night." Critical Essays on F. Scott Fitzgerald's Tender Is the Night. Ed. Milton R. Stern. Boston: Hall, 1986. 238-246. Rpt. in Twentieth-Century Literary Criticism. Ed. Kathy D. Darrow. Vol. 280. Detroit: Gale, 2013. Literature Resources from Gale. Web. 14 Jan. 2014.
Since Nick had just moved to New York, he did not know anyone, but his second cousin Daisy and her husband Tom. Nick saw Tom as an arrogant man with a lot of money and power in his hands. Tom was a Yale graduate and a football player that many people feared. He was self- centered like his wife, Daisy. He was a man who thought he was better than any other man in the world as he even said it to Nick, ‘"Now, don't think my opinion on these matters is final," he seemed to say, "just because I'm stronger and more of a man than you are"’ (Fitzgerald). Because Nick reserved his judgments, he tried to understand other people’s situations rather than holding them up to his own standards. On the other hand, he sometimes did not know how to respond to other people’s situations such as Tom’s affair with Myrtle. He wanted to flee from the scene since he did not want to be a part of it, ‘"Hold on," I said, "I have to leave you here"’ (Fitzgerald). ...
Sarah’s love for Bendrix almost destroys her marriage and at times her love for Henry “He’d won and Maurice lost, and I hated him for his victory” (1951, 3.VII.95). Yet she remains with Henry out of “fear and habit” (1951, 2.II.41), Fear of the unknown or the loss of Henry 's “security” (1951, 2.IV.51), or perhaps God’s wrath for her abandonment of her promise. Habit in the fact she had been married to Henry for 12 years, a choice she made when she was “too young to know what I {she} was choosing” (1951, 3.IV.82) there by blaming her naivety in youth. Fitzgerald 's character of Nick also seeks convenience out of his lovers for example Jordan, his main attraction to her is that she is there and willing and he fears a “Decade of loneliness” (1926, 7.129)that comes with turning thirty. Yet these ideas illuminate the presentation of love when it comes to Bendrix, he does not love out of convenience, love makes him “jealous” (1951, 2.II.42) and “tired” (1951, 5.VIII.160) and filled with “unhappiness” (1951, 1.VI.25). His love for Sarah is self-destructive rather than outwardly
It is not the tragic subject matter of the text that is of primary interest - but rather the manner in which the plot is developed. The story line progresses as if the reader is "unpeeling an onion."