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An essay on cuban missile crisis
Essay on the cuban missile crisis
An essay on cuban missile crisis
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To begin with, there is a significant difference between the plot of Berton Roueché’s short story, “Ten Feet Tall” (1955) and of Nicholas Ray’s dir. adaptation of it in his movie Bigger Than Life (1956). Both plots deal with characters who suffer from manic-depressive psychosis due to their cortisone drug addiction, but Robert Laurence’s condition is not self-inflicted. This mild-mannered character falls victim to medical malpractice as his physician prescribes high doses of cortisone, which Robert does not question because of his child-like faith of “doctor knows best”. Whereas Ed Avery’s dominant and impertinent character breaks loose and takes it upon himself to increase his doses, pretends to be a doctor at a pharmacy and writes his own prescription. The differences between these two characters make an interesting twist in Nicholas Ray´s adaptation of the plot of “Ten Feet Tall”.
Additionally, these two very different plots built on the addiction to cortisone portray opposite types of genres. Roueche’s “Ten Feet Tall” is a short story written for the New York Times under the title “The Annals of Medicine” and illustrates the true story of a schoolteacher, Robert, who becomes critically ill. While Bob’s story could fall under the category of science fiction, revealing medical advantages in drug productions and their side effects, Ed Avery’s addiction to drugs displays his manic consumerist society as a scientific, horror film. Cortisone, in Ed’s case, is a manifestation of the American dream gone wrong. The diabolical intake of large, societal doses of rules, discipline, religion, education, non-dependency, life standards, status and power, demonstrates the thin line between living the dream and manic behavior. Specifically, ...
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...r and second Red Scare. The Cold War, collisions of scientific advantages and technical progress altered society’s state of mind. Paranoia infested itself into the minds of nations, particularly the U.S, leading to science fictional themes or analogues of subversion and destruction of the American Dream in stories and movies.
Works Cited
Bigger Than Life. Dir. Nicholas Ray. 20th Century Fox, 1956. DVD.
Ellis, John. “The Literary Adaptation.” Screen (1982) 23 (1): 3-5.
Rebel Without a Cause. Dir. Nicholas Ray. Warner Bros, 1955. DVD.
Roueche, Berton. “Ten Feet Tall.” The New Yorker 10 September 1955. Print.
Sanders, Julie. Adaptation and Appropriation. London: Routledge, 2006. Print.
Wilson, Timothy D., et al. “The pleasures of uncertainty: prolonging positive moods in ways people do not anticipate.” Journal of personality and social psychology 88.1 (2005): 5.
Madness: A History, a film by the Films Media Group, is the final installment of a five part series, Kill or Cure: A History of Medical Treatment. It presents a history of the medical science community and it’s relationship with those who suffer from mental illness. The program uses original manuscripts, photos, testimonials, and video footage from medical archives, detailing the historical progression of doctors and scientists’ understanding and treatment of mental illness. The film compares and contrasts the techniques utilized today, with the methods of the past. The film offers an often grim and disturbing recounting of the road we’ve taken from madness to illness.
Literature and film have always held a strange relationship with the idea of technological progress. On one hand, with the advent of the printing press and the refinements of motion picture technology that are continuing to this day, both literature and film owe a great deal of their success to the technological advancements that bring them to widespread audiences. Yet certain films and works of literature have also never shied away from portraying the dangers that a lust for such progress can bring with it. The modern output of science-fiction novels and films found its genesis in speculative ponderings on the effect such progress could hold for the every day population, and just as often as not those speculations were damning. Mary Shelley's novel Frankenstein and Fritz Lang's silent film Metropolis are two such works that hold great importance in the overall canon of science-fiction in that they are both seen as the first of their kind. It is often said that Mary Shelley, with her authorship of Frankenstein, gave birth to the science-fiction novel, breathing it into life as Frankenstein does his monster, and Lang's Metropolis is certainly a candidate for the first genuine science-fiction film (though a case can be made for Georges Méliès' 1902 film Le Voyage Dans la Lune, his film was barely fifteen minutes long whereas Lang's film, with its near three-hour original length and its blending of both ideas and stunning visuals, is much closer to what we now consider a modern science-fiction film). Yet though both works are separated by the medium with which they're presented, not to mention a period of over two-hundred years between their respective releases, they present a shared warning about the dangers that man's need fo...
The red scare was a time where people were falsely accused of being communist spies, and would be sent to prison. If somebody hated their neighbor, a co-worker, or even a teacher they could just accuse them of being a communist spy. Some cases were even so severe as in the case with Julius and Ethel Rosenberg. They were accused for stealing information on the atomic bomb and giving the information to the...
The 1950’s Red Scare did majorly impact artists and intellectuals of the time, but it also affected everyone from the average citizen to the highest ranking solider in the military. It is also very important to mention that the Red Scare also affected Canadians of the 1950’s and Canadian immigrants that lived in the area at the time. The thesis statement however is still a solid fact that can’t simply be shirked away and is a part of a moment in time that historians say is “the most despicable moment in human history.”
Drug in the American Society is a book written by Eric Goode. This book, as the title indicates, is about drugs in the American Society. It is especially about the misuse of most drugs, licit or illicit, such us alcohol, marijuana and more. The author wrote this book to give an explanation of the use of different drugs. He wrote a first edition and decided to write this second edition due to critic and also as he mentioned in the preface “there are several reason for these changes. First, the reality of the drug scene has changed substantially in the past dozen or so years. Second much more information has been accumulated about drug use. And third, I’m not the same person I was in 1972.”(vii). The main idea of this book is to inform readers about drugs and their reality. In the book, Goode argued that the effect of a drug is dependent on the societal context in which it is taken. Thus, in one society a particular drug may be a depressant, and in another it may be a stimulant.
The creation of a stressful psychological state of mind is prevalent in the story “The Yellow Wall-Paper” by Charlotte Perkins Gilman, as well as, Edgar Allen Poe’s “The Tell-Tale Heart”, Ophelia’s struggles in William Shakespeare’s “Hamlet”, and the self-inflicted sickness seen in William Blake’s “Mad Song”. All the characters, in these stories and poems, are subjected to external forces that plant the seed of irrationality into their minds; thus, creating an adverse intellectual reaction, that from an outsider’s point of view, could be misconstrued as being in an altered state due to the introduction of a drug, prescribed or otherwise, furthering the percep...
"The Red Scare: McCarthyism." Essortment Articles: Free Online Articles on Health, Science, Education & More... Web. 29 Dec. 2011. .
David Sheff’s memoir, Beautiful Boy, revolves around addiction, the people affected by addiction, and the results of addiction. When we think of the word addiction, we usually associate it with drugs or alcohol. By definition, addiction is an unusually great interest in something or a need to do or have something (“Addiction”). All throughout the memoir, we are forced to decide if David Sheff is a worried father who is fearful that his son, Nic Sheff’s, addiction will kill him or if he is addicted to his son’s addiction. Although many parents would be worried that their son is an addict, David Sheff goes above and beyond to become involved in his son’s life and relationship with methamphetamine, making him an addict to his son’s addiction.
...rphy knows the other patients are not crazy but the big nurse convinces them that they are. One student says “the book gave her insight into the mental institutions and that she liked the characters’ care free quality, even though they were ill.”(LA times) Kesey expected the same response from all of his audience, although, he received a negative response from parents. As author Upton Sinclair said about his book The Jungle, ‘I aimed my book at America’s heart, but I hit it in the stomach.” (Books Reconsidered), so did Kesey.
What symptoms classify a person to be diagnosed as sick? A cough, a sore throat, or maybe a fever. Often times when individuals refer to the word ‘sick’, they neglect to mention a common disorder, one which takes a tremendous amount of personal determination, courage and strength in order to overcome. Mental illness took the author, Joanne Greenberg, down a path complete with obstacles, forcing her to battle against schizophrenia, a chronic brain disorder resulting in delusions, hallucinations, trouble with thinking and concentration as well as a lack of motivation. This complex piece of literature was originally composed to fight against the prejudice accusations associated with mental illness, while providing the semi-autobiographical novelist
...e American Dream. Larry Ceplair and Englund stated in the book The Inquistion in Hollywood, “The destruction of the motion picture Left not only transformed the political atmosphere in Hollywood, but also adversely affected the kind of product which the studios turned out. “ In the early 20th century Hollywood reframed from producing politically controversial films in fear of becoming a target of McCarthy or the HUAC. Anti-communism influences the films produced, films portrayed communism as evil and immoral. The films during the cold war certainly portrayed the political storm between the progressive left and the conservative right. Films such as Ninotchka in 1939, showed anti-communism, guilty of Treason 1949, showed an attack against communism, exploiting the evils of communism was shown in Docudrama. The Red Menace in 1949 showed the immense threat f communism.
Schrof, Joannie M. "Pumped Up." U.S. News and World Report 1 June 1992: 54+. SIRS "Drugs", vol. 5, article 52.
Then comes the red scare where the U.S. is involved with the war going on and people are starting to panic about the revolution. Bombing were becoming ...
Throughout David Sheff’s book, he incorporates detailed diction in describing his environment, past, and the people around him as to allow the reader to be able to imagine what he had seen during this course of his life. As the father of a drug addict, Sheff had also had his own experience with drugs, in which he describes this experience with words and phrases such as “I heard cacophonous music like a calliope”, “[The brain’s neurotransmitters flood with dopamine], which spray like bullets from a gangster’s gun” and “I felt
This movie follows the fictional Dr. Strangelove and the US president as they struggle to avoid all out nuclear war with the Soviet Union, along with also avoiding the dreaded Soviet Doomsday Device. The countdown begins when General Ripper, who is afraid that adding florid to US water supplies is a soviet plot, calls for a all out nuclear strike on the soviet union and he is the only man who can recall it. The main argument made in this film is how the largely absurd Red Scare after World War 2 looks when viewed in a comedic way. Not only does this film highlight the Red Scare but other “hot topics” of the time, including: Fluoridation of US waters, US use of Nazi Scientists and movies sexualization of the time.