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Analysis on the tell tale heart
Analysis tell tale heart
Analysis of the tell-tale heart
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Tell Tale Heart
"True!--nervous--very, very dreadfully nervous I had been and am; but why will you say that I am mad? The disease had sharpened my senses--not destroyed--not dulled them. Above all was the sense of hearing acute. I heard all things in the heavens and in the earth. I heard many things in hell. How, then, am I mad?"
"...Now this is the point. You fancy me mad. Madmen know nothing. But you should have seen me. You should have seen how wisely I proceeded--with what caution--with what foresight--with what dissimulation I went to work! I was never kinder to the old man than during the whole week before I killed him."
It is impossible to say how the idea of murdering the old man first entered the mind of the narrator. There was no real motive as stated by the narrator: "Object there was none. Passion there was none. I loved the old man. He had never wronged me....For his gold I had no desire. I think that it was his eye!"
The narrator states that one of the old man's eyes was a pale blue color with a film over it, which resembled the eye of a vulture. Just the sight of that eye made the narrator's blood run cold, and as a result, the eye (and with it the old man) must be destroyed.
Every night at midnight, the narrator went to the old man's room. Carefully, he turned the latch to the door, and opened it without making a sound. When a sufficient opening had been made, a covered lantern was thrust inside. "I undid the lantern cautiously...(for the hindges creaked)--I undid it just so much that a single thin ray fell upon the vulture eye. And this I did for seven long nights...but I found the eye always closed; and so it was impossible to do the work; for it was not the old man who vexed me, but his Evil Eye."
The old man suspected nothing. During the day, the narrator continued to perform his usual duties, and even dared to ask each morning how the old man had passed the night; however, at midnight, the nightly ritual continued.
Upon the eighth night, the narrator proceeded to the old man's room as usual; however, on this night, something was different. "Never before that night had I felt the extent of my powers--of my sagacity.
In paragraph 3 and 4 the narrator explains, “ And every night, about midnight, I turned the latch of his door and opened it. . . I did this seven long night-every night just at midnight. ” This shows that he was a calculated killer because of the time he took to watch the man before killing him. It shows how the narrator thought it through. Also shows how he was going to have to study the old man's sleeping behaviors in order to have to kill him.
The omnipresent imagery of darkness evokes the sentiments of fear, danger and death. “Come thick night, and pall thee in the dunnest smoke in hell” associates the darkness of the night with supernatural powers, seen in the word “hell”. This creates a sense of unease in the audience, we feel inferior to the outside forces present. Darkness is seen as a blanket for dark deeds, in this case murder. It is described as “thick” – an impenetrable, heavy barrier. This creates a feeling of being captured, that there is no exit from this night. Death is shown in the passage through the use of the word “pall” – a funeral cloth, implying the future murder. The tone is suspicious, threatening. Lady Macbeth is full of madness, bringing fear to the audience. A similar image is portrayed in “nor heaven peep through the blanket of the dark”. The image of darkness as a blanket masking the evil is often present throughout the first two acts. “Nor heaven peep” implies the sinful nature of what will be done, as heaven is forced to stay out of it. This suggests supernatural or demonic powers interfering in the actions, creating tension and unease within the audience. Darkness is also seen in the we...
The logic the narrator provides is that he thinks the desire to murder the old man results from the man’s eye, which bothers him. He says, “When the old man looked at me with his vulture eye, a cold feeling went up and down my back; even my blood became cold. And so, I finally decided I had to kill the old man and close that eye forever!” (Poe 65). The fact that this man’s eye is what makes him very angry is such an irrelevant reason for the narrator to kill him.
Slowly Lady Macbeth manipulated his mind to think the right thing to do was kill Duncan. Macbeth had decided in order to prove his manhood he must go through with this horrible act.
" You fancy me mad? Madmen know nothing about this. But you should have seen how wisely I proceeded-with what caution-with what foresight-with what dissimulation I went to work!" In addition, every night at midnight the narrator slowly went into the room of the old man. He claims this was done so wisely that he could not be insane.
This is the first sign that we can trust this narrator to give us an even-handed insight to the story that is about to unfold. But, as we later learn, he neither reserves all judgments nor does his tolerance reach its’ limit.
Instead of ya know, kicking him out, the narrator decides he can no longer bare looking at the old mans “evil eye.” The eye makes the narrator think of a vulture’s eye, with it’s glazed over blue tint, always watching our narrator. This drives him into madness. He chops up the body and buries the old man under the floorboards. He keeps the man’s death a secret, but the guilt starts to take a toll on our murderer. The evil eye possessed the narrator in a sense. It consumed his mental state. His blood ran cold before the killing but now, the old man’s “beating heart,” increased his “fury.” The heart heated faster and faster. The man declares he is not a “mad man.” Could a mad ,an have been so careful, then again a mad man would kill someone over a glazed eye with no intention of pocketing the money he could have received for a natural case of death. He could have staged the death and made profit and no “beating heart” would have ever made him made. He buried his secret and we all know they come back to haunt
"True!--nervous--very, very dreadfully nervous I had been and am; but why will you say that I am mad? The disease had sharpened my senses--not destroyed--not dulled them. Above all was the sense of hearing acute. I heard all things in the heavens and in the earth. I heard many things in hell. How, then, am I mad?" "...Now this is the point. You fancy me mad. Madmen know nothing. But you should have seen me.” As you can see this man is clearly mad, because this story is told in the first person it helps you understand the character even better, because we are seeing what exactly is happening to him moment by moment. It helps us understand what is going on in his head because we are getting to know him through out the story.
Even though the old man has done nothing to deserve this hatred, the young man is repulsed by his hideous feature. The man decides that he will murder the old man to escape the torment that the eye inflicted upon him. For many nights, the man approached the old man’s chambers with murderous intent, but could not execute his plans because he could not see the dreaded eye. One night,however, the old man awoke and the man maliciously murdered him and severed the libs. He meticulously hid all body parts within the walls and floor. When the police showed up the following morning, he calmly and confidently answered the door. After all suspicion had been
For some strange reason, the narrator was obsessed with the old man’s eye. He wasn’t even certain on how it started, but to him, it was an eye of a vulture. The old man was going to be murdered because of his pale blue eye. Infact, for seven straight nights at midnight the eye was closed. It wasn’t until finally on the eighth night when the narrator’s thumb slipped on the tin fastening, which woke up the old man. He grew furious when he did see the eye and new inside that he must murder this old man because of his eye. It is hard to imagine why a person’s eye would bother another person enough to kill, but some people are truly insane.
The story opens and closes with images of blindness. The street is "blind" with an "uninhabited house… at the blind end." As he spies on Mangan's sister, from his own house, the boy intentionally limits what he is able to see by lowering the "blind" until it is only an inch from the window sash. At the bazaar in the closing scene, the "light was out," and the upper part of the hall was "completely dark." The boy is left "gazing up into the darkness," seeing nothing but an inner torment that burns his eyes.
Upon reading a little bit into the story the reader finds that the narrator likes the old man or rather doesn’t having anything against him, except for his eye. The pale blue eye was the focus point for his rage he hates but not the old man. How can anyone just hate someone’s eye without being mentally unstable? “I think it was his eye! Yes, it was this! One of his eyes resembled that of a vulture – a...
The fixation on the old man's vulture-like eye forces the narrator to concoct a plan to eliminate the old man. The narrator confesses the sole reason for killing the old man is his eye: "Whenever it fell upon me, my blood ran cold; and so by degrees - very gradually - I made up my mind to rid myself of the eye for ever" (34). The narrator begins his tale of betrayal by trying to convince the reader he is not insane, but the reader quickly surmises the narrator indeed is out of control. The fact that the old man's eye is the only motivation to murder proves the narrator is so mentally unstable that he must search for justification to kill. In his mind, he rationalizes murder with his own unreasonable fear of the eye.
The next character introduced is the narrator. He is both complex and interesting. He thinks he is not crazy. As he goes out of his way to prove that his is not insane, he does the exact opposite. His relationship with the old man is unknown. However, he does say he loves the old man. “I loved the old man.” (Poe 1).
The wasted face of a little child looked out of the windows with eyes made wild, by the ghostly shades in failing light, and the glimpse of a drunk man in in the night, cursing and reeling from side to side. The poor boy trembling and trying to hide, clung to his mother’s skirts and cried, Papas coming!