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History and terms of architecture
Architectural advances during the industrial revolution
History and terms of architecture
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Introduction:
Architecture and technology are interrelated. This connection started to become more obvious with the industrial revolution that was marked by many innovations important to architecture such as steel, electricity, elevators, and climate control equipment. After that faster paced revolutions were introduced by information technology that involve synthetic building materials, computer aided design and automatically generated drawings. These advances opened new horizons for architecture and building materials that were not possible or even –imaginable- fifty years ago. This essay examines the impact of such technology (especially IT) on architecture: starting with the past technologies effects on the practice in both form and materials,
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For example, Roman architects used stone in a different way from their predecessors. They used stone arches, vaults, domes and roman concrete to have strong durable structures with larger spans. In the Gothic era, the invention of the flying buttress enabled the designers of the cathedrals to have thin high walls with large colored windows that brought light into the interior spaces. In the 17th century, the invention of steel followed by the invention of the electrical elevator permitted the design and building of tall skyscrapers. Mies van der Rohe is a good example of an architect who considered the effects of industrial revolution and found out ways of how to benefit from it.
As well as design, the properties of materials used in construction have major effects on the form of the building. As each material has its limits and can be shaped in restricted ways. Their properties determine how the building looks and behaves. The stone walls used in the historic examples of architecture are difficult to shape and have low strengths compared to the later discovered steel and concrete. Steel structures allow taller buildings with wide spans and free interior
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Cyberspace: where more and more activities are starting to take place such as socializing, learning, shopping, online transaction, etc. This whole idea can promote the birth of a new type of architecture. After all, architecture involves making places: environments that help and improve human actions, for example, living, learning, socializing...etc.
The start of virtual places can be traced to video gaming, not the ones with the simple two-dimensional environments, but the complex three-dimensional places created on a world scale. The ideas in them involve creating places that people would want and enjoy being in. therefore it is logical to assume that the principles of creating such spaces would be the same one that have been real place making for decades.
Virtual architecture although unburdened by the laws of nature and physics, social and cultural logic are still important components that if disregarded, their absence can cause discomfort and irritation. For example in a cyber world is not required to use tables, but having the objects floating in mid air, is rather uncomfortable.
The negative side of
“Architecture starts when you carefully put two bricks together. There it begins,” this quote said by Ludwig Mies Van der Rohe, suggests that architecture is more than just attractiveness and beauty within a building; it is also a form of engineering and calculated skill. The Romans through the Pont du Gard aqueducts built in Nimes during 16 BCE prove this idea to be correct. The Romans did more than just “put two bricks together” in a tasteful way when constructing the aqueducts, they put the bricks and stones together attentively, with great muscle, and with the extraordinary capability to utilize engineering skills. The Romans’ engineering and architectural expertise influenced modern architects such as Mies Van der Rohe later on, but the
Concrete: The Romans invented concrete, a strong and light building material. The Colosseum was built with thousands of tons of concrete, and it is still a popular monument today, enduring milleniums. Concrete is seen as a revolution to comtempary architecture because it is used worldwide today.
There were several great architects of the nineteenth century who changed and revolutionized the future of architecture. Among them was Frank Lloyd. As an architect, the changes he made in the field of architecture are still being felt today. His impact was mainly felt between mid-19th and in the beginning of the 20th century when a lot of changes were sparked most especially by the industrial revolution. This paper, therefore, seeks to provide more insight on this man Frank Lloyd and modernism.
During the college, Structure Systems course drew my attention towards the relationship between architecture and technology. I remember that I chose Walt Disney Concert Hall building as a case study for an assignment in this course, and I was impressed by the impact of the computer technology on the design of the building, and how the architect “Frank Gehry” used technology to transform his Incomprehensible sketches to real buildings. Since then, my objective centered on integrating technology in my designs and my researches in spite of all criticism I faced and still face. This objective was applied firstly on my undergraduate thesis where I wanted to emphasize the impact of technology on mass composing phase of the design concept. At the beginning, the thesis was acclaimed by many members of the Evaluation Committee, but it received a lot of praise at the end. Even during my career experience in the National Consulting Bureau, I attempt many times to login technology in my works, but the efforts failed because of the avoidance of building unusual and uncommon designs by local people and government. Consequently, I returned to the traditional style in the design for locals while used my creativity in the participation in the international...
This subject was suggested as a possible topic from the course outline. As it is an area of much interest and controversy was chosen as the direction of study for the paper. Previous research into Virtual Reality (VR), coupled with a particular interest in its architectural application also proved motivating. However, although the direction of the initial research appeared straightforward, after further investigation it became obvious that there were in fact two distinctly different interpretations that could be drawn from the area of Virtualism in Architecture. This division was between whether VR was used FOR architecture (VR used as a tool to aid in architectural design). Or whether it was used AS architecture (architectural design within the world of VR). Therefore this paper will be divided into two sections, each discussing the two different ideas with the aim of applying a necessary critical perspective.
The essence of modern architecture lays in a remarkable strives to reconcile the core principles of architectural design with rapid technological advancement and the modernization of society. However, it took “the form of numerous movements, schools of design, and architectural styles, some in tension with one another, and often equally defying such classification, to establish modernism as a distinctive architectural movement” (Robinson and Foell). Although, the narrower concept of modernism in architecture is broadly characterized by simplification of form and subtraction of ornament from the structure and theme of the building, meaning that the result of design should derive directly from its purpose; the visual expression of the structure, particularly the visual importance of the horizontal and vertical lines typical for the International Style modernism, the use of industrially-produced materials and adaptation of the machine aesthetic, as well as the truth to materials concept, meaning that the true nat...
The role of the visual in today’s society is quite apparent. Beautiful, flashy images are everywhere in the media, and all of them serve the same purpose. The purpose of all of these images is to get you, the consumer to buy the product that is being sold, or at least buy into the idea that a particular product represents. The role of the visual in modern architecture is very much the same. The purpose of the visual in modern architecture is to publicize or privatize a building through any media necessary to create the desired representation, and thereby sell the idea.
[6] Macdonald, Angus. The Aestheticisation of the Steel Framework: the Contribution of Engineering to a Strand of Modern Architecture that became known as High Tech [online]. Available From: http://www.arct.cam.ac.uk/Downloads/ichs/vol-2-2037-2054-macdonald.pdf [Accessed 30th April 2014]
“They [Romans] placed arches back to back to form a barrel vault, at right angles to each other to form a cross or groined vault, and around a central point to form a dome” (Fiero 152). These same Roman architectural inventions can be observed on any given day in any city in the U.S.A. as well as many other Western countries. Particularly, many of the state and federal buildings in the U.S.A. today resemble Roman building styles. Even more than the building styles, we owe to the Romans the very material that many of these buildings are constructed with: concrete. The Romans adapted concrete from the Hittites, but
By the end of 18th century, with the industrialization of steel and glass, architecture began to take on a different role in the society. Architecture was no longer about building structures for an individual, but was about concerning with beauty, style, and aesthetics within the technology of space (Conway 8). The idea that building plus art equals architecture was no longer valid, as the equation undermined the true meaning of architecture. In Understanding Architecture, Hazel Conway states, “the allocation of living space is economically, socially, and culturally determined” (6), when discussing the purpose of architecture. This means that the surrounding environment of the building, also referred to as built space, is often intertwined with social relationships. Built space can be defined as the philosophical way of referring to architecture. To a certain extent, the architecture becomes about the philosophical investigation into built space, rather than establishing a single building. Through the examples of artists and architectures, such as Rachel Whiteread, Robert Smithson, Meis Van Der Rohe, and Gordon Matta-Clark, this paper will demonstrate how art pushes architecture into critical examination of built space. In doing so, it will be evident that artists and architecture define sculpture, object, prototype, installation, network, building, assemblage, and/or habitat differently.
Buildings reflect the values and ideas of society within periods. The role of architecture in shaping society and vice versa largely depends on the period in question and who or what affects first. The Enlightenment, and the subsequent period the Post-Enlightenment, reflect the biggest change for current ideas regarding architecture and society and current theories. At the same time, individual identities and understanding of society, progress and truth all follow a similar evolving path. It is during this dramatic shift in thinking that the role of architecture to society and the idea of progress and truth becomes a more complex relationship. How this relationship works and its implications is based on the theory that there is a direct link between the two. One cannot develop without the other. Who leads whom and to what extent they influence each other is evident in architectural trends and pioneering works by architects such as Robert Venturi, Frank Gehry amongst others.
The development of concrete and the arch were integral to the expanse of the Roman empire. While the Romans are known for borrowing influence from other cultures concrete is a Roman achievement that we still see in use to this day. The roman combination of concrete and brick allowed for the building of large solid structures that could last for centuries. The Arch while not being a Roman invention, was utilized in ways not before seen.
Architecture that was once specific and local has now become global. It would seem that the national identity of the past has been sacrificed for the development of modernity.
There are 25 major specialties in engineering that are recognized by professional societies. In any one of those 25 specialties, the goal of the engineer is the same. The goal is to be able to come up with a cost effective design that aids people in the tasks they face each day. Whether it be the coffee machine in the morning or the roads and highways we travel, or even the cars we travel in, it was all an idea that started with an engineer. Someone engineered each idea to make it the best solution to a problem. Even though engineer’s goals are similar, there are many different things that engineers do within their selected field of engineering. This paper will focus on the architectural field of engineering.
Architecture is the art and technique of designing and building a structure. The word came from Latin and Greeks, starting the word as architekton, archi meaning archi and tekton meaning builder or craftsman. It has shown that to affect histories and give connections to people. Architecture exists to create the physical environment in which people live. They have to understand the characteristics of the building materials they include in their designs, also the physics of the structural designs itself; and art, because architects typically try to utilize principles at the same time as they try to meet human needs with their design. Through history, it has been made as a significant symbol for battle place, entertainment, relief and other assets