Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Narrative Composition About Ceremony
Historical trauma essay
What are the influences of family in your development as an individual
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Narrative Composition About Ceremony
Tayo’s Lack of Guidance Parentless, alone, and divergent, Tayo seeks to reach stability despite his strenuous losses and misfortunes. In Leslie Marmon Silko’s novel, Ceremony, she uses descriptive imagery to explain Tayo’s immense struggles with a lack of guidance. Growing up, Tayo was raised by his Auntie, and he continues to reside with and rely on her after his difficult return from the Second World War. She tries her absolute best to assist Tayo with his post traumatic stress. “She brought him a bowl of blue cornmeal mush. He shook his head when he looked at it, but she sat down on the chair by the bed and fed him spoonful by spoonful.” (39). Auntie wants nothing but a healthy and hasty recovery for Tayo. She took him in as a developing He feels connected to his native side because of his mother, family members, and the way he brought up. He feels close to his white side because of his father and his relationships with multiple white friends he has made in the war. Tayo says, “I’m half-breed. I’ll be the first to say it. I’ll speak for both sides.” (42). He says this statement as a sign of strength and self acceptance. Meanwhile, he remains struggling with the distinction of being colonized and uncolonized. Rocky attempts to explain to him that rituals are old and outdated. On one occasion, they go out to hunt for a deer. Rocky shoots the deer, the men track it, and begin the gutting process. “When Tayo saw that he was getting started; he took off his jacket and covered the deer’s head. ‘Why did you do that?’ asked Rocky, motioning at the jacket with the blade of his knife.” (50). He questions why Tayo still performs these kinds of rituals. The same goes for some of Tayo’s white friends. They watch as he prays before he eats, and although they do not do the same, they don’t show any disrespect for Tayo. While these people tolerate Tayo and his rituals, his uncolonized family members expect
The form of the novel’s initiatory journey’s corresponds to the three-stage progression in the anthropological studies of rites of passage. The novel begins with alienation from a close-knit and securely placed niche as Naomi Nakane lives in her warm and joyful family within Vancouver. Then, the passage proceeds to isolation in a deathlike state in which Naomi is stripped of everything. Her family is removed from its previous social niche and exiled into concentration camps. Naomi is forced to separate with parents and sent to live with aunt Obasan. Finally, the journey concludes with reintegration accompanied by an elevated status as the result of the second stage. Naomi accepts the surrogate family and develops a recognition of her past. When she gets her family’s documents and letters, Naomi finally shatters the personal and cultural veils of reticence and secrecy that have clouded her past, and reconciles herself with the facts. The three-stage initiatory journey helps to transform the protagonist from a victim of the society to a hero. The protagonist transformation illuminates the values such as redemption of sins, willing forgiveness of offenses, and so forth. Along with its motifs and symbols that allude to Christian rituals, thus, the heroic figure, Naomi, serves as a role model and gives meaning and guidance to the lives of readers thereby
The novel Ceremony by Leslie Marmon Silko follows a young man, Tayo through his journey beginning when he returns home to the Laguna Pueblo Reservation, from World War Two; and is very ill. During the narrative Silko introduces us to Tayo's life before the war, which gives insight to reasons of why Tayo is ill. Through out his illness Tayo goes through many ceremonies both literally and metaphorically to try to cure his ailment. One of the ceremonies that is performed, is lead by Old Ku'oosh, the medicine man, where he performs a cleansing ceremony for someone who has killed someone in battle, even though Tayo doesn't recall killing anyone. However, he adds that this ceremony, which he has been performing for many of the returning war soldiers, has not worked for all of them. He then recommends another medicine man with the tools to cure and perform ceremonies, for the old ceremonies, since the white man had arrived, have not been able to cure the new diseases. Along with the medicine man ceremonies he also goes to American "white" doctors, which also acts as some what of a cleansing for him. In his case vomiting is can also be used as a ceremony for Tayo because he uses it to cleanse his body of the poisons and evil, both physical illness and mental illness. The ceremonies that Tayo goes through whether traditional through a medicine man or contemporary like visits to the psychiatrist and stays in the hospital, all add to his recovery, either through physical or mental cleansing.
Aunty Ifeoma, wanting her niece and nephew, to experience something outside of her brother’s structured home, convinces Father, using religious reasons, to let Kambili and Jaja visit her home. Shocked by the schedules given to Kambili and Jaja to follow during the stay, Aunty Ifeoma takes them away and integrates them into her family, making them do shifts for chores. At a time when her cousin’s friends come over, Kambili “wanted to talk with them, to laugh with them so much...but my (her) lips held stubbornly together… and did not want to stutter, so I (she) started to cough and then ran out and into the toilet” (Adichie 141). Kambili, unfamiliar to the house full of light-hearted arguments and constant laughter, finds herself trapped inside her own emotions, incapable of expressing them. Just like any other hero enters a new place with different values, Aunty Ifeoma’s home had a set of completely different values, and Kambili initially has a hard time adapting to this
A parent may want to understand their child and connect to them, but they may not know how to do it. In Li-Young Lee’s poem “A Story”, the literary devices point of view, metaphors, and the structure of the poem are used to portray the complex relationship of the father and child and their inability to be able to connect with one another despite their wishes to do so.
Tita emulates the standard archetypal hero’s unusual circumstances of birth with her own atypical birth immediately in the beginning of the novel. Almost instantaneously after being introduced to Tita, she “made her entrance into this world, prematurely” (Esquivel 5). A premature birth is certainly abnormal, but it is not the only thing that makes Tita’s birth unique. The cause of her premature birth, in fact, was that “her wailing got so violent that it brought on early labor” (Esquivel 5). Her ability to bring about her own birth coincides with the idea of an unusual birth. It is however, extended even more so when the narrator tells the reader that Tita was “literally washed into this world on a great tide of tears” (Esquivel 6). While not being the most dazzling introduction of a character, it exemplifies the importance and individuality of Tita. Of the elements of an archetypal hero, an unusual birth is crucial because it will often deliver to the reader what a ...
The family's personal encounters with the destructive nature of the traditional family have forced them to think in modern ways so they will not follow the same destructive path that they've seen so many before them get lost on. In this new age struggle for happiness within the Kao family a cultural barrier is constructed between the modern youth and the traditional adults with Chueh-hsin teeter tottering on the edge, lost between them both. While the traditional family seems to be cracking and falling apart much like an iceberg in warm ocean waters, the bond between Chueh-min, Chueh-hui, Chin and their friends becomes as strong as the ocean itself.
...en-year-old girl”. She has now changed mentally into “someone much older”. The loss of her beloved brother means “nothing [will] ever be the same again, for her, for her family, for her brother”. She is losing her “happy” character, and now has a “viole[nt]” personality, that “[is] new to her”. A child losing its family causes a loss of innocence.
Tayo and his cousin Rocky grew up together practically as brothers and attended a school where they were taught by whites. Curiously, it was Rocky who denounced the Native American traditions and wanted to leave the community and to “win in the white outside world” (Silko 47). Traditions such as covering the head of the deer after hunting, was something that Tayo believed in and followed, along with other Native American traditions that Rocky, a full-blooded Native American, declared as superstition. Tayo, being half white, could have just as easily as Rocky worked toward a place in the city with white men, but because of his mixed identity, Tayo always thought of himself as an outsider. He felt even less at home with the white men, because he grew up around Native American culture and
To understand fully the implicit meaning and cultural challenges the film presents, a general knowledge of the film’s contents must be presented. The protagonist, Tita, suffers from typical Hispanic cultural oppression. The family rule, a common rule in this culture, was that the youngest daughter is to remain unwed for the duration of her mother’s life, and remain home to care for her. Mama Elena offers her daughter, Tita’s older sister Rosaura, to wed a man named Pedro, who is unknowingly in mutual love with Tita. Tita is forced to bake the cake for the wedding, which contains many tears that she cried during the process. Tita’s bitter tears cause all the wedding guests to become ill after consuming the cake, and Tita discovers she can influence others through her cooking. Throughout the film, Tita’s cooking plays an important role in all the events that transpire.
In “Hills Like White Elephants” and “The Story of an Hour”, the woman in each story imprisons in the domestic sphere. In “Hills Like White Elephants”, the woman in this story conflicts between keeping the baby or getting abortion although the relationship with her boyfriend would not improve as he said. In “The Story of an Hour”, even though Louise Mallard, an intelligent, independent woman understands that she should grieve for Brently, her husband and worry for her future, she cannot help herself from rejoice at her newfound freedom. The author of this story, Kate Chopin suggests that even with a happy marriage, the loss of freedom and the restraint are the results that cannot be avoid.
Even with the pain of bearing children, raising them, doing household and even farm chores, their efforts have never been truly appreciated. Mrs. Wright was “…real sweet and pretty, but kind of timid—and fluttery…” as Mrs. Hale, her neighbor, describes her (22). This would all soon change after her wedding day. With Mr. Wright’s insipid character and lack of patience of any joyous sound, Mrs. Wright’s spirit dwindled to nothing. It seems she spent hours at a time focusing on her quilts, preserves, and caring for the only life there was in the house, her canary. Even when Mr. Hale offered to get a party telephone, Mr. Wright responded, “…folks talk too much anyway…”(5). This silence he preferred also applied to his spouse. There were no hugs given out much less a smile. He failed to give her even the most minimal sing of appreciation much less the emotional warmth she hungered for.
“To love someone deeply gives you strength. Being loved by someone deeply gives you courage.”(Lao Tzu). In Kate Chopin’s, “The Story of an Hour”, it tells of a heart trouble married woman, Louise Mallard, who learns that the man she loved and married, Brently has died. Mrs. Mallard’s behavior and emotions have shocked her entire family as she finds it a joyful and powerful event that may change her life for the hour that she has remaining to live. Mrs. Mallard considers his death as a freedom that she has yet longed for over so many years. As many readers begin to express their judgment towards Mrs. Mallard, the aspects of personal relationship may seem to convince those that maybe she was a bit selfish with her response. In the agony of a bitter marriage, “The Story of an Hour” portrays the reality of being in love, being married and finally having female independence.
Tayo faced a struggle of recognizing his essence: the true definition of himself outside and most especially inside. Being a half Native American and half-Caucasian in an environment of a Native American tribe in Laguna, he was constantly reminded of being an outcast. Externally, whenever he would try to fit in any of his race, both sides would reject him with ridicules. As Emo stated against Tayo, “There he is. He thinks he’s something all right. Because he’s part white. Don’t you, half-breed?” It presented hatred from a full-blooded Native American because, “the only reason for this hate was that Tayo was part white.” In fact the shame of being a “half-breed” continued down to his relatives. Auntie’s, “shame for what his mother (Tayo’s) had done, and Auntie’s shame for him (Tayo),” was surprising even though she was one of the closest blood relative of Tayo. On his Caucasian side, encounters were similar with the Native Americans. He was not truthfully acknowledged by the Caucasians he encountered under the shadows of his military uniform, which symbolizes “his service and loyalty” for the United States because, “they had the uniform and they didn’t look different no more. They got respect” . He was automatically disregarded as “the different o...
Children who have PTSD can feel alone and no one to relate to. Ann Hazzard talks about a case in which a girl named Tina was sexually abused. Hazzard generalizes Tina’s behavior given by a worksheet that Tina had previously completed...
The author uses imagery, contrasting diction, tones, and symbols in the poem to show two very different sides of the parent-child relationship. The poem’s theme is that even though parents and teenagers may have their disagreements, there is still an underlying love that binds the family together and helps them bridge their gap that is between them.