Talk Radio
In Talk Radio, Oliver Stone brings together all venues of filmmaking to capture the story he wants to tell. With tremendous collaboration from the DP, the production designer, the writer, and the performers, Stone calculated a tight, moving film in high style.
Beginning with the script, Stone and Bogosian formed a laborious respect in the nature of the piece. They each understood the underlying theme that Barry repeats over and over again. “If you don’t like it, why don’t you turn it off?” (sic)
They went after the build up of Barry’s paranoia and need for voice/attention, knowing all along he would have to die for the film to mean anything. We start the film off in the clutches of its finale; the crazed fan waiting for his prey in smoke. It is only until Barry can recognize the error in his ways that he can be taken from the world to speak louder than any airwave or radio signal. This is wonderfully shown in the voice montage of callers.
The idea of the radio station being a safe world unto its own, where no light penetrates and no one from the real world can gain access, is a wonderful metaphor for Barry himself. A loud talking, overly proud shock jock, who cannot afford to let anyone in. The world of the station has no windows, no warm light, and no ties to the ugly city around it. Barry dresses in black, like the studio, which is set in contempo-modern deco blacks and grays. He talks about subjects no one wants to admit is true. We are constantly in shadow, always hearing and watching two different stories, and wondering where it’ll go.
Stone keeps us constantly aware of how Barry affects those around him and at the center of attention. Using moving shots, reflection focus pulls, dimming lights, and split diopters we never lose sight of the choices Barry is making and what it’s doing to those around him.
The plot of the radio play is developed through the use of sounds and dialogue. For example, Harry shouts at the martians in the mountains when he is upset, instead of looking at them and thinking to himself. When Harry shouts, it shows more emotion than the short story because it clearly shows the reader that he is very upset. Harry’s voice sounds agitated and worried. In the short story, the plot is developed through thoughts. Instead of Harry shouting at the mountains, he quietly thinks to himself. Even though the short story and the radio play say almost exactly the same thing, the short story fails to achieve the same emotion of the radio play. Since the reader does not hear Harry’s voice, they cannot listen to his frustration. The radio play also adds music to create stronger tone. For example, when Harry talks to Cora about about the martian landform names, he says, “Somehow it doesn’t seem right to change those
Myrtle eventually had similar goals as Gatsby, but her life did not begin the same way. She was of the lower class of society and married a simple man. The two pursued a poor life, but Myrtle’s husband George was a decent man. Nevertheless, Myrtle became unsatisfied, and when the opportunity arose to better the quality of her life, she took it. Daisy’s husband Tom, an unfaithful, rough man not very committed to his marriage, began an affair with Myrtle.
...es that they are going down the social ladder while heading over to Gatsby’s house.
Tom and Gatsby are very similar in their wealth and lavishness. Gatsby spends his money on any whim, regardless of what it may cost. His parties, for example, cost him huge amounts and are held almost every weekend. Trucks must bring in the food, and the servants work all day to prepare and organize the grounds. The beverages are also brought in by the truckload, and all of the attendees drink heavily. Gatsby then hires a complete string orchestra, a jazz band, an opera singer, and various other entertainers. Most importantly, Gatsby does all of this just to get Daisy's attention, and he has enough wealth to keep doing it every day for as long as it takes.
takes away from the mood of the story. Another reason speech is so important is
Tom did nothing to Gatsby to force him into taking his wife away from him. Gatsby has an unconditional love for Daisy which
Their reactions to this betrayal have some similarities and differences. Both husbands reacted simile in the way they tried to keep their wives anyway from the person they were cheating with. After learning about their wives discrepancies both men become more willing to fight for their wives affection. The two of them would do anything necessary to get their wives back. But Tom and George had different methods in separating their wives from that other person who they were cheating with. Tom did so by learning incriminating evidence about Gatsby just to exploit his false persona to Daisy. During his exploitation, Tom, “...picked him for a bootlegger the first time I saw him and wasn’t far wrong.”(133) These facts freighted Daisy and made her believe that she didn’t actually really know of Gatsby was. This lead to Daisy returning to her husband, Tom. Myrtle, his wife, by literally separating her from returning to the other man. He locks her in their upstairs bedroom and began preparing the couple to move west anyway from the man she was having an affair
Throughout Fitzgerald's The Great Gatsby, there is a broad spectrum of moral and social views demonstrated by various characters. At one end, is Tom, a man who attacks Gatsby's sense of propriety and legitimacy, while thinking nothing of running roughshod over the lives of those around him. A direct opposite of Tom's nature is Gatsby, who displays great generosity and caring, yet will stop at nothing to achieve his dream of running off with Daisy. The moral and emotional characteristics of Gastby and Tom are juxtaposed, Tom, the immoral character and Gastby, the moral character while the other characters' moral and emotional developments appear between these two.
...nce. When Gatsby or Tom arrive somewhere, it seems like they are treated like royalty and this is commonplace for that time.
In the love triangle between Daisy Buchanan, Tom Buchanan and Jay Gatsby they are all relatively rich even though Gatsby is newly rich. Gatsby and Daisy were in love when they were young which means that there is history between them, when they get the chance to meet again they are still very much in love still. It takes Gatsby some time and many parties to finally come across Daisy, and once he does come across her he’s scared to talk to her. When Daisy and Gatsby get together they always meet up at Gatsby’s house, they never go out alone because people would most likely start rumors about there being an affair. As the affair is going on Tom catches the suspicion that Daisy’s cheating on him with Gatsby so he hires a private investigator find out more information about him. Gatsby isn’t really in love with the Daisy that he’s currently with; he’s in love with the memory of how she used to be which makes his expectations very high, almost impossible for Daisy to live up to. Gatsby is also really up front about the fact that he is having an affair with Daisy, he intends to make it clear to Tom that he “knows his wife” and that he does intend to take her from him. These are some things about the love affair between Gatsby and Daisy and the love triangle between Tom Buchanan, Daisy Buchanan and Jay Gatsby.
War of the Worlds is an out of the box radio play that changed the world of mass communication forever and allowed the entire nation to see power of imagination and the unique power of radio over its audience. The creators of this nationwide hysteria were Orson Welles and the Mercury group. Orson Welles was a famous American actor, producer, director and radio broadcaster. In an effort to increase the shows audience, Orson Wells catered the idea of a Halloween public scare. The War of the Worlds radio play was a dramatization of H.G. Well’s novel The War of the worlds (1898 novel relating the story of an alien invasion on Earth) and performed as a scary Halloween episode on of the radio show Mercury Theater On The Air. The episode was aired over the Columbia Broadcasting System (CBS) on October 30th, 1938. The first two thirds of the 62-minute broadcast were presented as a series of simulated news bulletins, which suggested to many listeners that an actual alien invasion by Martians was currently in progress. Orson Welles’s scripted act was so convincing that the broadcast caused hysteria throughout the nation as several listeners believed that the nation was actually being invaded by Martians in a seemingly unstoppable attack. Many people were terrified by the news, and they left their homes in panic and fled. The aftermath of the broadcast was so disastrous that even Welles and his team were shocked. This 1938, 62 minute broadcast truly changed the meaning of mass media and everybody came to realize the true potential and power of mass communication.
Ross, Alex. The Rest Is Noise: Listening to the Twentieth Century. New York: Picador, 2008. Print.
Many people in life are different from one another, although many people are also very similar. In the novel The Great Gatsby, F. Scott Fitzgerald has his characters act in very odd fashions. The characters in this book would practically do anything for wealth. Fitzgerald shows that wealth and upper class were big in the 1920’s just like it is today. Tom and Gatsby, who are both wealthy, show that class does not make you a better person.struggle They both struggle with a girl named Daisy, which in the end chooses to stay with one of them. These two characters share some similarities along with many differences.
The history of chemistry has a span of time reaching from ancient history to the
Impact of the Radio The invention of the radio had an immense impact, revolutionizing the unity of society. “I live in a strictly rural community, and people here speak of ‘The Radio’ in the large sense, with an over-meaning,” said E.B. White in 1933. “When they say ‘The Radio’ they don’t mean a cabinet, an electrical phenomenon, or a man in a studio, they refer to a pervading and somewhat godlike presence which has come into their lives and homes” (Lewis). The radio became a mighty weapon whose power involved spreading ideas to millions of listeners, who may otherwise never have heard those inspirational messages. Religious fanatics used to stand at the back of churches shouting radical nonsense, while others would ignore it.