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Unique character in a tale in two cities
A tale of two cities thematic essay
Critical analysis of a TALE OF TWO CITIES
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The Power of Tone Right from the famous first sentence, A Tale of Two Cities is a book of parallels; even the novel’s title suggests a concept of duality. A careful reader can find parallelism on nearly every page of the book, with subjects ranging from characters to the general tone of the novel. The clearest example of parallel characters is Doctor Manette and Sydney Carton. Carton’s self-created mental imprisonment parallels Doctor Manette’s literal imprisonment. In addition to parallel characters, there is a set of two physical settings - Paris and London - that give the book its name. In these two settings, Dickens carefully crafts individual tones that help define the events that occur in each of them. These tones parallel each other, with some aspects of each being similar and others forming clear contrast. Even within these settings, variations in tone can emphasise the importance of certain events and concepts. In his novel A Tale of Two Cities, Charles Dickens creates and uses well-established tones to highlight the importance of events and themes. Early in the novel, Dickens focuses much of his efforts on establishing a defined tone for the country of England. This tone is created largely through the use of highly descriptive imagery. For instance, Dickens creates a wordy description of the weather by describing …show more content…
This tone is generally very serious, but it shifts to become very unserious at a few points in the story. These shifts in tone allow Dickens to emphasise certain events and feelings. Using this technique, Dickens is able to show why the French people push for the revolution. Through the use of his tone, Dickens is able to show his feelings on the justification of the French Revolution. These feelings also help Dickens to analyze his own society which still clearly contains some of the same issues that sparked the French
Although the passage foreshadows the events later throughout the novel, Dickens ultimately uses a pathetic tone toward the social conditions of France before the French Revolution through the use of anaphora in the first half of the passage and the diction throughout the second half of the passage.
In this passage, Dickens’ juxtaposition, personification, detail, and diction reinforce Dickens’ tone of empathy and pity for the social conditions of the people of lower class France. When a large cask of wine spills open on the streets of France there is a mad rush to collect a taste of the spoiled wine. The people’s reactions consisted of “...frolicsome embraces, drinking of healths, shaking of hands, and even joining of hands and dancing a dozen together.” This exciting and scene of much happiness is juxtaposed by the “gloom that gathered on the scene that appeared more natural than sunshine” that occurs after all the wine has run out. This juxtaposition of the momentary happiness that the peasants of St. Antoine experience provide a contrast
The technique Dickens uses to create the setting is he makes the characters say weird things to set the spooky atmosphere “I don’t know you. I never saw the face. The felt arm is across the face and the right arm is waved-violently waved this way”. This sets a spooky atmosphere and makes you feel as if you are there.
On the subject of the French she says, “I am a subject of His Most Gracious Majesty King George the Third and as such, my maxim is, Confound their politics, Frustrate their knavish tricks…God save the King.” (338) Since she is such, she is the perfect foil for Madame Defarge. Madame Defarge epitomizes chaos and violence. With her unrelenting bloodthirstiness and unceasing desire for revenge she symbolizes the intensity and bloodiness of the French Revolution. “The Evrémonde people are to be exterminated, and the wife and child must follow the husband and father.” (418) Madame’s chilling certainty and willingness to kill an innocent mother and child show the hatred that makes up the revolution she personifies and the peasants that were a part of it. Although Madame Defarge and Miss Pross are foils they share a common ground. They both have an uncompromising sense of duty; Miss Pross to Lucie’s safety and happiness, and Madame to a new and better France. They are both willing to do anything for these causes, including lying down their lives. As Miss Pross says, “I don’t care an English Twopence for myself. I know that the longer I keep you here, the greater hope there is for my Ladybird.” (427) Dickens uses these similarities he suggests that even seemingly opposites can have underlying
Dickens used his great talent by describing the city London were he mostly spent his time. By doing this Dickens permits readers to experience the sights, sounds, and smells of the aged city, London. This ability to show the readers how it was then, how ...
What comes to mind first when dealing with the lively imagination of Dickens is the creative and detailed picture he gives. In describing Dr. Manette, for instance, Dickens exaggerates his characterization by saying Manette’s voice was like “the last feeble echo of a sound made long, long ago.” From this alone you can hear the faintness of his voice and feel the suppressed dreadfulness of his past. In this way, the sentimentality of it all gets the reader involved emotionally and makes the character come alive.
The French Revolution was a time when many people sacrificed their lives for their beliefs. As the French Revolution moved on, more people joined the movement and risked their lives. A Tale of Two Cities by Charles Dickens is set during this time. Many people who sacrificed their lives for the Revolution felt like it was their fate to do this. This idea of fate is described many times in Dickens’ novel to magnify the story. The theme of fate is prevalent in the novel through the lives of many characters. This theme is used to show how a person is unable to escape their fate because it is already decided. The metaphors and symbols in the novel are greatly used to contribute to the theme of fate through the symbols of knitting, the fountain and water, and the wine.
Throughout A Tale of Two Cities, Charles Dickens repeats a number of symbols and motifs. By employing these two literary devices throughout the duration of the story, Dickens is working to emphasize the importance of these specific components of the story. Motifs and symbols represent repeating ideas that help the reader to understand, as well as highlight the author’s central idea. Dickens employs the usage of symbols and motifs, such that by using both he adds a layer of significance and deeper meaning to actions, people, as well as objects. Additionally, by using symbols and motifs, Dickens is able to create a story in which both the characters, and the plot are interwoven.
A Tale of Two Cities by Charles Dickens is a classic novel written in the 1850’s by Charles Dickens. The novel is set in London and France during the French Revolution. The novel features an amazing use of themes as well as sensational development of characters. Charles Dickens and his feature style of the poor character who does something great is very evident in Sydney Carton, a drunken lawyer who becomes the hero of the book.
Kalil, Marie. Cliffs notes on Charles Dickens' A Tale of Two Cities. Cliff Notes Inc, June 2000
Throughout the novel, Dickens employs imagery to make the readers pity the peasants, have compassion for the innocent nobles being punished, and even better understand the antagonist and her motives. His use of personified hunger and description of the poor’s straits made the reader pity them for the situation caused by the overlord nobles. However, Dickens then uses the same literary device to alight sympathy for the nobles, albeit the innocent ones! Then, he uses imagery to make the reader better understand and perhaps even feel empathy for Madame Defarge, the book’s murderous villainess. Through skillful but swaying use of imagery, Dickens truly affects the readers’ sympathies.
Schlicke, Paul, ed. Oxford Reader’s Companion to Dickens. Oxford: Oxford University Press, 1999. “101-3+281-86+315”. Print.
The main focus of Dickens’ novel is the French Revolution. This was a tragic time that took place between the years of seventeen eighty-nine and seventeen ninety-nine. It was the lower class revolting against the corrupt authoritarian government. The ideals that the French stood for were liberty, equality, and brotherhood. Dickens uses this for the background of his novel. Marie Shephard once said that Dickens was helped by his friend Carlyle for a background on the French Revolution, and tried to focus more on the plot than a character (51). Another historian said that “the French Revolution exists in the novel only insofar as Dickens’s characters vivify it, live through it, react to it, and make its reality manifest to the reader”(Allingham). Dickens understood this and used it to help him write the novel, and to help us in understanding it.
A Tale of Two Cities, by Charles Dickens, is a story set in the year 1775 and through the turbulent time of the French Revolution. It is of people living in love and betrayal, murder and joy, peril and safety, hate and fondness, misery and happiness, gentle actions and ferocious crowds. The novel surrounds a drunken man, Sydney Carton, who performs a heroic deed for his beloved, Lucie Manette, while Monsieur and Madame Defarge, ruthless revolutionaries, seek revenge against the nobles of France. Research suggests that through Dickens’ portrayal of the revolutionaries and nobles of the war, he gives accurate insight to the era of the Revolution.
During the French Revolution, there were many controversies between the peasants and the aristocracy. In A Tale Of Two Cities, by Charles Dickens, most of the peasants are revolutionaries fighting against their nobility. Dickens’ use of imagery throughout the novel tries to sway the reader’s opinions about the peasants. Charles Dickens depicts the French Revolution well with the images of the novel as well as the tone he uses. Throughout the novel, Dickens illustrates through his imagery how the peasants change from poor, secretive, and then on to vicious.