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Revenge as a theme in Literature
Tale of two cities theme essay
Revenge as a theme in Literature
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Recommended: Revenge as a theme in Literature
Some people say that hate starts wars, but in reality, love is the root of all hate. Whether it is love of country or family, hate grows for the side trying to tear apart or threaten the love. In Charles Dickens’s novel, A Tale of Two Cities, two characters fight for their beliefs and ideas, all stemming from love. Ms. Pross and Madame Defarge show the theme that love is the strongest emotion of all through their treatment of others around them, their sacrifices for what they believe in, and their dedication to their families.
Each character treats those around them differently. Ms. Pross cares greatly for who she loves and wants to have a good life. She is a determined and hard headed woman who has great concern for those close to her. When Lucie fainted from shock of learning about her father, Ms. Pross instantly leapt into action,‘“she softly laid the patient on a sofa, and tended her with great skill and gentleness: calling her "my
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Pross and Madame Defarge act on love for their families. Ms. Pross acts as the mother bird over the Manette family. She would defend them to her last breath. Her dedication to her ‘family’ has no boundaries. Nobody can threaten Lucie’s safety and get away with it. “ I know that your intentions are evil, and you may depend upon it, I’ll hold my own against them” (p. 285). Ms. Pross was willing to give her life for the chance for Lucie to escape unscathed. Madame Defarge’s acts of love for her family were ones of revenge. She wanted to avenge her family and get even with those who destroyed her family. Even though Darnay and the Manettes weren’t the ones who were at fault, Madame Defarge couldn’t see through her blind rage. “‘But, the Evremonde people are to be exterminated, and the wife and child must follow the husband and father’“ (p. 362). Madame Defarge was running solely on hatred and the strong desire for revenge. Her dark urge to kill all those who harmed her family was her
In this passage, Dickens’ juxtaposition, personification, detail, and diction reinforce Dickens’ tone of empathy and pity for the social conditions of the people of lower class France. When a large cask of wine spills open on the streets of France there is a mad rush to collect a taste of the spoiled wine. The people’s reactions consisted of “...frolicsome embraces, drinking of healths, shaking of hands, and even joining of hands and dancing a dozen together.” This exciting and scene of much happiness is juxtaposed by the “gloom that gathered on the scene that appeared more natural than sunshine” that occurs after all the wine has run out. This juxtaposition of the momentary happiness that the peasants of St. Antoine experience provide a contrast
Although Madame Defarge’s hatred is initially fixed solely on the Evrémondes brothers, the revolutionary atmosphere extends this hatred to Lucie and her family. Dickens portrays Madame Defarge’s enemies, the Darnays, as the protagonists of the novel by provoking sympathy from the audience. As a result of Madame Defarge’s struggle to deal with her family’s death, the conflict between the opposing forces arises. Originally, Madame Defarge’s goal was to bring justice to the guilty. Due to the rise in the Revolution, her motives become based more on executing cruelty without
On the subject of the French she says, “I am a subject of His Most Gracious Majesty King George the Third and as such, my maxim is, Confound their politics, Frustrate their knavish tricks…God save the King.” (338) Since she is such, she is the perfect foil for Madame Defarge. Madame Defarge epitomizes chaos and violence. With her unrelenting bloodthirstiness and unceasing desire for revenge she symbolizes the intensity and bloodiness of the French Revolution. “The Evrémonde people are to be exterminated, and the wife and child must follow the husband and father.” (418) Madame’s chilling certainty and willingness to kill an innocent mother and child show the hatred that makes up the revolution she personifies and the peasants that were a part of it. Although Madame Defarge and Miss Pross are foils they share a common ground. They both have an uncompromising sense of duty; Miss Pross to Lucie’s safety and happiness, and Madame to a new and better France. They are both willing to do anything for these causes, including lying down their lives. As Miss Pross says, “I don’t care an English Twopence for myself. I know that the longer I keep you here, the greater hope there is for my Ladybird.” (427) Dickens uses these similarities he suggests that even seemingly opposites can have underlying
A Tale of Two Cities In every great novel, there is a theme that is constant throughout the story. One of the better known themes portrays the fight of good verses evil. Different authors portray this in different ways. Some use colors, while others use seasons to show the contrast. Still, others go for the obvious and use characters.
"Since before the ancient Greeks, mankind has striven to discern and define truth, a noble if somewhat arduous task"( Swisher 118). Even modern society, despite losing so many of the old, "prudish" morals of preceding generations, still holds truth as one of the greatest virtues and to find truth in life, one of the greatest accomplishments. Authors such as Charles Dickens reflect this great desire to seek and find truth, using many varying mediums to express their opinions or discoveries. From the opening lines of the book, Dickens uses the method of thematic opposition to illustrate pure truth and evil lies. In A Tale of Two Cities, Dickens consistently opposes characters, settings, and even his theme of revolution, presenting juxtaposed viewpoints and actions that demonstrate deeper truths about life.
In A Tale of Two Cities, Charles Dickens’ choice of sentimental expression had an excellent effect on the readers’ responses to the characters. The use of exaggerated sentimentality helped create a clear picture of the story’s issues in the readers’ minds; it gave a feel for the spirit of the times, and made it easier to understand the characters’ points of view. It was this very sentimentality that Dickens strived to achieve.
Throughout A Tale of Two Cities, Charles Dickens repeats a number of symbols and motifs. By employing these two literary devices throughout the duration of the story, Dickens is working to emphasize the importance of these specific components of the story. Motifs and symbols represent repeating ideas that help the reader to understand, as well as highlight the author’s central idea. Dickens employs the usage of symbols and motifs, such that by using both he adds a layer of significance and deeper meaning to actions, people, as well as objects. Additionally, by using symbols and motifs, Dickens is able to create a story in which both the characters, and the plot are interwoven.
Throughout history, the powers of love and hate have constantly been engaged in a battle for superiority. Time and time again, love has proven to be stronger than hate, and has been able to overcome all of the obstacles that have stood in the way from it reaching its goal. On certain occasions, though, hate has been a viable foe and defeated love when they have clashed. In the novel A Tale of Two Cities, Charles Dickens presents several different power struggles between love and hate.
One might believe that because capital punishment plays such a large role in Charles Dickens’ A Tale Of Two Cities, that Dickens himself is a supporter of it. This just simply is not true. Dickens uses capitol punishment as a tool to define the evil embodied in both the French ruling class, and the opposing lower class during the French Revolution; as well as comment on the sheep-like nature of humankind.
A Tale of Two Cities by Charles Dickens is a classic novel written in the 1850’s by Charles Dickens. The novel is set in London and France during the French Revolution. The novel features an amazing use of themes as well as sensational development of characters. Charles Dickens and his feature style of the poor character who does something great is very evident in Sydney Carton, a drunken lawyer who becomes the hero of the book.
Lucie Manette, daughter of Dr. Manette and the perfect wife of Charles Darnay. Her strength could be derived from her early life and upbringing by Miss Pross. To Charles Darnay, she is the ideal wife. She even fights Madame Defarge when she exclaims ' “As a wife and mother…I implore you to have pity on me and not to exercise power that you possess against my innocent husband, but use it in his behalf. O sister-woman, think of me. As a wife and mother!"(278) This strong yet very compassionate woman is able to confront Madame Defarge who she clearly fears, especiall...
A dynamic character is one who changes greatly during the course of a novel. There are many fine examples of dynamic characters in all Dickens novels. Three of these characters are Dr. Alexandre Manette, Jerry Cruncher and Sydney Carton. Dynamic characters play a very apparent role in the novel A Tale of Two Cities by Charles Dickens.
My favorite scene in A Tale of Two Cities is one of the last scenes, when Sydney Carton is about to go to the guillotine. It takes place in Paris, near a prison, and many people have gathered to watch french aristocrats be beheaded. The atmosphere is tense and chaotic; Sydney, however, remains calm, even though he is about to be killed. Sydney is holding the hand of a young girl who is given no name other than a "poor little seamstress". Sydney and the seamstress, who are both being wrongfully killed, comfort each other just before they reach the guillotine, and they seem to have an instant romantic connection with each other. I loved this scene because it showed that Sydney Carton had finally found someone who could love him, as he could love them, but it saddened me that he had found her just before their deaths.
One similarity between the two works is the use of a Beatrice-Dante-esque love plot. In A Tale of Two Cities Charles Darnay becomes obsessed with Lucie Manette without really knowing her. He soon grows to almost worship her, despite her lack of any apparent character development through the entire novel. This also occurs between Marius and Cosette in Les Mis. Marius falls madly in love with Cosette and vice versa in a moments glance across a crowded square. Marius continues to idolize Cosette, despite the attentions of Eponine, a character with whom he has a markedly more substantial relationship and who, unlike Cosette, actually has a personality. Both stories feature this “innocent” love story probably as a commentary on the purity of love,
A Tale of Two Cities, by Charles Dickens, is a story set in the year 1775 and through the turbulent time of the French Revolution. It is of people living in love and betrayal, murder and joy, peril and safety, hate and fondness, misery and happiness, gentle actions and ferocious crowds. The novel surrounds a drunken man, Sydney Carton, who performs a heroic deed for his beloved, Lucie Manette, while Monsieur and Madame Defarge, ruthless revolutionaries, seek revenge against the nobles of France. Research suggests that through Dickens’ portrayal of the revolutionaries and nobles of the war, he gives accurate insight to the era of the Revolution.