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How is macbeth influenced by power
Ambiguities in macbeth
How is macbeth influenced by power
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The Tagic Fate In Shakespeare’s Macbeth, the ambition of Macbeth and Lady Macbeth causes their relationship to change with a pool of bloody guilt that destroys the whole play and seals their fate. First of all the realtionship between Lady Macbeth and Macbeth changes drastically. For instance, in the begining of the play Lady Macbeth and Macbeth are in love. “my dearest love, duncan comes here tonight” (1.5.59-60). When Macbeth sees his wife he calls her his love and is gentle towards her. Closer to the end of the play his mood changes for her in a way we didn’t expect mainly because of his new power. This can be clearly seen when a messenger tells Macbeth that his wife is dead. “ she should have died here after. There would have been time for such a word” (5.5.18-19). He does not show any remorse for Lady Macbeth. The power he gains from his ambition makes him over confident and selfish. This makes other peoples emotions irrelevant to him. …show more content…
For instance, when Macbeth kills the king he is automatically thrown into a panic. Macbeth states, “ The voice kept crying, “sleep no more!”” (2.2.23). Lady Macbeth then replies, “My hands are of your color, but I shame to wear a heart so white” (2.2.61-62). The guilt already fills him and lady macbeth describes how he needs to act like her because the blood is on her hands too but she is calm. Later in the play guilt is shifted from Macbeth to Lady Macbeth. Macbeth’s ambition takes a toll on her because she cant tell anyone their secrets. “Out, damned spot, out, I say!” (5.1.37). She knows of the blood that is on her hands and desprately tries to wash her hands. The power of Lady Macbeth causes Macbeth to do things he doesnt want to do and when Macbeth can feel comfortable doing his own bad things that’s when it effects
In the Shakespearian tragedy Macbeth, though Macbeth manages to murder the Scottish king Duncan to actualize the prophecy of the three witches, yet the guilt emanating from such nefarious acts and intentions continues to foreshadow Macbeth’s life throughout the plot. The very moment Macbeth approaches lady Macbeth with hands dipped in the blood of Duncan, his deeps seated guilt oozes forth as he says, “Methought I heard a voice cry ‘Sleep no more;/Macbeth does murder sleep (2.2.45-46)”. Thereby, from this moment onwards, Macbeth is shown to be strongly stung by an unrelenting and continually nagging sense of guilt that makes him engage in strange and suspicion generating acts and manners. Yet, Macbeth time and again interprets his guilt as a sign of cowardice and moves on to spill more blood to consolidate his hold over an ill gotten throne. The torment and anguish inherent in these lines that are imbued with the seeds of guilt eventually metamorphose into a full blown sense of guilt and shame that continues to torment his soul.
...n is a great man and he did not want to kill him. He even mentions this to Lady Macbeth later. Once Macbeth kills Duncan the greed from his ambition overwhelms him. He is only worried about his well being and does not love his wife anymore. “She should have died hereafter” (Shakespeare, Macbeth 5.5 line 17). In this line he shows no emotion to his wife having died. He even said that he forgot his sense of fear. “I have almost forgot the taste of fears…my senses would have cooled to hear a night-shriek, and fell my hair would at dismal treatise rouse and stir as life were in ‘t”(Shakespeare Macbeth 5.5 9-13). Macbeth explains how he would react when he used to be scarred in certain situations. Overall at the start of the drama readers see Macbeth as a hero and someone they could look up to. Towards the end of the drama Macbeth is a tyrant and has antihero qualities.
Fate cannot predict a person’s character. Every human must choose to embody benevolence or malevolence. It is an important decision, which external factors greatly influence. This point is addressed by Shakespeare in his drama, Macbeth. The character, Lady Macbeth develops sincerity as a result of her husband’s corruption. Deciding between what is foul and what is fair is an overarching theme in the play, and the main characters continually shape their identities through these decisions. Shakespeare tells the story of a married couple, the Macbeths, who are the newly appointed monarchy of Scotland. The Macbeths have very distinct personalities, at first Lady Macbeth is ruthless and Macbeth is rational. As the play progresses, Macbeth turns
In the play of “Macbeth”, Shakespeare gradually and effectively deepens our understanding of the themes and most importantly the relationship between Macbeth and Lady Macbeth. The main theme of Macbeth is ambition, and how it compels the main characters to pursue it. The antagonists of the play are the three witches, who symbolise the theme appearance and reality. Macbeth and Lady Macbeth’s relation is an irony throughout the play, as most of their relation is based on greed and power. This is different from most of Shakespeare’s other plays, which are mostly based on romance and trust. There is also guilt that leads Macbeth and Lady Macbeth to the final consequences of the play. As the progresses, the constant changes in Macbeth and Lady Macbeth are exposed.
Lady Macbeth: “Out damned spot: out I say.” (5.1.30). Lady Macbeth once thought that she would be able to wash herself clean of the horrors she once committed. This is not possible, for she is so full of guilt that now her hands are completely covered in blood.
Humans are always fascinated by power. Sadly, they do not realize the danger of it until it is too late. In the play Macbeth, William Shakespeare's underscores how Macbeth and Lady Macbeth are both consumed by power. In the beginning, Lady Macbeth dominates Macbeth, manipulating him to kill Duncan. After the death of Duncan, Macbeth becomes ambitious, and hires murderers to kill Banquo without notifying Lady Macbeth. Even though he is a decorated soldier, when Macbeth rises to power, he becomes ruthless. On the other hand, Lady Macbeth becomes weak, and insane. Shakespeare illustrates how Macbeth’s obsession with power undermines his moral judgement, leads to his mental deterioration, and ultimately results in his death.
The Tragedy of Macbeth, by William Shakespeare illustrates two seemingly ordinary nobles whose lives intertwine in a whirlwind of power, corruption, and the supernatural resulting in their descents. They were both so wrapped up in this greedy world they failed to consider the consequences of their actions more realistically. Macbeth started to succumb to the belief that deeds "must be acted ere they be scann’d,"(III.IV.140). Lady Macbeth in particular loses sight of rationality from the play’s beginning to end. She feigns an image of ruthlessness and believes she can handle the intrusion of unearthly evil in her mind and soul. She presents a seemingly stable foundation of control in which she clutches with an iron fist.
Fate can be defined many different ways. Webster's Dictionary defines fate as a power that supposedly predetermines events. Fate is synonymous to the word destiny, which suggests that events are unavoidable and unchangeable. Whatever happens in life is meant to be and cannot be changed by mankind. In Shakespeare's Macbeth, fate plays an important role in the lives of Macbeth, Lady Macbeth and Banquo.
How much of an influence does fate have on the ideals of a person? Is Macbeth acting out the selfish desires of his own accord? Fate is thought to be unavoidable, and all the paths of life lead to a destiny that is inescapable. In Shakespeare’s Macbeth, not only is Macbeth’s hand forced in committing a murder, his fate is expedited in the process. Macbeth is in control of his own destiny, but is spurned into decisions by the Witches and his wife. Although Macbeth believes he is controlled by fate, a more thorough inspection reveals his control over all his actions.
No person can go through life without facing the consequences of their actions. In fact, it is generally believed that every action must have a reaction. This belief is exhibited in Shakespeare's Macbeth. In the play, Lady Macbeth was the push that led her husband, Macbeth, to kill their king. This murder causes a series of consequences for both characters, which ultimately lead to their downfall. These character’s actions led to negative repercussions, but the audience will have a hard time pitying them, as their tragedy appears to be self inflicted. This idea of a self wrought tragedy is apparent in Lady Macbeth, as she is initially seen as a brutal woman because she convinced Macbeth to kill king Duncan, and aided in the murder. However, her guilt eventually lead to her own demise.
Macbeth shows how greed and ambition can bring down a person as well as others and how the changes of power occur because of loyalty and betrayal. Macbeth is the play’s main unhappy character. The play tells of Macbeth's greedy thirst for power is a dangerous trait.
Fate is one person's destiny, it cannot be understood by mere mortals but a greater power beyond human comprehension. Fate is so powerful that it controls a person's outcome on life before it happens. Many people become victims of fate in which they catch a glimpse of what their future is going to look like, but do not totally grasp the outcome. Macbeth cannot fully comprehend the possible outcome of his fate because he is mortal, and therefore is a victim to his power driven quest and his ultimate fate. Many have been said to agree with this statement. For example, as stated in Shakespeare A to Z, "The Witches are an enactment of the irrational. The supernatural world if terrifying because it is beyond human control, and in the play it is therefore symbolic of the unpredictable force of human motivation." The magic of the witches is thus an image of human moral disruption. Through their own uncertain nature, they demonstrate- and promote- the disruption in the world of they play.
She is completely consumed by guilt and slowly slips away into madness. In the planning stages of the murder Lady Macbeth felt much more strongly than Macbeth about the necessity to kill Duncan, and now in the aftermath she feels the guilt much more strongly than Macbeth. At one point in the play she is completely lost in her guilt; she sleepwalks around the castle saying "Out, damned spot. Out. She speaks of the bloodstains she now sees for her part in this murder.
The main theme of Macbeth-the destruction wrought when ambition goes unchecked by moral constraints-finds its most powerful expression in the play's two main characters. Macbeth is a courageous Scottish general who is not naturally inclined to commit evil deeds, yet he deeply desires power and advancement. He kills Duncan against his better judgment and afterward stews in guilt and paranoia. Toward the end of the play he descends into a kind of frantic, boastful madness. Lady Macbeth, on the other hand, pursues her goals with greater determination, yet she is less capable of withstanding the repercussions of her immoral acts. One of Shakespeare's most forcefully drawn female characters, she spurs her husband mercilessly to kill Duncan and urges him to be strong in the murder's aftermath, but she is eventually driven to distraction by the effect of Macbeth's repeated bloodshed on her conscience. In each case, ambition helped, of course, by the malign prophecies of the witches is what drives the couple to ever more terrible atrocities. The problem, the play suggests, is that once one decides to use violence to further one?s quest for power, it is difficult to stop. There are always potential threats to the throne?Banquo, Fleance, Macduff?and it is always tempting to use violent means to dispose of them.
By embracing evil, Lady Macbeth and Macbeth have committed unnatural actions that disturb them. Their guilt does not leave them in peace, and slowly degrades their health. Macbeth's guilt causes him to act strangely in front of his guests, and it disturbs him deeply. Macbeth's guilt is deeply mutilated, and it only affects him when he hallucinates "Take any shape but that, and my firm nerves / Shall never tremble" (III.iv.124-125), and as soon as his visions disappear he feels better "Why so, being gone, / I am a man again.- Pray you sit still" (iii.iV.130-131), not something normal considering the actions he has committed. His guilt paralyzes him when he does feel it, but most of the time he is guiltless, and that encourages him to commit more murder. Although his guilt does not ultimately destroy him, it is a factor that brings his own men against him, since through his guilt he reveals the actions he has committed.