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How It Feels to Be Colored Me, by Zora Neale Hurston literary analysis
How It Feels to Be Colored Me, by Zora Neale Hurston literary analysis
How it feels to be colored by hurston essay
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Ta-Nehisi Coates and Zora Neale Hurston, while similar in many ways because they are two African-American writers and activists of their time, are vastly different advocates. Coates views his race as a black male in America as a major disadvantage. Hurston, on the other hand, is content and very proud of her folk culture. While Ta-Nehisi Coates and Zora Neale Hurston express concerns about race and civil rights issues, they do so in a very different way.
The first difference between Coates and Hurston is the time in which they live indicates their feelings about racism. For Hurston, despite facing many negative incidents related to race in the early 1900’s she writes an essay “How It Feels to Be Colored Me,” (1927) portraying a positive attitude
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Hurston did not dwell on slavery nor did she let it depress her. “Someone is always at my elbow reminding me that I am the granddaughter of slaves. It fails to register depression with me. Slavery is sixty years in the past. The operation was successful and the patient is doing well, thank you” (Hurston.) In this situation Hurston creatively uses a metaphor to explain how the operation (freedom from slavery) was a success and the patient (herself and all colored people) are doing well. She continues, “I am off to a flying start and I must not halt in the stretch to look behind and weep. Slavery is the price I paid for civilization, and the choice was not with me. It is a bully adventure and worth all that I have paid through my ancestors for it” (Hurston.) Coates, on the other hand, has a different view of the oppression, “as slaves we were this country’s first windfall, the down payment on its freedom,” he continues, “today, with a sprawling prison system, which has turned the warehousing of black bodies into a jobs program for Dreamers and a lucrative investment for Dreamers; today, when 8 percent of the world’s prisoners are black me, our bodies have refinanced the Dream of being white. Black life is cheap, but in America black bodies are a natural resource of incomparable value” (Coates, 131.) Coates recognizes slavery in …show more content…
Although Hurston was a woman of color from the rural south and growing up in a racist, sexist and urban-centric society, her aim was to change the public’s perceptions of African Americans. Hurston’s purpose for her writings was not to integrate whites and blacks but instead to appreciate and celebrate race and culture diversity. Her writings focused on her passions for folk culture, wisdom, self-respect, and individuality.
In conclusion, these three aspects clearly show how Ta-Nehisi Coates and Zora Neale Hurston address race and civil rights issues in different ways. While Hurston feels above the ignorance of society and recognizes herself as woman rather than a person of color, Coates recognizes the nation’s immense issues and the ambience to speak up against them. Both authors, in
Coates wrote a 176 page long letter to his 14 years old son to explain what the African American society were going through at the time being. In the book, Coates used himself as an example to demonstrate the unjust treatment that had been cast upon him and many other African Americans. Readers can sense a feeling of pessimism towards African American’s future throughout the entire book although he did not pointed it out directly.
Within her article, A Society of One: Zora Neale Hurston, American Contrarian, Claudia R. Pierpont, a writer and journalist for The New Yorker, tells, analyzes, and gives foundation to Zora Neale Hurston’s backstory and works. Throughout her piece, as she gives her biography of Hurston, she deeply analyzes the significance of Richard Wright, author of Uncle Tom’s Cabin, as he accuses Hurston of “cynically perpetuating a minstrel tradition meant to make white audiences laugh”(Pierpont 3). By doing so, Wright challenges Hurston’s authority to speak for the “black race” as he claims that her works do not take a stance, rather she only writes to please the “white audience. ”As his critiques show to be oppressive, Pierpont reminds the reader the
Zora Neale Hurston grew up in Eatonville, Florida also known as “Negro Town” (Hurston, 1960, p.1). Not because of the town was full of blacks, but because the town charter, mayor, and council. Her home town was not the first Negro community, but the first to be incorporated. Around Zora becoming she experienced many hangings and riots. Not only did Zora experience t...
Zora Neale Hurston was, the daughter of a Baptist minister and an educated scholar who still believed in the genius contained within the common southern black vernacular(Hook http://splavc.spjc.cc.fl.us/hooks/Zora.html). She was a woman who found her place, though unstable, in a typical male profession. Hurston was born on January 7, 1891 in Eatonville, Florida, the first all-incorporated black town in America. She found a special thing in this town, where she said, "... [I] grew like a like a gourd and yelled bass like a gator," (Gale, 1). When Hurston was thirteen she was removed from school and sent to care for her brother's children. She became a member of a traveling theater at the age of sixteen, and then found herself working as a maid for a white woman. This woman saw a spark that was waiting for fuel, so she arranged for Hurston to attend high school in Baltimore. She also attended Morgan Academy, now called Morgan State University, from which she graduated in June of 1918. She then enrolled in the Howard Prep School followed by later enrollment in Howard University. In 1928 Hurston attended Barnard College where she studied anthropology under Franz Boas. After she graduated, Zora returned to Eatonville to begin work on anthropology. Four years after Hurston received her B.A. from Barnard she enrolled in Columbia University to begin graduate work (Discovering Authors, 2-4). Hurston's life seemed to be going well but she was soon to see the other side of reality.
I think both authors would agree with this view. Both stories involve a woman and how they are viewed as well as the struggles they face. Hurston’s story is about a power struggle between men and women. She states “see God and ast Him for a li’l mo’ strength so Ah kin whip dis ’oman and make her mind.”
It is strange that two of the most prominent artists of the Harlem Renaissance could ever disagree as much as or be as different as Zora Neale Hurston and Richard Wright. Despite the fact that they are the same color and lived during the same time period, they do not have much else in common. On the one hand is Hurston, a female writer who indulges in black art and culture and creates subtle messages throughout her most famous novel, Their Eyes Were Watching God. On the other hand is Wright, who is a male writer who demonstrates that whites do not like black people, nor will they ever except for when they are in the condition “…America likes to see the Negro live: between laughter and tears.” Hurston was also a less political writer than Wright. When she did write politically, she was very subtle about stating her beliefs.
Narrator, this was a third person account, thus leaving much to the imagination. The conversation’s language was left as if truly taken from an African American speaker in the south in such a time. The way Hurston made the scenery appear before me was like a white sheet gets stained with red wine, unable to wash out of my mind. The narration was very brut in a grammatical manner, giving a wash bucket effect of never being settled.
In his book “Between the World and Me”, Ta-Nehisi Coates explores what it means to be a black body living in the white world of the United States. Fashioned as a letter to his son, the book recounts Coates’ own experiences as a black man as well as his observations of the present and past treatment of the black body in the United States. Weaving together history, present, and personal, Coates ruminates about how to live in a black body in the United States. It is the wisdom that Coates finds within his own quest of self-discovery that Coates imparts to his son.
It is a great pity that with writers with an attitude towards race such as Hurston there is still such a negative attitude towards racial and cultural differences all over the
In the book Between the World and Me, Ta-Nehisi Coates speaks on racial encounters developing while growing up and gives a message to his son about the unfair racial ways he had to overcome in his life. Through Coates racist and unfair lifestyle, he still made it to be a successful black man and wants his son to do the same. He writes this book to set up and prepare his child for his future in a country that judges by skin color. Coates is stuck to using the allegory of a disaster in the book while trying to explain the miserable results from our history of white supremacy. In parts of the story, he gives credit to the viewpoint of white
Zora Neale Hurston’s “Sweat” is a distressing tale of human struggle as it relates to women. The story commences with a hardworking black washwoman named Delia contently and peacefully folds laundry in her quiet home. Her placidity doesn’t last long when her abusive husband, Sykes, emerges just in time to put her back in her ill-treated place. Delia has been taken by this abuse for some fifteen years. She has lived with relentless beatings, adultery, even six-foot long venomous snakes put in places she requires to get to. Her husband’s vindictive acts of torment and the way he has selfishly utilized her can only be defined as malignant. In the end of this leaves the hardworking woman no choice but to make the most arduous decision of her life. That is, to either stand up for herself and let her husband expire or to continue to serve as a victim. "Sweat,” reflects the plight of women during the 1920s through 30s, as the African American culture was undergoing a shift in domestic dynamics. In times of slavery, women generally led African American families and assumed the role as the adherent of the family, taking up domestic responsibilities. On the other hand, the males, slaves at the time, were emasculated by their obligations and treatment by white masters. Emancipation and Reconstruction brought change to these dynamics as African American men commenced working at paying jobs and women were abandoned at home. African American women were assimilated only on the most superficial of calibers into a subcategory of human existence defined by gender-predicated discrimination. (Chambliss) In accordance to this story, Delia was the bread victor fortifying herself and Sykes. Zora Neale Hurston’s 1926 “Sweat” demonstrates the vigor as wel...
In “How it feels to be Colored Me”, Zora Hurston is trying to explore her own identity and find who she is in a world full of discrimination. She is a young black girl who is living during a time when it is tough to be black because of the way they are treated and used. In “Theme for English B”, Hughes writes about a young black man about the age of 22 who is given an assignment by his teacher to write a one page report from the self. The young man questions whether or not his paper will have the same truth behind it as a young white man’s paper. I am comparing these two works because the setting is similar. They are both in school during a time that blacks and whites were still trying to get used to being around each other in a learning atmosphere.
Hurston does not concern herself with the actions of whites. Instead, she concerns herself with the self-perceptions and actions of blacks. Whites become almost irrelevant, certainly negative, but in no way absolute influences on her
...izes that there are still great differences between them and she sees them in a positive way. She feels while he only hears. Hurston handles the topic of race relations with no shame for herself or the African American community. She is proud of the differences. She feels life more fully.
Alice Walker and Zora Neale Hurston are similar to having the same concept about black women to have a voice. Both are political, controversial, and talented experiencing negative and positive reviews in their own communities. These two influential African-American female authors describe the southern hospitality roots. Hurston was an influential writer in the Harlem Renaissance, who died from mysterious death in the sixties. Walker who is an activist and author in the early seventies confronts sexually progression in the south through the Great Depression period (Howard 200). Their theories point out feminism of encountering survival through fiction stories. As a result, Walker embraced the values of Hurston’s work that allowed a larger