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Significance of handkerchief in the play othello
How did desdemona find the handkerchief
Significance of handkerchief in the play othello
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Symbols are an important part of literature used to help enhance stories. A symbol can allow readers to understand a story on a deeper and more meaningful level. They can also provide an insight to characters depending on their relation the symbol itself. Shakespeare frequently uses symbols in his plays to symbolize an idea that is more abstract. For example, a handkerchief in Othello is a key symbol in the play. The importance of the small object becomes evident as the play progresses. Although many characters come in contact with the handkerchief throughout the play, it holds special importance to the characters Othello, Desdemona, and Iago. The handkerchief held sentimental value for Othello because it was a gift from his mother. He tells …show more content…
Othello gave Desdemona this handkerchief as a symbol of their marriage and his love for her. When Iago planted the seed in Othello’s head that Desdemona and Cassio were having an affair, Othello became furious. Iago convinced Othello that the handkerchief represented Desdemona’s faithfulness towards him, which is why it was so important to Othello that she still had the handkerchief. It is the reason why he used a story about the magic behind the handkerchief to try to scare Desdemona into admitting to her alleged affair with Cassio. Othello believed that if Desdemona had lost or given away the handkerchief, it would be “…perdition as nothing else could match” (III.iv.67-68). In other words, there would be eternal punishment for Desdemona if she did not still possess the handkerchief. When Othello saw it in the hands of Cassio, it changed from a symbol of marriage and love to a symbol of …show more content…
The handkerchief also held sentimental value for her, but for a different reason than Othello’s. It was “…her first remembrance from the Moor” (III.iii.290) or simply put, it was the first present she had ever received from Othello. Desdemona kept the handkerchief with her wherever she went because as Emilia said, “…she so loves the token…” (III.iii.292). When Desdemona realized that she had lost the handkerchief, she told Emilia: “Believe me, I had rather have lost my purse/Full of crusadoes” (III.iv.24-26). In other words, she was so worried about losing her handkerchief that she would have rather lost her purse filled with money than it. This proves that the handkerchief held a lot of importance to her. It was something that money could not buy. When Emilia picks up Desdemona’s dropped handkerchief she said that Desdemona kept it close by her side “To kiss and to talk to” (III.iii.295) almost like it was Othello himself. The handkerchief held importance to Desdemona for a single reason, Othello. It was a reminder of Othello when he was not by her side and it represented Othello’s
In the beginning Othello is seen as a calm collected man when put into an awkward situation, such as being ridiculed by his wife’s father in thinking that Othello has used some sort of magic to gain Desdemona 's infection. Othello’s calm collected ways start to deteriorate after he is convinced by Iago, a deceiving evil man that Desdemona has slept with Cassio. Othello’s self control no longer exist once he is fully convinced that it is in fact true that Desdemona has been unfaithful. His sense of what is real and what is not real is thrown out the window. Othello starts to become extremely jealous of his used to be beloved Cassio, and after considering giving back his spot as liternuanat he denies him that. He starts to become cold and distant towards his wife, and starts to call her out of her name. As Othello continues to lose control the people around him start to doubt his abilities of being able to protect Cyprus, and even his wife starts to doubt him, and agree with her father. No one knows who this man is anymore, he has started to act in an insanely matter. He can longer be his true self and take on the responsibilities of being general as he starts to crack. With Othello being faced with evil, him being calm is no longer an option for him because he can’t face the fact that the person he loves so dearly is cheating on him. Going back the they handkerchief, the symbol of his love for her. Othello seeing Cassio with Desdemona’s handkerchief sets him over the edge becoming truly convinced that his wife has betrayed him. Even when Desdemona and her maid Emila, Iago’s wife, has told him countless times that she has not been unfaithful, he is so far gone from reality that he does not believe either one of them. With the state of mind he’s in he cannot bear the thought of another man touching his wife. Othello and Iago plan to kill Cassio and Desdemona. After he
At the beginning of the action, the two ladies relationship furthers the plot by creating a circumstance in which Desdemona’s handkerchief goes missing. Desdemona’s most valued token of Othello’s love is a supposedly magic handkerchief that belonged to his mother and Desdemona keeps it with her at all times. When she drops it Emilia swipes it to try to please her husband, Iago. By stealing the handkerchief Emilia unwittingly sets in motion Iago’s scheme that will eventually lead to the death of herself, Othello, and her beloved Desdemona. Without this handkerchief Iago’s scheme would never work because it is the only piece of substantial proof of Desdemona's infidelity can use to convince Othello. Therefore, without Desdemona and Emilia's close friendship there would be no plot. Toward the end of the play, Emilia and Desdemona’s relationship becomes crucial to the plot again. After Othello kills Desdemona Emilia is the one who puts together the facts and unearths Iago’s scheme, risking her own life to do so. After witnessing Desdemona’s death Emilia says, “O thou dull Moor, that handkerchief thou speak’st of I found by fortune, and did give my husband- for often, with a solemn earnestness he begged of me to steal ‘t”(5.2.267-272). At the threat of her own death she revealed Iago’s treachery and concluded the plot by explaining how Iago’s scheming led to the death of four different people. Without Emilia’s proximity to Desdemona she would never have been able to take the handkerchief and her knowledge of Iago and Desdemona’s natures made her the only character able to uncover Iago’s scheme. Certainly, Desdemona’s close relationship and differing characters were essential to the plot of the
...demona’s handkerchief was the main object and symbol that was known for betrayal. In result, Iago had been the primary reason why we experience betrayal in the play. Due to Othello giving away the handkerchief was a sign for his affection to his beloved wife. In addition, it then moves from person onto the next person which was caused by Iago. Once Othello becomes jealous it makes it act on as an illusion since Desdemona. She had been faithful the entire time during their marriage and thinks that she has been cheating on him. The people Iago had betrayed with this handkerchief were: Othello, Emila, Cassio, and Desdemona. Furthermore, it was intended to have significance as a symbol of sacred trust. It was known as the “pledge of love” to Desdemona.
Iago talks about jealousy and deception in this same scene, but never gives any proof or direct descriptions of Desdemona's betrayal. Yet we know that Othello's perception has been sufficiently influenced to make him angry and sick by the end of this conversation. He tells Desdemona he has a headache, but he refuses any help from her. When she puts her handkerchief to his head, he pushes it away saying, "your napkin is too little" (3.3.285). This takes on more significance later on in the play when we find out that this handkerchief is the first token of love Othello ever gave to Desdemona.
Iago plants the handkerchief on Cassio. Convinced of Desdemona’s infidelity, Othello smothers his beloved wife in their marriage bed. Emilia then proves Iago’s guilt and Desdemona’s innocence to Othello. Othello stabs Iago, who is under arrest, but fails to kill him and commits suicide.
Desdemona’s death is caused because Emilia is naive and has poor judgment of Iago. Iago believes that Emilia is promiscuous this sparks his jealousy toward Othello. Because he suspects that Othello and Emilia have been together intimately. He then seeks revenge on the Moor in the process he uses his own wife as an accomplice. This leads to, the case of the missing handkerchief! Emilia is completely naive and without any suspicion she never suspects that Iago envies the Moor and will use the handkerchief to deceive him. When Emilia says:
From this point on, Othello insecurity manifests into a seemingly irrational fear of being cuckolded, and his self-perceived worth diminishes exponentially. Othello comments on the likelihood of Desdemona cheating, by explaining how it may be “for [he is] black / And have not those soft parts of conversation / That chamberers have…” (3.3.280-282) Othello’s frustration with the threat of being cuckolded puts strain on his relationship with Desdemona, and she quickly becomes a victim of domestic abuse. For example, Othello acts as an interrogator, demanding to see the handkerchief which he gave her that symbolizes faithfulness and commitment towards Othello. (Quotation) When she is unable to produce their symbol of trust, Othello’s anger manifests inside him. The audience is shown a stark contrast to Othello’s typically cool, collected and composted nature. This abrupt and irrational change in behaviour is emphasized when Othello strikes Desdemona in front of Lordovico, (4.1.245) Othello’s
Othello asks Desdemona for the handkerchief. The handkerchief had been given to Othello’s mother by an Egyptian charmer. Desdemona is unable to present the handkerchief to Othello Othello continues to demand the handkerchief while Desdemona continues to plead for Cassio’s return to service. “Fetch me the handkerchief! — my mind misgives” (Othello/Otl. 3, 4, 85) Filled with anger and doubt, Othello exits the...
Desdemona professed her love for Othello in front of her father and the court. By doing so she reinforced the fact that no magic or mystical powers were used and she explained how she went with Othello freely, by doing so she redefines her own status as Othello’s wife (Calderwood 29). By confessing her love, Desdemona is presenting to Othello her faithfulness to him because she is allowing all of them (those in the court) to know about her love, which should allow Othello to see her love for him is real and that he is able trust her and love her.
A symbol is an object, action, or event that represents something or that creates a range of associations beyond itself. In literary works a symbol can express an idea, clarify meaning, or enlarge literal meaning. Select a novel or play and, focusing on one symbol, write an essay analyzing how that symbol functions in the work and what it reveals about the characters or themes of the work as a whole. Do not merely summarize the plot. (2009 Open-Ended Question for AP English Literature and Composition).
The death of Desdemona is a result of the lies and manipulation of Othello and Cassio by Iago. Through his suggestion to Cassio, Iago can now be certain that Cassio will entreat Desdemona to petition for him with Othello. Cassio does implore Desdemona and she responds, “Be thou assured, good Cassio, I will do all my abilities in thy behalf” (Act III Scene III). Iago manages to obtain the handkerchief that Othello gave to Desdemona that had strawberry patterns on it from Bianca.
Already there is a high importance to the handkerchief in the start of the story. This being due to the fact that it originally came from Othello’s mother. The reason it is also seem to be placed on a pedestal is because it is believed by Othello to possess magical powers. He had been told that it was woven by a 200-year-old sibyl also known as an Egyptian charmer. The process was done by using the silk from sacred worms, and the dye from mummified virgin hearts. Later being given to his mother; who he claims used it to keep his father from being unfaithful to her. This further illustrates Othello’s fixed perspective of the handkerchief, and the value of fidelity that it holds within it. When he presents Desdemona with the handkerchief, he expects nothing but love and faithfulness in return. The handkerchief, as mentioned, does give a variety of meanings to each of the characters as it falls into each of their hands throughout the entire story. So for Desdemona, the strawberry embroidered handkerchief, means nothing but Oth...
'” (III,3,2092) This psychological strategy angers Othello to no end. Othello has been jealous of Cassio (who is everything that Othello is not: white, Christian, young). This shows that Iago is very clever: he first uses psychological plants before he moves to physical evidence. When Othello demands ocular proof, Iago brings out the handkerchief, the magical symbol of Othello 's manhood and source of his jealousy: “I know not that; but such a handkerchief I am sure it was your wife 's--did I to-day
Iago finished his argument with the declaration; “But I will wear my heart upon my sleeve, for daws to peck at,” I am not what I am” (I.I.66-67). Iago metaphorically personifies that “wearing your heart on your sleeve” is a precarious move because if your true intentions are visible, it weakens you to allow you to be the target of attack. However, in literal meanings, humans are metaphorically symbolised as ‘birds’ to contrast the nature of human behaviour to animals. Iago’s metaphorical statement “I am not what I am” alludes to the biblical connotations in the bible, chapter Exodus 4:14 when Moses asks for God’s name in which God strongly responded back “I AM WHAT I AM” which opposes to Iago’s open declaration, to reference him to be the devil for acquiring villainous traits and motives. The dominant implementation of the handkerchief was the most significant motif of the play as it rapidly endured different meanings, from a love token to represent Desdemona’s and Othello’s marriage bond to Desdemona’s sudden fatality. The handkerchief was a vital element for Iago manipulative schemes because he knew the importance of the sentimental value, to which he used it to manipulate it to symbolise Desdemona’s chastity and fidelity. Iago’s purpose of the handkerchief was to be a mere suspicion and a circumstantial evidence strong enough to feed Othello’s
That fight gets Cassio fired from his position because it stirs commotion that alarms Othello, bringing him out of his sleeping chamber. Cassio is fired because he is too drunk to give the truth and the lies Iago feed Othello leads to Cassio’s departure from his position, “ I know, Iago, / Thy honesty and love doth mince this matter, / Making it light to Cassio. Cassio, I love thee; / But never more be officer of mine” (239-242). The plan is really brought into action when he begins to use his trick of suggestion in order to get Othello to think about the possibility of an affair. His suggestions come with no true proof, “ I speak not yet of proof. / Look to your wife; observe her well with Cassio; / Wear your eye thus, not jealous nor secure” (219-221). By creating meetings that sound of a different nature, he is able to trick Othello into believing conversations of a different matter. Not only does he obtain the handkerchief that symbolizes the love Othello has for Desdemona, but he uses said handkerchief to tear the marriage apart. Othello begins to question Desdemona about the whereabouts of the handkerchief, “ Is’t lost? Is’t gone? Speak, is it out o’ the way?”, hoping she will tell the truth of where it lies, with Cassio. Iago pushes Othello even more about Cassio having the handkerchief, “ And to see how he prizes the foolish woman your wife! She gave it him, and he hath given it his whore” (186-188). Othello’s anger and jealousy begins to to turn into a more violent nature rather than his once calm self. Iago’s plan is working just as he has planned, and he could not be