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Symbolism in langston hughes
The negro speaks of river analysis
Influence of African American literature and importance
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Langston Hughes, often given the title "King of the Harlem Renaissance," is known for his social commentary on the Black community as well as black issues. "The Negro Speaks of Rivers" is no exception. In this poem, Hughes is able to capture the soul of the black community. He uses rivers to symbolize the history, struggle, and perseverance of African Americans. By doing this, he paints a picture of the historical journey that is completely unique to Black America. From the first line of the poem, Hughes draws a connection between rivers and Black history. He has “known rivers ancient as the world and older than the flow of human blood in human veins” (Hughes). The flow of a river is similar to the blood flowing through the veins of African Americans, their cultural ties as old as the rivers he mentions, their heritage flowing deep in their veins. Rivers have always been around; some have been around for centuries. They have stood the test of time and thus often symbolic of being filled with great wisdom. Rivers are much like the black community, who have also endured for centuries and carry equally profound and powerful wisdom. Four different rivers are mentioned in this poem: the Euphrates, the Nile, the Congo, and the Mississippi. The Euphrates is located in Western Asia. The Congo and the Nile are both located in western and northern Africa, and the Mississippi resides in the southern United States. In all these areas are Africans, whose history in these places goes back for generations. The narrator states that he “bathed in the Euphrates when dawns were young” and " built my hut near the Congo and it lulled me to sleep” (Hughes). By using these rivers as symbolism, Hughes skillfully manages to tell the history of Africans, ... ... middle of paper ... ... still are considered powerful, wise, mysterious, and beautiful. Despite such a dark past, black people have and continue to endure. Thus, that “muddy bosom” turns to gold. Langston Hughes illustrates the current condition of black society in America as well as expressed his love for it. He compares the strength and perseverance of black Americans to that of the “ancient, dusky rivers” he speaks of in the poem. It celebrates heritage as well as illustrates the history African Americans. Despite the hardships, black people came up from the depths of grief and survived. Their history flows through the cracks of the earth like a river. Works Cited Hughes, Langston. The Negro Speaks of Rivers. Cleveland, 1920. Zarins, Juris. "Euphrates." Meyers, Eric M. The Oxford Encyclopedia of Archaeology in the Ancient Near East. New York: Oxford University Press, 1997. 287-290.
Women are equated with water and the greatness that it possesses. In both poems Hughes displays African-American’s view of women and how they the key to maintaining a family. R. Baxter Miller states “her symbolic yet invisible presence pervades the fertility of the earth, the waters and the rebirth
In fact, it is clear to the reader that Huggins makes a concerted effort to bring light to both ethnicities’ perspectives. Huggins even argues that their culture is one and the same, “such a seamless web that it is impossible to calibrate the Negro within it or to ravel him from it” (Huggins, 309). Huggins argument is really brought to life through his use of historical evidence found in influential poetry from the time period. When analyzing why African Americans were having an identity crisis he looked to a common place that African American looked to. Africa was a common identifier among the black community for obvious reasons and was where Authors and Artists looked for inspiration. African American artists adopted the simple black silhouette and angular art found in original African pieces. Authors looked to Africa in their poetry. In The Negro Speaks of Rivers by Langston Hughes, the names of rivers in Africa such as the Euphrates, the Congo and the Nile were all used and then the scene switches to the Mississippi river found in America showing that blacks have “seen”, or experienced both. Huggins looks deeply into Countee Cullen’s Heritage discussing “what is Africa to me?” a common identifier that united black artistry in the Harlem Renaissance, “Africa? A book one thumbs listlessly, till slumber comes” (Countee). The black community craved to be a separate society from white Americans so they were forced to go back to the past to find their heritage, before America and white oppression. Huggins finds an amazing variety of evidence within literature of this time period, exposing the raw feelings and emotion behind this intellectual movement. The connections he makes within these pieces of poetry are accurate and strong, supporting his initial thesis
Hughes, a.k.a. Langston, a.k.a. “The Negro Speaks of Rivers.” The Bedford Introduction to Literature. Ed.
In the poem, The Negro Speaks of Rivers, written by Langston Hughes, and the poem, For My Children, written by Colleen McElroy both mention the rivers that their people have lived next to in Africa and in America. Langston Hughes mentions the rivers in Africa as a reminder of where his people used to live, and how their past still lives with in the deep waters of the African rivers. Yet, he mentions the rivers he lived by in America, and how those rivers are also where his people’s past lives. His idea in the poem was to address how all of...
Through the exemplary use of symbolism, Langston Hughes produced two poems that spoke to a singular idea: Black people have prevailed through trials and tribulations to carry on their legacy as a persevering people. From rivers to stairs, Hughes use of extended metaphor emphasizes the feeling of motion which epitomizes the determination of the people. Overall, the driving feeling of the poems coupled with their strong imagery produce two different works that solidify and validate one main idea.
During the 1920's and 30’s, America went through a period of astonishing artistic creativity, the majority of which was concentrated in one neighborhood of New York City, Harlem. The creators of this period of growth in the arts were African-American writers and other artists. Langston Hughes is considered to be one of the most influential writers of the period know as the Harlem Renaissance. With the use of blues and jazz Hughes managed to express a range of different themes all revolving around the Negro. He played a major role in the Harlem Renaissance, helping to create and express black culture. He also wrote of political views and ideas, racial inequality and his opinion on religion. I believe that Langston Hughes’ poetry helps to capture the era know as the Harlem Renaissance.
Langston Hughes was probably the most well-known literary force during the Harlem Renaissance. He was one of the first known black artists to stress a need for his contemporaries to embrace the black jazz culture of the 1920s, as well as the cultural roots in Africa and not-so-distant memory of enslavement in the United States. In formal aspects, Hughes was innovative in that other writers of the Harlem Renaissance stuck with existing literary conventions, while Hughes wrote several poems and stories inspired by the improvised, oral traditions of black culture (Baym, 2221). Proud of his cultural identity, but saddened and angry about racial injustice, the content of much of Hughes’ work is filled with conflict between simply doing as one is told as a black member of society and standing up for injustice and being proud of one’s identity. This relates to a common theme in many of Hughes’ poems: that dignity is something that has to be fought for by those who are held back by segregation, poverty, and racial bigotry.
"The Negro Speaks of Rivers." Literary Themes for Students: Race and Prejudice. Ed. Anne Marie Hacht. Vol. 2. Detroit: Gale, 2006. 374-84. Literary Themes for Students. Gale Virtual Reference Library. Web. 8 Apr. 2014. .
Lastly, Langston Hughes’s poem, “The Negro Speaks Of Rivers”, ends with “I’ve known rivers: / Ancient, dusky rivers. / My soul has grown deep like the rivers (8-10). The speaker voices out his last breath to which from an analytical standpoint, the theme of death arises. Langston Hughes follows T.S. Eliot’s suggestion as he cries out for the African-American race to alienate themselves by embracing their own artistic form, claiming that black is beautiful.
Hughes emphasizes his message consistently throughout this poem, weaving in the most important line in the middle and end of the poem. He is representing his people. African Americans have waited and been abused by society, and this deepened and weathered their souls over time, just as a river would become deepened and weathered. Hughes’ soul, the collective soul of African Americans, has become “deep like the rivers” (5). This simile speaks that the rivers are part of the body, and contribute to this immortality that Hughes is so desperate to achieve for his people. Rivers are the earthly symbols of eternity: deep, constant, mystifying.
Langston Hughes was deemed the "Poet Laureate of the Negro Race," a fitting title which the man who fueled the Harlem Renaissance deserved. But what if looking at Hughes within the narrow confines of the perspective that he was a "black poet" does not fully give him credit or fully explain his works? What if one actually stereotypes Hughes and his works by these over-general definitions that cause readers to look at his poetry expecting to see "blackness?" Any person's unique experiences in life and the sense of personal identity this forms most definitely affects the way he or she views the world. This molded view of the world can, in turn, be communicated by the person through artistic expression. Taking this logic into account, to more fully comprehend the message and force of Hughes' poetry one must look, not just to his work, but also at the experiences in his life that constructed his ideas about society and his own identity. In looking at Hughes' biography, one studies his struggle to form a self-identity that reflected both his African American and mainstream white cultural influence; consequently, this mixing of black and white identity that occurred throughout Hughes' life is reflected in his poem "The Weary Blues."
The poem “Negro” was written by Langston Hughes in 1958 where it was a time of African American development and the birth of the Civil Rights Movement. Langston Hughes, as a first person narrator tells a story of what he has been through as a Negro, and the life he is proud to have had. He expresses his emotional experiences and makes the reader think about what exactly it was like to live his life during this time. By using specific words, this allows the reader to envision the different situations he has been put through. Starting off the poem with the statement “I am a Negro:” lets people know who he is, Hughes continues by saying, “ Black as the night is black, /Black like the depths of my Africa.” He identifies Africa as being his and is proud to be as dark as night, and as black as the depths of the heart of his country. Being proud of him self, heritage and culture is clearly shown in this first stanza.
Langston Hughes is one of the most famous poets of the Harlem Renaissance. He was born in Mississippi in 1902 and later moved to Ohio where he attended Central High School. When Hughes graduated high school he went to Mexico to visit his father and while crossing the Mississippi River he was inspired to write “The Negro Speaks of Rivers”, which was his first published poem when he was eighteen years old. When Hughes returned to the United States in 1924 the Harlem Renaissance was in “full swing”. In 1925 at the age of twenty-three Hughes received an award for his poem “The Weary Blues”, Hughes was famous for incorporating blues and jazz rhymes into his poetry, which is what he did in his poem “The Weary Blues”. Hughes was at a banquet where he received an award for his poem “The Weary Blues” and was asked by a man named Carl Van Vechten if he had enough poems to make a book. Hughes said yes and Van Vechten promised that he would find Hughes ...
In “The Negro Speaks of Rivers”, the river stands as a symbol of endlessness, geographical awareness, and the epitome of the human soul. Hughes uses the literary elements of repetition and simile to paint the river as a symbol of timelessness. This is evident in the first two lines of the poem. Hughes introduces this timeless symbol, stating, “I've known rivers: I've known rivers ancient as the world and older than the flow of human blood in human veins” (Hughes 1-2). These opening lines of the poem identifies that the rivers Hughes is speaking about are older than the existence of human life. This indicates the rivers’ qualities of knowledge, permanence, and the ability to endure all. Humans associate “age” with these traits and the longevity of a river makes it a force to be reckoned with. The use of a simile in the line of the poem is to prompt the audience that this is truly a contrast between that ancient wisdom, strength, and determination of the river and the same qualities that characterize a human being. The imagery portrayed in the poem of blood flowing through human veins like a river flows ...
The whole poem itself is a metaphor to tie together the heritage of African Americans to the great river of the world. Hughes reveals the relationship between the rivers and the lives of black people.