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Tensions between characters in a streetcar named desire
Tensions between characters in a streetcar named desire
Characteriztion through streetcar named desire
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Tennessee William's novel, A Streetcar Named Desire, is the story of the brutish Stanley Kowalski and his meek wife Stella, a New Orleans couple whose lives are turned upside down with the arrival of Stella's neurotic, Southern belle sister Blanche who is immediately drawn into a battle of wills with Stanley. Blanche's childlike helplessness, romantic desires, and pretensions to aristocracy completely collapse when Stanley's ruthless exposure of her past brings about Blanche's final disintegration. When reading the scenes, the symbolism struck me as the most prominent aspect of the novel. Williams uses symbolism throughout the novel to progress the plot of the story, character growth, and foreshadowing of future events in the novel. In this essay, I have chosen a few symbols to discuss how Williams uses them in his novel. In addition, one symbolic event will show evidence of foreshadowing a future event in the novel. Throughout the novel, Williams has referred to animalistic behavior and virtues. He presents New Orleans as a jungle; a metaphor Williams uses to portray the primitive, sub-human nature of its inhabitants. Stanley epitomizes this as he represents the brutes of society that dominate in this jungle. Williams conveys both imagery and dialogue to portray this notion throughout the novel as Stanley performs brutish acts and declares, "I am the king around here, so don't you forget it." Beating his wife Stella is one significant act that portrays Stanley's brutish characteristics. In addition, throughout the novel Stanley presents himself as a self-important brute, driven by the force of desire that enables him to thrive in the jungle that really is his "Elysian Fields." Examining the climax, it is apparent that the animalistic predisposition are out in full force in Stanley as he parades around in a "vivid green silk bowling shirt" and "brilliant silk pajamas." Therefore, the rape is a result of an act of brutal desire in its most futile form, stemming from animal impulses and hostility that propelled the two towards each other. The rape is an act in which each character is at the peak of their battle, which is to be the "final hand" in the game of desire. Furthermore, a symbolic event that I believe foreshadows the rape is when Stella pours Blanche a drink, a coke with a shot of whiskey. It overflows and spills foam on Blanche's dress. Upset by being dirty and violated, Blanche screams with a piercing cry about stains on her pastel-colored dress.
In Tennessee Williams’ play A Streetcar Named Desire, main character Blanche Dubois to begin with seems to be a nearly perfect model of a classy woman whose social interaction, life and behavior are based upon her sophistication. The play revolves around her, therefore the main theme of drama concerns her directly. In Blanche is seen the misfortune of a person caught between two worlds-the world of the past and the world of the present-unwilling to let go of the past and unable, because of her character, to come to any sort of terms with the present.
Stanley repeatedly gets what he wants by using any means possible. In addition, the person whoever threatens the existence of his poker game receives a beating, in this case his wife. This scene demonstrates Stanley’s viscous animal-like traits with such violence. If what happened here was repeated in today’s society, he would find himself in a jail cell with a pending divorce.
Blanche one day tells Stella that she shouldn't stay with Stanley because he shouldn't treat his wife abusively, especially when she's pregnant. Blanche describes in full detail that he “acts like an animal,has animal habits! Eats like one, moves like one, and talks like one!” (74) All that Blanche wants to do is speak to Stella so she does not put up with the domestic abuse. Blanche feels that Stella does not deserve to be mistreated by her husband. Williams excellent use of diction most certainly proves how Stanley is both an animal and an abusive husband to Stella. Although Stella feels mistreated and abused, she never considers leaving Stanley because she has a great desire for him no matter his abusive actions. Stella at times finds herself the cause of Stanley's actions. She feels that she's the reason why Stanley hits and abuses
He embodies the traits found in a world of old fashioned ideals where men were meant to be dominant figures." It was also justified with the scenes that included the interactions between Stanley and the other women in the play. In the first scene Stanley tosses the meat at Stella which displays his barbaric side. This behavior can be compared with the characteristics of a caveman that brings dead meat into the cave after a good
The character Stanley represents the theme of reality. Stanley Kowalski is the simple blue-collar husband of Stella. His actions, reactions, and words show reality in its harshest most purist form. His actions are similar to a primitive human. For example he doesn’t close the door when he uses the restroom. This rudeness represents the harsh reality that Blanche refuses to accept. Moreover, when he was drunk he hit Stella. This attack on Blanches sister could be a symbolic “wake up” slap to the face of Blanche.
The two important female characters in the "poetic tragedy"(Adler 12), A Streetcar Named Desire, are Stella and Blanche. The most obvious comparison between Stella and Blanche is that they are sisters, but this blood relationship suggests other similarities between the two women. They are both part of the final generation of a once aristocratic but now moribund family. Both manifest a great deal of culture and sensitivity, and because of this, both seem out of place in Elysian Fields. "Beauty is shipwrecked on the rock of the world's vulgarity" (Miller 45). Blanche, of course, is much more of an anachronism than Stella, who has for the most part adapted to the environment of Stanley Kowalski. Finally, both Stella and Blanche are or have been married. It is in their respective marriages that we can begin to trace the profound differences between these two sisters.
She struggles with Stanley’s ideals and shields her past. The essential conflict of the story is between Blanche, and her brother-in-law Stanley. Stanley investigates Blanche’s life to find the truth of her promiscuity, ruining her relationships with Stella, and her possible future husband Mitch, which successfully obtain his goal of getting Blanche out of his house. Blanche attempts to convince Stella that she should leave Stanley because she witnessed a fight between the two. Despite these instances, there is an essence of sexual tension between the two, leading to a suspected rape scene in which one of their arguments ends with Stanley leading Blanche to the bed.
Early in Blanche’s life before she arrived at the Kowalski’s residence, Blanche already led a life of promiscuity and alcoholism, which is exhibited when “she pours a half tumbler of whiskey and tosses it down.” Additionally, Blanche loses her job due to an inappropriate relationship with a student, and her excessive drinking throughout the play was triggered when she unknowingly married a homosexual man that later committed suicide after the discovery of his sexual preference. These events show who Blanche is as a person and how she operates in the world. She relies on her ability to act as an object of male sexual desire since her interactions with the males in the play always commence with flirtation. This is demonstrated when Blanche tells St...
A Streetcar Named Desire by Tennessee Williams is a play about a woman named Blanche Dubois who is in misplaced circumstances. Her life is lived through fantasies, the remembrance of her lost husband and the resentment that she feels for her brother-in-law, Stanley Kowalski. Various moral and ethical lessons arise in this play such as: Lying ultimately gets you nowhere, Abuse is never good, Treat people how you want to be treated, Stay true to yourself and Don’t judge a book by its cover.
Also, the repetitive comparison of him to an animal or ape is the perfect image not the id as it is the instinctive part of your psyche. The way this passage leaves the reader is very powerful saying that “maybe he’ll strike you” is a good example of Stanley’s aggressive nature, and when Blanche says “or maybe grunt and kiss you” is a very good example of his sexual nature.
Blanche uses her dilutions and tries to sway Stella away from Stanley, yet Stella takes all these slanders and belittles them. Stella does this because she loves Stanley and since she is pregnant with his baby.
Tennessee Williams explores in his play” A Streetcar Named Desire”, suggests the main protagonist, Blanche, who has ruins her reputation due to her adversity. She is kick out of Laurel. She have no choice, but to move to her sister’s house. This place can allow her to create a new identity and new life. However when Blanche is revealed , it cause her to choose to live in her own fantasy world , because she cannot face the harsh reality. The Play” A Streetcar Named Desire”, by Tennessee Williams illustrates that sensitive people may succumb to fantasy to survive when they faced adversity, ,which forsake their identity to find an acceptable existence.
Blanche uses her fantasies as a shield; and her desires as her motivation to survive. Her fading beauty being her only asset and chance of finding stability. Stella’s relationship with Stanley also emphasis the theme Williams created in this book. They’re only bond is physical desire and nothing at all intellectual or deep rooted. Tennessee Williams exemplifies that their relationship which only springs from desire doesn’t make it any weaker. He also creates a social dichotomy of the relationship between death and desire.
Since Blanche’s arrival, Stanley has questioned Blanche’s lifestyle, accused her of theft and engaged in other verbal confrontation. As Mitch’s friend, Stanley deems it necessary to share what he has uncovered about Blanche’s deception and misbehavior with Mitch. After not attending Blanche’s birthday dinner, Mitch visits Blanche late in the evening. In this passage, Mitch reveals to Blanche what he now knows about her and tears off the paper lantern so that he can expose Blanche for who she is. This passage suggests that Mitch embodies the same masculinity already established in Stanley. Utilizing dialogue, characterization, and stage directions, Williams reveals the likeness between the two men.
Stanley (Stella's husband) represents a theme of realism in the play; he is shown as a primitive, masculine character that is irresistible to Stella and on some levels even to his "opponent" Stella's sister Blanche.