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The namesake analysis
Cultural identity in the namesake
Essays on the namesake
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In The Namesake, Jhumpa Lahiri illustrates several factors contributing to an individual’s life, such as the struggle faced by settling immigrant families and their growing second-generation children. Lahiri develops the fundamental idea that the absence of strong roots heavily affects an individual’s identity. This is clearly depicted through Gogol and the conflict he faces with his identity, the central theme and the symbolism found in Gogol’s names. Firstly, the main protagonist, Gogol, is heavily affected by not having strong roots. We are introduced to his struggle with identity almost immediately after we are introduced to him. Gogol is described as a normal Bengali Indo-American individual. Born in 1968, he can be described with thick …show more content…
This is the central theme in which it is described that not having a strong sense of where one comes from, impacts who they are. One of the biggest examples of feeling like he doesn’t fit in is his name. Due to his name not being Bengali nor American, he feels that he is separated from both cultures and essentially from his family. He expresses that “he hates having to explain to people that it does not mean anything ‘in Indian’. ” He always feels left out, especially during Bengali get-togethers where he does not fit in with Sonia, or with the mothers or with the fathers. Gogol is not self-confident when he thinks of himself as Gogol. When he changes his name to Nikhil, for a while, he is unaware of how to be that person for quite some time. The change of his name expresses his change into adulthood, and it is the first step in him finding out who he is. In a way, the two names represent the two parts of his life; Gogol representing the life his parents laid out for him and Nikhil describing the life he wants for himself. Gogol is the name given to him by his parents which was never supposed to be his real name. He always finds it embarrassing that he has a pet name that was turned into a good name. Gogol represents the life that his parents have laid out for him which is a stable home and a stable life, both predictable and with lots of …show more content…
Googol and his conflict and the symbolism in the book, represented by his names, all contribute to this central
I am the child of a white man and a Navajo (Diné) woman. Gogol’s parents have tried to force their cultural values upon him since birth, but I would have been lucky if my family had tried to celebrate my A 'wee Chi 'deedloh, my first laugh ceremony. Gogol lives in a world where his family seems to have to do everything possible to scrape together the means to practice their Bengali culture. This suggests that to be the child of first-generation immigrants is to substitute many traditions and ceremonies into more Americanized, less culturally-authentic renditions of themselves, for the only way to be truly authentic is to practice the culture in the land of origin or, in Gogol’s case, India.
In the novel Graceling there are many important characters including the main character Katsa, her uncle King Randa, and her friend Po. Kristin Cashore uses symbolism in many cases to provide more information about these characters without telling the reader directly, so the individual could form their own opinion on the information given. Symbolism, when used in the right book and the right context, could prove to be an extremely useful tool for the author. Throughout the novel Graceling, author Kristin Cashore uses many symbols to give insight on the growth and portrayal of the characters.
In the short story “The Possibility of Evil,” Shirley Jackson uses several symbols to tell the story about Miss Strangeworth. One symbol she uses consist of the roses that Miss Strangeworth treasures. The roses represent the love and perfection of Miss Strangeworth. As we know, Miss Strangeworth believes that the world is horrible and unclean and that she is the only perfect person. She loves her roses dearly which emphasizes her needs for everything to be perfect just like her. She values her roses so much because only she takes care of them making them a symbol of perfection and becomes one of the items that Miss Strangeworth loves and sees as superior to other roses. Another symbol Jackson uses compose of Pleasant Street, the street that
Everything was great, every day was the same except that particular day when your life
The role of the Gogolian narrator is an unassuming revealer of what is hidden in the world. Revelations can be the world’s evils, morality, or a nation’s ultimate purpose. Gogol’s narrator is merely a puppet of his imagination and is kept within certain boundaries. Sometimes the narrator’s lack of transparency can make a story seem like a parable or folk tale like in “The Nose” and “Nevsky Prospect.” We can see this in what limited information the narrator is allowed to reveal to the reader and I will examine this theme in Gogol’s “Nevsky Prospect,” “The Nose,” and Dead Souls.
The inherent desire to belong to a group is one that is fundamental to human nature. In his article “Evolution and Our Inner Conflict,” Edward O. Wilson writes, “A person’s membership in his group – his tribe – is a large part of his identity.” Wilson explores multilevel group selection and the proclivity for people to define themselves based on their belonging to the group. He goes on to say that people often form these groups with those who look like them and belong to the same culture or ethnic group. In the novels Ceremony by Leslie Marmon Silko and The Puttermesser Papers by Cynthia Ozick, the identities of the protagonist are predominantly shaped by the ethnicities and heritages that they identify with. The identity of Tayo, the protagonist of the novel Ceremony is largely shaped by his ethnicity as both a Native American and part white. Tayo’s background leads directly to his own identity as an outsider and is central to the storyline. In the novel The Puttermesser Papers by Cynthia Ozick, the title character Puttermesser’s identity and subsequently her story is also influenced by her Jewish heritage.
The story opens with a larger picture of the life on Nevsky Prospect with all its richness and complexity. Then, in the second part, Gogol follows two characters who give readers insight into the detailed lives of the people who roam the city, enabling us to see the darkness behind the colorful picture painted in the first part. We experience the city in two ways: First as an onlooker, walking the streets and becoming familiar with the general city; then the view is shifted, and readers venture into its depths and watch how individuals lead their lives.
Gogol/ Nikhil develops two separate identities as he uses the name Nikhil to isolate himself from reminders of its uniqueness and reminisce of his Bengali culture as Gogol moves throughout his college life. For example, the text states, “...he goes home every other weekend..Somewhere along the two-and-a-half hour journey, Nikhil evaporates and Gogol claims him again,” (106) . This illustrates how Gogol/ Nikhil alternates as he comes in contact with either his family or friends, where it is a way for him to safely blend in depending on the various people. In addition, his girlfriend Ruth contributes to his identity as Nikhil because it pushes him further into playing off as this persona in which “Nikhil” dedicates himself to her.
Gogol basically grows up his whole life not feeling comfortable with his identity and who he is. Gogol doesn't feel like he belongs in his parents Bengali family, and he somewhat feels like he is living in between cultures sometimes. Growing up in America has made him feel like an outsider because his parents were always doing things in their culture. Throughout the book Gogol makes great efforts to find out who he really is and he does that by moving away from home. Gogol’s definition of home changes whether it's by getting a new girlfriend or moving to a new place he's not familiar with.
With Indian parents and being raised in America from the age of two, Lahiri states in her essay that in her earlier years “Indian-American” was how she was described as, however, she hardly felt as if she could identify with “either side of the hyphen” (97,98). In other words, having these two cultures present in her life that supposedly made up who she was ended up making her feel that because she fell into both categories she could not fully relate to either culture, causing her to feel alienated. She goes on to say, “As a child I sought perfection and so denied myself the claim to any identity” (98). This thinking is a prime supporter of the correlation between culture and identity because it was culture that affected Lahiri’s claim of identity, even if that claiming was no identity at all. Through the examination of Lahiri’s early life, it is evident that there is a correspondence between identity and
Jhumpa Lahiri in The Namesake illustrates the assimilation of Gogol as a second generation American immigrant, where Gogol faces the assimilation of becoming an American. Throughout the novel, Gogol has been struggling with his name. From kindergarten to college, Gogol has questioned the reason why he was called Nikhil when he was a child, to the reason why he was called Gogol when he was in college. Having a Russian name, Gogol often encounters questions from people around him, asking the reason of his name. Gogol was not given an Indian name from his Indian family or an American name from the fact that he was born in America, to emphasize that how hard an individual try to assimilate into a different culture, he is still bonded to his roots as the person he ethnically is.
Over the course of the novel, The Namesake, by Jhumpa Lahiri, Gogol is constantly moving, and by the time he is in his late twenties, he has already lived in five different homes, while his mother, Ashima has lived in only five houses her entire life. Each time Gogol moves, he travels farther away from his childhood home on Pemberton Road, symbolizing his search for identity and his desire to further himself from his family and Bengali culture. Alternatively, Ashima’s change of homes happens in order to become closer to family, representing her kinship with Bengali culture. Ashima has always had difficulty with doing things on her own, but by the end of the story she ultimately decides to travel around both India and the States without a real home as a result of the evolution of her independence and the breaking of her boundaries; in contrast, Gogol finally realizes that he has always stayed close to home, despite his yearning for escape, and settles into his newly discovered identity - the one that he possessed all along.
Symbolism is important. In The God of Small Things, Arundhati Roy uses many items of symbolism in order to convey complicated ideas/images to the reader. These symbols are often recurring and important parts of the plot which enhances the story or the characters in some way.
Ganesh is trying to find himself. He is changing his career and is torn between two cultures that reside in Trinidad, the Indian culture and the British foreign colonizer culture. As Ganesh struggles to find his place in the changing culture of Trinidad, he moves from the Indian culture to the British culture.
In Jhumpa Lahiri’s novel, The Namesake, the protagonist, Gogol, struggles with his cultural identity. He is an American-born Bengali struggling to define himself. He wants to fit into the typical American-lifestyle, a lifestyle his parents do not understand. This causes him tension through his adolescence and adult life, he has trouble finding a balance between America and Bengali culture. This is exemplified with his romantic relationships. These relationships directly reflect where he is in his life, what he is going through and his relationship with his parents. Each woman indicates a particular moment in time where he is trying to figure out his cultural identity. Ruth represents an initial break away from Bengali culture; Maxine represents