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Recommended: Use of Symbolism
Death is all around us, and no one can hide from it. In the short story “The Masquerade of the Red Death” by Edgar Allen Poe, Poe tries to show this to the reader with his use of symbols and allegory. In the story a prince throws a nice masquerade party to avoid the fact that everybody else in his country is dieing. When the reader finishes the story, the picture Poe was trying to create becomes clear. There are lots of symbols used throughout the story to explain the allegory of one’s life, but I am going to focus on three. With the use of the rooms, the clock, and the alignment of the rooms, Poe is able to portray that one can not hide from death.
The rooms played a big role in the theme and in the allegory. Each room represented a different
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In the story the clock symbolizes the countdown and constant reminder of death. Poe wrote, “It was in this apartment [the seventh], also, that there stood against the western wall a gigantic clock of ebony,” (Poe 84). It was not just put in a random room, Poe put it in their for a reason and it served a purpose. The clock was current reminder to the partiers that death was waiting for them and as you already know it was put in the last room because that room stood for death in someone’s life. The clock was also very loud. Whenever it would reach the beginning of the hour, it would ring through out the castle so loud, “... the musicians of the orchestra were constrained to pause, momentarily, in their performance, to hearken to the sound; and thus the waltzers perforce ceased their evolutions;... and while the chimes of the clock yet rang, it was observed that the giddiest grew pale, and the more aged and sedate passed their hands over their brows as if in confused reverie or meditation,” the narrator described(Poe 84). They all did this in fear, because they did not know when death would strike them, and the old did what they did because they knew death was near. As for the allegory the clock is always ticking, you are a step closer to death after every second that goes
Edgar Allan Poe's writing style is based on the supernatural and the unknown. In The Masque of the Red Death, Prince Prospero invites the revelers to come to the castle to party until the danger of pestilence is gone. The party was interrupted by an intruder who was dressed in all black (like the Grim Reaper) and was associated with the plague of the "red death." The reaper killed everyone one by one in the end. The Masque of the Red Death is an allegory. An allegory is symbols that are presented in the story that have two levels of meaning. An example can be the clock in the story. The clock told time and represented the time they had left before they died. There were seven chambers that were different colors, and the last chamber was black, which was the last chamber that represented death. I think the seven rooms symbolized the days until you die and the clock symbolized the time until you died.
The fires in each of the suite rooms serve as a representation of death. Poe depicts
Poe continues to describe the blue room, noting how clear and bright the color is, saying,“...vividly blue were its windows,” (4). This description has a very positive impact on the readers, as they associate the color of the room with positive feelings of a new beginning. On the other hand, Poe depicts the black room as having a very morbid and gruesome feeling to it, as he says, “The panes here were scarlet—a deep blood color,” (4). This depiction has a negative connotation, as people connect the colors of black and deep red with blood and death. Poe characterizes the blue and black rooms very differently, with the blue room having a positive connotation and the black room having a negative connotation. This distinct difference in the rooms and their colors contributes to the overall symbolism of life and
Poe creates a dark and tense atmosphere in the Pen and the Pendulum by starting the book out with the narrator receiving a death sentence from the court for an unknown crime. Poe uses a lot of suspense in this story. In the Fall of the House of Usher his atmosphere is gloomy and dark. By making the atmosphere like that, this creates imagery so vivid to the reader which helps lead to a sense of emotion while reading this story.
Poe begins his with a description of the setting. It was a “..dull, dark, and soundless day..” (Poe, 90). The narrator explains that he is on his way to an old friend 's house, Roderick and Madeline Usher, who both live in the mansion. He then explains what he sees at first glimpse of the mansion. “I looked upon the scene before me – the bleak walls, vacant eye-like windows, rank sedges, and a few white trunks of decayed trees..” (90). The setting is dark and full of potential evil; making it a romantic
Zimmerman, Brett. “Allegoria and Clock Architecture in Poe’s ‘The Masque of the Red Death’.” Essaysin Arts and Sciences 29 (Oct. 2000): P 1-16. Literature Resource Center. Web. 8 April 2012.
“The Masque of the Red Death” is a short tale about a king who rules a dominion plagued with a disease called the red death. The Prince decides to build a fortress that will hold many of his closest friends and relatives and keep the disease out. The castle in which the Prince and all of his closest friends are inside of, is a magnificent fortress that is lavish and decorated with a variety of colors for each apartment. Poe explains, “That at the eastern extremity was hung, for example, in blue—and vividly blue were its windows.” In this quote, the use of imagery describes the first of seven apartments that hold guests for balls and entertainment. In addition, the last of the seven apartments described is a black room that in itself symbolizes the red death. In this room stands a clock that clangs every hour and when the clock begins to clang. Everything in the fortress seems to stop while the clock clangs. Poe describes the clocks clang very vividly, to set the mood of the seventh room and what it is like. Poe states “Its pendulum swung to and fro with a dull, heavy, monotonous clang.” This example of imagery uses the hearing sense, and it helps the reader understand the mood of the room. Poe wants this room to be creepy, dark, and scary and conveys that clearly through the use of
“The Masque of the Red Death” was written by Edgar Allen Poe in the 19th century. This story was written during the Gothic era. The stories that are written in the Gothic era is usually has to do with death, and lots of people were fascinated by the stories. There are many symbols in “The Masque of the Red Death”, yet I chose three, the first is all the colors of the room, second is the ebony clock and the last is the inside and outside of the abbey.
...scarlet stained windows, the images are “ghastly in the extreme” (Poe 517). Normally, a room would not be decorated in a way that everyone is to frightened to enter. Therefore, the fear of the space mimics man’s fear of death. Poe’s life had been shaped by death and perhaps this influenced his writing. His mother had passed away when he was just three years old. His foster mother also passed away, after a long illness. Then, Poe’s wife passed away from illness. These occurrences in his life may have taught him that time is precious and life is not everlasting. No matter how hard a man tries to ignore death, we will all die eventually. Tragically, Poe himself died under mysterious circumstances just as he was turning his life around and becoming successful. The way Poe set the story and the symbolism used throughout clearly drove home the point that life is fleeting.
The first symbolic mean of death is depicted in the seventh room in the suite. Poe says,
Throughout the short story “The Masque of the Red Death,” Edgar Allan Poe uses vivid symbolism, structure, and reoccurring details to paint a powerful image regarding the finality and inescapable reaches of death itself. “The ‘Red Death’ has long devastated the country,” yet the Prince Prospero continues to hold extravagant parties for his fellow elite members of society. Rather than merely telling a series of events, Poe carries his readers throughout the many rooms and scenes that hold the Prince’s masquerade, up until the clock strikes midnight and the partygoers can no longer hide behind their façade, and death comes in to take those that thought themselves invincible (Poe 438-442).
The poem consists of an undeniable narrative structure. Told from the third person, Poe also uses symbolism to create a strong melancholy tone. For instance, both midnight and December symbolize an end of something and the hope of something new to happen. Another example is the chamber in which the narrator is placed, this is used to show the loneliness of the man.
Edgar Allan Poe uses many different symbols of death or the end in his poem “The Raven.” Poe symbolizes ending of something that brought the arrival of something new in the use of the times midnight and December, with every end there is something new. (Hallqvist). Midnight and December are both times when something is ending and something else is beginning; the end of a day followed by the start of a new day and the end of a year followed by the start of a new year. In the first stanza of the poem he uses midnight to show the start of something new, this is when the the narrator hears the faint taps on his door implying he has a new visitor and his life will never be the same (“The Raven” 282). In the second stanza, Poe mentions the time of year to be December, again symbolizing the changing of the narrator’s life forever (“The Raven” 282). The repetition of the raven’s use of the word “nevermore” is also the symbol of something ending. With every question the narrator ask the raven simply replies with “nevermore,” meaning that there will be no more of what the nar...
Poe uses the tragic death of the wife to point out that domestic abuse does not always have a happy ending. The story speaks to us today, as forcefully as it spoke to people one hundred or more years ago. Alcoholism, mental illness and domestic abuse lurk in the human condition, and Poe uses the four walls of our own home to plant a seed of fear in our mind, that no one is safe from such a fate.
Poe’s most famous poem begins with an imagery that immediately brings the reader into a dark, cold, and stormy night. Poe does not wish for his readers to stand on the sidelines and watch the goings on, but actually be in the library with the narrator, hearing what he hears and seeing what he sees. Using words and phrases such as “midnight dreary” and “bleak December” Poe sets the mood and tone, by wanting his readers to feel the cold night and to reach for the heat of the “dying embers” of the fireplace. You do not come into this poem thinking daffodils and sunshine, but howling winds and shadows. By using these words, Poe gives you the sense of being isolated and alone. He also contrasts this isolation, symbolized by the storm and the dark chamber, with the richness of the objects in the library. The furnished room also reminds him of the beauty of his lost Lenore. Also, Poe uses a rhythm in his beginning stanza, using “tapping”, followed by “rapping, rapping at my door”, and ending with “tapping at my chamber door.” You can almost hear the tapping on the door of the library as ...