Symbolism In The God Of Small Things By Arundhati Roy

985 Words2 Pages

Symbolism is important. In The God of Small Things, Arundhati Roy uses many items of symbolism in order to convey complicated ideas/images to the reader. These symbols are often recurring and important parts of the plot which enhances the story or the characters in some way.
Symbolism- We use symbolism in order to portray something as a visual, or, to give it a certain meaning. Roy uses symbolism throughout her book; the use of symbolic concepts in her writing adds meaning to the story, it adds to the themes of book and ties past events to present ones. You will understand the story more if you can identify the recurring themes/objects and see how they apply. Water, twins, emotions, locations, these are all things that Roy plays with, in her …show more content…

It rushes by before you notice; it sneaks up behind you without uttering a word. Past, present, future. Rahel once believed that whatever number she wrote on her toy watch would be true; “Rahel’s toy wristwatch had the time painted on it. Ten to two. One of her ambitions was to own a watch on which she could change the time whenever she wanted to (which according to her was what Time was meant for in the first place)” (37). Roy wrote The God of Small Things in a nonlinear fashion; time jumps around and goes from the perspective of Rahel as a 7-year-old to 20 years later in a matter of a sentence. Likewise, time changes form, there isn’t really a past, present, and future, it’s all within the life of the twins, it flows together as waves, as ripples, the same concept just in different appearances.
Water- The river, in The God of Small Things, plays an important role in the story. It physically represents a boundary, the children must cross it to escape. Velutha also crossed the river- he was alone, he was “The God of Small Things” (Roy, 274). Sophie Mol had drowned in the river; she got swept away with the current and out of the twins’ lives, “...Sophie Mol became a Memory...” …show more content…

She told the twins “‘...You’re the millstones round my neck!’” (276), which prompted them to run away. Earlier in the story, Rahel hurt Ammu with her words, and Ammu told her “‘When you hurt people, they begin to love you less.’” (107). Now that Ammu loves Rahel a little less, there’s space for “A cold moth with unusually dense dorsal tufts…” (107) to land on Rahel’s heart. In addition, Estha was manipulated by Baby Kochamma to say yes and ultimately put the blame on Velutha at the police station; “‘He’ll ask you a question. One question. All you have to do is to say `Yes.’ Then we can all go home. It’s so easy. It’s a small price to pay” (302). In the end, the twins learned that words can cause pain, and Estha stops talking altogether; Roy writes “...he had stopped talking. Stopped talking altogether, that is”

Open Document