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Narrative in films
Elements of narrative structure in film
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Spirited away is an animated film from japan made in 2001 about a ten year old girl named Chihiro. The movie starts off with Chihiro and her parents driving to their new home. While driving they get lost and find themselves in a seemingly abandoned amusement park with an old bathhouse. Chirico and her family find fresh food out on one of the stalls and despite Chihiro's objections, her parents start eating the food. At this time Chihiro wanders around the park. It starts to get dark and spirits are coming out of the buildings. Chihrio runs back to the stall where her parents are to find that they were turned into pigs. After this, she meets a strange man named Haku, who then explains to her that the park is a resort for spirits and she must work there in order to free herself and her parents. This movie has many strong messages; one that stands out is its message and philosophy on environmentalism. Three major environmentalist points this film demonstrates are pollution, poor land …show more content…
One of these actions is pollution. Pollution is shown in this movie by showing how certain spirits are affected by it. One example of this is when a stink spirit enters the bathhouse to be washed. The stink spirit appears to be a big blob of mud. As the spirit begins to be washed more and more mud and garbage start coming off of the spirit until it is no long a stink spirit but an ancient river dragon. This scene shows the mass pollution of rivers all over the world. Another example of pollution is with the character Haku. Haku is also a river dragon is this movie as well. Haku the river dragon lost his home because his river was polluted and eventually paved over to build an apartment complex. Since Haku's river no longer existed he forgot his name and was forced to work for an evil spirit. This is suppose to bring light to the effect of pollution using eastern religion and
In the passage from The Other Wes Moore, author Wes Moore uses an event to display a moment when he matures and realizes if he screws up his life, he may never get control of his fate back. After getting caught spray painting a wall, Author Wes Moore, AWM, states, “he had control of my destiny–or at least my immediate fate. And I couldn’t deny that it was my own stupid fault”(83).
In the book The Giver, Louis Lowry uses symbolism to induce the reader to think about the significance of an object or character in the book. She uses symbolism using objects or characters to represent something when she wants readers to think about its significance. She chooses not to tell her readers directly, but indirectly, by using symbolism. For example, she used light eyes, Gabriel and the sled as types of symbols with different meanings.
The sea in the novel is another part of the symbolism. It represents a god like form. In chapter 7 the narrator’s parents die because the ice on the water cracked and they fell through as mentioned earlier. This is a sign of how the sea can bring death and play the role of god in other words. In the beginning of the book (24) we are also introduced to the birth of Catherine while everyone is on the ship that takes the characters to North America, this showing that the sea can also bring life and existence to us. For the most part the sea in the novel brought death like when the dog got shot after she crossed the water but for that one circumstance life was created. For the most part there also seems to be ice structures or platforms in the water when a character is going to die.
The animated film director Hayao Miyazaki is most known for his 2001 film Spirited Away. The film centers around the character Chihiro who finds herself stuck into a spirit world after her parents are transformed into pigs by the witch Yubaba. With her parents cursed, Chihiro is forced to work for her and her parents freedom. Miyazaki uses the bath house and the witch Yubaba to depict the greed and materialism that surfaces within a capitalist society.
In his literary work, A Long Way Gone:Memoirs of a Boy Soldier, Ishamael Beah uses symbols to underscore his central theme of oppression and/or freedom.
The story begins in the ordinary world with Chihiro and her family moving to a new home. Chihiro is intimidated by the prospects of starting her life anew. Resulting in her being a whiny, selfish and fearful little girl. All of this changes when her and her parents visit an abandoned theme park and accidentally cross into the spirit world. This is where she meets Haku, outside of a bath house. The young boy informs her of their entry into the spirit world and tries to get her back to her world. But it is too late, in their gross ignorance her parents have already eaten from a feast intended for the spirits and they are turned into pigs as punishment. 10-year-old Chihiro now finds herself left alone in the spirit world. This is what Joseph Campbell calls “the call to adventure”. She’s been transported out of the ordinary world and is now responsible for saving her parents in this new and strange world. Chihiro is frightene...
Spirited Away, titled Sen to Chihiro no Kamikakushi in Japan, follows a young girl named Chihiro on an adventurous, yet threatening journey into a magical realm after her parents are turned into pigs. She forms relationships with people that will help her find her way back home such as Haku, Zeniba, and Mr. Kamaji. She also encounters those like Yubaba who try to make her time in the realm of spirits difficult. Spirited Away quickly became Japan’s highest grossing film of all time. It received many great reviews in every aspect of filmmaking. It won several awards, including A Golden Bear in 2002 at the Berlin International Film Festival, and an Academy Award in 2003 for Best Animated Film. Hayao Miyazaki, the film’s writer and director, strongly encourages Japanese culture and its survival. He believes that “surrounded by high technology and its flimsy devices, children are more and more losing their roots”(Reider). Hayao Miyazaki’s aim is to present not only an animated motion picture, but a work of art. He does so by using certain animation and film techniques, applying Japanese culture, and creating in depth characters, all of which highlight key symbols in the film.
Symbolism is the use of objects or people for a different idea or meaning. These can be inanimate objects, people, animals, or even ideas, and they can be used for many purposes. Symbolism is often subtle; it can be difficult to see without careful attention, and J. D. Salinger sneaks it in The Catcher in the Rye without making it obvious. He often portrays Holden’s thoughts in symbolism, without writing them word for word on the page. J. D. Salinger makes use of symbols in The Catcher in the Rye in order to convey Holden's desire to protect and prolong innocence in himself and others.
In the movie, Ethan Frome the author likes to use a lot of symbolism. In Ethan Frome, the main symbol the author uses is the red pickle dish. The pickle dish was a present Zeena got from her cousin for a wedding gift. She kept it up in the china cabinet to keep it safe she never took it down. The red pickle dish represents the marriage of Ethan and Zeena. When the cat breaks the pickle dish, it represents the ending of the marriage as Ethan falls in love with Mattie. This makes Zeena become a dynamic character as she changes her feeling for Mattie. Zeena then wants to kick Mattie out but Ethan does not want her to go which causes some complication between everyone. As Mattie then tries
The Princess Bride is a fiction within a fiction, toying with the levels of reality. To accomplish the ingenious insanity that is The Princess Bride, author, William Goldman, brought together a variety of variables. The book is literally layers of information to analyze. Everything is questionable and made to leave you in controversy. Though the book had many things that make it an outstanding piece, from Goldman's interruptions to its unique beginning, the thing that plays the biggest part is Goldman's use of symbolism. Every aspect of the book seems to stem from somewhere or have some deeper meaning. This could just be our own imaginations or Goldman's intent, but one thing is for sure- Goldman wrote the book to force our imaginations to take over and think for themselves in this fictional fairytale where everything you read is false.
The phobia of growing old is prominent in society today. There are many reasons citizens fear leaving childhood, such as embracing the responsibilities of adulthood, giving up fantasy to accept reality, feeling one’s aloneness, and living life anxiously awaiting death. These terrors not only occur in society, but also appear in J.D. Salinger’s novel The Catcher in the Rye. These ideas are thought by Holden Caulfield, the main character, who believes as one grows older they lose innocence and become “phony.” An initial reading of the book The Catcher in the Rye, by J.D. Salinger, suggests that the text focuses on the theme of vanishing and transitioning to maturity, and that he is concerned with its effect on the loss of innocence. The author
Liminal process is a human process from one level to another used to reach an outcome. Liminal process includes the call to experience, separation, margin, reaggregation, and routinization and dissolution. These steps can be seen in Spirited Away, as Chihiro goes on a quest to save her parents after they became pigs due to their impurity and greed. This can also be represented as the stages an alcoholic goes through to reach sobriety. The call to experience is when the individual feels a call from greater forces to move or transition. This can be expressed when Chihiro and her parents wander in the amusement park. The parents decide to gorge themselves with food. Chihiro finds this to be a horrible idea, saying, “Guys don't take the food! We’re gonna get in trouble!” This shows her beginning of maturity and awareness as an instinct tells her not to do as her parents are doing. This can compare to an alcoholic as their call to experience could be a family coming together to tell the alcoholic of how their abuse has affected them. This is a way to bring awareness to the individual by outside forces. Next, is separation. Separation is when an individual most abandon those around them or their environment like Chihiro. Chihiro meets Haku, who seems to be a spiritual guardian or exemplar as he hands her food when she realizes she is disappearing because she has been
A symbol is any “‘object, act, event, quality, or relation which serves as a vehicle for conception’” (230). Peyote Hunt: The Sacred Journey of the Huichol Indians by Barbara Myerhoff is a very intricate text which involves numerous aspects of symbolism. Myerhoff not only applies a much deeper meaning to deer, maize, and peyote, but she also uses these objects as a representation of divine beings and spirits. The deer, maize, and peyote are very powerful entities but together they form the deer-maize-peyote complex, which is central to the Huichol life. The unification of these disparate objects can be easily understood once they are analyzed on three different levels: exegetical, operational, and positional.
We know the law as trustworthy and dependable, but what we see at Shawshank prison is the guards and Warden doing more bad things than some of the prisoners that are in the prison. Shawshank Redemption heroism together with evil through individuality were highlighted against the stereotypes civilization holds. We might anticipate figures akin to the warden along with the guards to be heroic individuals but yet we are shown different after viewing the film. A similar thing is revealed with a couple of the prisoners. This illustrates us the way society expresses law enforcers as good and prisoners as evil. Shawshank pushes these stereotypes. Though the prison was full of its own display of fraudulence and hypocrisies, the characters in which
The story follows a 10 year old girl named Chihiro who, upon moving to a new neighbourhood, gets lost in a spirit world. She must figure out how to get back to the world she once knew, along with saving her parents who have been transformed into pigs as a consequence of eating food that was meant for the spirits. She discovers a bathhouse that the spirits go to, and is approached by a young apprentice named Haku that she must ask the boiler man, Kamaji, for a job. Although Kamaji turns her away, he leaves her with the advice to ask the witch Yubaba for a job, the witch who also owns the bathhouse and is Haku’s master.