Symbolism In Night By Elie Wiesel

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The book Night by Elie Wiesel, tells the story of a boy and his father’s experiences in concentration camps during the Holocaust in its final year from 1944 to 1945. The author recounts his story while sharing his thoughts, regrets, and some events from before and after being put into the concentration camps. Through Elie Wiesel’s story, he shares his belief that everyone should be an upstander through his use of symbolism. Though his experiences in the concentration camps, Elie Wiesel has developed the belief that everyone should be an upstander and not stand silently as people are hurt. This can be seen in his Nobel Peace Prize Acceptance speech years after the end of the Holocaust and the publishing of Night, “that the world did know and …show more content…

For example, Elie Wiesel explains what his house is to him, “I looked at our house, where I had spent so many years in my search for God; in fasting in order to hasten the coming of the Messiah; in imagining what my life would be like. Yet I felt little sorrow. I thought of nothing” (28). For Wiesel, his home represents his religious search and his thoughts of the future. That is all easily taken away from him in only a few days. Without his knowledge, all that his house represents would be taken away from him. It seems like nothing to him, at first, but the loss of what the house represents impacts him later on in his story. The Jews, themselves, do not stand up against their comfort and homes being taken away from them, believing that it could not get any worse. Of course, this is wrong, but others in the world allow it to happen as …show more content…

At Buna, there are musicians to play the military march, but they were never allowed to play German music. After the death march to Gleiwitz, Wiesel tells of one of these musicians and says, “It must have been Juliek. He played a fragment of Beethoven’s concerto...I could only hear the violin, and it was as though Juliek’s soul were the bow. He was playing his life. The whole of his life was gliding on the strings‒ his lost hopes, his charred past, his extinguished future. He played as he would never play again” (100-101). This playing is one act of defiance that is performed. It does not start a revolt or anything of the sort, but it is a personal revolution. Juliek plays German music, the one thing he was forbidden to do. He stays true to himself at the end, even if it may have cost his life. He finally plays the music that he wants and to his “audience of dying men” (Weise 101). It does not save thousands of lives or overthrow the Nazis, but by playing German music Juliek shows the willingness to fight against them even if it is in his final

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