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Kafka modernist representation on the hunger artist
Kafka modernist representation on the hunger artist
Kafka modernist representation on the hunger artist
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Suffering Pride
Once Vladimir Nabokov said that he though Franz Kafka was the best German writer of their times. Nowadays the latter is also regarded as one of the greatest writers of his period. Not only his writing style and the turn of phrase convince people of Kafka's greatness, but also the novelty and ingenuity of the themes and problems he discusses in his works. What is more, it is the ambiguity of his pieces that also enraptures both the audience and critics. Among the works that have the above-mentioned characteristics is “A Hunger Artist”, in which the author explores the nature of artists' consciousness and relation of artists' suffering to what they are doing. In this particular short story, Franz Kafka extensively uses the metaphor of fasting to discuss suffering as both positive and negative experience an artist gets through.
Many of the critics that study Franz Kafka's works tended to focus on one specific aspect of the writer's turn of phrase, which is the use of the figurative language. More specifically, they argue that one of the most powerful tools of Kafka's writing is a metaphor. Henry Sussman, a professor at John Hopkins University and a literary critic, who studied Kafka's works, once mentioned in his work that the writer's use of metaphors is complex and even unique. He writes that Kafka had an ability of “connecting the seemingly unconnected, transporting meaning to new meaning, and establishing significance where there had been coexistence of unrelated phenomena” (Beicker). By large, the critics agree that Kafka uses metaphors throughout the whole body of his works. In “A Hunger Artist”, a metaphor appears to be the main stylistic device used by the author of the piece. In particular, he uses the m...
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... forgets about him. After all his suffering, he dies in oblivion and is buried with his only possession, straw. Therefore, physical and psychological self-destruction are also reasons for the hunger artist's suffering because of the art.
Overall, the short story “A Hunger Artist” is of metaphorical character. The central metaphor of the piece under analysis is fasting that stands for suffering of any artist for the sake and because of his art. It appears that the story gives an explanation of how suffering may be both positive and negative experience for the artist. Using the example of the hunger artist, Kafka shows that suffering for the sake of art may be good for it is a source of inspiration and may be a way to self-improvement. On the other hand, the artist may experience suffering because of the art and become its victim just like the hunger artist does.
After a while the artist went to a carnival too fast for people who visited. He requested the carnival to place him next to the animals instead of being the center of attention. He requested the carnival to keep the number of days that he fasted, but after a few weeks the carnival stopped keeping track and so did the artist. At the end of the story the overseer asked why the hunger artist did what he did and the artist answered “because I couldn’t find the food I liked,” (Kafka 334). This shows that he was imprisoned himself due to the fact that he didn’t have the right kind of
People one can never really tell how person is feeling or what their situation is behind closed doors or behind the façade of the life they lead. Two masterly crafted literary works present readers with characters that have two similar but very different stories that end in the same result. In Herman Melville’s story “Bartleby the Scrivener” readers are presented with Bartleby, an interesting and minimally deep character. In comparison to Gail Godwin’s work, “A Sorrowful Woman” we are presented with a nameless woman with a similar physiological state as Bartleby whom expresses her feelings of dissatisfaction of her life. Here, a deeper examination of these characters their situations and their ultimate fate will be pursued and delved into for a deeper understanding of the choice death for these characters.
Metaphors are powerful tools often used by authors to communicate a deeper meaning. Metaphors also tend to make the piece more thought provoking, and thus more interesting and intriguing. Laura Esquivel does a marvelous job of using food as a metaphor for unexpressed emotions in the novel Like Water for Chocolate. She takes the aching soul of a young girl and turns it into a cookbook of feelings and emotions cleverly disguised with food.
Kafka’s In the Penal Colony is a story about the use of torture tools which cause death sentences into effect, within 12 hours of torment and the convicted, in the end dies. Lets regard the roots of this subject and its idea of hope....
In “A Hunger Artist” Kafka portrays the artist as an obsessed person with starving himself. Not even death matter as long as he gets that attention he wants from society. Kafka wants society to be the reason that artist became they way he is now. “He worked with integrity, but the world cheated [the artist] of his reward” (Kafka 144). The Hunger Artist no longer has anything significant in his life but the only thing that makes him the way he is because he wants the public’s attention. Society demands are high and not easy to achieve, to the point where the artist was the center of attention in big cities with beautiful girls waiting to help him come out of his cage. But now he is in small cage, neglected by everyone, even when it comes to fasting “no one [counts] the days, no one, not even the hunger artist himself, [know] his extent of his achievement” (144). In the end, the hunger artist body could no longer sustain himself after the long-lasting fast, however society was moving on and he was not. Society was the downfall of his life, wanting public attention is not easy with a cruel society that demands change and new entertainment.
There are many parallels and differences between Franz Kafka’s “The Metamorphosis” and "A Hunger Artist". Kafka portrays these differences and similarities very effectively through his utilization of elements such as transformation, dehumanization, and dedication to work. Through his works, Kafka communicates with the reader in such a way that almost provokes and challenges one’s imagination and creativity.
HUNGER: An Unnatural History." Kirkus Reviews 73.12 (2005): 675. Literary Reference Center. Web. 6 Mar. 2014.
Aldiss, Brian W. “Franz Kafka: Overview.” St. James Guide to Science Fiction Writers. Ed. Jay P. Pederson. 4th ed. New York: St. James Press, 1996.
Kafka, Franz. The Metamorphosis. Literature: An Introduction to Fiction, Poetry, Drama and Writing. Ed. X. J. Kennedy and Dana Gioia. 7th Compact Ed. New York: Longman, 2013. 268-98. Print.
To be alienated for Bartleby and The Hunger Artist is to lose a connection to more than just oneself, as revealed through the characters living conditions and lack of information about the protagonists themselves. Both short stories address the reaction from society towards the main characters in a way that parallels the treatment of individuals living isolated in communities today.
The Metamorphosis is said to be one of Franz Kafka's best works of literature. It shows the difficulties of living in a modern society and the struggle for acceptance of others when in a time of need. In this novel Kafka directly reflects upon many of the negative aspects of his personal life, both mentally and physically. The relationship between Gregor and his father is in many ways similar to Franz and his father Herrman. The Metamorphosis also shows resemblance to some of Kafka's diary entries that depict him imagining his own extinction by dozens of elaborated methods. This paper will look into the text to show how this is a story about the author's personal life portrayed through his dream-like fantasies.
Pawel, Ernst. A Nightmare of Reason: A Life of Franz Kafka. 2nd ed. New York: Farrar, Straus, & Giroux, 1984.
...and ridiculed, especially for entertainment purposes. Nonetheless, the Artist shows a hunger for fame, even if the fame and attention comes from a sick and wild point of view. The Hunger Artist dies a man of sorrow and failure, but is reborn as his opposite, a hungry, strong panther eating everything that comes its way. Maybe in some way the Artist represents a lost tradition of fasting which seemed to come and go, as well as maybe representing the desire that our generation today tends to eat too much and require too much. In the end, the Hunger Artist will be remembered as an outcast of society, and after all his years of fasting, his accomplishments are forgotten, easily replaced as if he never existed.
Franz Kafka always had a strong background in literature and writing. Pursuing a career in law, Kafka put his writing skills to good use, but he always had a knack and passion for writing literature such as short stories, poetry and full novels more than working his actual job. By the age of 27, Kafka attended a play put on by a Yiddish theatre troupe performing in Prague. With the lack of money the troupe had, they became stranded in the town, where Kafka gained his interest in Yiddish theatre (Gray, 301). With the stranding of this troupe, critics believed this to be what led to the influence of most of Kafka’s later writings. This is believed due to the evidence of a journal found after Kafka’s death. These journals kept records of performances he attended, plot synopses, character analysis, descriptions of staging and critiques of the performances (Gray, 301). Kafka also had a journal filled with vignettes about specific productions, along with brief reflections on the theater and the production (Puchner, 177). We first see Kafka showin...
Seen during the page (37), McCandless was still found in well health. However, by August 18, 1992, McCandless was found dead in a bus where he left a note “S.O.S I NEED YOUR HELP. I AM INJURED, NEAR DEATH, AND TOO WEAK TO HIKE PUT OF HERE. I AM ALONE…” (198). Although the note stated that McCandless was injured, in which it would be the possible reason why he died young, people were not sure exactly how he died, yet the annotations found in McCandless journal states how he was starving for about the last two months of his life. Whether McCandless died by starvation, injury, or both, it is recognized by both the readers and author that he died in a slow painful way, however, the author describes the last picture McCandless took of himself. Krakauer states, “But if he pitied himself in those last difficult hours-because he was so young...alone…because his body betrayed him and his will had let him down-it is not apparent in the photograph. He is smiling in the picture…Chris McCandless was at peace, serene as a monk gone to God.” (199) The author first describes the profound pain that McCandless could have been suffering and follows how McCandless, although suffering, was happy and not disappointed with his outcome of his life. The way the author references to the last picture and profoundly explains what the character could have been feeling and showing in the image, is a way the author, Krakauer, presents his argument, of living life with no