Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
What does tarantella dance symbolize in a doll's house
Major themes in a doll's house
A doll house themes essay
Don’t take our word for it - see why 10 million students trust us with their essay needs.
“I would never dream of doing anything you didn’t want me to,” Nora explains to Torvald as she stuffs her hidden Macaroons farther down into her pocket. These macaroons are just one of many symbols seen throughout the play, A Doll’s House by Henrik Ibsen. Symbolism is important in literature because it provides meaning to the writing beyond what is actually being said or described. Symbolism often times represents the theme of a story on the physical level i.e. objects, people, weather, and setting. A few major symbols from the play are the macaroons, Christmas tree, and the tarantella. These symbols are an important part of the play and enhance the impact and meaning of the play’s themes.
One notable symbol is the macaroons. Torvald
…show more content…
It appears in the beginning and the end of act one and again in the beginning of act two. The Christmas tree is delivered with Nora’s excitement for Christmas. It symbolizes the unity, happiness, and security of the family. The scene of the Christmas tree in the beginning of act one stands for Nora’s happiness and involvement with her children as well as the well-being of the family. In act two, the tree has been stripped of ornaments, the candles have burnt down and the branches look disheveled. This foreshadows the misfortunes that are about to take place in the Helmer family. The tree also represents Nora’s psychological state because she was great in the beginning until problems begin and secrets start to unravel. Lastly, Nora’s part in the household is identical to the tree’s function. She is like a decorative ornament with her various dresses and rooted in one place with no freedom by her husband’s demands and restrictions. This symbol enhances the theme of gender roles during the play’s time period. Back then, women were only really used for their appearances. They were not really supposed to work, they were supposed to keep up the house and take care of children and paint a picture of the perfect family. The husband on the other hand provided for the family with his work and had all the control. The Christmas tree provides this appearance of joy and perfection but with one small flame everything can come crashing …show more content…
The tarantella dance was named after a very harmful spider, whose poisonous bite was at one time believed to cause an uncontrollable urge for wild dancing. The only way to be relieved of this problem is for whose who are effected to dance until they are completely exhausted. The present belief of what cause this often hysterical behavior was not the spider 's bite but the repressed morals during that time period. The only outlet for wild self-expression was the Tarantella. In this way, it is significant that Torvald tells Nora to practice the Tarantella while he shuts himself away in his office to make as much noise as she pleased. She persuades him to watch her practice the dance in an attempt to prevent him from finding Krogstad 's letter in the mail box. He tries to control her wildness in the way she dances with the demands and comments he makes, but she ignores his words and continues to dance, her hair eventually coming loose. With this dance, an inference can be made that she is dancing in order to have a little bit of freedom for a change and that she is not actually poisoned. Depending on which interpretation of this symbolism, the poison may be the threat posed by Krogstad 's revealing letter, or the poison of oppression and control that characterizes the Helmer marriage. Like the macaroons, this beautiful and wild dance allows the audience to see a side of Nora that she is not able to show in a
The Christmas tree is an important symbol because it represents Nora’s life. The beginning of Act 2 states that the tree was tattered and stripped of ornaments, just like Nora’s life was falling apart.
The state of a flawed society is an issue that many people recognize, but have different ways of approaching it. In the case of William Faulkner’s “A Rose For Emily” he examines the raw truth of the act of avoiding a flawed and evolving society. Whereas, “A Doll’s House” by Katherine Mansfield portrays the way that a flawed society can change through small acts of resistance that break the boundaries of social hierarchies. Both Mansfield and Faulkner use houses as symbols of a flawed society in their stories, however the manner in which they use these symbols are very different.
In A Doll’s House Nora expressed the desire to experience life outside of her husband’s shadow. Henrik Ibsen characterized her as a selfless and kindhearted woman, as she constantly put her family’s needs before her own. There is no doubt that Nora was a victim of subjugation, as her husband’s misogynistic views lead him to believe that she was not as knowledgeable as him when it came to economical decisions, which was a motivation for Nora to express her phylogenic ways. For example, Nora found enjoyment decorating for Christmas; however Torvald found it to be a financial burden and insisted that she no longer continue. Ibsen used symbolism as he employed the Christmas tree as a direct representation of the women during his time period, saying they were “stripped of [their] ornaments” (Ibsen 109)...
Nora spent most of her life as a toy. Her father would be displeased if she had separate opinions from him. The masquerade and costumes are her own masquerade; their marriage is a decorated Christmas tree. She also pretends to be the doll, letting Torvald dress her up and tell her to dance. Her husband's use of words, names l...
In Henrik Ibsen’s play, A Doll’s House, the audience is viewing the life of a women that is almost not normal, or not the same as others. This women happens to be the protagonist of the novel, Nora Helmer. Nora is joined in the play mainly by her husband Torvald. These two have a relationship between each other that majority of people would find weird. The first appearance of this play was in the late nineteenth century, or in detail, 1879 in Norway. Torvald treats Nora differently compared to a normal, average husband. This treatment causes Nora to have a peculiar attitude towards her life. This diverse attitude is seen through mainly two symbols presented in the novel, the macaroons, and also money. The macaroons are seen primarily with Nora. She is seen eating these macaroons throughout the play, and is signaled essentially towards her attitude. Money is a corrupt indication of the different ways people are treated in the play, chiefly through Nora. These two symbols lead to the problem of gender roles in the play. The gender roles are managed and interpreted by the two specified symbols, money and the macaroons.
The Christmas tree in itself is symbolic and it means the play takes place during Christmastime. Ibsen uses Christmas tree to mainly construct the character of Nora. The Christmas tree symbolizes the feelings of Nora. At the start of the play, Nora enters the room carelessly and her mood is festive. The Christmas tree, a festive object used for decorative purposes, represents the function of Nora in her household who is pleasing to look and who adds the charm to their home. Nora dresses the tree just as Torvald dresses her up for the Stenborgs’ party. Like other married women during the period, Nora is simply decorative and is not allowed to make familial decisions. Nora instructs the housemaid, “Hide the Christmas tree carefully, Helen. Be sure the children do not see it till this evening, when it is dressed” (Ibsen 793), the same as when she tells Torvald that no one can see her in her dress until the evening of the dance. The Christmas tree also imitates the psychological state of Nora when it is described to be “…stripped of its ornaments and with burnt-down candle-ends on its disheveled branches” (Ibsen 812). This describes Nora when she receives the bad news from Krogstad; as a result her min...
The play “A dolls house” starts around Christmas Eve at a happy time in the Helmers life. With her husband Torvald recently recieving a new job at the bank the Nora can spend more for the holidays than usual. The play starts with Nora barging into their home with gifts and her husband chastising her about the money that has been spent. Even though this is just the beginning of act one the reader can foreshadow that her husband will call Nora names throughout as he refers to her as a bird, and other demeaning names. As Nora converses with her husband the reader is introduced to two more characters which are, Dr. Rank and Ms. Christine Linde.
The enforcement of specific gender roles by societal standards in 19th century married life proved to be suffocating. Women were objects to perform those duties for which their gender was thought to have been created: to remain complacent, readily accept any chore and complete it “gracefully” (Ibsen 213). Contrarily, men were the absolute monarchs over their respective homes and all that dwelled within. In Henrik Ibsen’s play, A Doll’s House, Nora is subjected to moral degradation through her familial role, the consistent patronization of her husband and her own assumed subordinance. Ibsen belittles the role of the housewife through means of stage direction, diminutive pet names and through Nora’s interaction with her morally ultimate husband, Torvald. Nora parades the façade of being naïve and frivolous, deteriorating her character from being a seemingly ignorant child-wife to a desperate woman in order to preserve her illusion of the security of home and ironically her own sanity. A Doll’s House ‘s depiction of the entrapment of the average 19th century housewife and the societal pressures placed upon her displays a woman’s gradual descent into madness. Ibsen illustrates this descent through Torvald’s progressive infantilization of Nora and the pressure on Nora to adhere to societal norms. Nora is a woman pressured by 19th century societal standards and their oppressive nature result in the gradual degradation of her character that destroys all semblances of family and identity.Nora’s role in her family is initially portrayed as being background, often “laughing quietly and happily to herself” (Ibsen 148) because of her isolation in not only space, but also person. Ibsen’s character rarely ventures from the main set of the drawi...
A Doll 's house is one of the modern works that Henrik Ibsen wrote. He was called the father of modern drama .He was famous for writing plays that related to real life. A Doll 's House is a three-act play that discusses the marriage in the 19th century. It is a well-made play that used the first act as an exposition. The extract that will be analyzed in the following paragraphs is a dialogue between Nora and the nurse that takes care of her children. This extract shows how she was afraid not only of Krogstad blackmail, but also of Torvald 's point of view about those who committed any mistake. Torvald says that the mothers who tell lies should not bring up children as they are not honest . Nora is also lying to her family and to Torvald. So she is afraid because she thinks she maybe 'poisoning ' her own children. The analysis of this extract will be about of Nora 's character, the theme, and the language in A Doll 's House.
In A Doll's House, Ibsen uses many symbols. One symbol that is used to symbolize Nora's character; is a dance called the Tarantella. The Tarantella is a folk dance from southern Italy. It goes from an already quick tempo to an even quicker one, while alternating between major and minor keys. It is characterized by swift movements, foot tapping, and on the women's part, exaggerated ruffling of petticoats. It involves a lot of very fast spinning and jumping until one cannot dance anymore and is so exhausted they fall to the ground. It is in constant uncertainty, like Nora's character.
have to act well so as to show audience with out seeming as if they
In "A Doll's House", Ibsen portrays the bleak picture of a role held by women of all economic classes that is sacrificial. The female characters in the play back-up Nora's assertion that even though men are unable to sacrifice their integrity, "hundreds of thousands of woman have." Mrs. Linde found it necessary to abandon Krogstad, her true but poor love, and marry a richer man in order to support her mother and two brothers. The nanny has to abandon her children to support herself by working for Nora. Though Nora is economically advantaged, in comparison to the other female characters, she leads a hard life because society dictates that Torvald be the marriages dominant member. Torvald condescends Nora and inadvertently forces Nora to hide the loan from him. Nora knows that Torvald could never accept the idea that his wife, or any other woman, could aid in saving his life.
A Christmas tree itself is a symbol of joy, so that is why it is used. Through all times and even in the Bible trees and flowers have been a subject of wonderment; a symbol of life, that is why Ibsen uses this as a symbol of Nora’s feelings. The play, “A Doll’s House” has a very symbolic title.... ... middle of paper ... ...
A Doll House was one of Henrik Ibsen's most controversial plays. He wrote this realistic play in 1879. Ibsen's writing style of realism was clearly shown in this play. This play was controversial at the time it was written, shocking conservative readers. But, at the same time, the play served as a rallying point for supporters of a drama with different ideas.
Ibsen desires to challenge assumptions as well as rules of Norwegian life, and most importantly wants to depict society accurately, as he meticulously incorporates everyday life. Therefore, A Doll House represents a realistic drama due to the issues involving women, illnesses, and laws within the play, while conveying Ibsen’s desire for controversy and change in Norway’s society. A common woman in Norway, such as Nora, experiences a daily life of oppression, fear, and unjust authority, which exposes societal mistreatment. Society and Torvald Helmer force Nora to look pretty and happy, although “she laughs softly at herself while taking off her street things. Drawing a bag of macaroons from her pocket, she eats a couple, then steals over and listens at her husband’s door” (Ibsen I. 43), which portrays oppression.