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Recommended: Symbolism
Book V: Sweet Nymph and Open Sea- Close Reading Passages
“‘Oh you vile gods, in jealously supernal!
You hate it when we choose to lie with men⎼
immortal flesh by some dear mortal side.
So radiant Dawn once took to bed Orion
until you easeful gods grew peevish at it,
and holy Artemis, Artemis throned in gold,
hunted him down in Delos with her arrows.
Then Dêmêtêr of tasseled tresses yielded
to Iasion, mingling and making love
in a furrow three times plowed: but Zeus found out
and killed him with a white-hot thunderbolt.
So now you grudge me, too, my mortal friend’”(84).
In this excerpt of Kalypso’s speech to Hermês in The Odyssey, Kalypso discusses the biased manner in which affairs of the gods are handled. She tells Hermês that the gods are
strict in reprimanding the goddesses and their lovers, while it is seemingly acceptable for the gods to be with mortal women. She gives multiple examples of immortal women’s lovers’ ill fates. Kalypso complains about the gods ordering the release of Odysseus and possibly hints that if she were male and he were female the situation would be much different. Her speech contains a prime example of the evident gender bias showcased in the Odyssey. “‘O damned confusion! Can this be a ruse to trick me from the boat for some god’s pleasure? No I’ll not swim; with my own eyes I saw how far the land lies that she called my shelter. Better to do the wise thing, as I see it. While this poor plank holds, I stay aboard; I may ride out the pounding of the storm, or if she cracks up, take to the water then; I cannot think it through a better way’”(91). In this passage, Odysseus is pondering how to go about weathering the storm after Ino gave him advice on how to get to shore by swimming. Although the goddess told him specifically how to get to safety, he thought that his opinion was more valuable. His decision to value himself over the gods shows how egotistical and self assured he is. In the end the ocean storm⎼
From the beginning, the gods emerged from “cosmic forces” and slowly defined their individual personalities and forms, “their functions articulated in relation to each other” (Clay 105). The authority of Zeus forces the rest of the gods to keep their powers balanced by filling certain niches. In the Eumenides, Pythia begins by singing a prayer to honor the gods. Although she first honors Gaia, Pythia spends a few lines talking about Apollo and his relation to Zeus. When she calls on Zeus, she calls him “the Fulfiller, the highest god” (Aeschylus, Eumenides, p. 112, 17-19). Her approval and reverence towards Zeus is made clear immediately. Even before that, Pythia acknowledges that Apollo was “Zeus inspired” and the “spokesman of Zeus,” thus making him higher up in her hierarchy of gods (Aeschylus, Eumenides, p. 112, 17-19). Zeus is known for his many godly offspring who were all “Zeus inspired”. Along with Apollo, god of music and arts, this list also includes Athena, goddess of wisdom and war. Being made from the same cosmic forces, all of the gods developed their own strengths to fulfil certain niches (Clay 106) At the end of this individualization process, there is the “emergence of a stable, ordered, and harmonious cosmos” (Clay 106). As a result, new standards of conforming and being uniform became apparent through the
The Greek gods were portrayed as humans, which meant that they were not perfect. That is, the gods made mistakes, felt pain (e.g. Aphrodite in love with the mortal Adonis), and succumbed to anger and their tempers (e.g.
Many Greek gods were seen as both benefactors and tormentors, typically it depends on which god or goddess you are researching about. The seemingly contradictory behavior of the gods, acting as both benefactors and tormentors of man, can readily be explained when viewed in light of the prime directive for man, to worship the gods and not “overstep,” and the ensuing “Deus ex Mahina” which served to coerce man to fulfill his destiny as evidenced by the myths: “Pandora,” “Arachne, and “Odysseus.” Humankind and it’s range of vision over the gods beauty and power portrayed them to be benefactors but unseemingly it depicted their affliction towards humans.
In The Odyssey the gods are responsible for controlling many aspects of where the story goes, but the people still have to choose to go. The gods in The Odyssey are who held Odysseus captive for over eight years. They were responsible for his capture in the first place and then refused to let him go for almost a decade. When they finally decided he should be allowed to find his way home they made it known to his captor Kalypso. However Odysseus still had to choose to leave. Kalypso tried to keep him by offering immortality. "You would stay here, and guard this house, and be immortal" (Homer 267). Odysseus could have stayed but he chose to go. Some say that the gods knew Odysseus would not stay and that is why they decided to let him go.
Religion was deeply intertwined with the culture of the ancient Greeks. In their stories, they prayed to the gods to satisfy their needs and offer assistance in their endeavors, and the gods would occasionally appear to select Greeks to give counsel, gifts, or other forms of aid. Alternatively, if the desires or endeavors of a mortal or mortals displeased one or more of the gods, they would also interfere with the fulfillment of their goals. In Homer’s Odyssey, the gods appear to or interfere with both Telemachus and Odysseus, either to help or hinder them in their journeys. Although the gods are responsible for the difficulty Odysseus faces returning from Troy, they are equally responsible for motivating and assisting Odysseus and Telemachus in their respective travels.
Every culture and religion has their own gods and believes. We can compare these beliefs with The Illiad and the Bible. We can notice those differences in the character and functionality of the gods. Also with the way humans are connected with them. In The Illiad gods were daily presence in the warrior’s life. The gods had already their destiny planned. For example, when Patroclus died. It was his destiny to die, in his last breath he told Hector: “Hector! Now is your time to glory to the skies … now the victory is yours” Book 16 (Lines 986-987). This is an example of how the gods control the life of the warriors, we can see all the power they have in them. One of the main themes of the book was pride and honor. Those things can be achieved
The gods in power, like Zeus, exhibit bias, dishonor, betrayal, deception, and many other humanly characteristics. One memorable scene is when Zeus and Poseidon are in conflict with each other over the Achaens versus the Trojans. Zeus controls the battle by “lifting the famous runner Achilles’ glory higher,” (Homer 13: 404). Zeus plays both sides in this scene, acting like a double agent which is dishonorable. Zeus’s bias is prevalent throughout the poem; specifically, he is “bent on wiping out the Argives, down to the last man,” (Homer 12: 81-82). Just like mortals such as Agamemnon and Achilles view each other with suspicion and intolerance, the gods experience identical emotions of wariness, anger, and irritation. This human-like behavior is not restricted to Zeus. Later in the text, Hera lies to Aphrodite to use her powers to manipulate her own husband Zeus. If one looks at Hera as a heavenly entity, her reaction may not make sense, but when it is viewed as a manifestation of human emotion, it become almost reasonable. Her scheming response to Zeus’s meddling with the war is spurred by her support for the Trojans. Hera’s manipulation and Aphrodite’s ego don’t stand alone as examples of this divine humanity. These instances suggest that the deities are being presented in this unique way to help explain behavior of the humans in The
In the novel, Blue Skin of the Sea, the theme of the chapter is to never underestimate nature.This means that you should never have doubt in anything. One example is that the book states, “The fish market was gone! Waiakea Town was gone!” (page 102) This meant that when Sonny and Keo were on the search of Sonny’s dad, they had been everything had been fine, but as a soon as they had arrived at the sight, the town and others were in danger. The book, it also says, “. . .rows of bodies laid out on the ground covered with blankets. . .” (page 101) This explains that the many people had been hit critically. A few people: Keo and Sonny had probably thought that all the power outage and cell phone services were just a blackout, but it was astonishing
Ancient Greek religion was a polytheistic religion that believed in many gods and goddesses. To Greeks, these gods and goddesses would be able to control everything. Each god or goddess had his or her own distinct personality and territory. “Greek myths explained the origins of the gods and their individual relations with mankind” (Hemingway). Unlike current religions, like Christianity and Judaism, Greek gods were not known for being moral or being truly good or evil. Many of the Greek gods and goddesses were disorganized and self-contradicting. Although this was apparent to the Greeks, the Greeks believed that their religion was to brighten their own lives, rather than give them godlike guidance. The best example of a self-contradicting Greek god is Zeus – father of all gods and humans (Cunningham and Reich 32-33).
Problems, along with misery, become apart of life whether you’re willing to accept it or not. For those who have accepted such troubles, have also learned to cope with it one way or another. Antoinette’s character in “Wide Sargasso Sea” and Celie’s character in “The Color Purple” have both experienced problems with depression, loneliness, violence, inferiority, racism, and self-identity. It is important for such characters as Antoinette and Celie to express their emotions and have a method of working out there issues.
In The Battle on the Plain (pg. 41), Zeus calls a meeting, telling all of the gods that they are not to help the Greeks or the Trojans, but Athena, who is Zeus favorite daughter, says that her and the other gods pity the Greeks, feeling that they will be destroyed by the Trojans. So Zeus allows the gods and
The first book of The Aeneid by Virgil takes place in a world ruled by supreme beings. All aspects of nature and life are controlled by gods and goddesses. For example, Venus is the goddess of sex and love; Aeolus is the god of wind; Neptune is the god of the sea. They hold so much power. However, their power is not always used for the good. For instance Juno, the queen of the gods, was extremely angry about the Trojans coming into Carthage, a city that “Juno loved it, they say, beyond all other lands in the world…” (Virgil, lines 17-18) She always had a deep-rooted hatred for the Trojans. She is recalling the time when she fought with them in a previous war, stating that “The goddess never forgot the old campaign that she had waged at Troy
“Gods can be evil sometimes.” In the play “Oedipus the King”, Sophocles defamed the gods’ reputation, and lowered their status by making them look harmful and evil. It is known that all gods should be perfect and infallible, and should represent justice and equity, but with Oedipus, the gods decided to destroy him and his family for no reason. It might be hard to believe that gods can have humanistic traits, but in fact they do. The gods, especially Apollo, are considered evil by the reader because they destroyed an innocent man’s life and his family. They destroyed Oedipus by controlling his fate, granting people the power of prophecy, telling Oedipus about his fate through the oracle of Apollo, and finally afflicting the people of Thebes with a dreadful plague. Fundamentally, by utilizing fate, prophecies, the oracle of Apollo, and the plague, the gods played a significant role in the destruction of Oedipus and his family.
Favoritism is another theme in the role of gods interfering in the Trojan War; most of the gods up in Olympus favored a mortal on either side of the war. Hera
This indicates that even if one god is higher than another, as with Juno and Aeolus, they cannot just order them about but treat them favourably and on a same level. Neptune’s reaction also shows that the gods are territorial and can cancel out orders from even the queen of the gods.