Suzanne Valadon
Valadon became the first woman painter admitted to the Société Nationale des Beaux-Arts. She was also the mother of painter Maurice Utrillo. The subjects of her drawings and paintings included mostly female nudes, female portraits, still lifes, and landscapes. She never attended the academy and was never confined within a tradition. Valadon spent nearly 40 years of her life as an artist.
Just like all other artist that I compared. It has a common trait around the controversy of the female nude, bourgeois society found her works shocking, which her nude portrayed feminine strength and independence.
Symbolist and Post-Impressionist aesthetics are clearly seen within her work
She was considered a very focused, ambitious, rebellious,
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French painter Suzanne Valadon created powerful, unconventional, and sometimes controversial figure paintings, often of female nudes. admired her bold line drawings and paintings
Being a free spirit for her bold use of color.
Valadon primarily worked with oil paint, oil pencils, pastels, and red chalk open brushwork often featuring firm black lines to define and outline her figures.
She used hard black lines to emphasize the structure of the body. She also used firm lines in her nudes to emphasize the play of light on curves. the nudes Valadon paints veer far from the norms of this male-dominated genre; the paintings are interpreted in a much different way which could contradict or question the nature of the genre.
Valadon also emphasized her focus on the importance of composition of her portraits over painting expressive eyes.
Valadon has been considered transgressive in her position as a woman painting the nude female
Alice Neel’s painting Suzanne Moss was created in 1962 using oil paint on canvas. As the title suggests, the painting depicts a woman’s portrait. Now resigning in the Chazen Museum in Madison, WI, this portrait of a woman lunging is notable for the emotional intensity it provokes as well as her expressionistic use of brush strokes and color. The scene is set by a woman, presumably Suzanne Moss, dressed in dull back and blues lounging across a seat, staring off to the side, avoiding eye contact with the viewer. The unique style and technique of portraiture captures the woman’s piercing gaze and alludes to the interior emotions of the subject. In Suzanne Moss, Alice Neel uses desultory brush strokes combined with contrast of warm and cool shadows
Living in the 19th century there wasn't a lot of women painters. Rosa Bonheur was one of the women painters in this century. Animals was mostly the subject matte she paints. Rosa was known for her realistic paintings.
Women were not allowed to draw naked people, so instead she painted women in informal environments as seen in “The Chess Game”. Her paintings helped break gender and class barriers and led the way for women to be accepted in society as artists. Historian Whitney Chadwick wrote that she was “placed her within a critical category of her own”. (New World Encyclopaedia, 2012) During the middle ages, the only artists were nuns, and Sofonisba’s newfound success influenced the art of today. Many famous male renaissance artists copied her artwork style, which can be seen in the works of Peter Paul Rubens. Giorgio Vasari, the first art historian credited her work: “…she has not only succeeded in drawing, colouring, and copying from nature, and in making excellent copies of works by other hands, but has also executed by herself alone some very choice and beautiful works of painting.” (Oxford,
... masculine compared to soft paintings of Vigee Le Brun. Adelaide’s works were so good and beautiful and many thought that her lover did her works that is due to discrimination of women and belief that women cannot be as good of an artists as men. She brought attention to this issue and it worked to be a positive advertisement for her.
greatest American artists of the 20th Century. She devoted a large part of her life to painting and
...owing us with her great works. She has led a driven and captivating career. While she has received much controversy in her time she has managed to continue creating great works. She is widely acknowledge, and so far through out her life, has made quite an impact. Her love of nature and in it’s importance is rippled through out all her work, mostly in the freedom of her later works. Her ability to maintain balance between her love for architecture and art, has helped to make her stand out in both crowds. Her sculptures will please viewers for centuries to come.
The life of Jane Kenyon was one full of victories, hardships, and all around love for her creative and poignant poetry that she shared with the world. Throughout the terrible events that plagued her adulthood, Kenyon maintained persevering and doing what she loved most, which was to keep writing and inspiring others. Many people who read her poetry were able to catch a glimpse into the underlying meaning that was intertwined into the verses. The purpose of Kenyon's writings was to show the world about her attempt to do her best in staying strong even through all the deprivations that occurred in her life. She was able to combine her private life with her love for her work, just like most great poets do. However,
Throughout history art has played a major role in society. It started out with paintings and went to photography and eventually to films. Artistic interpretation depended on whom the artist was and what he or she wanted to present to the audience. When it came to portraiture, whether it was paintings or photography, the idea of mimesis was very important. However important this may have been, the portraits were mostly products of the media and fashions during that time period. Whatever was popular during the time was used such as columns or curtains in the background. The face was the main focus in the painting and there was little focus on the body. Later on during photography the body was focused on more. Even though photography was used much later after paintings were used, it allowed the artist even more artistic interpretation because of the ability to play a different role and not having to be ones self. The artists that will be focused on are Frida Kahlo and Cindy Sherman. They lived during different periods and their artistic intentions varied because of that. They also had similarities in that they thought outside of the conventional roles. These women were both self-portraiture artists and although they were considered that their interpretations did not always make their portraits self-portraits. Traditionally the artist was an outsider, but when it came to self-portraiture they became the subject and the audience became the outsider. The similarities and differences of Frida Kahlo and Cindy Sherman’s art were tied into the strength and also vulnerability they had because of their roles as women. They wanted the audience to see a background story to the portraits and not just an image of a beautiful face.
I think that Frida's life greatly influenced her paintings. Most of her paintings have some form of nature or wildlife featured in them. Not only did she display a theme of nature, she also liked to wear indian women clothing. Her style is realistic and lifelike. She has many paintings that fall into the categories of symbolism, surrealism, cubism, modern art, and magical realism. Not only that, a lot of her paintings have herself in them. The color use of Frida Kahlo is very lifelike, she uses natural colors; she doesn't use many bright colors. She uses many primary colors. I have also noticed that a few of her paintings exhibit monkeys. Her paintings remind me of the Mexican culture that I studied in my two year Spanish class. Artemisia’s paintings are very feministic. I believe that Artemisia put her life into her paintings as well. The paintings of Artemisia Gentileschi that I have seen all have women displayed in them; whether they are her, or other women. I would recognize her paintings because almost all of her artwork features a woman reaching out for something. Women in these paintings have a facial expression, that is the same in almost all of her works. Artemisia had very lifelike paintings, they were beautiful but also displayed a tense mood. Her paintings were very striking as were Fridas. Artemisia's paintings are historical and display a tone of hurt. In comparison, both Fridas and Artemisia’s paintings
André Breton wrote: "There is no art more exclusively feminine, in the sense that, in order to be as seductive as possible, it is only too willing to play alternately at being absolutely pure and absolutely pernicious. The art of Frida Kahlo is a ribbon about a bomb" (Herrera, 1983). Frida Kahlo has the most famous and conspicuous self portraits in the world today. Her paintings were highly controversial and caught the attention of the common people, art lovers and critics from art professionals. However, it was not until the publishing to Hayden Herrera biography Frida: A Biography of Frida Kahlo in 1983 that drew the eyes of most people to Frida’s art. Frida’s portrait of her own body was the central piece of her art. According to Frida in Mexico out of the 143 completed portraits of Frida, 55 of them were self portraits and the rest were representation of her self identity as a Mexican woman. Most people were captivated by her life stories and how she reflected them in her portraits.
There was no serious effort to train women for professional careers in art, because of the enormous social pressure for women to become homemakers. The very fact that women in general were not given enough opportunities is demonstrated by what Marie Bracquemond, a student of the famous artist Jean Auguste Dominique Ingres, said in 1860, “The severity of Monsieur Ingres frightened me… because he doubted the courage and perseverance of a woman in the field of painting… He would assign to them only the painting of flowers, of fruits, of still life’s, portraits and genre scenes.”
Monet chose to depict exquisite landscapes from his own gardens and elsewhere, particularly in France. He uses small, elegant brush strokes and vibrant colour to match the scenes he paints. In the mid-1870’s, Monet’s influence over Degas lead Degas to lean his colour choices nearer to those of other Impressionists. In addition to this, Degas began employing pastels, which gave his works a more granular affect that more closely resembled those of other Impressionists. For numerous years in his life, after attempting to paint his the first of his famous “Haystacks” ,and, being unable to seize the right shading or colours due to the rising sun, Monet was intrigued by the affect of weather and light on his outdoor projects. On the other hand, Degas, although also concentrated mainly in France, based his works on people, nudes and ballerinas in particular. Monet never painted a nude.
Picasso ignored the traditional aesthetic canons governing the representation of the female nude. The bodies are deformed. The woman sitting presents both his back and his face. The influence of African art, which replaces that of Orientalism of the nineteenth century, is very clear in the
... influence on English society and the rest of the world, and peaked a large amount of interest in her and her peoples lifestyle (Fromm, Web). Being shown on many different occasions in forms of art, in a way that related her to the culture of the artist, showed that she successfully promoted interactions between people, even in her role as a muse after her death (Fromm, Web).
Many forms of artwork are modes of defining, defying, and expressing social ideas. Painter Remedios Varo used her artistic creations to symbolize the unconscious mind, unrestricted by social standards. Varo would employ a para-surrealist style to confront the question of defining and interpreting collective concepts of feminine beauty. Beauty can be defined as qualities in an individual or object that causes satisfaction to the senses, the mind, or satisfies the physical being. Women are judged collectively by this abstract definition.