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Recommended: Comparative analysis of two Harlem Renaissance texts
In the play, it all begins when Boy Willie Charles and his friend Lymon arrive in Pittsburgh from Mississippi with a truckload of watermelons. The two burst into the house of Boy Willie's uncle, Doaker, at five in the morning. The reader soon learns Boy Willie's plans and dreams. He's going to sell the watermelons—and the family's piano, the center of the story—from a man named Sutter who recently died. Sutter was a descendant of the family’s slave owner, and Boy Willie is determined to make the land his. Boy Willie’s sister, Berniece, the other main protagonist, is persistent against selling the piano, because she believes it should remain hidden and away from wandering eyes.
As the act progresses, Doaker—who symbolizes as the older generation
Surprisingly, this novel ends with Boy Willie and Lymon going back to Mississippi without selling the piano. Finally, Boy Willie closes by telling Berniece that if she doesn’t keep playing on the piano, he and Sutter would both be back. In saying this, Boy Willie means that if they don’t keep their inheritance close to their heart, unfavorable events could begin happening once
The story begins in “Catfish Row” a small coastal town based on the real town of Cabbage Row in Charleston, South Carolina during the 1920’s. The main protagonist of the story and leading man is Porgy, a disabled beggar man who is known for riding his goat cart around Charleston. Bess is the leading lady of the opera and is in an unhealthy relationship with Crown, a powerful, violent, alcoholic, short-tempered stevedore (dockworker). Act I starts with a lullaby being sang to a small baby by a young mother named Clara, as she sings the men of Catfish Row prepare for a crap game, prior to the game, Crown purchases whisky and Cocaine from the Sportin’ Life, the local drug dealer of the town, during the crap game, Crown who is very drunk kills a local man named Robbins, Crown flees Catfish Row and leaves Bess to fend for herself. Sportin’ Life who is attracted to Bess, he gives her cocaine and asks her to join him in New York, Bess refuses and is now alone, she has no where to go, she is rejected by all of the Catfish Row resident, all except for Porgy who takes her in. A funeral takes place for Robbins, Serena, Robbins’ wife acts very coldly towards Bess when she offers her donation to help pay for Robbins’s funeral cost until Bess explains that she is no longer with Crown, and now lives with Porgy. Soon after, a detective enters and tells Serena that if...
In the poem “Auschwitz” by Charles N. Whittaker, the poet uses figurative language such, as end- rhymes and a metaphor to convey a theme about death and losing hope/faith. In the poem, Whittaker uses this phrase “and the blue ink slabs a little harder on the skin/ above the veins in despair where murder let in”(Stanza 3 lines 1-2). Here, Whittaker addresses how “skin” and “in” rhyme at the end of the rhymes. To infer more, end-rhymes occur in the rhyming of the words at the end of the two or more lines of poetry. This connects to the theme of death because the blue inks may represent the blood of all the prisoners who are dying. This illustrates how death is represented when saying “murder” and “veins”. Another example is the metaphor used
In The Piano Lesson, written by August Wilson, Boy Willie devises a scheme for buying Sutter’s land. Boy Willie has one part of the money saved up. He will sell the watermelons for the second part. Then he will sell the piano for a third part. The only debating issue in Boy Willie’s scheme is the piano. Berniece does not want to sell the piano. This is the only reason for a defense in Boy Willie’s scheme. Therefore, I will defend Boy Willie’s issue of selling the piano and how that liberates him in reference to his scheme for buying Sutter’s land.
Essentially this play can be regarded as the mid-life crisis of Walter Lee Younger, passionate for his family, ambitious, and bursting with energy and dreams. Walter cares about his family, and he hopes that buying the liquor store will being a brighter future to Travis, ?And-and I?ll say, all right son-it?s your seventeenth birthday, what is it you?ve decided?...Just tell me where you want to go to school and you?ll go. Just tell me, what it is you want to be ? and you?ll be it.?(Hansberry 109). Walter Lee, shackled by poverty and prejudice, and obsessed with his own sense of success, which he felt, would be the end of all of his social and economic problems. The dreams he had gave him a great sense of pride and self-satisfaction. Unfortunately Walter had to learn a hard lesson in life; pride and greed will eventually lead to unhappiness.
Prior to the play, Boy Willie had not seen his sister in three years. During those three years he was incarcerated and was sentenced to labor at the Parchman Prison Farm. He is considered to be the most impulsive and prideful character in the play. Boy Willie believes he is of equal standing to the white man despite his racial background. He wants to sell the piano in order to “avenge” his father’s namesake while at the same time leaving his mark in the world despite his sister’s opposition in order to create his own legacy. He doesn’t believe the battle between black and white exists and that it‘s nothing more than a memory. However, he lives in his own world and ignores the reality. Failing to succeed is his fear. He doesn’t want to believe that he is below in standing than a white man. He wants to be able to leave his legacy in the world as he believes is his right.
One of the main themes is slavery, mainly the evil of slavery. At the very beginning of the book, readers are shown the idea that not all slave owners are indeed evil and only care about money. There are some owners who do not abuse or mistreat their slaves, however these ideas are not placed to show that the evil of slavery is conditional, but as a way to show the wickedness of slavery even in the best-case scenario. Due to the fact that even though Shelby and St. Clare show kindness towards their slaves, at the same time their ability to tolerate slavery renders them hypocritical and morally weak. In fact, this is first shown when Shelby shamefacedly breaks apart Tom’s family by selling him. Yet, the most evil of slavery does not render its head until Tom is sold to the Legree plantation, where it appears in its most hideous and naked form; the harsh and barbaric settings where slaves suffer beating, sexual abuse and murder. The play then introduces the shock that if slavery is wrong in the best of case scenario, then in the worst cases it ca...
This scene is pertinent to the development of the central subject because it not only depicts the climax of conflict between Boy Willie and Berniece, but also the subsequent resolution. Boy Willie’s seemingly uncontrollable desire to sell the piano and buy Sutter’s land meets Berniece’s deep passionate connection with the history of the piano, and keeping it within family ownership. Berniece’s open willingness to shoot her own brother over the piano shows how emotionally invested she is in the piano. Boy Willie’s persistence in wanting to sell the piano to the point where he completely disregards his sister’s direct commands and obvious adoration for the piano shows his unnatural determination to follow his father's legacy and farm Sutter’s
The play begins at Reverend Parris' home, whose daughter Betty is ill. Parris is living with his daughter and his seventeen-year old niece Abigail. Parris believes that is daughters illness is from supernatural causes, so he sends for Reverend Hale. Betty first start to look ill after her father discovered her dancing in the woods with Abigail and his Negro slave, Tituba along with several other local girls. There are rumors going around that Betty's sickness is due to witchcraft. Parris doesn't want to admit to seeing his daughter and niece dancing in the woods, but Abigail says that she will admit to dancing and accept the punishment.
Connie Fife is a Saskatchewan, Cree poet who writes using her unique perspective, telling of her personal experiences and upbringing. This perspective is revealed to her audience through the poems “This is not a Metaphor”, “I Have Become so Many Mountains”, and “She Who Remembers” all of which present a direct relationship to her traditional background and culture (Rosen-Garten, Goldrick-Jones 1010). To show the relationship of her experiences through her poetry, Fife uses the form of dramatic monologue, as well as modern language and literal writing to display themes about racism presenting her traditional viewpoint to her audience.
The play’s major conflict is the loneliness experienced by the two elderly sisters, after outliving most of their relatives. The minor conflict is the sisters setting up a tea party for the newspaper boy who is supposed to collect his pay, but instead skips over their house. The sisters also have another minor conflict about the name of a ship from their father’s voyage. Because both sisters are elderly, they cannot exactly remember the ships name or exact details, and both sisters believe their version of the story is the right one. Although it is a short drama narration, Betty Keller depicts the two sisters in great detail, introduces a few conflicts, and with the use of dialogue,
You ain’t even told her about that piano, like that’s something to be ashamed of.” Her mother doesn’t tell her about the story behind the piano because she doesn’t want Maretha worrying about all of these problems going on between them already. She doesn’t tell Maretha anything about the history of the piano, which does upset Boy Willie because she has to know the story just as everyone else does. Even though Maretha doesn’t know the story, her mom doesn’t want to tell her and scare her even more than what she already does, “Maretha scared to sleep up there now. Maybe if you bless the house he’ll go away,” she was scared because she had seen Sutter’s ghost, maybe her mom was only trying to protect her from a stronger force. Bernice wanted better for her daughter, which is a reason to which why she moved up to the north and set herself a better life, for both of
"Poetry is the revelation of a feeling that the poet believes to be interior and personal [but] which the reader recognizes as his own." (Salvatore Quasimodo). There is something about the human spirit that causes us to rejoice in shared experience. We can connect on a deep level with our fellow man when we believe that somehow someone else understands us as they relate their own joys and hardships; and perhaps nowhere better is this relationship expressed than in that of the poet and his reader. For the current assignment I had the privilege (and challenge) of writing an imitation of William Shakespeare’s "Sonnet 87". This poem touched a place in my heart because I have actually given this sonnet to someone before as it then communicated my thoughts and feelings far better than I could. For this reason, Sonnet 87 was an easy choice for this project, although not quite so easy an undertaking as I endeavored to match Shakespeare’s structure and bring out his themes through similar word choice.
The poem “Always Something More Beautiful” by Stephen Dunn is certainly about running a race, but the speaker is also arguing that pursuing something beautiful can help guide us through life. Through the title, we can see that we should constantly look for more beautiful things in life. The poem begins with the speaker describing his experience before a race. He uses words like “best” and “love.” The tone is extremely enthusiastic. In the first line, he talks about coming to the starting place. This can be a metaphor for beginning our lifelong journey. The speaker also implies that we need to approach it with a positive attitude. In the next few lines, the speaker indicates being tested in excellence
Berniece tries to show Boy Willie that the piano experienced more than pleasant events during those days. She interprets their Mama Ola’s pain by saying, “ ‘Mama Ola polished this piano with her tears for seventeen years. For seventeen years she rubbed on it till her hands bled...she rubbed and cleaned and polished and prayed over it...seventeen years’ worth of cold nights and an empty bed. For what? For a piano? For a piece of wood?’ ” (52). The tragedy of their Mama Ola is an almost mythic quality in their unified imagination, but the time has robbed it in Boy Willie’s face. He forces himself to think of his Mama Ola’s suffering as a metaphor than an actual event.