Being able to capture a moment with just the click of a button is a resourceful and unique tool in modern society. Almost every type of technology from cellphones to even computers have a camera built into them. Photography reveals elements of a culture, region or time to people who are unable to experience or witness them. By giving people the ability to see new concepts through pictures, it helps broaden their knowledge of the world. Many people like Susan Sontag believe that you shouldn’t trust what you see in a photograph. In her collection of essays On Photography, she states, “Strictly speaking, one never understands anything from a photograph” (17). This statement is wrong as photography has the power to help people realize what occurs in the world and make a change. One of the most famous photos of National Geographic is the “Afghan Girl”. Photographer Steve McCurry took the shot of a young Afghanistan child with haunted sea green eyes who had seen the devastation …show more content…
Photographs grant viewers the chance to fully grasp what it was like during different events throughout time. Although Sontag argues, “the camera’s rendering of reality must always hide more than it discloses” (18), some photographers made it their mission to show “the whole picture” in a photograph. Margaret Bourke-White was a famous photographer known for photographing the humanity side of the news. She focused on the people in the Dust Bowl like Dorothea Lange and even stayed in Moscow during World War II in order to capture what it was like for the civilians at the time. Her pictures captured the people going through extreme hardships in history and all the emotions they felt. Photographs help further the viewers knowledge of history not only factually of what occurred but of what life was like also. Photographs allow the viewers to get a true sense of different parts of
The film “Documenting the Face of America: Roy Stryker and the FSA/OWI Photographers” amplified how things were and how the photographers that worked on the project were affected from taking these photographs. When Dorothea said, “If you come close to the truth, there are consequences” was especially true. These photographers had to see things that could never be unseen. The photographs that I discussed in the paragraphs above show how the photographers were affected from what they had to see. Also, they had the control to be able to show what they wanted the viewers to get from the photos. In the end, sometimes one has to push the limits of the truth in order to get what one is really looking for and this is exactly what all of the photographers did for the FSA
Susan Sontag once wrote, “To collect photographs is to collect the world.” In her article entitled “On Photography,” she overviews the nature of photography and its relation to people using it. Sontag discusses photography’s ability to realistically capture the past rather than an interpretation of it, acting as mementos that become immortal. Continuing on to argue the authenticity of photography and how its view points have shifted from art into a social rite.With the use of rhetorical devices, Sontag scrutinizes the characteristics of photography and its effects on surrounding affairs; throughout this article Sontag reiterates the social rites, immortality and authenticity of photographs, and the act of photography becoming voyeuristic. With the use of the rhetorical devices pathos, appeal of emotion, ethos, appeal to ethics and credibility, and logos, appeal to logic, Sontag successfully persuades the audience to connect and agree with her views.
It’s his compassion for his subjects and his commitment to them that surpasses the act of making a pretty picture. Spending days with his subjects in the slums of Harlem or the hardly developed mountains of West Virginia, he immerses himself into the frequently bitter life of his next award-winning photo. Often including word for word text of testimonials recorded by junkies and destitute farmers, Richards is able to provide an unbiased portrayal. All he has done is to select and make us look at the faces of the ignored, opinions and reactions left to be made by the viewer. Have you ever been at the beach safely shielded by a dark pair of sunglasses and just watched?
I glance amusedly at the photo placed before me. The bright and smiling faces of my family stare back me, their expressions depicting complete happiness. My mind drifted back to the events of the day that the photo was taken. It was Memorial Day and so, in the spirit of tradition my large extended family had gathered at the grave of my great grandparents. The day was hot and I had begged my mother to let me join my friends at the pool. However, my mother had refused. Inconsolable, I spent most of the day moping about sulkily. The time came for a group picture and so my grandmother arranged us all just so and then turned to me saying, "You'd better smile Emma or you'll look back at this and never forgive yourself." Eager to please and knowing she would never let it go if I didn't, I plastered on a dazzling smile. One might say a picture is worth a thousand words. However, who is to say they are the accurate or right words? During the 1930s, photographers were hired by the FSA to photograph the events of the Great Depression. These photographers used their images, posed or accurate, to sway public opinion concerning the era. Their work displayed an attempt to fulfill the need to document what was taking place and the desire to influence what needed to be done.
The motivations behind why photos were taken will be explored, such as propaganda, as well as reactions to them. Research into events being photographed, their intentions and who requested them will be made, also assessing its effect on the public determining success. B. SUMMARY OF EVIDENCE Battle field photography was not developed for the sole purpose of recording events as would a newspaper or painting. Battlefield photography brought intense images directly from the field to the public, bringing the horrors of war to families so far from their husbands and sons (Niller). The photography institution brought the reality of war to the public in manners newspapers were incapable of (Harvey 73).
In the essay “Why We Take Pictures” by Susan Sontag, she argues that taking photos can be a tool of power and sometimes even a defense against anxiety(353). Taking pictures can be a great source of power, according to Sontag. The photographer has the power to show what they want and people can choose whether or not to be in the photo. Sontag uses the example of a family photo; as some family photos portray the family being happy, many people cannot see that the family might not actually be as happy as they look. Sontag also uses examples like nuclear families and traveling in order to enforce her claims about picture taking. In a nuclear family, Sontag believes that taking a picture of that family can help relieve some anxiety because people
The mass media carries with it unparalleled opportunities to impart information, but also opportunities to deceive the public, by misrepresenting an event. While usually thought of as falsifying or stretching facts and figures, manipulation can just as easily be done in the use of photography and images. These manipulations may be even more serious – and subtle – than written manipulations, since they may not be discovered for years, if ever, and can have an indelible and lasting impact on the viewer, as it is often said, “a picture is worth a thousand words”. One of the most significant images of Twentieth Century America was the photograph of a migrant mother holding her child. The photograph was taken during the Great Depression by photographer Dorothea Lange, and has remained an enduring symbol of the hardship and struggle faced by many families during the Depression Era. This image was also an example of the manipulation of photography, however, for it used two major forms of manipulation that remain a problem in journalistic photography.
...el through time and show newer generations of the events of the past and the rich history of a particular country. With the use of all the technology over the years, photography has now become a major part of everyday life and the photographer behind the camera.
Dorothea had spent a long day capturing images and she was going back to print the images when she had drove past a sign that said, “Pea Picker’s Camp.” Dorothea continued to drive thinking she had enough photographs she did not need anymore. Something struck her that she could not resist and eventually she turned around saying, “I was following instinct, not reason” (Partridge, Lange 2). She stopped at the worn down camp and was intrigued by a mother and her seven children. Dorothea took her camera over to them and no one asked any questions. She captured only six images of this mother and her youngest children. The woman had told Dorothea that the freezing rain and sleet had ruined the pea crop. They did not have any work and they had to sell tires for food (Partridge, Lange 3). Dorothea had no idea what those images would do for her career, but she knew she had to show the world what those people in “Pea Picker’s Camp” were going through.
“Recently, photography has become almost as widely practiced an amusement as sex and dancing, which means that, like every mass art form, photography is not practiced by most people as an art. It is mainly a social rite, a defense against anxiety, and a tool of power” (Sontag 8). After reading this quote in my head multiple times, I started to realize that people use it for different purposes. When I took a photography class in college, it was under the category “art.” Which made me think of it as a form of art, when there are so many other ways to view photography. Sontag changed my opinion about photography after further interpreting her quote because to have a camera in our hand, being able to capture the world through our lens is to have a tool of
A good example of photographs preserving history is ‘The Auschwitz Album’. Why, because it is the only surviving photographic evidence of the procedure leading murder of Jew’s arriving by train to Auschwitz-Birkenau.
Photography was first utilized over 100 years ago in an attempt to preserve life as it existed before the industrial revolution. Over time photography has gradually corrupted memory in a variety of ways, despite its original intention to preserve it. From there, photography has evolved to become a pressing threat not only to memory, but also to consciousness.
While their motives and style differ, a long series of uninterrupted images of the horrors of war gives someone who was not there an idea of what it was like. For photographs depict merely what happened on the field,
Photojournalism plays a critical role in the way we capture and understand the reality of a particular moment in time. As a way of documenting history, the ability to create meaning through images contributes to a transparent media through exacting the truth of a moment. By capturing the surreal world and presenting it in a narrative that is relatable to its audience, allows the image to create a fair and accurate representation of reality.
In Sontag’s On Photography, she claims photography limits our understanding of the world. Though Sontag acknowledges “photographs fill in blanks in our mental pictures”, she believes “the camera’s rendering of reality must always hide more than it discloses.” She argues photographs offer merely “a semblance of knowledge” on the real world.