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Domestic violence 20th century America
The portrayal of women in american literature
Trifles by susan glaspell critiques
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Recommended: Domestic violence 20th century America
Marriage is a sacred union between two people. This union normally; however, marital abuse exists. It is actually present in the early years of America. Susan Glaspell wrote “Trifles” in the nineteenth century to illustrate abuse in marriages that appeared in the American society of the 1800’s. “Trifles” is a play revolving around a woman, Mrs. Wright, who is charged with the murder of her husband. While inspecting the house of the charged, the wives of the sheriff and the county attorney uncover how the Wright’s marriage has abusive qualities. They also discover a motive for the supposed murder that happened in the Wright’s home (Glaspell ###). Some believe that marital abuse did occur in the nineteenth century because women lost all rights …show more content…
An article from HubPages that depicts a young woman’s life in the nineteenth century illustrates how “women optimistically viewed marriage.” This article follows journal excerpts from a woman named Eliza who is going to stud literature, art, and sewing at college until she finds a husband. In fact, her mother tells Eliza that “the happiest day for a woman is when she secures the one man who will take care of her for the rest of her life” (“Happy Times”). Eliza is ready settle down with someone who will take care of her. She is also excited about having a house to take care of due to her choice of what she studies in college. Eliza looks forward to marriage. This excitement is not a new trend because her mother also feels the same way about marriage as Eliza does. Consequently, in “Trifles,” Mrs. Wright is accused of murder, yet she is worried about her preserved fruit (Glaspell 747). Though this fear is trivial to some, Mrs. Wright’s housework is her main focus in life. Mrs. Wright is in jail, accused of murdering her husband, but she’s wondering about her household. Thoughts like those in “Trifles” reflect what duties women in the nineteenth century held above everything else in life. Women gladly gave up their rights for
The farmhouse in Trifles was accessed by several individuals between the time of the murder and law enforcement arriving. The sheriff even sent Frank over that morning to start a fire for warmth, instructing him “not to touch anything except the stove – and you know Frank.” The men in the play are only interested in observing the areas where John would have been within the home, deeming the kitchen as unimportant. If they had only taken a few moments to consider the mindset and life of Mrs. Wright they would have discovered all the information they sought. Minnie’s obligation once married was to provide John with children, the fact they were childless helps to show her “failure” in this role in the men’s eyes, yet the women see the detached relationship she shared with John and the profound silence of a home without little ones. Mrs. Hale discovers an unfinished quilt with some very erratic stitching where Mrs. Wright has left off and begins to remove the stitches, as if trying to undo what has already happened. When the quilting method of Mrs. Wright is discovered the women link her method with the knot used around John’s neck. Without ever seeing
Trifles” is a play written in 1916 by Susan Glaspell. The play’s audience consists of young adults to those in their late 50’s. Mrs. Glaspell takes a serious matter of domestic violence and uses her platform as an author to raise awareness about the issue. In the play “Trifles” a neighbor went to the home of Mr. and Mrs. Wright only to find Mr. Wright dead in his bed. He had been strangled to death by a rope. The neighbor questioned Mrs. Wright about the matter and her response was odd and suspicious. Mrs. Wright was taken to jail while the home is being investigated for further evidence. Mrs. Glaspell’s play “Trifles” effectively achieves the goal in raising awareness on domestic violence by the evidence of the crime and through pathos.
At the start of the play, all of the characters enter the abandoned farmhouse of John Wright, who was recently hanged by an unknown killer. The Sheriff and County Attorney start scanning the house for clues as to who killed Mr. Wright, but make a major error when they search the kitchen poorly, claiming that there is nothing there ?but kitchen things.? This illustrates the men?s incorrect belief that a kitchen is a place of trivial matters, a place where nothing of any importance may be found. Mrs. Peters then notices that Mrs. Wright?s fruit froze in the cold weather, and the men mock her and reveal their stereotype of females by saying ?women are used to worrying over trifles.? The men then venture to the upstairs of the house to look for clues, while the women remain downstairs in the kitchen where they discuss the frozen fruit and the Wrights. Mrs. Hale explains that Mrs. Wright, whose maiden name was Minnie Foster, used to be a lively woman who sang in the choir. She suggests that the reason Mrs. Wright stopped being cheerful and active because of her irritable husband.
Mrs. Peters suggests that over the course, she has discovered a different aspect of herself that ties more closely to her experience as a woman than to her marriage to Mr. Peters. Mrs. Hale concludes, all women go through the same things at different times. For Mrs. Hale, Minnie Wright's murder of her husband was the ultimate rejection of her husband's identity in memory of the person Mrs. Foster used to be. The play Trifles, in the murder mystery in which the women decide to hide the evidence of the crime and thus end by aiding the murderer, the story leaves this question open of the meaning of duty and justice.... ... middle of paper ...
The Sheriff, Attorney, and neighbour Mr. Hale look for evidence while the women Mrs. Peters and Hale are left to their own devices in the kitchen. Condescendingly, the men mock the women’s concerns over Mrs. Wright’s stored preserves, its stated: “Well, women are used to worrying over trifles.” (Hale, act 1) It’s inferred that women- who care only of trifles, something of little or no importance, must be trifles themselves. Ironically, these said trifles: the quilt, preserves, a little bird- which will be discussed later, are what solves this mystery. A major concern expressed by all the characters is motive; why would Mrs. Wright kill her husband? While discussing the marriage and disposition of the victim, its stated: “Yes--good; he didn't drink, and kept his word as well as most, I guess, and paid his debts. But he was a hard man, Mrs. Peters. Just to pass the time of day with him. (Shivers.) Like a raw wind that gets to the bone.” (Mrs. Hale, act 1) Abuses, which have been hinted at all throughout the play are finally spoken of in these lines. Audiences find, that Mrs. Wright- “real sweet and pretty, but kind of timid” - would murder her
Even with the pain of bearing children, raising them, doing household and even farm chores, their efforts have never been truly appreciated. Mrs. Wright was “…real sweet and pretty, but kind of timid—and fluttery…” as Mrs. Hale, her neighbor, describes her (22). This would all soon change after her wedding day. With Mr. Wright’s insipid character and lack of patience of any joyous sound, Mrs. Wright’s spirit dwindled to nothing. It seems she spent hours at a time focusing on her quilts, preserves, and caring for the only life there was in the house, her canary. Even when Mr. Hale offered to get a party telephone, Mr. Wright responded, “…folks talk too much anyway…”(5). This silence he preferred also applied to his spouse. There were no hugs given out much less a smile. He failed to give her even the most minimal sing of appreciation much less the emotional warmth she hungered for.
In Western culture, it is understood that marriage is based on an equal partnership and not one person controlling the other. On the contrary, in the early 19th century, women were usually in unions that were male dominated. Women were meant to be seen and not heard. Likewise, in the short story, “The Story of an Hour” and the play “Trifles”, two women from very different circumstances share the same fate of being dominated by their husbands and lose their identity while married.
In Trifles by Susan Glaspell, the men ignore key signifiers that Mrs. Wright is guilty, yet the two women present are able to see these clues. The men shrug these off as mere “trifles, which sets up the story to be a social commentary because the women are able to solve the crime while the men are laughing at their observations. The men first comment on the women worrying over “trifles” when Mrs. Peters and Mrs. Hale discuss the preserves being ruined (747). The women understand that this is a relevant concern because it symbolizes disrupt in the household, as well as Mrs. Wright’s lack of concern for her husband’s death. This intimation brought upon by the women in the house edifies the fact that they solely understand the motives Mrs. Wright might have for killing her husband.
“Trifles” written by Susan Glaspell explores the oppressive nature of an enduring patriarchal hierarchy within farm life throughout the 1900’s coinciding with the extensive psychological damage solitude and isolation imposed on the soul of, Mrs. Wright.
Susan Glaspell’s play, Trifles, seems to describe the ultimate women’s suffrage story. No longer will men have an upper hand against women after reading this story. Cleverness will be the key to retaining power from the men in this story. The one thing that woman are criticized for, the idea that women tend to look at the ‘little picture’ instead of the ‘whole picture’, will be there path to victory. Two stories of revenge are told in this story, the revenge of suppression and revenge of being portrayed as ‘unsophisticated, unintelligent’ women. First we have the story of Mrs. Wright and the struggles with her husband, John. Married women throughout history have been portrayed and played the role as being inferior to the husband in marriage. This seems to be the case with Mrs. Wright. Even though John’s public image was somewhat respectable, it was obvious that behind close doors the story was different. There is evidence of abuse in this marriage. First, the discovery of the broken door leads me to conclude that John was very physical and anguished. Second, it is assumed that Mrs. Wrights husband had broke her canary’s neck. The canary, which of course had to be caged, was represented as the old Minnie Foster herself. The canary is a beautiful, free spirited bird that had a sweet voice, as Minnie had at one time. This was the end of the line and ‘Minnie Foster’ was about to be reborn. She would stand up for all those abused and suppressed house wives across the world and makes the first ‘final’ decision she had ever been allowed to make. The bird’s cage was her jail. The bird’s death was her freedom for the fate of the bird was the fate of her husband. John was discovered with a rope tied around his neck, the freedom of a women who could no longer be held down. This was the first implementation of women’s power in the story. The women at Mrs. Wright’s home played an important role in the story as well. The ‘professional’ detectives were busy about the house finding clues to indict Mrs. Wright in the murder case. They ridiculed the women in the house by ‘putting them in their place’ as typical ladies, so worried about small things and useless ordeals. Mrs. Hale noted the stitches in the quilt to be erratically stitched as if something were wrong.
In today’s society, many women are powerful, independent, and for the most part treated equal to men, but before the 1920's women were restrained by the men. Imagine what being a woman in this era would be like. In Susan Glaspell’s play “Trifles,” she addresses the life of women in the 1900’s by examining the marital relationships among the characters, specifically between Mrs. Wright and Mr. Wright, the Sheriff and Mrs. Peters, and last Mr. Hale and Mrs. Hale. Glaspell accomplishes this by separating the husbands and wives into different rooms in the home of the Wrights, leaving the women all together in the living room and kitchen, which is where they find the crime scene evidence. The point being is that the men did not consider what the
Mr. Hale found his neighbor, John Wright, strangled upstairs in the Wrights’ house with Minnie Wright, John’s wife, sitting calmly downstairs. With John Wright dead and his wife in jail, Mr. Hale, the sheriff, their wives, and the county attorney all crowded into the Wright’s house to try to find clues about the murder. While the men go upstairs, they leave the women downstairs “.worrying over trifles.” (“A Jury of Her Peers” 264) Unbeknownst to the men, Mrs. Hale and Mrs. Peters find clue after clue that would convict Minnie Wright of the murder. Instead of telling the men about the clues, the women hide the clues and the men have no idea what the women have found.
The industrialization of the nineteenth century was a tremendous social change in which Britain initially took the lead on. This meant for the middle class a new opening for change which has been continuing on for generations. Sex and gender roles have become one of the main focuses for many people in this Victorian period. Sarah Stickney Ellis was a writer who argued that it was the religious duty of women to improve society. Ellis felt domestic duties were not the only duties women should be focusing on and thus wrote a book entitled “The Women of England.” The primary document of Sarah Stickney Ellis’s “The Women of England” examines how a change in attitude is greatly needed for the way women were perceived during the nineteenth century. Today women have the freedom to have an education, and make their own career choice. She discusses a range of topics to help her female readers to cultivate their “highest attributes” as pillars of family life#. While looking at Sarah Stickney Ellis as a writer and by also looking at women of the nineteenth century, we will be able to understand the duties of women throughout this century. Throughout this paper I will discuss the duties which Ellis refers to and why she wanted a great change.
Most of the actions take place in the kitchen setting which demonstrates the author’s deliberate move to show the important details about the wifely role. The women hold their conversation in the unkempt kitchen, a domestic sphere that reveals everything about the lives of women. While the men were busy searching for clues around the farmhouse, Mrs. Peters and Mrs. Hale see some evidence in the trifle that Mrs. Wright had left in the kitchen. The women can deduce that the messy kitchen with dirty pans gives a signal of incomplete work. Mrs. Hale and Mrs. Peter spend most of their time in the messy kitchen that significantly reveal Mrs. Wright’s state of confusion (Manuel 61). Mrs. Hale understands Mrs. Wright’s experiences of loneliness and desperation from the male-dominated circumstances. The female characters sympathize with her situation by acknowledging the forces in her life that made her take the roles including that of murdering her husband. The men overlook the evidence that the women can trace in the house, and their dialogue suggests lack of sympathy towards women as noted from their humiliation and sarcasm towards women. For example, the women can relate the death of the canary to the murder scene. The attorney shows how woman’s concerns are unimportant, instead of sympathizing with Mrs. Wright for what has befallen her, they portray their women
Within these marriages, readers get a sense of how education plays an important role in a successful marriage, as this fulfills both of their dreams of personal identity. Although women in the nineteenth century were viewed to be superior wives and mothers, manage the household, and perform domestic tasks, it was important for women to become educated as “an education was supposed to enable these girls to become successful women in society” (Leigh 117). Women were not meant to be “trained” in some way to become good wives, but needed to be formally educated in order to be a successful wife and