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Three significance of trifles
Literary analysis of trifles by glaspell
Critique of susan glaspell's trifles
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Trifles by Susan Glaspell In Glaspell’s “Trifles”, we find Mrs. Wright sitting in a jail cell as a suspect for murdering her husband. In the meantime, the women wait in Mrs. Wrights Kitchen for the men to finish investigating the crime scene, they find many clues to suggest what the method and motives were. While Mrs. Peters was hanging up her jacket she spotted Mrs. Wright’s sewing basket. They found pretty blocks she had been working on to create a “log cabin pattern”. (1391). As Mrs. Hale starts to pull a knot out and resew a block of erratic stitching in the quilt, Mrs. Peters goes to get a piece of paper and string out of the cupboard and finds a bird cage. Admiring the cage and wondering where the canary was they noticed that the door was broken. “Looks as if someone must have been rough with it.” (1392). The women put the cage down on the table and go back to the sewing basket. The women decide to bring the quilt to Mrs. Wright to keep her mind off things. As they go through the sewing basket they find a fancy box with something wrapped up in silk. “It’s the bird. Somebody – wrung – its …show more content…
A log cabin pattern in quilting is arrangements of a repeated single block pattern, which represent the log cabin walls. Just like Mrs. Wright’s life, the pattern of the quilt symbolizes the way she pressed forward to endure another repeated day of isolation surrounded by the same walls in a house that “was down in a hollow” (1392) not even visible from the road. While further examining the pretty blocks Mrs. Hale notices the last block Mrs. Wright was working on and said, “All the rest of it has been so nice and even. And look at this! It’s all over the place!” (1391). Her bizarre stitching with knots mirrors the way the rope was tied around Mr. Wright’s neck. The women and Ben-Zvi concur, that her erratic stitches in the quilt symbolize the method for the murder
Mrs. Wright, however, justified killing her husband due to Mr. Wright trapping her inside the house and how Mrs. Wright job is only to be domestic wife. When Mrs. Hale (farmer’s wife) and Mrs. Peters (sheriff’s wife) discovered a dead bird with her neck bruised all over, they start to put the pieces to the puzzle together and ...
The females begin responding “stiffly” rather than “quietly”(7) as before. This adjective usage serves to support the speech even more by allowing readers to see the progression from silence to a bold rebellion in the women regarding their husbands, for “by hiding the canary Mrs. Hale and Mrs. Peters are also going against their husbands” (Bee2). Indeed, this act was the major act of defiance that secured the women’s strengthened devotions to each other rather than their husbands. Peters especially undergoes a drastic transformation when she eventually joins in as “support of her fellow oppressed women” (Block B 1). When, at the climax of the story, the bird is hidden from the men in the sentimental tin box, Glaspell exhibits the tension with the selection of detail. She chooses to focus on the clammy hands of Mrs. Peters as she stuffs the tin away and the quivering voice of Mrs. Hale as she denies knowing any information about the crime. The descriptions of the seemingly miniscule and weakening objects around her house match the “quiet desperation” (Schotland 3) Foster repressed until it overflowed the night before. Considering that the adjectives show how burdensome it is for the women to conceal the evidence, it truly demonstrates how strong the relationships between them has grown based
The farmhouse in Trifles was accessed by several individuals between the time of the murder and law enforcement arriving. The sheriff even sent Frank over that morning to start a fire for warmth, instructing him “not to touch anything except the stove – and you know Frank.” The men in the play are only interested in observing the areas where John would have been within the home, deeming the kitchen as unimportant. If they had only taken a few moments to consider the mindset and life of Mrs. Wright they would have discovered all the information they sought. Minnie’s obligation once married was to provide John with children, the fact they were childless helps to show her “failure” in this role in the men’s eyes, yet the women see the detached relationship she shared with John and the profound silence of a home without little ones. Mrs. Hale discovers an unfinished quilt with some very erratic stitching where Mrs. Wright has left off and begins to remove the stitches, as if trying to undo what has already happened. When the quilting method of Mrs. Wright is discovered the women link her method with the knot used around John’s neck. Without ever seeing
Denotatively a bird is defined as a, Any of a class (Aves) of warm-blooded vertebrates distinguished by having the body more or less completely covered with feathers and the forelimbs modified as wings, often capable of flying. The authors/Glaspell’s strategic comparison of Mrs. Wright to a bird can be interpreted connotatively that she was a free,
Wright’s decision to kill her husband. This is why the story ends with Mrs. Hale saying that she’d decided to “knot” it instead of “quilt” it. Quilting it would have been symbolic of Mrs. Wright’s passiveness and continuing to live as though things were okay. Knotting it is both symbolic of Mrs. Wright standing up to her husband, and of the manner (rope, strangling) in which he was killed. This is suggested after Mrs. Hale and Mrs. Peters discover the dead bird, who had been strangled at the hands of Mr. Wright. This ties back to the questions Mrs. Hale and Mrs. Peters had when they observed the “messy” part of the quilt, and the “interrupted” kitchen, because it is now suggested that Mrs. Wright left things in this order in a fit of anger when she found he’d killed her
In "Everyday Use" by Alice Walker, two sisters want the handmade quilt that is a symbol of the family heritage. Alice Expresses what her feeling are about her heritage through this story. It means everything to her. Something such as a quilt that was hand made makes it special. Only dedication and years of work can represent a quilt.
Susan Glaspell's Trifles explores the classical male stereotype of women by declaring that women frequently worry about matters of little, or no importance. This stereotype makes the assumption that only males are concerned with important issues, issues that females would never discuss or confront. The characters spend the entirety of the play searching for clues to solve a murder case. Ironically, the female characters, Mrs. Peters and Mrs. Hale, uncover crucial evidence and solve the murder case, not the male characters. The men in the play, the Sheriff, County Attorney, and Hale, search the scene of the crime for evidence on their own, and mock the women's discussions. The women's interest in the quilt, broken bird cage door, and dead canary, all of which are assumed to be unimportant or trifling objects, is what consequentially leads to their solving of the crime. The women are able to discover who the killer is by paying attention to detail, and prove that the items which the men consider insignificant are important after all.
The Sheriff, Attorney, and neighbour Mr. Hale look for evidence while the women Mrs. Peters and Hale are left to their own devices in the kitchen. Condescendingly, the men mock the women’s concerns over Mrs. Wright’s stored preserves, its stated: “Well, women are used to worrying over trifles.” (Hale, act 1) It’s inferred that women- who care only of trifles, something of little or no importance, must be trifles themselves. Ironically, these said trifles: the quilt, preserves, a little bird- which will be discussed later, are what solves this mystery. A major concern expressed by all the characters is motive; why would Mrs. Wright kill her husband? While discussing the marriage and disposition of the victim, its stated: “Yes--good; he didn't drink, and kept his word as well as most, I guess, and paid his debts. But he was a hard man, Mrs. Peters. Just to pass the time of day with him. (Shivers.) Like a raw wind that gets to the bone.” (Mrs. Hale, act 1) Abuses, which have been hinted at all throughout the play are finally spoken of in these lines. Audiences find, that Mrs. Wright- “real sweet and pretty, but kind of timid” - would murder her
When they first enter the house they all “bundled up and go at once to the stove”, this concept is repeated throughout their time in the house and represents that the men want the cold hard facts and nothing else. The stove is located only in the kitchen where the women are and the women are the ones who solve the crime. Other major symbols include the sewing box, half completed chores, and the bird and broken bird cage. Mrs. Wright was “kind of like a bird herself” meaning that she was the bird and Mr. Wright was the broken bird cage. The bird cage was broken because the bird wanted to be freed from it, literally it being her husband. The broken bird cage also represents that now Mr. Wright is broken, meaning that he is dead and not able to trap the bird or Mrs. Wright anymore.
Mr. Wright was a cruel, cold, and heartless man. He was also a very unsociable man. He abandoned his wife's contentment and paid very little attention to his wife's opinions. He even prevented her from singing. This is revealed about Mr. Wright during the conversations between Mrs. Hale and Mrs. Peters when they find the dead bird with a twisted neck in Mrs. Wright's sewing basket. Mrs. Hale points out, "She- come to think of it, she was kind of like a bird herself-real sweet and pretty, but kind of timid and-fluttery. How-she-did-change" (Glaspell 1267). Mrs. Wright used to be a very high-s...
Peters finds the bird cage, it is empty. This bird cage never actually had a bird in it. In paragraph 218, Mrs. Hale finds the canary has croaked: “‘There’s something wrapped up in this piece of silk,’ faltered Mrs. Hale. ‘This isn’t her scissors,’ said Mrs. Peters, in a shrinking voice. Her hand not steady, Mrs. Hale raised the piece of silk. ‘Oh, Mrs. Peters!’ she cried. ‘It’s—’ Mrs. Peters bent closer. ‘It’s the bird,’ she whispered. ‘But, Mrs. Peters!’ cried Mrs. Hale. ´Look at it! Its neck—look at its neck! It’s all—other side to.’”(Glaspell). Sadly, the bird was strangled, and I think that Mr. Wright did it. Mrs. Wright clearly loved her feathered friend. After it was killed, she wrapped it in a square of silk. Back then, silk was very expensive even for a little piece like that. Mrs. Hale explains how Millie loved to sing, and this bird must remind her of when she was happy. Mr. John Wright was not very happy with this bird. If he could stop his wife from singing and being happy, he could surely stop a little bird. So Wright goes into the room and snaps its neck, destroying his wife’s most prized
Wright. The bird had been Mrs. Wright’s last resort of happiness; it represents who she used to be. This bird was very precious to Mrs. Wright, that becomes obvious when the author says this,“ Mrs. Peters drew nearer—then turned away. “There’s something wrapped up in this piece of silk,” Silk was not an easy thing to come by. Considering that the women come to believe Mr. Wright strangled Minnie’s bird, they make the inference that he did not treat her properly and she would not have been able to get expensive things like silk often. If Minnie wrapped her bird in silk, then it obviously means a lot to her. The women finally understand what happened to Minnie’s bird when they take a closer look at it, “But, Mrs. Peters!” cried Mrs. Hale. “Look at it! Its neck—look at its neck! It’s all—other side to. ”She held the box away from her. The sheriff’s wife again bent closer. “Somebody wrung its neck,” said she, in a voice that was slow and deep.” The women know that Minnie liked this bird a lot and there was no way she would have killed the bird. They come to realize that it was not her that killed the bird, it was Mr. Wright, and the bird was not the only thing that he would have been rough with. “When I was a girl,” said Mrs. Peters, under her breath “my kitten—there was a boy took a hatchet, and before my eyes—before I could get there—” She covered her face an instant. “If they had not held me back
Mrs. Hale’s keen wit and patience contributes to her embodiment of The Fate sister Clotho the Spinner, which is even more evident in her correcting of Minnie Wright’s improper stitching (Russell). Mrs. Peters begins the process of investigation deeply devoted to keeping the law. She doesn’t want any disruption in the house, saying, “I don’t think we ought to touch things” (Glaspell p. 666) when Mrs. Hale began searching for clues. Upon finding the dead canary, Mrs. Peters view on the situation changes drastically, and she decides with Mrs. Hale to hide the tiny dead bird from the men. They both figure that if the dead canary was discovered, Mrs. Wright would be thought to be a mad woman, though it was likely Mr. Wright who killed it.
Hale and Mrs. Peters are quick to aid the defense of Mrs. Wright. Specifically, when the County Attorney is talking about how badly she keeps her home. “Dirty towels! Not much of a housekeeper, would you say, ladies,” in which Mrs. Hale retourts “There's a great deal of work to be done on a farm.” Later on when the men are off looking for evidence, that is when the ladies discover the bird with the ringed neck. Glaspell (1916) writes “But, Mrs. Peters — look at it! It's neck! Look at its neck! It's all — other side to. Somebody — wrung — its — neck.” The ladies then discuss who they think may have done it. Mrs. Hale is quick to blame Mr. Wright, identifying him as the the person who wrung the birds neck: “No, Wright wouldn't like the bird — a thing that sang. She used to sing. He killed that, too,” and when Mrs. Peters says they do not know who killed the bird, Mrs. Hale replies “I knew John Wright.” In the end the county Attorney asks them what they collected for her, and they end up hiding the bird from the Sheriff and attorney. They most likely realized that the bird would provide a motive into the killing of John, something they desperately need if they will convict
Susan Glaspell’s Trifles explores the unequal relationship between men and women in the early 20th century. How do you think the power relationship between the two genders was reversed at the end of the play? In the 20th century females were just meant to be at home, taking care of the house, making sure everything ran smooth. Women weren’t allowed to vote. They couldn’t go out alone. A women’s place was behind her husband and making sure he looked good, in every aspect. Weather it was political or not. The way they weren’t supposed to dress was extremely different, they weren’t allowed to go out showing skin. At the start of the play we see how the detective states that the house isn’t as clean as it should be. The jars in the kitchen