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Social norms and their consequences on society
Essay on privacy and surveillance
Essay on privacy and surveillance
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A man sits in his chair, staring beyond his room; peering into the lives of others. He watches as a couple argue, a man plays on the piano, and a barely dressed woman unknowingly gives him a private show. He ends his phone call and blissfully relieves himself of his itch. What Jefferies might view as harmless entertainment actually demonstrates the insidious nature of government surveillance.
Alfred Hitchcock’s Rear Window (1954) highlights the unequal division of power between genders. This is shown by Jefferies treatment of Lisa and Stella along with their involvement with helping him, and the violence that takes place against women within the film as a way of showing that the world of surveillance is a male dominated sphere that can be
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Throughout the film Jefferies is quick to lash out in his words either by asking Stella to make him a sandwich or telling Lisa to shut up multiple times when they argue. Jeff does this because he feels vulnerable due to his injury and he’s unable to leave the situation. In this way he can’t really avoid the conversations; only tune in on another window from outside. Telling Lisa to “Shut up” is similar to trying to switch channels or turn off a program you don’t like which is why he tends to ignore her. He also considers her “too perfect”, but what Jefferies is truly afraid of is that she’s better than him since he views himself as flawed because the gender roles have been switched. Instead of being the man that provides, he has two women taking care of him. Lisa scares him more however because of her strong character, but also because she is much wealthier than him and can buy him gifts. Jeff especially feels threatened at the thought of living with Lisa in the city since Lisa would be the …show more content…
As Jeff drags Stella and Lisa into his desire of proving Thorwald murdered his wife they undergo a change where at first they were disgusted at Jefferies constantly watching his neighbors, but they soon join in on spying on Thorwald along with the lives of others. The justification behind them transitioning from anti-surveillance to pro-surveillance could be there desire to prove Thorwald is the murder, but that wouldn’t explain why they repeatedly watch the other neighbors. The reason for this is the feeling of empowerment from being able to watch and judge others. In the beginning Lisa desired to turn on the lights because she wasn’t afraid of people looking at her, but as the story progresses she stops turning on the light because she wants to see, but not be seen. Since people can’t see her they can’t judge her, but she can peer into the secret lives of others like a person with higher authority. Stella and Lisa feel free from a world that constantly judges women based on their looks and mannerisms, but it also gives them a false sense of power. It’s a false sense because they can’t make any direct impact on the lives of others from Jeff’s apartment, and when they do try to have a direct impact on Thorwald by invading his apartment Lisa
All three husbands are similar in the way that they all have expectations of Janie as a wife. Logan Killicks, Janies first husband, has expectations of Janie. His motives for his expectations though, are because he wants her to help out on the farm. Logan shows this expectation by saying, “ Naw Ah needs two mules dis yeah. Taters is goin’ tuh be taters in de fall. Bringin’ big prices. Ah aims tuh run two plows, and dis man Ah’m talkin’ ‘bout is got uh mule all gentled up so even uh woman kin handle ‘im” (21). He has the idea that Janie can work with him, Logan makes her carry wood to the house, cut seeds from potatoes, and even move piles of manure. In the same way, Joe Starks expects much from Janie as well. He is motivated by improving his image however, by making Janie Mrs. Mayor Starks she is now Joe’s eye candy. His vision for being a big voice is mainly in Janie’s perfect looks, like in this quote that states, “ Everybody was coming sort of fixed up, and he didn’t mean for nobody else’s wife to rank with her” (34). He expected Janie to be his trophy wife and just look better than everyone else. Tea Cake Woods’ expectations of Janie as a wife is the same as well. He had a different approach on it though, all Tea Cake wanted is for Janie to be his equal and nothing more. His motivation, is love. Tea Cake loves Janie and the way he expresses this is when he says, “Put dat two hundred back wid de rest, Janie. Mah dice. Ah...
In order to suit his needs Hitchcock transports the locale of Vertigo (1958) to the most vertical San Francisco city where the vertiginous geometry of the place entirely threatens verticality itself. The city with its steep hills, sudden rises and falls, of high climbs, dizzying drops is most appropriate for the vertiginous circularity of the film. The city is poised between a romantic Victorian past and the rush of present day life. We were able to see the wild chase of Scottie Ferguson (James Stewart) in search for the elusive Madeleine Elster (Kim Novak) and the ghost who haunts her, Carlotta Valdes in such spots as the Palace of the Legion of Honor, the underside of the Golden Gate Bridge at Fort Point, the Mission Dolores, Ernie’s restaurant,
After years of surrendering her dignity in the name of a constructed love she is free to be and to find herself after the death of her second husband Joe Starks, or “Jody”. Her hair symbolising her woman-hood is let down to be free after she burns the head scarves that symbolically and literally hid a piece of herself from the world she wanted to be a part of. While janie sacrificed her dignity and her morals for Jody she was not sacrificing in order to live by what she values most, it was for survival more than want. However, we see her true need for real love when she begins seeing Teacake and risking multiple aspects of her life for him. Janie is a lighter skinned woman, putting her in a higher social rank due to the racism infringed on people even in the African American community. She has a good amount of money in the bank and she has a rather high social ranking due to her deceased husband Jody being the mayor of the town prior to his death. These factors all lead to Janie not only being an upstanding member of the community but also a very desirable woman for a number of men in the town. Teacake on the other hand is nearly the opposite. He is very dark skinned causing bias’ against him and his relations with Janie. While much of the town judged behind her back on this aspect one character, Mrs. Turner,
The first time Janie had noticed this was when he was appointed mayor by the town’s people and she was asked to give a few words on his behalf, but she did not answer, because before she could even accept or decline he had promptly cut her off, “ ‘Thank yuh fuh yo’ compliments, but mah wife don’t know nothin’ ’bout no speech-makin’/Janie made her face laugh after a short pause, but it wasn’t too easy/…the way Joe spoke out without giving her a chance to say anything on way or another that took the bloom off things” (43). This would happen many times during the course of their marriage. He told her that a woman of her class and caliber was not to hang around the low class citizens of Eatonville. In such cases when he would usher her off the front porch of the store when the men sat around talking and laughing, or when Matt Boner’s mule had died and he told her she could not attend its dragging-out, and when he demanded that she tie up her hair in head rags while working in the store, “This business of the head-rag irked her endlessly. But Jody was set on it. Her hair was NOT to show in the store” (55). He had cast Janie off from the rest of the community and put her on a pedestal, which made Janie feel as though she was trapped in an emotional prison. Over course of their marriage, he had silenced her so much that she found it better to not talk back when got this way. His voice continuously oppresses Janie and her voice. She retreats within herself, where still dreams of her bloom time, which had ended with Joe, “This moment lead Janie to ‘grows out of her identity, but out of her division into inside and outside. Knowing not mix them is knowing that articulate language requires the co-presence of two distinct poles, not their collapse into oneness’ ” (Clarke 608). The marriage carries on like this until; Joe lies sick and dying in his death bed.
The marriage with Jody consisted of nothing but oppression towards Janie both physically and mentally and throughout it Janie seemed to take in all the words and pain from Jody in a way to build up to her character at the end. As previously stated, the scene in which Janie realized that Jody was not her answer to the years of confusion she spent with Logan was when Jody humiliated her in front of the townsmen, this behavior however did not change. When it came to simple tasks that anyone may forget to do Jody would immediately point it out to Janie and publically yell at her, “Somebody got to think for women and chillun and chickens and cows. I god, they sho don’t think none theirselves.” (71) In this scene it is most prevalent on how Jody views Janie, like an animal that is owned and has to be guided in order to survive. At this turning point, Janie is almost near erupting to being on her own without any man by her side, however the moment which pushed her to it was the moment the abused turned physical, “He struck Janie with all his might and drove her from the store” (80) At this moment staying with Jody and putting up with Jody’s abuse was no longer an option for Janie, sitting back and allowing the abuse to continue without putting her say in no longer existed and the Janie that would no longer allow this took over the old dependable
Alfred Hitchcock’s film Shadow of a Doubt is a true masterpiece. Hitchcock brings the perfect mix of horror, suspense, and drama to a small American town. One of the scenes that exemplifies his masterful style takes place in a bar between the two main characters, Charlie Newton and her uncle Charlie. Hitchcock was quoted as saying that Shadow of a Doubt, “brought murder and violence back in the home, where it rightly belongs.” This quote, although humorous, reaffirms the main theme of the film: we find evil in the places we least expect it. Through careful analysis of the bar scene, we see how Hitchcock underlies and reinforces this theme through the setting, camera angles, and lighting.
She indirectly causes the dysfunction in the family because Biff and Happy see their father as someone that should be successful, but he only has dreams that he’ll never reach, and Linda just helps him along. Miller is trying to tell us that we should not enable people to be someone they’re not, and that we should tell them like it is. If we don’t, then dysfunction will happen. So, if you ever see someone enabling someone else, try to stop it. They might be trying to be nice but they’re just hurting the person they’re enabling, because everyone should be living in
Rear Window and the works of Hopper are both required with confinement. Disregarding its blended utilize land setting, Early Sunday Morning does not pass on a warm, fluffy feeling of group. In like manner, in Rear Window, the inhabitants of the lofts are confined from each other. Apartment Houses is additionally for the most part viewed as another antecedent to Rear Window. Large portions of Hopper's night settings portray scenes from New York City and Night Windows is no special case. The lady in this work of art is totally unconscious of the stage she is on and the front line situate its eyewitness involves. Its semi-sexual story is resounded in Rear Window, and it catches strikingly the experience of living in New York: the a large number
He believes that women cannot think for themselves and need someone else to do the thinking for them. "Aw naw they don’t. They just think they’s thinkin’. When Ah see one thing Ah understands ten. You see ten things and don’t understand one" (71), He tells Janie, thus preventing her from having much as a say in what she does or says on any matter. Additionally, he objectifies and limits Janie by saying that she should not work and that she should just lie low. He states that, “A pretty doll-baby lak you is made to sit on de front porch and rock and fan yo’self and eat p’taters dat other folks plant just special for you" (29). This proves that he sees Janie as a trophy and not as an
In the documentary, two of Lulu 's male classmates were interviewed if their expectations have increased after watching sexual videos and both admits to the claim. When asked how they would react if the girls told them to stop rating their appearances, they said they would stop but adds that, "they 'll probably miss the compliments." As the boys continue and state that girls dress up to get their attention, hints at male dominance that women should succumb to serve their needs. Overall, she grows up thinking that men are scary because of the influence of online
As the credits roll we see the blinds of a three-pane window slowly being lifted up, after they finish the camera moves forward revealing to our gaze the reality on the other side of the open window. It faces the back of many other buildings, the courtyard they enclose, and a sliver view of the backstreet. More importantly, it faces many other windows just like it. Behind each one of those there are people, going about their day, doing mundane tasks, unaware of being observed. In his 1954 movie “Rear Window” Alfred Hitchcock invites us to engage in the guilt free observation of the lives of others. The main character, photographer L. B. Jefferies, is home stuck with a broken leg encased in a cast that goes all the way to his hip, providing the perfect excuse for him to amuse himself in this hot Manhattan summer by engaging in the seemly harmless act of looking into the many windows he can see from his back apartment. Casual, harmless, voyeurism has been part of the human behavior for ages but in the sixty years since the movie was released it has gained increasing traction. Reality television, Movies, TV shows, YouTube, blogging, Instagram and Facebook are examples of modern tools that allow us to engage in the observation of others while remaining protectively hidden from their returning gaze. In its essence the casual voyeuristic actions we engage in while observing others when using these new media tools follows the same pattern of behavior described in the movie, with the same positive and negative consequences. Casual voyeurism distinguishes itself from pathological voyeurism, which is characterized by a preference in obtaining sexual gratification only from spying others, by the removal of the sexual component from the equat...
It is no secret that there is an obvious difference of how women are portrayed in the media versus men. This movie discussed female characters never having lead roles and stated that when they did it ended in the women depending on, loving, or having to have a man. One young high school girl said, “Women never play the protagonist. The girls are
Stam, Robert & Pearson, Robertson., ‘Hitchcock’s Rear Window: Refluxivity and the Critique of Voyeurism’ in Deutelbaum, Marshall & Poague, Leland A. ed., A Hitchcock Reader (John Wiley & Sons: 2009).
Aside from Carlos threatening to kill Lisa if she leaves, there is another factor in her life that hinders her
Erica, both Lisa’s friend and cousin, was attached by