Josh Hughes Kendra Gallos English III Honors 4.25.24 Supporting Female Rappers’ Use of Controversial Language When many people think of female rappers, artists such as Nicki Minaj or Missy Elliot come to mind. For many, they associate rap with explicit, sexual language and themes. Rap music, a male-dominated genre, is a key component of Hip-Hop culture, and over time female rappers have found their place within the industry. Sexualization of women has been a common theme in male rappers’ music and as female rappers emerged some began to use these themes as well (Phillips et al). Their use of controversial language has garnered criticism for embracing misogyny and setting a negative example for their listeners (Hunter and Soto). The controversial …show more content…
This term literally means ‘female dog’ and has historically been used to degrade women. However, many female rappers began using terms like these in their own music with a positive connotation. Female rappers use derogatory terms like these when “talking back to men, defending themselves, reclaiming their respect, and resisting sexist violence” (Phillips et al). For example, in Missy Elliot’s song, “She is a Bitch,” the term is used to describe a self-confident woman, and in Trina’s song, “Da Baddest Bitch,” the term is used by the artist to refer to herself as a master in her craft (Oware). Reclaiming misogynistic terms like these has allowed female rappers to flip the definitions of pre-existing, harmful terms and use them in empowering ways. The visual graph below contains numerous female rap songs and counts how many times a variety of themes are mentioned in them. The themes are braggadocio lyrics (where the speaker “engages in self-aggrandizement” (Oware)), lyrics involving drug use, disses, lyrics referencing sex, and sexually demeaning
In the article “ From Fly to Bitches and Hoes” by Joan Morgan, she often speaks about the positive and negative ideas associated with hip-hop music. Black men display their manhood with full on violence, crime, hidden guilt, and secret escapes through drugs and alcohol. Joan Morgan’s article views the root causes of the advantage of misogyny in rap music lyrics. In the beginning of the incitement her desires shift to focus on from rap culture condemnation to a deeper analysis of the root causes. She shows the hidden causes of unpleasant sexism in rap music and argues that we need to look deeper into understanding misogyny. I agree with Joan Morgan with the stance that black men show their emotions in a different way that is seen a different perspective.
The very title of the song endorses the use of the expression “bad b*tches”. In the music industry, the used of the word “b*tch” is not uncommon. It is most commonly used by men as a means of degrading women. Female rappers, like Trina, try to change what is a degrading word and turn it into a compliment. Female rappers like herself use this “bad b*tch” persona as a defense mechanism. They call themselves these distasteful words before a man has the chance to do it. They see it as strength and rejoice in beating them to the punch. It is a dangerous game they are playing. Throughout Trina’s song “Da baddest b*tch” she referred to herself as a bad b*tch multiple times. “I'm representin' for the bitches/All eyes on your riches” Trina’s depiction of a “bad b*tch” in this song is a woman that is concerned with money and the possession of money; A woman that would do anything to make money no matter the cost. This message is a harmful one. The word “b*tch” is not empowering; it is demeaning. Women give men an excuse to refer to them as “b*tches” because women call themselves’ and other women “b*tches” and “bad b*tches”. Women need to wake up and really that they will not be respected by men or either other women with such behavior. Calling yourself a “b*tch” or “bad b*tch” is a welcome mat to disrespect. Women should resist the catchy lyrics and clever hooks of the songs both me...
The semantics of the word “hoe” lead to defenders’ thoughts that a man can be a “ho” too. Men who defend this thought might point to the fact that a ho is “…anyone who has ‘too much’ indiscriminate sex…” (Rose, 171). In this instance, they are putting less weight into the fact that these words are used to put down women. Rappers might use these terms in lyrics in order to diss another man by attacking their manliness. Defenders of hip hop like rappers say that “bitches and hoes” are a specific type of girl, and that when they use those words, they don’t mean to reference all women. However, the reality is that rappers use these words pertaining to all women. Women who listen to the music are attracted to this demeaning image, because at least it would be “about them”. So, when hip hop’s defenders’ say that “there are bitches and hoes” to further their argument for hip hop, they reassure women that a hyper-sexualized image and lifestyle is acceptable. For this reason, this argument ignores the effects of these impressions on women, and attempts to legitimize the classification of women as figures existing to be used by
Hip hop is a form of art that African Americans have been using to get away from oppressions in their lives and allowed their voices to be heard in some type of way. As soon as big corporations seen the attention hip hop brought to the scene, they wanted to capitalize on it. These corporations picked specific types of attributes that some hip hop artists had and allowed it to flourish. The attributes that these artists carried were hypermasculinity, homophobia, violence and sexism. In the book, Hip Hop Wars by Tricia Rose discusses some of these specific attributes. One of the most damaging attribute is when hip hop is used to sexualize and demean everything about being a woman. Tricia Rose writes about this issue in chapter 5 of her book
Artist are not shy about their misogynistic lyrics, one example from Tupac, who some would classify as a legend, was very vulgar in his lyrics, for example in his song Wonder Why They Call You Bitch, he raps:
Generations of women after Ma Rainey and Bessie Smith, especially since 1970s onwards, have focused on female sexuality as one of the dominant themes in popular culture. We can recognize similar images that appear in “Prove it on me blues” in many pop songs sung by female artists today. With the same confidence that the blues female singers used to reflect the working-class black feminism, one of the most prominent genres, which continue that same spirit, is hip-hop/rap and its icon – Nicki Minaj. In the 21st century, Nicki Minaj is a model of women empowerment as she constructs her own image of black feminism and black womanhood. Though her public image is controversial, she still remains her own notion of femininity, an her music often challenges the social norms. Specifically, in “Anaconda”, she proves the stereotypes of black female sexuality as destructive. The MV features a female-dominated world where Minaj enjoys being with other women. She also subverts the norm of domesticity in the scene where a male dancer appears powerless to her sexuality. In addition, her impact in a male-dominated field is undeniable as she is one of the most famous rappers in the world, and maybe the most well-known female rapper in the hip-hop/rap
Most of us would like to think of ourselves as decent, helpful people. We proclaim that we would never turn our backs on someone in obvious need of help-or would we? In fact, any of us, when faced with a person who seems to be in trouble, do nothing. To explain this, the term bystander effect was coined by sociologist and psychologists. It is a psycho-social phenomenon that suggest the more people there are present at a scene of emergency, the less likely they are to help. In the mind of the individuals in the group, a common unconscious thought occurs: “This group is really big; surely someone has dealt with the situation or eventually will”. Basically, the mere presence of bystanders reduces the chances of intervention, and reduces the likelihood
Those in the mainstream have long considered rap music controversial. However its controversy escalated to a whole new level when the world was introduced to “Gangsta Rap,” where violent acts and suggestions are graphically portrayed (yale). The notorious rap group responsible for the introduction of gangsta rap was NWA (bomp). Gangsta rap has been criticized and debated over for its graphic sexual content, and violent imagery (yale). The lyrics in many songs contain violent and explicit lyrics that usually talk about killing someone along with sounds of gunshots in the background. Gangsta rap also talks about drug use and portrays negative attitudes toward women, especially black women. The artists refer to women as, “bitches,” “whores” and sex dispensing “hoes.” On the contrary there is a nice sideffect to controversy; you can use it
Women have consistently been perceived as second-class citizens. Even now, in times when a social conscience is present in most individuals, in an era where an atmosphere of gender equality 'supposedly' exists, it is blatantly apparent that the objectification and marginalization of women is still a major social issue. In reality, progression in terms of reducing female exploitation has been stagnant at best. Not only is the degradation of women a major problem that to date has not been eradicated, but it is actually being endorsed by some music celebrities. There are a growing number of people who purchase rap albums that support the fallacy that women are mere objects and should be treated as such. As the popularity of rap continues to climb at unprecedented rates, so too does its influence on the perception of women. In the vast majority of hip-hop songs, the depiction of women as sexual objects, the extreme violence directed towards them and the overall negative influence these lyrics have on the average adolescent's perception of women make rap the absolute epitome of female exploitation.
Misogyny and degradation of women is present in almost every genre of music, yet the one genre that completely revolves around demeaning women is rap. Over the years rap and rap music videos have continually become more sexual and degrading towards women. Rap has been criticized numerous times for this reason, and that is because rap is one of the most popular genres of music for the younger generations. It is more than a genre of music, it is a complete industry filled with clothing and other merchandise. The reason this constant demeaning of women exists is because rap as a genre that rewards the objectification of women. The excuses used to justify the misogyny in rap are incomplete and lack accurate support. The most effective way for this continuous cycle ends, is if the fight and protest comes from the women themselves. Men are the problem in the objectification of women but in order for it to stop, women need to step up and take control of the situation.
Hip-hop and rap music are commonly criticized for its anti-feminist lyrics and degrading exploitation of women in music and music videos. (Sharpley-Whiting ) Many feminists have taken action against the music industry, which produces these messages in the music they release. However, in the hip-hop genre there are plenty of successful female rappers promoting feminist views, artist such as Queen Latifah and Mary J. Blige have made the choice to condemn the derogatory culture towards women. (Oliver, 382–384) However others female hip-hop artist, such as Lil Kim or Rihanna, have decided to provide no resistance towards the deleterious depictions of women in their music and in turn sometimes exploit themselves. Due to her extreme fame, success, and controversial image, at the front of this discussion is female rapper Nicki Minaj. Nicki Minaj is challenging the common view of women in hip-hop by proclaiming feminist ideologies through the art of reclaiming the genres negative undertones towards women and by providing an opportunity for women to be seen as equals rather than objects.
Rap is becoming more popular than ever, soon most of the world will have some type of knowledge of rap music. Rachel Sullivan from the University of Connecticut stated “White respondents in this survey had difficulty naming three rap artists, which indicated that they did not have a high level of commitment to the music.” This statement was produced in 2003, also seemed to be very one dimensional. Recently, rap music has been surging through the masses no matter the race. Furthermore, rap is becoming very prevalent especially in the youth of this era. Many trends, commercials, social media, etc. are revolving around rap music.
Weitzer, R. & Kubrin, C. E. (2009). Misogyny in Rap Music: A Content Analysis of Prevalence and Meanings. Men and Masculinities, 12(1), 3–29.
It is no secret that gender inequality is still prevalent in modern society. With women earning about 79 percent of men’s wages in the United States due to a number of factors, it is obvious that our historically patriarchal society has yet to completely evolve (Hill, 2016). It is no wonder that so many people of the dominant class feel threatened by empowering women such as Oprah or Beyoncé, who have made substantial earnings for themselves. Not only does gender inequality persist as a social problem in America today, but it is also reflected in and influenced by hip-hop culture.
How do we choose the music that we listen to? We could be affected by the music itself, the lyrics could touch us on a personal level, or we may have a predisposition to a certain genre of music due to the geographic area we live in. Our background and upbringing can even play a role in our musical choices. However we come to that ultimate decision, how many of us actually pay close attention to the language used in the songs that we like? Could it be that some of our favorite artists or compositions actually contain language that can be considered sexist or harmful?