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Use of supernatural in literature
Revenge theme in hamlet analysis
Revenge theme in hamlet analysis
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Recommended: Use of supernatural in literature
According to the Oxford dictionary the word supernaturalism is defined as “(a manifestation or event) attributed to some force beyond scientific understanding or the laws of nature” 1. But for some writers it is the element that sets their stories successfully in motion.
To some it is the question of similarity between the plots of the two famous tragedies, “The Spanish Tragedy”, written between 1582 and 1592 by Thomas Kyd and Shakespeare’s Hamlet, which was written between 1599 and 1602. But if you dig deeper in, what interests most is the supernaturalism and its effects on the plays. The theme of supernaturalism was a common phenomenon in the Elizabethan or Renaissance era. It was greatly used in plays. People believed in the presence of ghosts, omens, witches and fairies and the audience usually enjoyed seeing them on stage.
The roots of superstitions or supernaturalism during the Renaissance era were based on religious beliefs and traditions. Many Elizabethan traditions were based on myths that could be lead back to the medieval period or even the Western Roman Empire. As for religious beliefs, in the Elizabethan era, the English country was dominated by Protestantism. Hence, beliefs in demons and angels were common and orthodox. This also meant that there were many theories as far as ghosts, the supernatural figures in both Thomas Kyd and Shakespeare’s play, are concerned. One related theme, and this is one other major theme in both plays, is revenge, which is confined by the appearance of one manifesting ghost. If this ghost appeared in the modern times, it would said to be a hallucination. Now, what is a ghost? Ghosts, in this text would refer to apparitions of the deceased, which have come back for revenge, these ghost...
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...ul and most unnatural murder.” He proceeds on by emotionally blackmailing Hamlet and seducing him into taking vengeance.
“O villain, villain, smiling, damnèd villain! My tables!—Meet it is I set it down, That one may smile, and smile, and be a villain. At least I’m sure it may be so in Denmark. So, uncle, there you are. Now to my word.”. [Act1, scene 5]. Shakespeare now begins his true story here, where Hamlet is much too eager to take revenge. He starts experiencing bloodlust, especially because of the hatred towards an uncle who married his mother before she could complete her grief period.
The ghost does not disappear after act 1, but makes sure that he keeps on motivating and pushing Hamlet.
Works Cited
1.[Simpson, J. A. and Weiner, E. S. C. 1989. The Oxford English dictionary.]
2. [HARTLEY COLERIDGE, Blackwood's Edinburgh Magazine, November 1828]
Everyone has a slightly different interpretation of the supernatural but the interpretation which we can start with is Shakespeare’s. Everyone of Shakespeare’s time found the supernatural fascinating. Shakespeare interpreted the supernatural as witches, magic, unnatural and evil and he expressed his beliefs in the play, “Macbeth” very clearly, as he portrayed the three deformed women with control over the weather and the ability to predict the future. These three evil witches with magical powers were the creation of Shakespeare’s interpretation of the supernatural. Shakespeare’s contemporaries believed in the supernatural very strongly and a majority of them were frightened of it, including the king of that time, King James I of England.
In Shakespeare’s Macbeth, there are several references to supernatural activity. This supernatural activity is very crucial to the storyline. Supernatural defined by Webster relates to an existence beyond the visible observable universe. The Three Apparitions are spoken of in Act IV of the play, but the supernatural is first introduced by the three witches in Act I. The three witches who speak the apparitions are the opening characters in Macbeth. After reading the book, I fully understand Shakespeare reasoning for including them in the story. Each of the three apparitions depicts a clue of Macbeth’s future.
After the Christian conquest across Europe during the medieval period other beliefs were restricted. This period was very authoritarian but later the Renaissance unlocked opportunities to the imagination and the idea of supernatural started to bloom. Although, the supernatural is sometime mistaken with the gods of certain religions, believing in ghosts and witches was independent from the people chosen religion. The question of the existence of the supernatural, or something bigger than us, in 16th century Europe focused mainly on God from the Christian perspective. During this time other supernatural characters were brought to light, affecting the politics of the monarchies as it did during the rule of King James I in England. Shakespeare's use of the supernatural demonstrates his support for King James I and his beliefs in the extraordinary.
Hamlet is Shakespeare’s most famous work of tragedy. Throughout the play the title character, Hamlet, tends to seek revenge for his father’s death. Shakespeare achieved his work in Hamlet through his brilliant depiction of the hero’s struggle with two opposing forces that hunt Hamlet throughout the play: moral integrity and the need to avenge his father’s murder. When Hamlet sets his mind to revenge his fathers’ death, he is faced with many challenges that delay him from committing murder to his uncle Claudius, who killed Hamlets’ father, the former king. During this delay, he harms others with his actions by acting irrationally, threatening Gertrude, his mother, and by killing Polonius which led into the madness and death of Ophelia. Hamlet ends up deceiving everyone around him, and also himself, by putting on a mask of insanity. In spite of the fact that Hamlet attempts to act morally in order to kill his uncle, he delays his revenge of his fathers’ death, harming others by his irritating actions. Despite Hamlets’ decisive character, he comes to a point where he realizes his tragic limits.
Hamlet lives in a country of different worlds. At the time, Denmark was in a state of transition between three metaphysical worlds; the heroic world, where a man's honour was foremost, killing was not accepted but expected, might was power, the Machiavellian world, an amoral world where politics and mind games were employed ruthlessly, the ends justified the means, and the Christian world of love and forgiveness. Hamlet was a Christian living in a dying Heroic world which was succumbing to the Machiavellian world. Hamlet's father, King Hamlet, belonged to the heroic world, and so for him revenge was of the utmost importance, shown by the fact that "but two months" (1:2, 136) after his death he returned to instruct Hamlet to avenge his murder. Hamlet's disgust at his mother's marriage to his uncle before "the salt of most unrighteous tea...
Throughout Hamlet, each character’s course of revenge surrounds them with corruption, obsession, and fatality. Shakespeare shows that revenge proves to be extremely problematic. Revenge causes corruption by changing an individual’s persona and nature. Obsession to revenge brings forth difficulties such as destroyed relationships. Finally, revenge can be the foundation to the ultimate sacrifice of fatality. Hamlet goes to show that revenge is never the correct route to follow, and it is always the route with a dead
The puzzling tragedy that is Hamlet will forever be speculated, which is why it has attracted such attention and praise. The madness in which Hamlet lives draws decisions of polarizing weight. Stay righteous and live out your life with your father’s killer? Or do you slay him and suffer before god and the law? It bears moments of wisdom, followed by inexplicable actions and Vis versa. One moment you find the protagonist staring at his girlfriend with his pants at his ankles, the next you find him contemplating the value of life. It’s hard to determine what the message behind the wildcard character that Hamlet is. William Shakespeare’s tragedy “Hamlet” unravels opposing subjects, superstition instead of righteousness, private revenge or public revenge; it portrays the contradictions emerging in the religious revival of the Renaissance as “Christian humanism” was taking form in Western Europe. An aspect of the play reveals and mocks the hypocrisy of the kingdoms as they exert authority and pose as the ideal of religion. The king is a murderer who prays to god without belief. The one who attempts to remain righteous is an outcast amongst his kingdom. The biggest speculation is drawn on the rectitude of revenge. Does Hamlet have the right to kill his uncle? If so, does Laertes then have the right to kill Hamlet? Is Fortinbras the only exception of just revenge when he is motivated by honor, while the others rage over personal revenge? In the wake of these quarrels, the most evident and obvious Christian Humanist belief is held true...evil never wins. The punishment of those who died in Hamlet is virtuous and deserving. Those who stooped to treachery suffered the consequence.
“Those who plot the destruction of others often fall themselves” (Phaedrus). This quote was said by a Roman fabulist and it depicts the entire concept of revenge in Hamlet. The nature of revenge causes someone to act upon anger rather than reason. Hamlet takes place in Denmark and is about Hamlet’s uncle who kills his dad to gain power of Denmark. After the killing, Hamlet seeks revenge on his uncle. In the play, there are several characters wanting vengeance like that of Hamlet. Throughout the play, Hamlet, Laertes, and Fortinbras all had a tragic death of a family member which caused their decision for revenge. Consequentially, these revenges caused the demise of two characters and the rise of power of another. The retaliation shown by the Prince of Denmark, as well as Laertes led to the downfall of their government.
During the 1600s, Europe was standing between the scientific revolution and the the combined power of the Enlightenment and Industrial Revolutions. This time was filled with religious confusion fueled by the transitioning monarchs and the desire to divorce that King Louis XIV had. Through the confusion, William Shakespeare sat down and wrote the play, “King Lear” to provide some of the environment he grew up in to the audience. Although the play Shakespeare wrote was fictional, it did comply with the time it was written. It supported the customs and values of the time while it influenced its own milieu.
In the English Renaissance, there was a strong belief in the existence of the supernatural. Thus, the supernatural is a recurring aspect in William Shakespeare 's Macbeth and is an integral and important part of the plot. The role of the supernatural in Macbeth is to bring out emotional reactions within Macbeth that cloud his judgement, affecting his actions which ultimately leads to his downfall. This is demonstrated through the ambiguous prophecies of the witches, the supernatural phenomenon that Macbeth sees, and the apparitions that foreshadow how he will meet his end.
The supernatural, is an integral part of the plays of William Shakespeare. In addition, the supernatural is, in fact, an integral part of the structure of the plot of Hamlet. The supernatural appears in Hamlet in the form of a ghost. The role of the supernatural is very important.
William Shakespeare’s work is known throughout the world and has been performed in countless hamlets, villages, cities and metropolises for more than 400 years. And yet, the personal history of William Shakespeare is somewhat a mystery. There are two main sources that provide us with a basic outline of his life. One source is through the plays, poems and sonnets he wrote, and the other source is from official documents, such as church and court records. But these sources can give only so much, they only tell us about specific events that happened that happened in his life, not much about the person experiencing them. William Shakespeare was a successful poet and playwright during the Elizabethan era, and became the most popular dramatist of his age.
Hamlet is one of Shakespeare’s most well-known tragedies. At first glance, it holds all of the common occurrences in a revenge tragedy which include plotting, ghosts, and madness, but its complexity as a story far transcends its functionality as a revenge tragedy. Revenge tragedies are often closely tied to the real or feigned madness in the play. Hamlet is such a complex revenge tragedy because there truly is a question about the sanity of the main character Prince Hamlet. Interestingly enough, this deepens the psychology of his character and affects the way that the revenge tragedy takes place. An evaluation of Hamlet’s actions and words over the course of the play can be determined to see that his ‘outsider’ outlook on society, coupled with his innate tendency to over-think his actions, leads to an unfocused mission of vengeance that brings about not only his own death, but also the unnecessary deaths of nearly all of the other main characters in the revenge tragedy.
...he supernatural is one element in Macbeth that was used cleverly by Shakespeare to get various messages across to the audience. The messages are brought across between the lines of the plays which requires audiences to reflect critically to get the underlying meaning of his play. Shakespeare did not merely show ghosts and witches in the supernatural as a thriller, but also tied in the political and religious aspects of the society during his time.
A common motif in Shakespeare’s many plays is the supernatural element, to which Hamlet , with the presence of a ghost, is no exception. The story of Hamlet, the young prince of Denmark, is one of tragedy, revenge, deception, and ghosts. Shakespeare’s use of the supernatural element helps give a definition to the play by being the catalyst of the tragedy that brings upon Hamlet’s untimely demise. The ghost that appears at the beginning of the play could possibly be a satanic figure that causes Hamlet to engage in the terrible acts and endanger his soul. The supernatural element incorporated into the play is used as an instigator, a mentor, as well as mediation for the actions of the protagonist that ultimately end in tragedy, with the loss of multiple lives, as well as suscept Hamlet’s soul to hell. Shakespeare’s portrayal of the ghostly apparition causes a reader to question whether the ghost is a demonic force on the basis of its diction, conduct towards others as well as Hamlet, and it’s motive to kill.