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Macbeth figurative language act 2
Language and imagery in macbeth
Language and imagery in macbeth
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The Play “Macbeth” by William Shakespeare is shaped by supernatural forces with the use of the weird witches, the apparition of the ghost, and the floating dagger. These forces lead Macbeth to act in the way he did and add suspense to the play. The play opens with the three witches, and later on Macbeth and Banquo encounter them. They prophesized that Macbeth will be promoted to Thane of Cawdor, and then become King of Scotland. In addition to that, Banquo was told that his sons shall be kings, but never himself. Macbeth was skeptical about the prophesies, but until some of King Duncan’s men came to inform Macbeth that that he was to be named Thane of Cawdor due to the betrayal of the previous and condemned to death. Then Lady Macbeth comes up with the idea to murder King Duncan and take their place of kingship as prophesized. She persuades Macbeth to kill him that very night and he is led by a floating dagger to do the evil deed. Fearful of the witches’ prediction that Banquo’s sons will seize the throne, Macbeth hired murders to kill Banquo and his son Fleance and the boy escapes. Later that night Banquo’s ghost appears at Macbeth’s dinner. In the second encounter with the witches, they warn Macbeth of Macduff, and tell him no women born will harm him, and about moving trees. These events are lead by the supernatural, and lead to the fall of Macbeth.
The Three witches are the most important supernatural phenomenon. Early in the play there “are but an echo of the rune of the witches” (Wiley, 35) “Fair is foul, and foul is fair” (1.1.10). Early in the play it is a dominant line that leads to a motive of doom and the beginning of shaping the actions of the play. In “Macbeth”, the weird sisters’ first prophecy is “All hail, Ma...
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...ral forces caused Macbeth’s greed for power and actions. The fall of Macbeth happened when he was killed by Macduff. He was not born of a woman, but ripped out from the corpse of his mother, just like the witches prophesized.
Works Cited
Hibbs, Stacey, and Thomas Hibbs. "Virtue, Natural Law, and Supernatural Solicitation: A Thomistic Reading of Shakespeare's Macbeth." Literary Reference Center. EBSCO, Sept. 2001. Web. 29 June 2011. .
Shakespeare, William, and Sylvan Barnet. The Tragedy of Macbeth: with New and Updated Critical Essays and a Revised Bibliography. New York: Penguin Group, 1998. Print.
Wiley, Edwin. A Study of the Supernatural in Three Plays of Shakespeare. 4th ed. Vol. XV. Berkeley: Berkeley, Cal,. University of California, 1913. PDF.
Shakespeare, William, and John Crowther. No Fear Shakespeare: Macbeth. ed. New York: Spark Publishing, 2003. Print.
Shakespeare, William. Tragedy of Macbeth . Ed. Barbara Mowat and Paul Warstine. New York: Washington Press, 1992.
The Witches introduce the theme with the infamous phrase “Fair is foul, and foul is fair” (scene 1, line 11) in the first scene. It’s functional for the Witches to say this in the beginning of the book, as they are the start of all the perplexity. They become the core of confusion when they awaken Macbeth’s ambition and transform his perspective of good and evil, making bad things look good and good things look bad. Ironically in connection with this, Banquo warns Macbeth, “Win us with honest trifles, to betray’s In deepest consequence” (1/3/125-126). The Witches continue to speak in contradicting language, such as “lesser than Macbeth, and greater” (1/3/65) and “Not so happy, yet much happier” (1/3/66) that adds to the sense of moral confusion, by implying that nothing is quite what it seems. Banquo’s warning is fulfilled at the end of the play when the Witches had won Macbeth’s trust with prophecies that became true –‘honest trifles’- and then betray him in the things that really mattered, his life and his country -‘deepest consequence’- to win his spirit for hell.
Since it was an interesting issue which many people of Shakespeare’s time felt they were affected by, Shakespeare wrote about it. “Macbeth” with its supernatural theme was the 17th century’s equivalent to the modern day horror movie.
Shakespeare, William. Macbeth. Ed. Barbara A. Mowat and Paul Werstine. New York: Washington Square Press New Folger Edition, 1992
The weird sisters (witches) have a great impact on Macbeths state of mind when he decides to follow through with many of his actions. The witches are responsible for putting the idea of Macbeth becoming king in his head. Faith in the witches compromises his honour since they are believed to be evil however Macbeth
Banquo and Macbeth meet three witches after defending Scotland against a rebellion. These witches represent evil and they are messengers of the devil. They are one of the factors that affect Macbeth and cause him to enter into a life of evil. They had fought nobly and were very excited. They could not believe their eyes and ask if they had "eaten from the insane root" and were having hallucinations. The witches prophesize that Macbeth, Thane of Fife will soon earn the title, Thane of Cawdor and after that become king of Scotland. Macbeth is "wrapt" in thought about this. At first he wonders if this oracle has any merit. But the true thought of it makes him wonder and starts his early thoughts of conspiracy. He expresses these thoughts to his wife, Lady Macbeth, in a letter.
Macbeth’s heroic deeds at the beginning of the play soon seem insignificant next to the primary event in the Act: the revelation of the witches’ prophecy. Their insightful proclamation that he will be king someday is both shocking and pleasing to Macbeth. Without this occurrence, this play might not have traveled a road of ambition and death, but instead one of calm acceptance and enjoyment of an already-elegant lifestyle. The seeds of desire were here planted, however, eliciting what became a bloody ordeal. The spark ignited, and a plan began to take shape.
In William Shakespeare’s Macbeth, the supernatural and the role they play in motivating characters is apparent throughout the duration of the play. The supernatural is what causes conflict in the play and the prophecies from the witches in act one scene three is the inciting action in the piece. The supernatural causes the future conflict by motivating Macbeth to kill Duncan so he could become king of Scotland. Through temptation, the supernatural motivates characters to think arrogantly and for their own benefit. The supernatural in Macbeth presents prophecies which tempt Macbeth and Banquo with the idea of power. This leads Macbeth to contradict his loyal and courageous personality by planning a treacherous murder on Duncan with the arrogant intention of becoming king and later killing other characters in the play with the only purpose of keeping his own powers. Both Macbeth and Banquo were also tempted by the original prophecies and showed clear motivation to act upon them. However, there is a clear contrast between the immediacy in which the two characters began taking actions and the logic put into their decisions.
William Shakespeare’s Macbeth, first published in 1606, is an endearing tale outlining the dangers of unchecked ambition and moral betrayal. In the subsequent centuries after first being performed, Macbeths critics have been divided upon whether Macbeth himself was irrevocably evil, or if he was guided by the manipulation and actions of the women in the play to his ultimate demise. Although Lady Macbeth and the witches were influential with their provocations in the opening acts, it is ultimately Macbeth’s inherent immorality and his vaulting ambition, that result in the tragic downfall. It was Macbeth’s desire for power that abolished his loyalty and trustworthiness and led him down a path of murder. It is evident through his actions and words
Although Macbeth is not classed as being a supernatural play or a play of the occult, there are some elements in the play that Shakespeare uses to effect. It is necessary however, to define what is meant by the terms ‘occult’ and ‘supernatural’. In this context, the term ‘occult’ is defined as being ‘supernatural beliefs, practises or phenomenon’ and the term ‘supernatural’ is defined as being ‘attributed to some force beyond scientific understanding or the laws of nature’. Both these terms can be associated with gothic writing. Gothic writing usually involves elements that invoke a feeling of fear, repulsion and abhorrence from its readers or audience.
Banquo's ghost highlights Macbeth's hypocrisy, when he tries to deceive the others at the banquet, at drinking a toast to his friend Banqo, making him realise that he cannot easily hide behind pretence. All these forms of the supernatural help to play a huge roll in the destruction of Macbeth, and without the supernatural, the play would not be as interesting and exciting, and also would not end with the same disastrous consequences. The supernatural causes Macbeth to betray his king, as well as becoming a traitor to his own country, which he certainly would not have done if he were his own self. The supernatural therefore shapes the events of the play; while the narrative gives the audience and readers insight into the central characters, and makes them feel emotionally involved in the story.
The witches influence Macbeth in his achievements and awake his ambitions. They give him a wrong sense of security with their apportions of truths. The witches are the ones who made the idea of killing Duncan into Macbeth’s mind. They also told him that he would become thane of Cawdor and later would become king of Scotland and Macbeth wants to know more. “Stay you imperfect speakers, tell me more. By Sinel’s death I know I am the thane of Glamis; but how of Cawdor? The Thane of Cawdor lives, a prosperous gentleman; and to be king stands not within the prospect of belief, no more than to be Cawdor” (Shakespeare 312). Banquo is known as the real victim of the witches. After Banquo hears the prophecy of the witches that his sons will become kings he still does not believe them. He believes that he has eaten a root that is making him hallucinate and does not believe anything they tell him. (Shakespeare 313) Banquo says, “Are you sure we are talking about what we have seen here? Or have we eaten some plant root that makes us hallucinate.” Banquo also says to Macbeth: “but ‘tis strange; and oftentimes of darkness tell us truths, win us with honest trifles. To betrays in deepest consequence” (Shakespeare 314). Shortly after they meet with the three witches they meet a messenger who tells Macbeth he is the Thane of Cawdor. When Banquo hears this he realizes the witches are right and
However, this experience is not one that gives him courage or ambition but one that gives him fear, enough to make a man go mad. At the party, Macbeth sees Banquo’s ghost which he describes as “a bold one that dare look on that which might appall the devil” (III.vi.63). He begins to act like a madman in front of all those loyal to him and reveals that Banquo is dead. Despite Lady Macbeth’s attempt to cover up his act by blaming it on a childhood illness, Macbeth’s followers begin to lose question their king, lose trust in him, and even wonder if he is the one who murdered Duncan. After the banquet, Macbeth seeks the witches out of their cave so that he can learn more about his future and silence those who are plotting against him despite what the consequences may be. This reveals that Macbeth has completely fallen for the witches prophecy. There, he sees a line of eight kings followed by Banquo’s ghost. The last king holds a mirror to reflect a never-ending line of kings descended from Banquo. When he sees this, he exclaims“ thou art look like the spirits of Banquo: down!” (IV.i.123). This vision confirms that Banquo’s descendants inherit the throne and contributes to Macbeth’s anxiety, fear and to his further loss of control. He becomes even more insecure about his position as king and can no longer make his decisions
In the opening scene of the play, the entrance of the three witches depicts the first presence of supernatural in Macbeth. The presence of the supernatural forces of the witches was accompanied by the dark, gloomy and thunderous ambience, perhaps functioning as a foreshadowing of future events that involves evil, wickedness and darkness. This is important as it gives the audience an idea of what might happen later in the play. For example, we see that later on in the play, Macbeth turned evil and wicked, killing an old and honourable King Duncan and a loyal friend, Banquo. I take particular note of the significance of darkness as it was later used by Macbeth when he calls upon the "seeling Night" (Act III. Scene ii. Line 46) which `makes clear vision impossible', as a way to cover up his evil deeds. Foreshadowing of `evilness' which is also a theme in the play is also created when the witches, before leaving the first scene, cried in unison that "Fair is foul and foul is fair" (Act I. Scene ii. Line 11). This line suggests and gives the audience a foreshadow that ...