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Exploring othello's character
Character analysis of othello
Character analysis of othello
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A widespread misconception is that a person’s “genuine” self is who he is when he is alone. I beg to differ. In fact, who that individual is when he is alone is only a portion of his "genuine" self, which leaves who he is among his peers—his superficial self —as the dominant portion of his “genuine” self because the majority of a person’s life—given he is not a hobbit—is spent around society. The superficial self begins as the unconscious part of the mind that is what some psychology enthusiasts may call the Id, where as the true self creates the foundation of the conscious mind parallel to the ego of one’s psyche. Multiple personality disorder is a result of an extreme case of the development of the Id or different drives comprising the Id as seen in Flora Schreiber’s Sybil. The preponderance of humanity either goes to school, work, or mingles with the populace almost every moment of their lives. If one’s Id is the dominating persona altogether, then the Id embodies the “genuine” nature. One who spends exuberant amounts of time portraying the Id will soon have his superficial identity encompass the ego in a swathe of deception. Thus, the ego diminishes to a mere sub-character. In short, the whole of the "genuine" self consists of both the predominant id and the ego. This theory is typified in Shakespeare’s prominent work Othello, Nathaniel Hawthorne’s Scarlet Letter, and also Tina Fey’s Mean Girls with the characters of Iago and Roger Chillingworth and Cady Herring.
Iago from Shakespeare’s Othello pushes the limit upon the superficial self vs. the “genuine” self conflict. He illustrates the conniving, baleful, and evil quintessence within Othello by lying to Roderigo, Othello, and Cassio to facilitate his own selfish desir...
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...o infinite possibilities. Humans unconsciously know this fact and try everything to protect such a precious treasure. If the mind is weak so is the person standing on the tumultuous of decision in any aspect of life. A person is only as strong as their mind’s will power. It is naïve to believe that a mind shares no doubt in its capabilities, but that doesn’t mean humanity has to submit to that doubt. Profound matters and things are born from the womb of doubt. The ego of any individual must make a decision to control the line of the superego. The ego must rise and know who and what it is in order to fight the status quo of falling beneath the feet of the Id. The ego…the real person inside must and will find a way to conquer both the fear of inadequacy and the distance of an unseen path.
One of the major themes of Othello is that of jealousy, a manifestation of paranoia and obsession in itself. Iago’s burning desire to drive Othello to madness and a compulsion to disgrace those above him can be seen, with a Marxist reading, as his intense dissatisfaction with the social system he is a part of, ‘we cannot all be masters, nor all masters Cannot be truly followed’. Likewise, his intellectual superiority over his betters and peers is made evident ...
Act iii, scene iii, lines 108-131 of William Shakespeare’s “Othello” unquestionably shows Iago’s trickery and deceptiveness which is masked through his reputation for honesty, reliability and direct speaking. This section not only shows Iago’s slow but powerful act of deception, but also shows the jealousy and insecurities slowly depriving Othello’s inner peace and balance.
In all the psychology of the personality is difficult to understand, because trying to read what someone is thinking about you and your personality is a tough process. This was roughly and explanation into the view of Freud’s view of the id, ego, and superego and some of the psychoanalysis stages that come in the crazy world and studies of Sigmund Freud. Even though his views are not popular today some people still research them and think to themselves he might not be as weird as people told me he was.
Iago, the antagonist of Shakespeare’s work, Othello, is often considered purely evil or sociopathic. At first glance, Iago appears to be a static, two-dimensional villain, but he is much more. Shakespeare, renown for his awareness of the human condition, leaves many important aspects of Iago’s life up to interpretation. In published works and critical interpretations, Iago is commonly attached to a myriad of mental illnesses and personality disorders. Because it seems that Iago’s life revolves around Othello and Desdemona, it is understandable how people may suggest that Iago is in love with Othello, or that he is a psychopath with no true motives. Shakespeare never discloses much about Iago’s past, raising the questions:
Language and imagination are among the most dangerous weapons Iago has at his disposal in Othello. Jealous and angered by Othello’s - his commanding officer - passing over him for a promotion, Iago develops a fierce, antagonistic perspective the aforementioned character; this sentiment quickly corrupts his volition, and he subsequently concocts a plot bent on destroying Othello. He renders this revenge scheme credible by concealing his true feelings behind a facade of loyalty and trustworthiness, and fabricating a fictitious story concerning the infidelity of Desdemona, Othello’s wife. Until the play concludes, Iago utilizes purposeful rhetoric to drive his agenda, and also a mastery of deception to mislead the minds of his targets.
Characters in the play fail to comprehend Iago’s true nature until it is too late. Those interacting with Iago fall into the belief that Iago is loyal to his superiors, when Iago is actually focused on bringing them (Cassio and Othello) down. Iago constructs a false impression of his loyalty to Othello through ...
In Othello, Iago uses his fine reputation as an “honest man” and Othello’s insecurities to manipulate him and carry out his master plan of destroying Cassio, Othello, and Desdemona. Iago’s insight towards the other characters’ weaknesses enables him to let them know exactly what they want to hear, which helps him gain their trust. He plays upon the insecurities of others to maneuver them into carrying out the actions he needs done in order to fulfill his own desires. In looking at Othello, we will consider the Othello’s blind acceptance of “the truth” as it is presented to him and find that when we blindly take another’s “truth” and accept it as our own, we merely become tools utilized by the person who gave us that supposed truth and give up the power of being ourselves—we fail to assert a self.
Freud, S., & Strachey, J. (19621960). The Ego and the Super-ego. The ego and the id (pp. 19-20). New York: Norton.
Have you ever met a devil who does evil for his own sake? Iago in William Shakespeare's Othello could seem like he has good motives, but I feel that he uses them as his excuses. The first thing that I did was uncovered Iago's motives. Iago is the most controversial character in Othello. He is able to keep his true thoughts and motives from everyone. Are his motives only excuses for his actions? Iago pretends to have so many motives that they seem more like excuses. Iago then uses these excuses to justify his actions, which are pure evil. I also feel that Iago has motives and actions that cause his actions. Does Iago have many different excuses, or does he only have one? This paper will prove that Iago has one clear motive and reason for his madness. Iago is not looking for justification that causes him to act the way he does. There is much more though to Iago. He is not a man of only excuses, he has goals with his motives, which causes him to act the way he does.
Without a doubt, one of the main themes that runs throughout William Shakespeare’s tragic play, Othello, is that of honesty. In the play, the most interesting character is Iago, who is commonly called and known as "Honest Iago." However, this could not be farther from the truth. Through some carefully thought-out words and actions, Iago is able to manipulate others to do things in a way that benefits and moves him closer to his own goals. He is smart and an expert at judging the characters of others. Because of this, Iago pushes everyone to their tragic end.
“I am not what I am,” proclaims one of Shakespeare’s darkest and most enigmatic villains, Iago, in the tragedy Othello. Iago’s journey for revenge enables him to become capable of immoral acts, and whilst his malevolence excites us, we are no more intrigued by his attributes than we are of the play’s tragic hero, Othellos’. Rather, both characters’ confrontation with jealousy and their subsequent moral demise as a result of failing to control such an emotion provides the true excitement for audiences. Iago’s spiteful manipulation of Othello makes him a multifaceted character — whose corrupt attributes make the audience examine their own morality. However, the same can be said of Othello; his failure to withstand Iago’s ‘pouring of pestilence’
Iago, the villain in Shakespeare’s Othello, is a round character of great depth and many dimensions. Iago works towards an aim that is constantly changing and becomes progressively more tragic. Yet, at times, "honest" Iago does actually seem honest. This essay will explore the complex character of "honest Iago.
Iago's manipulative nature has a profound effect on the decisions made by other characters in Shakespeare's ‘Othello’. Through his relations with those around him Shakespear characterizes him as a man full of malice, vengeance and dishonesty that is wholly inspired by jealousy. Furthermore it would appear that Iago has an exceptional ability to scheme, a talent which he uses to snake his way into the lives of others and exploit them through their weaknesses. Whether he does this for profit or for pleasure is a separate issue.
“There are so many different walks of life, so many different personalities in the world.” Hope Solo describes that there are many different ways to walk the paths of life, and that these paths are filled with people of dissimilar personalities. Similarly to Hope Solo’s idea of incompatible personalities, Sigmund Freud, an Austrian neurologist, developed the concepts of the id, ego and superego. As Freud described them, these concepts are the three parts of the human psyche. The id part of the brain operates on the “pleasure principle”, the superego is the moral component of the human psyche, and the ego is the balance between both the id and the superego. Freud, along with many other Americans, began to realize that people, especially characters
Corruption overcomes the Venetian society as Iago uses his crafty skills of deceit. The plan to have Othello turn against the ones he loves is the perfect example of evils nature. The power struggle is evident between these two. This situation is the start to Iagos plan to corrupt the society and take Othellos place. The root of Iagos evil is jealousy indeed, in turn changing into a power hungry manipulator. Iago is tired of acting like one "courteous and knee-crooking knave" like he always appears to be [I. i. 46]. Since Iago is reluctant to choose to be a master, he is the servant that bites off the fame and "keep yet their hearts attending on themselves," still showing his service to his master but instead is more self-preserving with no attachments at all towards the master [I. i. 52]. Irony is used diligently in Shakespeares unique language style.