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Tyranny has been around for as long as there have been kingdoms, monarchies and democracies. When citizens are voting for whom they want in office, majority of voters would opted out of choosing someone who is a tyrant. When it comes to the famous epic of Sunjata, the tyrant is the villain known as Suso Sumanguru. This villain can be best described as greedy, power hungry, and relentless. The epic focuses though on the life of one of West Africa’s best leaders, Sunjata. The story of Sunjata is told through the griots that follow him, storytellers who are known for passing down tales and poems from time to keep their culture alive. Sunjata was faced with many trials and tribulations, but found ways to overcome each. Throughout the epic, the audience can draw references and examples that Sunjata wants the best for the people of Manding. Sunjata was not a tyrant, but an honorable man who put others before himself to rule one of the greatest empires of Western Africa. …show more content…
Sunjata’s birth was shown as divine in both translations, and especially in the Banna Kanute version, when Sunjata is in the womb for fourteen years (42). In any literature, a common way to show that a person is important and to bring power is to tell about their divine and extraordinary birth. When Sunjata is born, he is not praised for the kingdom he will bring the people, but yet torn down for being crippled and not strong. For most, this would kill confidence and make many other characters turn away, but for Sunjata this only fueled his fire more to become the leader he knows he is. Also in the Banna Kanute version, the current leader Suso Sumanguru heard of the kingdom that Sunjata would bring, and he knew that this would result in him being defeated. When Suso heard of this child to be born, he called for every boy to be
...While the society practices Islam, it maintains a polytheistic understanding of the world. Jinns, or spirits, and multiple gods are constantly brought up. Great sorcerers, such as Sogolon and Soumaoro, are in touch with these spirits, and y Sundiata succeeds because he learns to respect them. Sundiata is somewhat bigheaded when it comes to the battlefield, it is somewhat understandable because of his strength and bravery in battle, but when he is unable to hurt Soumaoro, he doubts his own strength. He believes that bowing to the religious and magical powers, will help him, and allow him to defeat the Soumaoro. Religion, magic, and nature are part of the same land in the epic, since they are all part of the Mandingo way of life. In the beginning of the story, the griot tells of "secrets" of Mali not available to all men, the secrets of magic are possibly among those.
The ancient Mesopotamian writing, The Epic of Gilgamesh, gives readers insight into the traditions and customs of the people who wrote it. Like all epics, The Epic of Gilgamesh is the story of a heroic national figure: this epic gives the story of the life of Gilgamesh from his birth as two-thirds god, one-third man to his death. Throughout the epic the importance of loyalty is addressed. In The Epic of Gilgamesh readers see that loyalty is the most important aspect of a Mesopotamian relationship and that there are always consequences for violating trust.
The definition of an epic hero can be defined as one who is triumphant in some manner that reflects the idea of his/her culture. “Heroes have always dominated mythology, fairy tales, nursery rhymes, history, and literature. No culture seems to lack tales of human, superhuman, or god-like heroes who save the innocent from the wicked, conquer evil, and deliver the threatened and oppressed” (Shunnaq). Sundiata: An Epic of Old Mali and The Odyssey can be compared and contrasted in different ways. Both of these literary pieces are epics that contain heroes who precisely mirror the values of their respective ethnicities. While some values displayed in the epics are similar to each other, there are also disagreeing values between the two pieces of literature. Based on the examples from Nian’s Sundiata: An Epic of Old Mali and Homer’s The Odyssey, the similarities and differences can easily be identified by one.
It is sometimes thought that tyrants were evil, this was not always the case, they just looked after their own interests. For Athenians tyranny was the exact opposite to democracy. Syracuse in Sicily had a run of famous tyrants, for example, Dionysios from 405 BCE and his son Dionysios II, who took over in 367 BCE. Tyrants took power by force and usually had support from the poor and because power was taken by force, it was not inherited unlike a monarchy. Many states were ruled by tyranny in the 6th century BC.
...e as a commander of the army by devising strategies that defeat larger armies. His bravery is reflected in his tendency to rush into battle himself, killing enemies left and right with little regard for his own safety. His sense of justice is reflected in the way he forgives others' trespasses (within reason), and the description of his rule is a just one. His charisma unites people together; during his exile, all he encounters are impressed with him, and hence do they later join his empire. His piety helps him defeat Soumaoro, since, once Sundiata discovers the extent of Soumaoro's sorcery, he is willing to admit he needs the help of spirits and magic to win. And finally, his legendary strength makes him a hero worthy of remembrance. Balla Fasséké tells him to be a "man of action" so that his deeds will be remembered, and Sundiata certainly lives up to his destiny.
The Epic of Gilgamesh is a story about heroism and the search for immortally. It is easy to see the transformation that Gilgamesh goes through from a ruthless and fearless king to a humble and content hero. Even though Gilgamesh failed his task and did not gain immortally, he did achieve content with his mortality and a better overall character.
Sundiata: An Epic of Old Mali, is an epic that’s narrated by a griot, an African story teller, that tells the story of Maghan Kon Fatta’s son, Sundiata, who grows up to be the “seventh star” or the savior of Mali. But, before Sundiata is praised we must travel back to his childhood. During his childhood he was belittled and made fun of because of his appearance and inability to walk. Until the age of seven he gains ability to walk and he encounters many problems. In his adulthood he encounters the evil sorcerer Sourmaoro Kante. Sundiata battles Sourmaoro Kante to prevent him from taking over Mali and destroying villages. Sundiata battles him twice. His first battle he learns of the magic that he has and in his second battle, Sundiata comes prepared and strips Sourmaoro Kante of his magic. In the end Sundiata wins and is praised as the seventh star and savior of Mali, as it was destined to happened. Destiny plays a major role from beginning to end. In the beginning of the story the hunter told the king of Mali his future and what he should do and why. From that point on destiny and a few other elements take over the rest of the story.
Gilgamesh is an epic of great love, followed by lingering grief that causes a significant change in character. It is the story of a person who is feared and honored, a person who loves and hates, a person who wins and loses and a person who lives life. Gilgamesh's journey is larger than life, yet ends so commonly with death. Through Gilgamesh, the fate of mankind is revealed, and the inevitable factor of change is expressed.
The epic of Gilgamesh is about demigod created to rule over the people of Uric but fears death, Throughout the epic, Gilgamesh faces many obstacles while undergoing a series of changes and developments; starting out as an arrogant and selfish king.
Sundiata realized that living under the command of a morally bankrupt ruler would never lead to the vast empire that he was capable of creating out of Mali. This epic depicts Mali and other African states like Ghana, as in fluctuation and only as strong as its leader and how well its leader leads, thereby creating Sundiata, a leader with the capacity to create and maintain an immensely strong empire.
What are tyrants, one might ask. In the current sense of the word a tyrant is pejorative term, applied to an individual in power who is selfish and self preserving. A tyrant is an immoral being, ruling over those around him through force, a tax on the freedom of those he subjugates. Yet the question that one should be asking is where do tyrants come from? Plato proposed that tyrants are a product of democracy, that the liberty inherent to a democracy allows the self interested to manipulate the system(generally through appealing to the population at large) causing a system with little liberty. This paper aims to defend the claims of Plato concerning tyranny, particularly the origins of tyrants, as well as to propose the safeguards that democracy possesses to defend against tyranny. The two claims Plato makes that will be discussed here are that tyrants come from popular leaders, that tyrants require sycophants to support and protect them.
There once lived a king, the great king of Uruk in Mesopotamia. This great leader was Gilgamesh. His preserved epic is of great significance to modern day culture. Through Gilgamesh, the fate of mankind is revealed, and the inevitable factor of change is expressed. In the Epic of Gilgamesh, it is a great love, followed by a lingering grief that cause a significant change in the character of Gilgamesh.
Today is our first day of being the leaders, doers, and problem solvers of the future. Those who persevere, who give it their all and approach each day with optimism will ultimately meet success and happiness. Of course, there will be many a failure on that windy road of life, but with dedication, we can do anything and make any dream come true. But, as we grow older and encounter success, we must not forget those who have had it rough, whose lives may have hit some potholes on the way, and we must take care of those who need a helping hand. As each of us leaves our mark on the world, be generous and be happy, and always remember the good times, good friends, and lessons learned at Marefat.
The epic was a told by a "griot" whose work was to keep the oral history. A rival sent his son to interfere with Sundiata's journey. The son was the age of Sundiata, he set up troops to block Sundiata's path. Thus the war began and Sundiata charged into battle.
The journey of Victor Jara is a prime example of an intelligent and a compassionate singer who spoke and sang strongly through his music. As a result, the songs of Victor Jara are an affirmation to his ability and positive vision of life. He had an admiration for the hard working people of small towns and villages as he himself knew the struggles. His songs aim to celebrate the lives of these individuals. In his wife’s biography, Victor: An Unfinished Song, Jara said that he hoped "to find a different and more profound love which perhaps would compensate for the lack of human love" in his life since he hardly saw his mother in his early years of life.