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Truman capote biography essay
The stronger character analysis
Truman capote biography essay
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Book Information:
Author : Capote, Truman
Title : In Cold Blood
Publisher : Random House
Original Publication Date : 1965
Book Outline:
In a small town in Kansas a family of four were murdered for no apparent reason.
The murderers ran for a few years and finally they were caught, tried, and
accused for murder. In 1965 they were hung for the crime.
In the story a family was killed for no reason. This well respected farming
family had no enemies, and no quarrels. Although they were wealthy, Mr. Clutter
never kept cash in the house. The whole region and eventually the country was
shocked by the randomness and brutality of the act, in much the same way it was
by the 1995 Oklahoma City bombing. The two men in which didn't even know the
Clutter family went into their house and shot all four of them.
There were two main characters. Dick is the first one that I will talk about.
Dick was 33 years old and he did not have the best character. Dick was one who
helped participate in the killing of the Clutter family. I didn't like him from
the very beginning. He struck me as the type that is your friend one minute and
enemy the next. Perry is the other charecter that I will talk about. Perry
wasn't as bad as Dick but yet he still struck me as having a bad character for
what he did to the family. It took me awhile to get a good impression of Perry.
Perry was a really nice guy and I think that he just got mixed in with the wrong
crowd. At the beginning, when they first started to kill all of the family
members, they had them tied up and Perry didn't want to kill the family but he
thought that if he acted like he was gonna kill Mr. Clutter then Dick would stop
him. Then they would let them all go but when Dick didn't stop him Perry became
a mad man and went ahead and killed the whole family. Later at the gallows Perry
started to have second thoughts a little to late so he tried to starve himself
but didn't succeed. He was finally hung, during the hanging period he apologized
to everyone for what he did.
"This is it, this is it, this had to be it, there's the school, there's
the garage, now we turn south." To Perry, it seemed as though Dick was muttering
jubilant mumbo-jumbo. They left the highway, sped through a deserted Holcomb,
and crossed the Santa Fe tracks.
... the only difference is that he chooses to pull the trigger of a loaded gun. No one can dispute that Perry’s mother and father’s alcoholism and abuse are direct causes to his run-ins with the law.
He is the character that most sympathized with because of his past. He never had a connection with his alcoholic mother and siblings. His parents never gave him the love, direction, and the moral values that children need from their parents. This contributed to his behavior. While Perry was testifying, Dr. Jones characterized him with severe mental illness. He mentions that Perry has “paranoid orientation toward the world,” (Capote 297). He goes into further detail by mentioning that Perry “is suspicious and distrustful towards others, tends to feel that others discriminate against him, and feels that others are unfair to him and do not understand him,” (Capote 297). It is completely understandable why Perry would think like this. He was treated horrendously by the nuns in the orphanage and when he lived with his family. Since Perry never had anything good happen to him growing up, he feels like he has to take out his frustration on people who are good. Vengeance for what he did not receive. While in court, Perry mentions why he killed the Clutter family, “It wasn’t because of anything the Clutters did. They never hurt me. Like other people. Like people all my life. Maybe it’s just that the Clutters were the ones who had to pay for it,” (Capote 290). Dr. Jones diagnosis Perry as a paranoid
him from other people are he funny guy and fun and nice to be around. Another amazing thing he
The whole “robbery” was planned by Dick, the drive was planned by Dick, and even the cover up process was his idea. Although he wasn’t the one who pulled the trigger, Dick is equally responsible for the Clutter family murder as Perry. It would take a horrible person to murder a family, but it takes a vial beast to plan, examine, organize, and operate the murder. Dick grew up with loving parents who were no poorer than any other family in the neighborhood. According to both him and his parents, he was a good kid who did well in school and lettered in nine sports. Similar to Perry, he feels cheated in life and is willing to do anything he must to get what he deserves. Along with this, he has zero insight on how to life a normal life. Dick is the type of person to act on his impulses. He 's likes to have a good time and live in the moment. His aspirations are easy money and easy women. With this, he seems to have no ability to weigh the consequences of his actions, and he will do whatever it takes to get his way. This type of momentary reaction is prone to lead a life of “poor decision.” If he’s in need of money, he will write a few bad checks or maybe steal from a store. If this jig wasn’t plentiful enough, he hitches a ride with a stranger to basically rob and kill everyone in the car. Dick was known for being a terrible person as one man stated, “Dick Hickock! Don 't talk to me about
Though Capote seldom breaks an impartial journalistic perspective in the novel, within this passage Capote seems to intentionally frame Dick and Perry in negative and positive light. Dick’s syntax always contrasts with Perry’s, but within this passage he is even more aggressive and dismissive than he usually is. In one such instance, Dick challenges Perry’s story of how he bludgeoned King to death with a bike chain, asking Perry whether or not he actually murdered the former roommate of his. Dick does this to get Perry off the topic and then proceeds to bluntly tell him to “just shut up!”. Capote deepens the negative view the reader has towards Dick by ending the passage with him running down a stray mangy dog with his car simply for the joy in doing it.
Being defined by nature or nurture. Isn't enough to make finally decisions about one person. But for some it just might be. Perry Smith had an abusive past. It seems to still haunt him when he looks back on it. But that justify his crimes in anyway. Perry seems to have handles himself very well about the past ,but that isn't enough. Perry Smith on the night of November 15, 1959 was at a point where he made a choice that would affect him for the rest of his life. Perry deep down believes Mr. Clutter is a nice gentlemen and even says so. Yet his actions were done out of the natural nature to him. He then ends up cutting his throat, followed by shooting the rest of his family brutally. In this case, it clearly shows Perry smith as someone who takes up in the naturally
Dick did not have a home. "His bedchamber had been a wooden box half full of straw . . ."(pg4). He ate whatever he could afford. Looking at his clothes one would assume he was poor. " His pants were torn in several places, and had apparently belonged in the first instance to a boy two sizes larger than himself. He wore a vest, all the buttons of which peeped a shirt which looked as if it had been worn a month. ...
In summation, Perry Smith is a man of several personalities. He is schizophrenic. He may have many sides that he keeps hidden, but the most prevalent one is the cold-blooded side that he displayed in killing the Clutter family. Only his closest friends can see the other sides behind the gentle, kind-hearted Perry Smith when the emotions he's kept bottled up for years explode in an out-of-sorts physical reaction. Perry's troubled past has caused him to have a troubled personality, and that is what made him kill the Clutters in cold blood.
Perry Smith was a short man with a large torso. At first glance, “he seemed a more normal-sized man, a powerful man, with the shoulders, the arms, the thick, crouching torso of a weight lifter. [However] when he stood up he was no taller than a twelve-year old child” (15). What Smith lacked in stature, he made up in knowledge. Perry was “a dictionary buff, a devotee of obscure words” (22). As an adolescent, he craved literature and loved to gain insight of the imaginary worlds he escaped into, for Perry’s reality was nothing less than a living nightmare. “His mother [was] an alcoholic [and] had strangled to death on her own vomit” (110). Smith had two sisters and an older brother. His sister Fern had committed suicide by jumping out of a window and his brother Jimmy followed Fern’s suit and committed suicide the day after his wife had killed herself. Perry’s sister, Barbara, was the only normal one and had made a good life for herself. These traumatic events left Perry mentally unstable and ultimately landed him in jail, where he came into acquaintance with Dick Hickock, who was in jail for passing bad checks. Dick and Perry became friends and this new friendship changed the course of their lives forever. Hickock immediately made note of Perry’s odd personality and stated that there was “something wrong with Little Perry. Perry could be such a kid, always wetting his bed and crying in his sleep. And often [Dick] had seen him sit for hours just sucking his thumb. In some ways old Perry was spooky as hell. Take, for instance, that temper of his of his. He could slide into a fury quicker than ten drunk Indians. And yet you wouldn’t know it. He might be ready to kill you, but you’d never know it, not to look at it or listen to it” (108). Perry’s short fuse and dysfunctional background were the two pieces to Perry’s corrupt life puzzle that soured and tainted the final “picture”.
By structuring his novel where time is out of joint, Dick is able to illustrate that one’s perception of reality is entirely based on what one believes to be fact. This point is illustrated through Ragle Gumm, who, “from his years of active military life” in the beginning of the story, “prided himself on his physical agility” (Dick 100). It is not until time is mended again toward the end of the book that he realizes that it had been, in fact, his father that had served in the war. This demonstrates how one’s firm belief can turn into a reality, as it did for Ragle Gumm for the two and a half years he lived in the fabricated city of Old Town.
Unlike Perry, Dick actually had a very nice childhood with a family who loved him. When Detective Nye was questioning Dick’s parents, Mr. Hickock began explaining the life of Dick, starting with him being “‘an outstanding athlete… always the star player. A pretty good student, too, with A marks in several subjects’” (Capote 166). Although Dick had a much better childhood than Perry, he still had a very limited ability to feel compassion compared to Perry’s instinct to nurture. Dick’s lack of consideration is shown greatly when Perry recounts the events of the murder and tells the detectives that Dick said “‘I’m gonna bust that little girl.’ And I [Perry] said ‘Uh-huh. But you’ll have to kill me first… He says ‘What do you care? Hell, you can bust her, too’” (Capote 243). Dick had no regard for other people or how they feel, while Perry intervened with Dick’s self-interest in order to consider the emotions of the Clutters. Even after the murders, Dick felt no remorse for what he and Perry had just done, only feeling that they had “scored” by getting a little bit of money. The life and development of Dick show that even a nurturing environment may not contribute to a compassionate soul. The instinct to nurture may not always come from surroundings, as Dick shows, but beliefs and religions show that nature and nurture are a part of each other and both contribute to the development of a
Dick presents our main character, Commissioner John Anderton, as the balding, pot-bellied founder of a revolutionary new crime detection system who's been showing his years for longer than he'd care to remember. In the short story, he has just acquired a new assistant, Ed Witwer, and fears being replaced by the younger man. In the beginning, Anderton is portrayed as slightly insecure about his job (to the point of near paranoia of being set-up), as well as his importance to society, though by the e...
Moreover, the effects of the murder on Dick and Perry are more remarkable as each person
In Dick’s case, the reader can safely assume that he plays the “man” role in the relationship with Perry. Dick is considered the traditional masculine figure, “Dick was very literal-minded, very—he had no understanding of music, poetry,” (p.18). Dick represents the famous American macho figure with “his literalness” and “ his pragmatic approach to every subject” . He does not need to know music or poetry but he possesses the masculine and benevolent essence that makes people respect and even trust him completely. That is the reason why Perry is greatly
Hoberek, Andrew P. "The 'work' of science fiction: Philip K. Dick and Occupational masculinity in the post-world war II United States." MFS Modern Fiction Studies. Summer 1997.