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The Metamorphosis critics
Analysis of The Metamorphosis by Franz Kafka (1915)
Gregor samsa as a tragic character in metamorphosis
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Gregor Samsa awakes one morning to find that he has been inexplicably transformed into a giant insect. He has also slept late. His parents and his sister Grete try to rouse him so he can make it to his dreary job as a traveling salesman. The family depends on him for its livelihood. Gregor, however, is now a bug. When a clerk from his company comes to demand an explanation for his absence, Gregor makes a great effort to open the bedroom door and show himself. This sends the terrified clerk tearing down the stairwell and Gregor's family into shock.
Grete, more than his father or mother, handles the situation practically. Gregor is fed, and his room is cleaned. Before long, however, economic reality requires all three to find work, and less attention is paid to Gregor--except when he gets out of his room. No one in the family is fully able to reconcile him- or herself to the insect Gregor, and Gregor is unable to express himself to his family. The fear and disgust his presence inspires (the irrational fear of the mammoth cockroach) is a detriment to his mother's health and incites his father to brief fits of violence. One such fit, a bombardment of fruit, deals Gregor a deep and crippling wound.
Hobbled and neglected, Gregor begins to waste away in his room. The family takes in three carping lodgers, using Gregor's room to store excess furniture and other miscellanea--adding insult to injury. Yet the family does leave Gregor's door slightly open in the evenings, so that he may take part in the household in a small way. One evening, the lodgers hear Grete practicing her violin. They call her into the parlor for a concert. She obliges, and the music so moves Gregor that he creeps out into the parlor towards her, wanting to convey that he understands her gift and will help it to blossom. The lodgers see Gregor and immediately give notice. This is the breaking point for the family. Grete declares that they must abandon the notion that this hideous bug is their dear Gregor. All sadly agree. Gregor slinks back into his room. He dies that night.
A great weight has been lifted from the family. After a moment of mourning, the father demands that the lodgers leave immediately. The family takes a trolley out of the city and into the countryside. It is a beautiful, sunny day, and as Grete stretches out her limbs in the trolley car, her parents' thoughts turn to finding her a husband.
It is notable that Grete is a very good violin player. We see that Grete seems to take care of Gregor in a way, but that leads to her starting to act like his owner, and that he is a piece of property. “She had grown accustomed, certainly not without justification, so far as a discussion of matters concerning Gregor was concerned.” (Kafka, 161) Though, near the end of the story, Grete begins to care less and less for her older brother, and eventually decides to let him go. ““He must go,” cried Gregor’s sister” (Kafka, 176) It's just another example of Gregor never fitting in. He is stereotypically, just a bug. A quote, more than less an example that really hits it
The novel begins with Gregor Samsa, a traveling salesman who wakes up one morning to find out he has been transformed into a gigantic insect.
and Mrs. Samsa. Gregor describes throughout the novel his sister’s passion for music. He also points out the fact that their parents do not assist Grete in pursuit of this type of career, “Often during Gregor’s short days in the city the Conservatory would come up in his conversations, but always merely as a beautiful dream which was not supposed to come true, and his parents were not happy to hear these innocent allusions” (Kafka 26). The Samsa’s hindered Grete’s potential which forced her into a path she did not want to follow. Another example is how she was forced to become the primary caregiver for Gregor.
Grete’s isolation from society stems from her passion and interest for her loved ones. Grete spends all her time at home caring for her family members. Kafka describes her as “perceptive; she had already begun to cry when Gregor was still lying calmly on his back” (Kafka 16). Throughout the text she becomes the sole reason Gregor stays alive. Grete spends her days worrying about the various foods Gregor likes and dislikes, how to make his room more comfortable, and trying to make him feel more comfortable. Gregor is not the only family member whose health is cared for by Grete. “Now his sister, working with her mother, had to do the cooking too; of course that did not cause her much trouble, since they hardly ate anything” (Kafka 25). Kafka incorporates household chores and her mother’s illness, escalating Grete’s isolation. During her mother’s many asthma attacks, Grete arrives first
One morning, Gregor wakes up from his dream to realize he has completely mutated into a bug. Due to this physical change in his life, he phases out different experiences with each of his family members. In which he alienates himself and his family because of his new appearance. In fact, he has a lot of care towards his family. He actually works hard to support them, pay off their debt, and tries to keep them as comfortable as possible.
Thirdly, he suffers isolation from the physical world, which he is no longer able to participate in due to his presence and lack of mobility. Lastly, he suffers isolation from other people around him, especially his family. By the end even his sister, Grete, the most compassionate member of the family, explanations that they should stop thoughtful of the creature as the person they knew. She says that “the fact that we’ve believed it so long is the root of our trouble” (Kafka 48), which can be taken to mean that at some point Gregor stopped being a person not only because of his entrance but since of his non-conformist actions. The beating he receives from his father shows the extent of the cruelty he endures, though his father knows that “family duty compulsory the conquest of disgust and the use of endurance, nothing but patience” (Kafka 36). The tragedy is that this alienation ends up killing Gregor, who “dies not as a vermin, but as a human being thinking of his family”. The transformation is an indication of the breakdown of Gregor’s psyche and alienation within his self. The reader is not told how the transformation
The Yellow Wallpaper” by Charlotte Perkins Gilman and “The Metamorphosis” by Franz Kafka both incorporate “irreal” elements throughout their works. These elements provide an alternative point of view where the lives of main characters are recreated and imagined as part of their surroundings. It’s almost as if the characters are watching their lives from an outside vantage point, rather than living in the moment, which makes it easier to cope with their difficult circumstances. These two works are complementary in establishing relationships, exposing internal conflicts, and escaping the reality that these characters yearn for in their lives.
His sister, who took a job as a salesgirl to help the family. also learns French in the evening so she might get a better position in the future of the world. Mr. Samsa, Gregor's father, takes a job as a messenger for banking institutions and the public. Turning into a bug, Gregor causes a lack of harmony. among the family members.
Despite his situation Gregor still feels that he can go to work. However he proves unable to do this when he encounters so much trouble when trying get out of bed and open the door. Gregors manager comes to his home, wondering why he didn’t show up for work. The manager gets irritable and tells Gregor in the presence of his family that he wanted a real explanation as to why he would not come out of his room. Gregor finally has enough strength to open the door with his mouth but by that time his manager had already left. He is now saddened and in fear that he lost his job, because he knows that he is the financial “backbone” of the family. When his family finally sees that he is an insect they are immediately disgusted. His mother faints, and his father forbids his mother and daughter to see him. Grete, Gregors ...
During the beginning of the story, Gregor, the main character wakes up to find himself as a bug. He is the sole supporter of his family, so he worries about getting to work. Because he woke up late, the chief clerk and his family show up to see what is wrong. When his mother first sees him she gets very scared and runs away. “This set his mother screaming anew, she fled from the table and into the arms of his father” (Kafka 10). This shows how weak and scared his ...
... The complete lack of help from his parents, and the mild disgust with which his sister took care of Gregor’s even the most basic needs might also point to emotional neglect, and could have been the main reason for his issues with identity in the first place. In conclusion, because Gregor’s identity in his insect form was entirely based on his memory of having once been a human, and because of a lack of any physical proof of his past, he struggled with accepting his own humanness. During this stage of doubt and self-questioning, he went through a mental and physical metamorphosis, turning insane and drowning in depression and anxiety. However, the last straw for him was his family’s refusal to accept him as a human, contributing to him finally breaking up and giving up.
After Gregor wakes up and realizes that he has been transformed into a bug, he starts to worry about how he will go to work in order to provide for his family. He debates about calling in sick as he thinks ”The chief himself would be sure
Frank Kafka is considered one of the most influential writers of all time. Helmut Richter would agree with this statement. Richter agreed that Kafka was a very prominent figure in world literature and was amazed by his mechanics and word usage. I feel that his essay is supportive of Kafka’s writing, but also leaves out many important details in its brevity. Richter did not include Kafka’s flaws and tendencies in his essay.
Grete is a character who appears to have the most tolerance for Gregor shortly after his metamorphosis. Gregor was apparently rather fond of his sister and had hoped to finance her education in a conservatory. He was also rather mesmerized with her violin playing. His inability to follow through with these planned acts of kindness may have led to a faster deterioration of Grete’s maintenance of Gregor’s room. Although she could never get used to Gregor’s new freakish appearance, she was his sole provider throughout his life after the metamorphosis:
... foot and tosses him across the room, while recovering from the unexpected assault Gregor’s father cries out, “Talk to me!” Gregor is reluctant to say a word. Gregor’s father throws him into the living room, Gregor takes refuge under the couch, his father takes hold of the broom and begins to mercilessly jab it under the sofa, “get out!” he shouts. Mrs. Samsa Gregor’s mother suddenly arrives from work, she sobs at the extraordinary sight. She attempts to get a hold of her husband but his stubbornness and fury impedes him from grasping on to his rationality. Gregor rises and points his finger in the direction of the two people standing before him, Mr. Samsa halts and Gregor accuses both of them of taking advantage of him. The noise from the radio is heard clearly as a deep silence segregates mother, father and son. Lament becomes apparent in their old crumpled faces.