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American family values
American family values
American family values
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An Analysis of “Who Will Light Incense When Mother’s Gone?” by Andrew Lam
“Who Will Light Incense When Mother’s Gone” by Andrew Lam is a story from Andrews perspective about his mother lighting incense to the dead ancestors and who will do it when she is gone. In the story “Who will Light the Incense when Mother’s Gone?” by Andrew Lam, the conformity theme comes from the mother wanting her children to continue the different traditions and customs that she has kept, such as lighting incense to pray to the dead ancestors.
Despite his mother staying consistent with her traditions, Andrew Lam dealt with the struggle to continue to conform to his family traditions. He began to rebel against what he was told to do as he grew up because of his quest
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for identity in America. The mother makes her fears of her children not continuing her traditions known when she asks her sister-in-law: “Who will light incense to the dead when I’m gone?” (Lam). Andrews aunt didn’t have an answer to his mothers’ question because even the aunts own children wouldn’t do it, showing that Andrew wasn’t the only one not following the traditions. Andrew feels guilt and shame upon hearing his mother's remark.
Andrew’s mother is worried that when she dies, their Vietnamese culture will be forgotten due to the modern American culture Andrew and the rest of the family has adapted to. But Andrew just calls this “the price for living in America” because he realizes that he relates more to the American culture than he does his Vietnamese culture, which now is almost a stranger to him (Lam).
Andrew realized that when he moved to America, he started to become rebellious and distant from his traditional Vietnamese ways. He recalls in “Who Will Light the Incense When Mother’s Gone” his mother asking him to “speak more Vietnamese inside the house” in to which he refused (Lam). The rebellion has gotten to the point where Andrew no longer knows who to pray to or what he should pray for because he has “fled so far from Vietnam”. Andrew also realizes that because of his rebellion, he lives in very different world than his
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mother. His mother still believes in praying to the ancestors every morning, in which he has become so removed that he will only participate in the lighting of the incense upon his mother’s persistence but even then he feels like he is only doing it to conform to his traditional mother. Andrews mothers also struggles with the conformity of her traditions. She wanted to see him grow and prosper in America but when she was proud of Andrews accomplishments she mourned the distance that continued to grow between her and Andrew. She blamed America for giving Andrew to much freedom and made him self-centered. The rebellion and conformity that Andrew has struggled with is all for his quest for identity in America.
The refusing to speak Vietnamese because he wanted to speak English was his way of expressing who he was. Andrew acknowledges that his life is very different because he has rebelled and explored new things. His mother is doing the same thing every morning because in her world, she lights the incense and prays to the ancestors because this is how she identifies. Andrew on the other hand would rather travel the world, write, and do public speaking to him, that’s who he is. He isn’t the little boy who would climb up the chair to light the incense
anymore. While Andrew wishes he could conform to his mother wishes and promise her that he would take over the incense lighting tradition, but he can’t because that isn’t who he is. Yet, he believes that “if some rituals die, some others have only just begun” (Lam). Andrew has started his own traditions and rituals such as writing every morning and putting his memories into words and while they are different that his mother’s traditions, they are just as important to him. In conclusion, we can see that the story of “Who Will Light the Incense When Mother’s Gone” by Andrew Lam is about not only tradition, but it is also a look at Andrews struggle with his identity. He rebelled against his mother’s wishes to speak Vietnamese in the house because he wanted to explore being American. Andrew also refused to conform to lighting incense and praying to the ancestors even though his mother does it religiously. This is a story about rebellion, Conformity, and the quest for our own identity.
The Spirit Catches You and You Fall Down tells the story of a young Hmong girl stricken with epilepsy, her family, her doctors, and how misunderstandings between cultures can lead to tragedy. The title comes from the Hmong term for epilepsy, which translated, is “the spirit catches you and you fall down”. Anne Fadiman alternates between chapters on Hmong history or culture and chapters on the Lees, and specifically Lia. The condensed history of the Hmong portrayed here starts at their beginning, and traces their heritage, their movements, and why they do what they do as they flee from enemies to country to country. This record allows the reader to better understand the Lees and their situation without bogging him down with details that may
Using the detail,“Dinner threw me deeper into despair,” conveys the painful feelings caused by her family at dinner (Paragraph 5). This detail indicates that Tan was continuingly losing hope that the night would get better. Tan reveals these agonizing feelings to make the reader feel compunctious. In making the reader feel sorry for her, Tan knows she can continue to misreport details in the passage without being questioned. The detail,“What would he think of our noisy Chinese relatives who lacked proper American manners,” emblematizes the dishonor Tan feels towards her relatives and cultural background (Paragraph 2). This detail implies that due to Tan’s attraction to Robert, she will detract her feelings of others to better her relationship with Robert. Tan used this detail to reveal that if Tan cannot better her relationship with Robert, she will become despondent. As a result of distorting details, the passage illustrates Tan’s dishonorable feelings towards her cultural
At the beginning of the story, Grace rejects her chinese root. She feels different from her adopted family. “At most of the tables, everyone in the family had the same complexion and colouring” (Ye 12). She realizes that there are many people that look at her in
She has never had to experience the idea of fitting in with her own culture. Being American is simply natural and a way of life for her. Traveling to another country, especially to one that was nothing like she expected it to be, helped to her stumble upon some important insights. She states being away from her own culture did not change her but made her able to realize what values and habits were the most important to her. In the other story, author Patricia was of Korean descent, but was born and raised here in America. Due to her Korean descent Patricia never really knew for sure where she belonged. She used a name to describe it, “hyphenated Americans,” because she looks like she is from another country but was born and raised here. People right on the streets of New York will ask her where she is from and compliment her on her good English skills. This makes it difficult to truly identify as an American. To really know what values and habits are her own. Traveling to Korea, visiting what they have called her homeland, taught Patricia some important insights of her own.
Pham’s trip however has the opposite effect. He shows us the Vietnamese culture through the eyes of an assimilated Vietnamese American trying to get back in touch with his roots. He hopes to get in touch with his roots mostly through interaction via food. In Pham’s case that’s exactly what he does, with disastrous results bringing to light his inability to...
She explains that there is no lasting shame in being born in America, and that as a minority you are the first in line for scholarships. Most importantly, she notes that "In America, nobody says you have to keep the circumstances somebody else gives you (289).” Living in America, it was effortless for Waverly to accept American circumstances, simply because she was born into liberties of America without a true realization of what advantages she had gained effortlessly. Her mother was far less fortunate however, having struggled so hard to find her own independence while attempting to keep true to her cultural background. As a Chinese mother though, she also wanted her daughter to learn the importance of Chinese character. She tried to teach her Chinese-American daughter "How to obey parents and listen to your mother 's mind. How not to show your own thoughts, to put your feelings behind your face so you can take advantage of hidden opportunities . . . How to know your own worth and polish it, never flashing it around like a cheap ring
With the perception of a bright and new beginning they willingly forced themselves to forget about the “colors of the Beijing sky” and “what they no longer could bear hope for” (Chang 33, 29). Sacrificing their past life, they wanted to give their son Charles a life of fulfillment and opportunity in the land of dreams, America. Their Chinese culture and traditions were neglected in the corner of their basement and the American lifestyle was rapidly immersing the Hwangs family. With the pressure to learn and comprehend this new American culture, the relationship between father and son slowly became disconnected. Ming’s demand to forget his past and the pressure to absorb new cultural ways, took a toll on the relationship between him and his son causing it to drift and become almost non-
In the essay, Tan demonstrates: “Lately, I’ve been giving more thought to the kind of English my mother speaks.” “When I was growing up, my mother’s limited English limited my perception of her. I was ashamed of her English.” “Fortunately, I later decided I should envision a reader for the stories I would write. And the reader I decided upon was my mother, because these were stories about mothers. So with this reader in mind, I began to write stories using all the Englishes I grew up with: the English I spoke to my mother, the English she used with me, my translation of her Chinese, and what I imagined to be her translation of her Chinese. I wanted to capture what language ability tests can never reveal: her intent, her passion, her imagery, the rhythms of her speech, and the nature of her thoughts.” So in this quote, it explains how she learned to accept her mother’s broken English and how they have benefited her. In this paragraph, we learned how Amy Tan conveys acceptance in her mother’s broken
America was not everything the mothers had expected for their daughters. The mothers always wanted to give their daughters the feather to tell of their hardships, but they never could. They wanted to wait until the day that they could speak perfect American English. However, they never learned to speak their language, which prevented them from communicating with their daughters. All the mothers in The Joy Luck Club had so much hope for their daughters in America, but instead their lives ended up mirroring their mother’s life in China. All the relationships had many hardships because of miscommunication from their different cultures. As they grew older the children realized that their ...
Chang-Rae Lee’s Native Speaker expresses prominent themes of language and racial identity. Chang-Rae Lee focuses on the struggles that Asian Americans have to face and endure in American society. He illustrates and shows readers throughout the novel of what it really means to be native of America; that true nativity of a person does not simply entail the fact that they are from a certain place, but rather, the fluency of a language verifies one’s defense of where they are native. What is meant by possessing nativity of America would be one’s citizenship and legality of the country. Native Speaker suggests that if one looks different or has the slightest indication that one should have an accent, they will be viewed not as a native of America, but instead as an alien, outsider, and the like. Therefore, Asian Americans and other immigrants feel the need to mask their true identity and imitate the native language as an attempt to fit into the mold that makes up what people would define how a native of America is like. Throughout the novel, Henry Park attempts to mask his Korean accent in hopes to blend in as an American native. Chang-Rae Lee suggests that a person who appears to have an accent is automatically marked as someone who is not native to America. Language directly reveals where a person is native of and people can immediately identify one as an alien, immigrant, or simply, one who is not American. Asian Americans as well as other immigrants feel the need to try and hide their cultural identity in order to be deemed as a native of America in the eyes of others. Since one’s language gives away the place where one is native to, immigrants feel the need to attempt to mask their accents in hopes that they sound fluent ...
Oftentimes the children of immigrants to the United States lose the sense of cultural background in which their parents had tried so desperately to instill within them. According to Walter Shear, “It is an unseen terror that runs through both the distinct social spectrum experienced by the mothers in China and the lack of such social definition in the daughters’ lives.” This “unseen terror” is portrayed in Amy Tan’s The Joy Luck Club as four Chinese women and their American-born daughters struggle to understand one another’s culture and values. The second-generation women in The Joy Luck Club prove to lose their sense of Chinese values, becoming Americanized.
...in her essay “No Name Woman”. The Chinese tradition of story telling is kept by Kingston in her books. Becoming Americanized allowed these women the freedom to show their rebellious side and make their own choices. Rebelling against the ideals of their culture but at the same time preserving some of the heritage they grew up with. Both woman overcame many obstacles and broke free of old cultural ways which allowed them an identity in a new culture. But most importantly they were able to find identity while preserving cultural heritage.
The second and third sections are about the daughters' lives, and the vignettes in each section trace their personality growth and development. Through the eyes of the daughters, we can also see the continuation of the mothers' stories, how they learned to cope in America. In these sections, Amy Tan explores the difficulties in growing up as a Chinese-American and the problems assimilating into modern society. The Chinese-American daughters try their best to become "Americanized," at the same time casting off their heritage while their mothers watch on, dismayed. Social pressures to become like everyone else, and not to be different are what motivate the daughters to resent their nationality. This was a greater problem for Chinese-American daughters that grew up in the 50's, when it was not well accepted to be of an "ethnic" background.
Before I was five, I thought I was Chinese. However, I wondered why I couldn’t understand the Chinese patrons of Chinatown restaurants. Upon learning my true ethnicity, I pulled out a mammoth atlas we had under the bed. My father pointed to an “S”-shaped country bordering the ocean, below China. It was then that I learned my parents were refugees from Vietnam. “Boat people,” my mother, still struggling to grasp English back then, would hear kids whispering when she walked through the halls of her high school. Like many refugees, although my parents and their families weren’t wealthy when they came to America, they were willing to work hard, and like many Vietnamese parents, mine would tell me, “We want you to be success.”
The Dilemma of a Ghost is a short play written by the Ghanaian writer, Ama Ata Aidoo. The story is about a young Ghanaian man, Ato, currently studying in America. Here, he meets and falls in love with Eulalie; an African-American girl who lives in America. When he returns home with his new bride, Ato is torn between his family’s traditional custom against his wife’s western culture. His marriage and his wife’s behaviour become sources of great criticism from both family members and the Ghanaian community at large. The writer uses various scenarios to point out the difference between the African traditional culture and the modern western culture.