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John lennon influence on society
Theories of grief
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In the memoir The Year of Magical Thinking, Joan Didion rejects grief as a simple bereavement, but rather exemplifies the grieving process as a temporary state of mental illness. The experiences of her husband’s death and her daughter’s sickness left Didion questioning and pondering her own sanity, denial, yearning, and grief leading to the year of magical thinking where all irrational thoughts made sense. Joan Didion portrays grief as a psychological illness through her magical thinking of delusional desires to control and change fate, her constantly haunting vortex effects to overcome the tragedies, and her literary allusions and intertextuality to cope with the grief. One of the many ways Didion portrays grief as a mental illness is the As a child, Didion had been trained in times of trouble to “read, learn, work it up, go to the literature” (Didion 44) revealing how significant literature, writing, and reading had played a role in her life. Didion expresses her personal feelings and emotions of grief and despair by alluding to a plethora of articles, novels, and poems. Didion references to the Bible, Matthew 7:3-6 and “the mote and the beam” when she is frustrated with John’s life and death situation at the hospital declaring that people clearly are able to see the small speck of sin in their brothers, but people don’t consider the massive unrighteousness they commit that is all overseen by God, “A mote in the eye of God” (qtd in Didion 15). The mote represents our brother's sins while the beam represents the people’s implying that people should examine and care for their own lives that are full of sin before condemning others for their sins. Didion reflects on the quote at the time of impatience and frustration to refrain from blaming others for her husband’s death. The sudden death of her husband along with Quintana’s myriad health issues left Didion in an ultimate abandonment of the hope is reflected in Didion’s citation of Delmore Schwartz poem “Calmly We Walk Through This April’s Day” when she has trouble solving the puzzle that leads to her self-pitiful wail “a motherless child.” Since In the memoir, The Year of Magical Thinking written by Joan Didion, she concludes that grief is a state of mental illness through personal experience with the occurrences of her husband’s death and her daughter’s sickness. Despite the magical thinking and vortex effects holding her back, Didion utilizes literature to learn from the tragedies and accept to overcome their fates to be able to move forward in life. (Word Count
In her article, Quindlen delivers her position to the massive mixed audience of the New York Times, drawing in readers with an emotional and humanizing lure; opening up about her family life and the deaths she endured. Later presenting the loss of her brother's wife and motherless children, Quindlen use this moment to start the engine of her position. Quindlen uses her experiences coupled with other authority figures, such as, the poet Emily Dickenson, Sherwin Nuland, doctor and professor from Yale, author Hope Edelman, and the President. These testimonies all connect to the lasting effects of death on the living, grief. She comes full circle, returning to her recently deceased sister-in-law; begging t...
In the memoir The Year of Magical Thinking, Joan Didion narrates her personal struggle of coping the realization of John being dead and will never resurrect to reunite with Joan. Joan exerts many sorrowful expressions as medical information and the vortex effects instill a sense of anticipation that John will soon come back. Consequently, Didion’s hopefulness opaques her true identity as she still associates herself as a married woman, when in reality, she needs to move on from John to reestablish her extroverted personality to the world once again. On the contrary, Didion comes to a consensus that John’s death was inevitable, Joan starts to ponder about her future with the exclusion of John. With Joan grieving
I was torn by Harry’s negative thoughts. Harry (2010) states, “You are beautiful, but if you’re going to hang around and give me trouble, I’d rather you died (p. 4). In addition, she did not see her daughter for the first 24 hours! A mother’s love for her daughter should always be unconditional. Riding along Harry’s roller coaster of emotions, I was sad and mad at first but then I became understanding of her feelings. Harry sets forth the honest truth of how she felt. She asked questions to the doctor regarding Melanie’s intelligence, while coping with her own fears. I understood the things she said and felt because it was her way of coping and expressing how her ideal story of motherhood and how it had to be rewritten. As Harry questions the doctors, she begins to expose herself to the unfamiliar world. She learns about her daughter 's diagnosis and grows as a person as she reflects on her thoughts. Hence, Harry’s growth as a person has left me feeling grateful that she tells her story the way she does. However, gripping on the last few pages, I was saddened and heartbroken to find out that Melanie had passed away at the age of 5. The way Melanie had died brought out my feelings of fear. It rushed through my body reminding me that my inner deepest fear of working with children is coming across death. If anything happened to the child, I would feel responsible and reminisce endlessly
Louise, the unfortunate spouse of Brently Mallard dies of a supposed “heart disease.” Upon the doctor’s diagnosis, it is the death of a “joy that kills.” This is a paradox of happiness resulting into a dreadful ending. Nevertheless, in reality it is actually the other way around. Of which, is the irony of Louise dying due to her suffering from a massive amount of depression knowing her husband is not dead, but alive. This is the prime example to show how women are unfairly treated. If it is logical enough for a wife to be this jovial about her husband’s mournful state of life then she must be in a marriage of never-ending nightmares. This shows how terribly the wife is being exploited due her gender in the relationship. As a result of a female being treated or perceived in such a manner, she will often times lose herself like the “girl
“She saw a dust-bearing bee sink into the sanctum of a bloom; the thousand sister-calyxes arch to meet the love embrace and the ecstatic shiver of the tree from root to tiniest branch creaming in every blossom and frothing with delight,” (11). The novel, Their Eyes Were Watching, God by Zora Neale Hurston, tells a story of a woman, Janie Crawford’s quest to find her true identity that takes her on a journey and back in which she finally comes to learn who she is. These lessons of love and life that Janie comes to attain about herself are endowed from the relationships she has with Logan Killicks, Joe Starks, and Tea Cake.
Overcoming the grief that is felt after losing a loved one is a physically and mentally agonizing task. According to Dr. Christina Hibbert, a clinical psychologist who graduated from the California School of Professional Psychology, three main stages of grief include anger, depression and acceptance. Each one of these emotions can be seen in William Shakespeare’s Hamlet and The Descendants (2011, Payne) as the artists explore the effects of grief and the different emotional responses that one can have due to the loss of a loved one. Additionally, in Ismail Kadare’s Broken April, the Berisha family feels the sufferance that is associated with unexpected death, as well as the various temperamental reactions that one will have after losing a loved one. Each of these works of art represent a powerful example of the stages that one will go through after feeling the intense sorrow that is connected with death, as well as the unavoidable effects of grief.
Mrs. Mallard’s repressed married life is a secret that she keeps to herself. She is not open and honest with her sister Josephine who has shown nothing but concern. This is clearly evident in the great care that her sister and husband’s friend Richard show to break the news of her husband’s tragic death as gently as they can. They think that she is so much in love with him that hearing the news of his death would aggravate her poor heart condition and lead to death. Little do they know that she did not love him dearly at all and in fact took the news in a very positive way, opening her arms to welcome a new life without her husband. This can be seen in the fact that when she storms into her room and her focus shifts drastically from that of her husband’s death to nature that is symbolic of new life and possibilities awaiting her. Her senses came to life; they come alive to the beauty in the nature. Her eyes could reach the vastness of the sky; she could smell the delicious breath of rain in the air; and ears became attentive to a song f...
During the process of growing up, we are taught to believe that life is relatively colorful and rich; however, if this view is right, how can we explain why literature illustrates the negative and painful feeling of life? Thus, sorrow is inescapable; as it increase one cannot hide it. From the moment we are born into the world, people suffer from different kinds of sorrow. Even though we believe there are so many happy things around us, these things are heartbreaking. The poems “Tips from My Father” by Carol Ann Davis, “Not Waving but Drowning” by Stevie Smith, and “The Fish” by Elizabeth Bishop convey the sorrow about growing up, about sorrowful pretending, and even about life itself.
Looking back on the death of Larissa’s son, Zebedee Breeze, Lorraine examines Larissa’s response to the passing of her child. Lorraine says, “I never saw her cry that day or any other. She never mentioned her sons.” (Senior 311). This statement from Lorraine shows how even though Larissa was devastated by the news of her son’s passing, she had to keep going. Women in Larissa’s position did not have the luxury of stopping everything to grieve. While someone in Lorraine’s position could take time to grieve and recover from the loss of a loved one, Larissa was expected to keep working despite the grief she felt. One of the saddest things about Zebedee’s passing, was that Larissa had to leave him and was not able to stay with her family because she had to take care of other families. Not only did Larissa have the strength to move on and keep working after her son’s passing, Larissa and other women like her also had no choice but to leave their families in order to find a way to support them. As a child, Lorraine did not understand the strength Larissa must have had to leave her family to take care of someone else’s
In the three works, “The Tell-Tale Heart”, by Edgar Allan Poe and Emily Dickinson’s poems 340 (“I -felt a funeral in my brain”) and 355 (“It was not Death”), each display different aspects of the depths of the human mind through similar modes of rhetorical sensory overload. While Poe reveals the effects of denying one’s insanity, Dickinson displays the struggle and downfall of a depressed mind.
Right from the moment Louise Mallard hears of her husband's death, Kate Chopin dives into a her vivid use of imagery. “When the storm of grief has spent itself” introduces a weather oriented theme (para.3). This imagery depicts a violent and dark setting that denotes death and grief. Her reaction to her husband's death ideally what society would expect. Her acute reaction instantly shows that she is an emotional, demonstrative woman. Even tho...
Edgar Allan Poe’s haunting poems and morbid stories will be read by countless generations of people from many different countries, a fact which would have undoubtedly provided some source of comfort for this troubled, talented yet tormented man. His dark past continued to torture him until his own death. These torturous feelings were shown in many of his works. A tragic past, consisting of a lack of true parents and the death of his wife, made Edgar Allan Poe the famous writer he is today, but it also led to his demise and unpopularity.
In society today, people tend to go with their feelings instead of reasoning or recalling situations to have happened to them before for insight. The reasoning behind this is due American Romanticism, created in 1800 and lasting through 1860. In this period literature, music, and art was created on how the writers and artists felt instead of logic and reasoning. American Romanticism is clearly shown in Herman Melville’s Moby Dick and Edgar Allan Poe’s “The Masque of the Red Death”. Both Moby Dick and “The Masque of the Red Death” show the struggle of everyday life with vivid use of the five senses, the all-being truth of the cycle of nature, and the wonder, awe, and fear of supernatural beings.
The characters in Alice Sebold’s The Lovely Bones are faced with the difficult task of overcoming the loss of Susie, their daughter and sister. Jack, Abigail, Buckley, and Lindsey each deal with the loss differently. However, it is Susie who has the most difficulty accepting the loss of her own life. Several psychologists separate the grieving process into two main categories: intuitive and instrumental grievers. Intuitive grievers communicate their emotional distress and “experience, express, and adapt to grief on a very affective level” (Doka, par. 27). Instrumental grievers focus their attention towards an activity, whether it is into work or into a hobby, usually relating to the loss (Doka par. 28). Although each character deals with their grief differently, there is one common denominator: the reaction of one affects all.
Mrs. Mallard is an ill woman who is “afflicted with heart trouble” and had to be told very carefully by her sister and husband’s friend that her husband had died (1609). Her illness can be concluded to have been brought upon her by her marriage. She was under a great amount of stress from her unwillingness to be a part of the relationship. Before her marriage, she had a youthful glow, but now “there was a dull stare in her eyes” (1610). Being married to Mr. Mallard stifled the joy of life that she once had. When she realizes the implications of her husband’s death, she exclaims “Free! Body and soul free!” (1610). She feels as though a weight has been lifted off her shoulders and instead of grieving for him, she rejoices for herself. His death is seen as the beginn...