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Analysis of poem to autumn
Imagery in poem
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Poetry Analysis Essay “Spring” by Gerard Manley Hopkins (1918) is a sonnet divided into two distinct sections, the octave and the sestet. The author’s use of alliteration, rhyming and vivid imagery takes the reader from an energetic view of springtime to a desperate prayer for the innocent. Analysis The poem’s opening statement catches the reader’s attention. From this line, “There is nothing more beautiful than spring” (line 1), Hopkins continues to describe elements of spring through similes and metaphors. “Thrush’s eggs look little low heavens” (line 3) is an example of a simile that uses alliteration to not only give the reader a vivid picture of a birds eggs that are evident in spring but to also make it pleasing to read and say aloud with the repeated ‘l’ sound. Other terms throughout the octave such as “the glassy peartree” (line 6) that begins to bloom, the blue sky and “racing lambs” (line 8) express the beauty of spring. Hopkins uses alliteration in “weeds, in wheels, shoot long and lovely and lush” (line 2) to slow the reader into a sense of strolling through a mead...
At the beginning of the poem, the speaker starts by telling the reader the place, time and activity he is doing, stating that he saw something that he will always remember. His description of his view is explained through simile for example “Ripe apples were caught like red fish in the nets of their branches” (Updike), captivating the reader’s attention
The poem opens upon comparisons, with lines 3 through 8 reading, “Ripe apples were caught like red fish in the nets/ of their branches. The maples/ were colored like apples,/part orange and red, part green./ The elms, already transparent trees,/ seemed swaying vases full of sky.” The narrator’s surroundings in this poem illustrate him; and the similes suggest that he is not himself, and instead he acts like others. Just as the maples are colored like apples, he
To that end, the overall structure of the poem has relied heavily on both enjambment and juxtaposition to establish and maintain the contrast. At first read, the impact of enjambment is easily lost, but upon closer inspection, the significant created through each interruption becomes evident. Notably, every usage of enjambment, which occurs at the end of nearly every line, emphasizes an idea, whether it be the person at fault for “your / mistakes” (1-2) or the truth that “the world / doesn’t need” (2-3) a poet’s misery. Another instance of enjambment serves to transition the poem’s focus from the first poet to the thrush, emphasizing how, even as the poet “[drips] with despair all afternoon,” the thrush, “still, / on a green branch… [sings] / of the perfect, stone-hard beauty of everything” (14-18). In this case, the effect created by the enjambment of “still” emphasizes the juxtaposition of the two scenes. The desired effect, of course, is to depict the songbird as the better of the two, and, to that end, the structure fulfills its purpose
In Nathaniel Hawthorne's The Scarlet Letter, the reader is able to observe how one sin devastates three lives. Hester, Dimmesdale, and Chillingworth are all guilty of succumbing to temptation, anger, and desire, causing all to fit the definition of a sinner. Yet, Chillingworth's iniquities raise him up above Hester and Dimmesdale on the level of diabolic acts.
From fairy tales to mythologies, fables to romance to even the simplest short stories of a third grader’s book, almost all of them often comprise a scheme of Heroes vs. Villains, and Good vs. Evil. Similarly, The Scarlet Letter by Nathaniel Hawthorne also contains many of the same situations and characters with their own symbolic meanings that allow them to express strong and demanding feelings through the symbols that they carry. Hester Prynne, whom appears as a sinful woman, a shame to the society, is created to represent the goodness of the story. Ironically, her husband, Chillingworth, who initially appears to be an intelligent and honorable man, is created to symbolize a daemonic evil. He is symbolic of the hidden sin and immorality that exists within the Puritan society. As an honorable and intelligent man who fatuously enslaved himself to the Devil’s work, Roger Chillingworth revolves his life from kindness and intellect into endless obsession of revenge, eventually leading him to self-destruction.
A sin is defined as any act regarded as a transgression, especially a willful or deliberate violation of some religious or moral principle. In The Scarlet Letter, by Nathaniel Hawthorne, Hester Prynne and Arthur Dimmesdale were forced to face the realities and hardships of committing a mortal sin in the eyes of a predominately Puritan society. Seven years after moving to America alone, Hester assumed her husband, Roger Chillingworth, to be dead and had moved on with the town minister—Dimmesdale. The two lovers ended up having a child out of wedlock, which ensured them the public scorn from their community. Hester, while raising their illegitimate child, Pearl, was ostracized by society and required to wear a scarlet letter, “A,” on her chest as a sign of her wrongdoing. Dimmesdale remained the unknown father of Pearl, by keeping his sin a secret from the townspeople. Because of their unique circumstances, Hester and Dimmesdale were ultimately affected differently by the same sin. Hester was audacious and accepting about the sin, while Dimmesdale was secretive and suffered.
Sin-noun-an immoral act considered to be a transgression against divine law. On occasion, sin can distort and mutilate the social norms of an entire society. In the Scarlet Letter by Nathaniel Hawthorne sin bypassed the strictly religious puritan way of life with three characters: Reverend Dimmesdale, Pearl Prynne, and Roger Chillingworth. Dimmesdale represents hidden sin that continued to manifest as the story developed. Pearl represents the product of sin that is mutable to turn into a blessing with time and care. Chillingworth represents the depravity of hidden sin that becomes more powerful and influential on its owner. When these three forms of sin combine on one occasion both death and new life will originate and the progenitors will be the blame.
The poem begins by explaining the sluggishness of time and sets the mood for the rest of the piece. The repetition of the word “slow” was employed by the author in order to emphasize that changes in life occur very slowly and may even pass unnoticed. However, it is still important to recognize that time is progressing, but it takes so long that it’s hard to realize so. The last sentence expands on this idea by introducing “palsied apples”, comparing time’s speed of movement with that of a paralyzed being. It is also important to highlight the relevance of the syntax present in the first lines of the poem, as its analysis will lead to an interesting contrast with the last stanza. Nevertheless, in the first stanza, the author describes a “copper-coated hill”, and in fact, the author continues to describe the setting of his poem by employing a variety of warm colors to capture the true essence of autumn.
“Burn the witch!” has been a condemning cry for centuries, but those flames are not always real. Words, looks, and guilt can burn a sinner far more effectively than the pyre ever could, as evidenced by the torments inflicted on the sinners in The Scarlet Letter, by Nathaniel Hawthorne. Each of the characters was burned in a different way, just as they represent different types of sin. Hester Prynne, the adulteress, represents open, acknowledged, and public shame. Through her, we recognize that acknowledging sin eventually leads to forgiveness and healing, in contrast with Reverend Dimmesdale, who represents the festering wound of concealed sin. And the depraved man who seems to be sent to torment them both, Roger Chillingworth, represents revenge, and punishment for sin. Hester Prynne, who wears the Scarlet Letter, has her ignominy before the whole world. Her scarlet A reminds both Hester and everyone else that she is an adulteress. Much of The Scarlet Letter talks about her treatment at the hands of the townspeople, because her transgressions are out in the open, and they can punish her. On the other end of the spectrum is the Reverend Dimmesdale, who fairly goes mad from guilt. Every person considers him a godly, amazing man, while he has actually sinned as much as Hester. His concealed sin eats away at him, and he constantly wishes that he would be brave enough to confess. Some of Dimmesdale’s torments are the cause of Roger Chillingworth, Hester’s former husband. Through Chillingworth, Hawthorne reveals the evilness of revenge. He also represents the punishment for Hester and Dimmesdale’s sin, and is a physical manifestation of their torment. At the same time, Chillingworth is both revenge and punishment. And in addit...
The first literary device that can be found throughout the poem is couplet, which is when two lines in a stanza rhyme successfully. For instance, lines 1-2 state, “At midnight, in the month of June / I stand beneath the mystic moon.” This is evidence that couplet is being used as both June and moon rhyme, which can suggest that these details are important, thus leading the reader to become aware of the speaker’s thoughts and actions. Another example of this device can be found in lines 16-17, “All Beauty sleeps!—and lo! where lies / (Her casement open to the skies).” These lines not only successfully rhyme, but they also describe a woman who
Nathaniel Hawthorne’s “The Scarlet Letter” portrays the basic concept of good and evil in a Puritan New England society during the 1600s. It is told through a narrative about one woman, Hester Prynne, who committed a great sin against her virtue. This sin consumes not only Hester, but also the small rural community that she calls home. Just the word “sin” pulls the reader into the story. “The Scarlet Letter” is full of complex symbolism with a variety of avenues to analyze why the focus of sin makes an appearance in the main topic of this fictional story. Sin can imply to some a struggle of good versus evil in every individual based on one’s belief in Christianity in the long time battle between God and Satan. Furthermore,
A day on earth has not gone by without the presence of sin, and every day it attempts to destroy anything anyone lives for. In the novel, The Scarlet Letter by Nathaniel Hawthorne, the nature of sin is revealed through the development of the characters Roger Chillingworth, Hester Prynne, and Arthur Dimmesdale. The essence of sin is its mutability. It is a master of disguise, whose constantly adapting to bring down its prey. When sin finds a purpose, it takes over one’s life in order to carry its task through. If sin is unable to seize control of its captive’s actions, then it instead attacks from the outside. The last way sin chooses to strike is from within; burning its victim with guilt. Every type of sin is dangerous, potentially lethal,
The consistent pattern of metrical stresses in this stanza, along with the orderly rhyme scheme, and standard verse structure, reflect the mood of serenity, of humankind in harmony with Nature. It is a fine, hot day, `clear as fire', when the speaker comes to drink at the creek. Birdsong punctuates the still air, like the tinkling of broken glass. However, the term `frail' also suggests vulnerability in the presence of danger, and there are other intimations in this stanza of the drama that is about to unfold. Slithery sibilants, as in the words `glass', `grass' and `moss', hint at the existence of a Serpent in the Garden of Eden. As in a Greek tragedy, the intensity of expression in the poem invokes a proleptic tenseness, as yet unexplained.
In both, out of some onomatopoeic words for a bird song and realistic sceneries of nature, the true beauty and ugliness is doubted. While we all suppose spring to be the most beautiful fantastic global fete, the poet shows us a mocking unpleasing view out of that. Or on the other hand he shows us a delicate heartsome scene in the lifeless vapid "Winter."
One of the many aspects to the complicated nature of sin is reveling in sin and allowing it to engulf one’s whole soul, as displayed through Roger Chillingworth throughout the novel. It is demonstrated again and again in The Scarlet Letter how Chillingworth undergoes a drastic change, what causes that transformation, and w...