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As I made my way around the Tweed Museum of Art I came across an etching done by Kathe Kollwitz. “Working Woman with Earring” caught my attention due to the black and white that emphasized the emotional use of color. I analyzed the art piece by considering the following: what I know, what I see, what I feel, the differences between that time in history and now, how the piece of art embodies the culture and values of its time and place and the relationship between the form and content. To begin learning more about the art’s meaning, I researched the artist. Kathe Kollwitz was born in what is now known as Kaliningrad, Russia in 1867. Kathe established herself as a female artist who portrayed women and her subject’s predicaments during the …show more content…
The darkness behind the lady portrayed along with the lines is the form and it translates as an unhappy woman who is working during the era of the World Wars, most likely Kollwitz is signaling that the woman has gone through a lot in life, which is visible in the expression of the face. The artist strategically placed the lines to create shadowing and texture, which put more attention on the feeling of the work. The lady’s hair is in a bun and she is wearing what seems to be a sweater or blanket that could mean she doesn’t have time or care about beauty and is cold. The earring signifies a more feminine side to the woman, while she is most likely working and providing for herself and family which was commonly done by men at the time. The piece has noticeably harsh lines that are used in a precise technique called cross hatching that highlights the coarse texture of the image. Elements in her art are very expressive, there's a complete understanding of the anatomy where lines are able to become powerfully abstract in a unique way. The use of black and white is common in the majority of Kathe Kollwitz art, and like this one she uses the dark and light to emphasize emotion. The expression on the woman’s face is neutral, yet there seems to be more of a sad feeling in the portrait. The subject matter is not looking straightforward and she has dark under eye circles that show how tired she is. The woman is …show more content…
Her expressionist art was reflective of the time period. Expressionism refers to art of an image that is distorted in favor of the artist’s attitude and feelings toward the subject. In the art outline it states that there was an “emphasis on the artist’s subjective psychological response to the subject”. As an advocate, Kollwitz purposely made her art filled with emotions to create a message that was powerful enough to persuade people to help others. For example, the etch along with many of her artwork was done in black and white, which aren’t normally used to express happy emotions. Her son had died due to the war, so she was transferring her sorrow into her art. In order to accomplish a distorted and exaggerated product the artist commonly used a dynamic application of formal elements. It was an art period that typically consisted on extreme use of color and non-naturalistic strokes that made the art highly textured, which is what Kathe Kollwitz also did by use of harsh lines. Techniques used convey the emotional state of the artist's view of the world. Taking place in Germany, the common feeling in artwork consisted of “angst”, the german words for anxiety or anguish. It translates as the anxious and worrying feeling that something is wrong or about one’s current choices impacting an unknown future. Often confused with Impressionism,
The face of the portrait is detailed, and more naturally painted than the rest of the composition. However, the left iris exceeds her eye and extends past the normal outline. The viewer can see every single brush stroke resulting in a unique approach to the capturing human emotion. The streaky texture combines with the smoothness flow of the artist’s hand creating contrast between the hair and the face. The woman’s hair is painted with thick and chunky globs of paint. The viewer can physically see the paint rising from the canvas and flowing into the movement of the waves of hair. Throughout the hair as well as the rest of the portrait Neel abandons basic painting studies and doesn’t clean her brush before applying the next color. Because of the deliberate choice to entangle the colors on the brush it creates a new muddy palate skewed throughout the canvas. Moving from the thick waves of hair, Neel abandons the thick painting style of the physical portrait and moves to a looser more abstract technique to paint the background. Despite the lack of linear perspective, Neel uses a dry brush technique for the colorful streaks in the background creating a messy illusion of a wall and a sense of space. The painting is not clean, precise, or complete; there are intentional empty spaces, allowing the canvas to pear through wide places in the portrait. Again, Neel abandons
Karlsen further describes her theme along with a wonderful exhibiting connected with outlining this time for the portrayal of women. Specifically, she em...
Contextual Theory: This painting depicts a portrait of life during the late 1800’s. The women’s clothing and hair style represent that era. Gorgeous landscape and a leisurely moment are captured by the artist in this work of
Art could be displayed in many different forms; through photography, zines, poetry, or even a scrapbook. There are many inspirational women artists throughout history, including famous women artists such Artemisia Gentileschi and Georgia O’Keeffe. When searching for famous female artists that stood out to me, I found Frida Kahlo, and Barbara Kruger. Two very contrasting type of artists, though both extremely artistic. Both of these artists are known to be feminists, and displayed their issues through painting and photography. Frida Kahlo and Barbara Kruger’s social and historical significance will be discussed.
Aristotle once claimed that, “The aim of art is to represent not the outward appearance of things, but their inward significance.” Artists, such as Louise-Elizabeth Vigée Le Brun and Mary Cassatt, captured not only the way things physically appeared on the outside, but also the emotions that were transpiring on the inside. A part no always visible to the viewer. While both artists, Le Brun and Cassatt, worked within the perimeters of their artistic cultures --the 18th century in which female artists were excluded and the 19th century, in which women were artistically limited-- they were able to capture the loving relationship between mother and child, but in works such as Marie Antoinette and Her Children and Mother Nursing her Child 1898,
The composition of this painting forces the eye to the woman, and specifically to her face. Although the white wedding dress is large and takes up most of the woman’s figure, the white contrasts with her face and dark hair, forcing the viewer to look more closely into the woman’s face. She smokes a cigarette and rests her chin on her hands. She does not appear to be a very young woman and her eyes are cast down and seem sad. In general, her face appears to show a sense of disillusionment with life and specifically with her own life. Although this is apparently her wedding day, she does not seem to be happy.
Furthermore, Kathe Kollwitz lived a very prodigious yet dynamic evocative life and her legacy will be in eternal revere. She was born on July 8, 1867 in Konigsberg of East Prussia. She was born in the mid-late years of the 19th century. Kollwitz had the desire to study art and pursued this ambition in Berlin. She worked under Karl Stauffer-Bern at the sc...
The gestural and heavy working of the paint and the contrasting colors make the painting appear active yet are arduous to follow. The defining element of Woman and Bicycle is the presence of the black lines that do most of the work in terms of identifying the figure. Through the wild nature of the brushwork, color, and composition of the painting, it can be implied that the artist is making an implication towards the wild nature of even the most proper of women.
Furthermore, the art piece is only in shades of black and white, which really intensifies the sadness and darkness. The expressions on the faces, the quality of the lines, the texture, and the absence of color capture the deep emotion of the figures in such a compelling way. During the period in which the piece was created, it was popular to paint in a socialistic style. Kollwitz accurately did this in all of her pieces by depicting social movements, peasant uprisings, the impact of war, and the life of the worker. Her style can be categorized even further by saying that it was a form of German expressionism. This
Throughout history art has played a major role in society. It started out with paintings and went to photography and eventually to films. Artistic interpretation depended on whom the artist was and what he or she wanted to present to the audience. When it came to portraiture, whether it was paintings or photography, the idea of mimesis was very important. However important this may have been, the portraits were mostly products of the media and fashions during that time period. Whatever was popular during the time was used such as columns or curtains in the background. The face was the main focus in the painting and there was little focus on the body. Later on during photography the body was focused on more. Even though photography was used much later after paintings were used, it allowed the artist even more artistic interpretation because of the ability to play a different role and not having to be ones self. The artists that will be focused on are Frida Kahlo and Cindy Sherman. They lived during different periods and their artistic intentions varied because of that. They also had similarities in that they thought outside of the conventional roles. These women were both self-portraiture artists and although they were considered that their interpretations did not always make their portraits self-portraits. Traditionally the artist was an outsider, but when it came to self-portraiture they became the subject and the audience became the outsider. The similarities and differences of Frida Kahlo and Cindy Sherman’s art were tied into the strength and also vulnerability they had because of their roles as women. They wanted the audience to see a background story to the portraits and not just an image of a beautiful face.
Feminist issues have played an important role in creating ideas for female artists to use in their work. Putting out controversial themes such as this promotes individual thought on the topic of feminism. Kruger and Höch both took it upon themselves to put out these ideas through many of their key artworks. In 1920, Höch came out with her photomontage, Das Schöne Mädchen (The Beautiful Girl) (Fig. 1), which at the time was one of very few photomontages that Dada artists had included female figures in. (Hemus, 104). In this particular work she puts together many different images that create a certain meaning that the viewer is left to interpret. She uses a fema...
The turmoil began early for this young woman. At age six, she was stricken with polio, which left her walking with a limp. From the beginning Kahlo did not intend to become an artist. She was attending school at The Preparatoria (Preparatory) to become a famous doctor (Frida Kahlo n.d.). It was on September 17, 1925 that the most pivotal moment in her life occurred. Kahlo was on her way home from school when she became involved in a tragic bus accident. She was discovered by her boyfriend at the time, Alejandro Gomez Avais. Her slender body had been pierced by a hand rail (Lucie-Smith 1999). Many, including doctors, thought she wouldn’t make it. She proved wrong after surviving various surgeries. For a year she was put in bed to recuperate. The accident left her with a broken back, broken pelvis, and a crushed leg. During her recuperation she taught herself she taught herself to paint by studying Italian Renaissance (Frida Kahlo n.d.). She began painting portraits of family members and still life from her bed.
In an empty room at the Timken Museum of Art hangs one of the most iconic paintings of Johannes Vermeer, the astonishing painting, Woman in Blue Reading a Letter. In the painting a pale woman’s stands patiently while reading a letter. The woman appears to be wearing a blue jacket and a long gray skirt, and only gazing at the letter, ignoring all of her surroundings. The top right of the painting seems to be a map of the Netherlands, which attracts the viewer because it explains the setting of where the painting took place. The blue jacket around the woman’s torso appears to exaggerate the woman’s stomach, giving the impression that she might be pregnant. The blue chairs resemble a sign of absence as if she lives alone. The light on the top left shines on her face which enhances the viewer’s view of the woman’s facial expression. Johannes Vermeer’s interpretation of complex colors, the light, and her body language inflicts a persuasion on the viewer that the women is traumatized by the news in the letter.
“The Grafin von Scholfeld with her Daughter” is oil on canvas art piece painted in 1793. It is a painting of a woman holding her daughter on her lap, the woman being “The Grafin von Schonfeld.” The woman is dressed in clothing that is from the upper class or a royalty stature in the late 1700’s. The clothing looks rich in material and sleek like silk in the colors of wine and a rich green. She has a covering on her head that looks like an extravagant scarf that drapes over her shoulder on one side, also made of the same silky material used for her dress. The woman has pale skin, reddish brown hair, bluish eyes, and rosy cheeks. Her eyes look very real and penetrating when you examine the painting. The daughter is about the age of 5 or 6 years old. Her arms are around her mother’s neck and legs draped across her mother’s lap. The daughter is wearing a white fluid dress that looks thin in material with a red sash around her midsection. The daughter has the same reddish brown hair and rosy cheeks. The mothers and daughters eyes are equally as big in size, while the child’s eyes seem also very real and youthful.
Frida Kahlo was a Mexican painter, born on the July the 6th, 1907. She was born in small town on the outskirts of Mexico, called Couyocan. Her family lived in a house they built themselves, La Casa Azul, or “The Blue House”. It’s name comes from the structures bright blue walls, and now stands as the Frida Kahlo Museum. At the age of fifteen, Kahlo was enrolled in the National Prepatory School of Mexico, where she was one of only a thirty-five female students. With the dream of becoming a medical doctor, Kahlo studied sciences at the school. But, on Septemer 17th, 1925, Kahlo experienced the fateful accident which changed her life forever. She had been riding on a bus with her boyfriend, Alejandro Gomez Arias, when the vehicle collided with a tram. The accident had left several people dead, and Kahlo with many injuries. Some of which were broken collar bone, fractures in her right leg, a crushed foot and a broken spinal column. The injuries left her in a full-body cast for months on end and was confined to her bed for this time. Kahlo also was left with fertility complications after handrail had pierced her uterus. The tragic event left Kahlo in a world of unbearable pain and also boredom. It was during her bed-ridden recovery where she took up the practice of painting, with herself as the subject. Her mother had made her an easel to paint in bed, where she developed her skills of painting. Her first self portrait, “Self Portrait in a Velvet Dress”, was her first serious piece which she painted in 1926. She painted it as a present to her boyfriend, Alejandro Gomez Arias. The artwork was fairly muted in colour and was quite a traditional European-style artwork. But, as Kahlo continued painting her works transitioned from the acade...