Amy Tan was born on February 19, 1952, in Oakland, California. Tan grew up in the San Francisco Bay area with her family. Additionally, Tan was the only daughter of her immigrant parents. Eventually, disaster struck in 1967 and 1968. Tan’s father and 16 year-old brother, Peter, both died of brain tumors simultaneously within six months of each other. Furthermore, she found out that she had two siblings living in China. Such information that would not have been revealed if it was not for her father and brother’s deaths. Alternatively, after the incidents, she and her family moved to Europe for three years when she was 15. They moved to the Netherlands and then to Montreux, Switzerland afterward. While she was in Switzerland, she went through …show more content…
So, one can infer that Tan’s uses their family’s personal experiences in her books as a way of therapeutic closure for her own struggles. The Joy Luck Club and The Kitchen God's Wife incorporate the conflict of Asian and American cultures and the mother-daughter relationship, which is a huge theme in Asian cultures. (Mohanram, 1). What is more, in the story Magpies from The Joy Luck Club, the inspiration for a character came from Tan’s grandmother. Her grandmother accidentally died two months after giving birth to her son. The cause of death is from having too much fun while eating large amounts of opium. According to Tan in her 2003 self-biographical book, The Opposite of Fate: A Book of Musings, she “changed the details a bit … she [the character] dies, not accidentally while having fun, but with vengeance of suicide.” (Tan, 35). The connections to Tan’s own life aids the readers to understand the complexity of the characters she wrote and make their own inferences based on her own …show more content…
Since she is a participant narrator, it is easy for the readers to infer ideas from her implications. To begin with, Jing-Mei is a nine-year-old Chinese girl. Since she was born in the United States, she has adapted American values and individualistic beliefs. Just like the author, Amy Tan, Jing-Mei’s parents are both Chinese immigrants. It can be inferred that they both feel the pressure of two conflicting cultures. In fact, at the beginning of the story, she is as excited as her mother at the idea of being a prodigy. Actually, in the third paragraph of the story, Jing-Mei talks about her new-found enthusiasm: “In all of my imaginings I was filled with a sense that I would soon become perfect: My mother and father would adore me. I would be beyond reproach. I would never feel the need to sulk, or to clamor for anything.” (Tan, 223). Based on this quote, it can be inferred that her eagerness to tend to her mother’s wishes is to make her parents proud. However, according to Kate Bernheimer in her 1989 article, Overview of ‘Two Kinds,’ “she [Jing-Mei] must abandon her sense of her own unique identity, which is itself inchoate and unstable” (Bernheimer, 1). As this quote shows, Jing-Mei’s two cultures are conflicting. Specifically, Chinese cultures are more collectivistic in comparison to American cultures; which are individualistic. In other words, to be able to become a savant or a prodigy for her
In the novel The Joy Luck Club by Amy Tan, four Chinese mother-daughter pairs, each with her own unique story, have deep connections with each other. At the beginning of the novel they each seem like ordinary women, but as the novel progresses, it becomes clear that these women are more than just mothers, daughters, or wives; they can also be considered heroes according to Joseph Campbell. Joseph Campbell says a hero is someone who undergoes a departure, where the person is confronted with a problem that they must overcome; a fulfillment, where the person finally overcomes the problem; and a return, where the person passes on what they gain and learn from the experiences in the form of a "life-giving elixir"(Campbell). This “life-giving elixir”(Campbell) is to be used by someone else to better themselves. Following Campbell's model, the character that stands out the most as a hero is Lindo Jong because of the hardships that she faces at a young age, such as being left by her family and being forced into an arranged marriage, and her perseverance to get through them and to pass on her...
Since "You could be anything you wanted to be in America" (Tan 348) Jing-Meis' mother thought that meant that you had to be a prodigy. While that makes "Everything [sound] too simple and too easily achieved; [Jing-Mei] does not paint a picture of her mother as ignorant or silly" (Brent). In fact, in the beginning, Jing-Mei and her mother are both trying to "Pick the right kind of prodigy" (Tan 349). "In the beginning, [she] was just as excited as [her] mother,"(Tan 349) she wanted to be a prodigy, she wanted to "become perfect [she wanted her] mother and father to adore [her]"(Tan 349). As she strived to achieve perfection she and her mother would try many different things to try and find the "right kind of prodigy" (Tan 349).
Amy Ruth Tan was born to John and Daisy Tan on February 19, 2952 (“Amy Tan Biography”). Although Amy Tan’s parents were both born in China, she was American born. Daisy Tan was born to a wealthy family in Shanghai, China. John Tan, on the other hand, was an electrical engineer and Baptist minister. Amy Tan’s parents met in a dangerous decade of the 1940’s in China while battles were being fought on all fronts. John Tan was working for the United States Information Service during WWII, which made it fairly easy for him to escape China for the U.S. when the war ended. Daisy Tan, however, was not as fortunate; she had been imprisoned. She escaped in 1949 right before the Communist takeover; she left on the last boat to deport from Shanghai to the U.S. Shortly after Daisy arrived in the U.S., her and John Tan arranged to be married. Amy Tan’s parents had two other children besides her; they were John Jr. and Peter Tan. The Tan clan moved around many times while Amy Tan was growing up, finally settling in Santa Clara, California (Chatfield-Taylor 190).
Throughout Amy Tan’s novel, The Joy Luck Club, the reader can see the difficulites in the mother-daughter relationships. The mothers came to America from China hoping to give their daughters better lives than what they had. In China, women were “to be obedient, to honor one’s parents, one’s husband, and to try to please him and his family,” (Chinese-American Women in American Culture). They were not expected to have their own will and to make their own way through life. These mothers did not want this for their children so they thought that in America “nobody [would] say her worth [was] measured by the loudness of her husband’s belch…nobody [would] look down on her…” (3). To represent everything that was hoped for in their daughters, the mothers wanted them to have a “swan- a creature that became more than what was hoped for,” (3). This swan was all of the mothers’ good intentions. However, when they got to America, the swan was taken away and all she had left was one feather.
"I am waiting like a tiger in the trees, now ready to leap out, ready to cut her spirit loose." The Joy Luck Club, an Oliver Stone production, depicts four women and their strife bringing up their American born daughters. Directed by Wayne Wang, this rated R movie featured actors and actresses such as Ming-na Wen, Rosalind Chao, Russell Wong, and Lisa Lu.
The two pieces of textual evidence I have to support this claim are both from paragraph #67 in the reading. The first one is whenever Jing-mei and her mother get into an argument about not wanting to play piano anymore. Jing-mei's mother shouts “Only two kinds of daughters!” and then she goes on to say “Those who are obedient and those who follow their own mind!” These two pieces of evidence from the text are crucial to the story as a whole. They are important because Jing-mei’s mother wants Jing-mei to follow the chinese culture, and play instruments, and to be a talented young girl like the ones on T.V. While Jing-mei’s mom wants her to follow the chinese culture, Jing-mei is growing up in america, and wants to follow her own mind, and she wants to do her own thing. This causes big conflict between the two during the story. So her mom does kinda force culture onto Jing-mei and that’s where culture is noticed, but Jing-mei also has personal experiences at school that make her want to express her own thoughts and be herself and do what she wants to do, making her not listen to her mom that
Amy Tan is a Chinese-American author. She had become Americanized, according to her mother, who still held traditional Chinese values. They fought sometimes, just as the women and daughters of The Joy Luck Club, over who was right and who was wrong regarding many problems they encountered. Tan most likely modeled The Joy Luck Club after her relationship with her mother. She even dedicated the novel “To my mother and the memory of her mother. You asked me once what I wo...
Jing-mei and her mother have conflicting values of how Jing-mei should live her life. She tries to see what becoming a prodigy would be like from her mother's point of view and the perks that it would bring her as she states in the story "In all my imaginings, I was filled with a sense that I would soon become perfect. My mother and f...
In the beginning, Jing-mei, is “just as excited as my mother,”(469). Jing-mei was eagerly hoping to make her mother proud. However, her mother’s obsession with becoming a prodigy discouraged Jing-mei. The daily test began to aggravated Jing-mei because they made her feel less sma...
Throughout the novel, The Joy Luck Club, author Amy Tan explores the issues of tradition and change and the impact they have on the bond between mothers and daughters. The theme is developed through eight women that tell their separate stories, which meld into four pairs of mother-daughter relationships.
The movie, The Joy Luck Club, focuses around the lives of four Chinese mothers and their Chinese-American daughters. The story takes place a few months after Junes mother, Suyuan has died. The mothers and daughters hold very different principles, where the mothers are still very traditional to their Chinese upbringings the daughters are much more “American.” The movie can be viewed from the Feminist Literary Theory, since the 8 main characters are female. The women’s life stories are told through a series of flashback scenes that deal heavily with female gender roles and the expectations of women. While the mothers and their daughter grew up in vastly different worlds, some of their experiences and circumstances correlate solely due to that fact that they experienced them because they are females.
The Joy Luck Club is the telling of a tale of struggle by four mothers and their four daughters trying to understand the issue of gender identity, how they each discover or lose their sense of self and what they mean to one another. Throughout the book each of the mothers works hard at teaching their daughters the virtues of Chinese wisdom while allowing the opportunities of American life. They try passing on a piece of themselves despite the great barriers that are built between the women. Each of the stories gives a wonderful glimpse into the Chinese culture and heritage that the mothers are trying to reveal to their daughters through the use of festivals, food dishes, marriage ceremonies, and the raising of children, essentially their past experiences.
...ith Jing Mei and her mother, it is compounded by the fact that there are dual nationalities involved as well. Not only did the mother’s good intentions bring about failure and disappointment from Jing Mei, but rooted in her mother’s culture was the belief that children are to be obedient and give respect to their elders. "Only two kinds of daughters.....those who are obedient and those who follow their own mind!" (Tan1) is the comment made by her mother when Jing Mei refuses to continue with piano lessons. In the end, this story shows that not only is the mother-daughter relationship intricately complex but is made even more so with cultural and generational differences added to the mix.
Throughout the novel the reader is introduced to the characters one by one learning about their past and their present lives. Each chapter deals with individual stories of relationships between husband and wife, mother and daughter, and even daughter and daughter. Every story helps the reader learn how important the mother daughter relationship is in The Joy Luck Club.
Mother-Daughter Relationships in Amy Tan’s Joy Luck Club In the Joy Luck Club, the author Amy Tan, focuses on mother-daughter relationships. She examines the lives of four women who emigrated from China, and the lives of four of their American-born daughters. The mothers: Suyuan Woo, An-Mei Hsu, Lindo Jong, and Ying-Ying St. Clair had all experienced some life-changing horror before coming to America, and this has forever tainted their perspective on how they want their children raised.