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Symbolism as a literary tool essay
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Everybody has something about them that makes them unique, but sometimes they tend to not realize how special they are because of it. In the play, The Glass Menagerie, Laura possesses a collection of glass figurines that symbolize how others see her despite her limp. She has allowed her limp to define who she is, as well as play a major part in the way that she acts around other people. Laura’s limp has restricted her life in certain ways and because of it, she has become a delicate, radiant, and unique individual. Delicacy can be understood as someone or something that is sensitive to words and actions or someone that is physically fragile. The glass figurines, in general, are very easy to break, like Laura who is extremely reserved and with one hurtful word can be torn apart. When Laura dropped out of school, she did not tell her mom, maybe it was because she was embarrassed or she did not want to disappoint her. She acted the same way with her glass figurines, the play states, “She is washing and polishing her collection of glass. Amanda appears on the fire escape steps. At the sound of her ascent, Laura catches her breath, thrusts the bowl of ornaments away, and seats herself stiffly before the diagram…” (William 37) She was …show more content…
Laura has used her limp as an excuse for not getting out into the world and instead hiding away and almost becoming non-existent in the world. Once Laura’s unicorn’s horn breaks off, her favorite figurine, she states, “Now he will feel more at home with the other horses, the ones that don’t have horns.” (Williams 125) This is the first time it shows Laura accepting that she is no different from everyone else, she is just more unique like the unicorn. Being different can be a burden to some people unless they are willing to embrace their “flaws” and turn it into something that they can be proud
While reading the short story, the author demonstrates that Pauline, the protagonist is having a hard time. At first, Anne Carter uses the main character to show us that her transformation helps her from reaching her dream. Also, the author employs contrasting characters to mention the current state of Pauline’s safety and ambition. At last, Laurel uses settings to show us that the protagonist is ready to sacrifice her safety to attain her dream. Finally, Anne’s point is aimed at everyone, not only people who have a difficult body condition, but also the people that desperately want to achieve their dream. To read a story that deals with this theme makes us realize that it is not everyone that can accomplish what they really want in their
Her essay is arranged in such a way that her audience can understand her life - the positives and the negatives. She allows her audience to see both sides of her life, both the harsh realities that she must suffer as well as her average day-to-day life. According to Nancy, multiple sclerosis “...has opened and enriched my life enormously. This sense that my fragility and need must be mirrored in others, that in search for and shaping a stable core in a life wrenched by change and loss, change and loss, I must recognize the same process, under individual conditions, in the lives around me. I do not deprecate such knowledge” (Mairs, 37). Mairs big claim is that she has accepted herself and her condition for what is it, yet she refuses to allow her condition to define her. Through her particular diction, tone, satire, and rhetorical elements, Mairs paints a picture of her life and shows how being a cripple has not prevent her from living her life. She is not embarrassed nor ashamed of what she is, and accepts her condition by making the most of it and wearing the title with
In the essay, “Beauty: When the Other Dancer is the Self,” Alice Walker writes about how she lost her eyesight in one eye due to a childhood accident. Alice communicates to the reader how, when losing an eye, she cared much less about the loss of her eyesight and more about how she appeared to others. In the story, Alice recalls different points where the accident affected her life. To her, the loss of her eye was not just a physical impediment, but a mental one as well. Once she had a surgery to remove the “glob of whitish scar tissue,” she felt like a new person, even though she still could not see. Alice says, “Now that I’ve raised my head,” and can stop holding herself back from being the greatest she can be. Just as Alice is affected by
“I am a Cripple,” when people typically hear these words, they tend to feel bad for that person, but that is exactly what Mair does not want. She prefers that people treat her the same way they would if she did not have the disease. Throughout the essay, Mair discusses her disease openly. She uses an optimistic tone, so that the reader will not recoil with sadness when they hear her discuss the disease and how it affects her life. In Nancy Mair’s essay “On Being A Cripple,” Mair uses her personal stories, diction, and syntactical structures to create an optimistic tone throughout the essay, so that the audience can better connect with the story.
Another symbol of Laura not belonging to the world is the nickname “Blue Roses” given to her by Jim. When she was young, she suffered from pleurosis, meaning she had to have a brace around her leg. Her leg never returned to normal, so she has a small limp. Jim misheard her saying pleurosis for “Blue Roses,” so he always called her by that phrase in high school. The nickname, “signifies her affinity for the natural—flowers—together with the transcendent—blue flowers, which do not occur naturally and this come to symbolize her yearning for both ideal or mystical beauty” (Cardullo, 161). Like blue roses, Laura is naturally beautifully but also mystical, meaning she seems not from this
Laura is the owner and caretaker of the glass menagerie. In her own little fantasy world, playing with the glass animals is how she escapes from the real world in order to get away from the realities and hardships she endures. Though she is crippled only to a very slight degree physically, her mind is very disabled on an emotional level. Over time, she has become very fragile, much like the glass, which shatters easily, as one of the animals lost its horn; she can lose control of herself. Laura is very weak and open to attack, unable to defend herself from the truths of life. The glass menagerie is an unmistakable metaphor in representing Laura’s physical and mental states.
In Tennessee William's play, The Glass Menagerie, the character of Laura is like a fragile piece of glass. The play is based around a fragile family and their difficulties coping with life.
In Williams, Tennessee’s play The Glass Menagerie, Amanda’s image of the southern lady is a very impressive. Facing the cruel reality, she depends on ever memories of the past as a powerful spiritual to look forward to the future, although her glory and beautiful time had become the past, she was the victim of the social change and the Great Depression, but she was a faithful of wife and a great mother’s image cannot be denied.
Oscar Wilde once said, “Everything in the world is about sex except sex. Sex is about power.” The content of this quote embodies A Doll’s House and The Glass Menagerie because of the sexual control in both the plays. A Doll’s House by Henrik Ibsen and The Glass Menagerie by Tennessee William, the characters, although from different time periods, face the hardships of sexual control through the men they admire. Nora is written as the naive protagonist of A Doll’s House, who embodies the themes of the novella as she matures throughout the play. Nora learns that her husband, Torvald, uses her as a doll for his own pleasure and does not truly care for her. In The Glass Menagerie, Laura, the main character, is also
The Glass Menagerie by Tennessee Williams is a loosely autobiographical memory play this is enriched with symbolism. The play itself is symbolic and parallels with much of Williams own unhappy family background. The symbolism used by the playwright is used to represent the desire to escape or to distinguish the difference between illusion and reality. Much of the symbolism used is specific to each character, but the most important symbol is Laura’s glass menagerie.
The unlikely pair of “The Glass Menagerie” by Tennessee Williams and “A Doll House” by Henrik Ibsen do share multiple similarities in their domestic situations and in the things they chose to do. . When comparing these two plays you also have to keep in mind about how that both the plays were done in different time periods. Therefore things are going to be different when it comes to the roles of the women. With the “The Glass Menagerie” and “A Doll House” all the characters have flaws, lived in different time period, felt like they were trapped in ways, and reacted to things differently.
At the beginning of the story she “shines” when people choose to see her in the right “light”, which is love or attention. However, at the end of the play when Jim accidentally breaks off the unicorn’s horn, it is no longer exotic or unique. At first, Laura calls this “a blessing in disguise” –that he has made her normal. But when he reveals to her that he is engaged to another woman, her hopes are shattered just like the unicorn’s horn. Now the unicorn is just like all the other horses, therefore, she decides it is more fitting for Jim than it is for her. When he asks what she gives it to him for she replies, “A—souvenir….” Then she hands it to him, almost as if to show him that he had shattered her unique beauty. This incident changes her in the way that a piece of her innocence that made her so different was now gone. She is still beautiful and fragile like the menagerie, but just as she gives a piece of her collection to Jim, she also gives him a piece of her heart that she would never be able to regain. Laura and her menagerie are both at risk of being crushed when exposed to the uncaring reality of the
Generally when some one writes a play they try to elude some deeper meaning or insight in it. Meaning about one's self or about life as a whole. Tennessee Williams' "The Glass Menagerie" is no exception the insight Williams portrays is about himself. Being that this play establishes itself as a memory play Williams is giving the audience a look at his own life, but being that the play is memory some things are exaggerated and these exaggerations describe the extremity of how Williams felt during these moments (Kirszner and Mandell 1807). The play centers itself on three characters. These three characters are: Amanda Wingfield, the mother and a women of a great confusing nature; Laura Wingfield, one who is slightly crippled and lets that make her extremely self conscious; and Tom Wingfield, one who feels trapped and is looking for a way out (Kirszner and Mandell 1805-06). Williams' characters are all lost in a dreamy state of illusion or escape wishing for something that they don't have. As the play goes from start to finish, as the events take place and the play progresses each of the characters undergoes a process, a change, or better yet a transition. At the beginning of each characters role they are all in a state of mind which causes them to slightly confuse what is real with what is not, by failing to realize or refusing to see what is illusioned truth and what is whole truth. By the end of the play each character moves out of this state of dreamy not quite factual reality, and is better able to see and face facts as to the way things are, however not all the characters have completely emerged from illusion, but all have moved from the world of dreams to truth by a whole or lesser degree.
Symbolism is an integral part of every play. The author uses symbolism in order to add more depth to the play. In Tennessee Williams’ play, The Glass Menagerie, he describes three separate characters, their dreams, and the harsh realities they face in a modern world. The Glass Menagerie exposes the lost dreams of a southern family and their desperate struggle to escape reality. Everyone in the play seeks refuge from their lives, attempting to escape into an imaginary world. Williams uses the fire escape as a way for the Wingfields, the protagonists of the play, to escape their real life and live an illusionary life. The fire escape portrays each of the character's need to use the fire escape as a literal exit from their own reality.
The unicorn is a mythological figure. Closely related to the horse, it is uniqueness comes in the form of a long horn located on the center of its forehead. In Laura's menagerie, it is unlike the other figures. In fact, Laura refers to the unicorn as being "freakish." (109) Her characterization of the unicorn reflects how she feels about herself. It is because of its uniqueness that Laura chose to identify with it. She creates a world with her figurines in which the abnormal coexists with the normal. When Jim, the gentleman caller, inquires about the unicorn being lonely, she replies, "He stays on a shelf with some horses that don't have horns and all of them seem to get along nicely together."(101) In her imaginary world no one judges her because of her limp and it is that world she is capable of coping in. Laura's characterization of the figurines hints at her inner desires to be able to deal with the outside world and become less "freakish." Laura tells Jim, "[the figurines] all like a change of scenery once in a while." (102)