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Themes in Phillip Larkins poetry
Themes in Phillip Larkins poetry
Compare and contrast Philip Larkins poetry with modern poetry
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“Poetry of Departures” by Philip Larkin explores the meaning of breaking free from a confined environment and the speakers admirations for the ones that are able to leave. While one man takes off from the home he has always known, the speaker stays put even though he knows that he too must one day go despite the fear he feels. Larkin uses diction as a means to show his contrasting feelings towards the bravery of man who left and his decision to stay put. In lines 6 through 8 the author wrote, “Certain you approve this audacious, purifying, elemental move” in reference to watching the man leaving everything behind. Larkin is using very positive words in effort to show his approval of what the man has done. The speaker admires what this man has accomplished with leaving, that is very evident from those final 3 words he uses. His use of the word ‘purifying’ shows that he views the actions of this person as freeing and removing his from the constraints that Larkin feels home life has placed on him. The last word, ‘elemental’, shows the power that the speaker places on these actions. Something that is elemental is …show more content…
Lines 10 through 15 in the second stanza sum up the speaker’s feelings of hatred the best. He writes,“We all hate home… I detest my room, it’s specially chosen junk, The good books, the good bed, and my life, in perfect order” which uses many different versions of diction to convey his emotions. The first line, ‘We all hate home” shows that he assumes that what he feels is universal and that everyone must feel that way, when really it is the opposite, most people are very comfortable in the home they live in. The phrase “the good books, the good beds” uses satire to show that ‘good’ is not what he wants. He also refers to his things as ‘junk’, which diminishes his need for them. While these things may seem perfect to others, these material possessions are of no importance to
In the first section Skrzynecki suggests that the physical journey is both literally and metaphorically away from Europe and the tragedy of war and represents the undertakers’ changing perspective. The introductory stanza of the first section immediately describes the undertaking of the physical journey which the poet implies is an escape but the voyage is described in an ambivalent tone. The adjective many denotes the fact that there was a whole mass of the immigrants and heat implies that the discomforting and cramped situation of the migrants wasn’t pleasant. Never see again emphasises the fact that these people are migrating and will never return to their homeland. The migrants’ physical description Shirtless, in shorts and barefooted stresses the lack of their belongings as they’ve left everything behind and their milk-white skin implies that their skin colour isn’t right for their adopted country, Australia and depicts that they won’t be comfortable there. The second stanza’s description of the migrants with the imagery of shackles, sunken eyes, ’secrets and exiles portrays them in disgrace as if they are running away from their homeland. Their sunken eyes also conveys their hardship in suffering and the war’s adversity and the shackles further emphasises their oppression and their confinement. To look for shorelines implies their desire to purge their suffering and inner turmoil as they find some consolation and hope in starting a new life. The last word of the stanza exiles implicates their expulsion from their land in fact they actually chose to leave.
In stanza five, the mother leaves the house and leaves her son at home alone. The mother is said to be ‘off to nurse and invalid called the world.’ This is to do with the theory of consumption. The mother has gone out to consume materialistic items that will in turn keep the consumer-based economy ‘healthy.’ If she and the millions of other members of the consumer society fail to do this, the consumer economy will ‘sicken.’
In all poems the theme of Disappointment in love is seen throughout. Duffy focuses on the pain, despair and acrimony that love can bring, whereas Larkin focuses on the dissatisfaction before, during, and after a romantic relationship. Both Duffy and Larkin differ in tone. Duffy takes a more aggressive and dark stance to portray what love can do to a person after a disappointing love life. Duffy also uses this sinister and aggressive stance to try and convey sympathy for the persona from the audience in ‘Never Go Back’ and ‘Havisham’ Whereas Larkin conveys his discontent in love through his nonchalant and dismissive tone, but still concealing the pain that has been brought by love in ‘Wild Oats’ and ‘Talking in bed’.
only can comedy use the subversion of expectation facetiously, but it can comment on the real
The narrator is trapped by their past, and the poem describes it affecting their daily life. They have a black cat they are envious of, because the cat is carefree and does not make the same mistakes that the narrator does. “He refuses to be snared by a single love the way I did” (319). The narrator had gotten trapped by a love that went badly, and left them being broken from it. Their cat does not make this mistake, and is also carefree, “He leaps from the rooftop . . . doesn't dread crossing bridges or dark alleyways” (318). He just lives his life out and is not concerned about any sort of danger, and because of this the narrator is envious of the cat. They cannot act the same way as the cat does, they are too concerned about their life and what happens with it, “He doesn't cling to life as I do” (318). The narrator seems to be trapped by their past, and because of this, it affects the way they live now. They have shut themselves off purposefully, they let their past affect them this much, they corrupted themselves. They know this, and they wish they had not let it happen, this is why they envy their
Change is depicted an as aspect of life which can propel us down unexpected paths, this can either be resisted or embraced by individuals. Peter Skrzynecki portrays these notions throughout his poems ‘Kornelia’ and ‘Migrant hostel’. The poems are supported by the stylistic devices used throughout his poems to further emphasise the meaning behind, often used are personification, symbolism and similes. The two texts chosen Joni Mitchell ‘Big yellow taxi’ Martin Luther king ‘I have a dream’ further contrast the notions of change that Peter speaks of in his poems, proclaiming change will modify the permanency in one’s livelihood, Change Is often unwanted but is necessary and to fully comprehend change one has to embrace it. These composers have
The overall theme of ‘This Be The Verse” by Philip Larkin is the idea of influence. Larkin is striving to portray the message that everyone is influence by the people in which they surround themselves. This is important because throughout the poem Larkin uses techniques such as changing tenses, giving personal and worldly examples, and figurative language.
..., the content and form has self-deconstructed, resulting in a meaningless reduction/manifestation of repetition. The primary focus of the poem on the death and memory of a man has been sacrificed, leaving only the skeletal membrane of any sort of focus in the poem. The “Dirge” which initially was meant to reflect on the life of the individual has been completely abstracted. The “Dirge” the reader is left with at the end of the poem is one meant for anyone and no one. Just as the internal contradictions in Kenneth Fearing’s poem have eliminated the substantial significance of each isolated concern, the reader is left without not only a resolution, but any particular tangible meaning at all. The form and content of this poem have quite effectively established a powerful modernist statement, ironically contingent on the absence and not the presence of meaning in life.
The speaker in the poem has clear divergent desires that are incompatible. In the fist line of the second stanza, the speaker describes one of the dogs the man is walking, saying,”The small sleek one wants to stop docile to the imploring soul of the trashbasket,” The personification of the trashbasket as an “imploring soul” emphasizes the attachment the trashbasket is trying to draw the dog into. Not only is the trashbasket seeming to make an attempt to lure it in, but the speaker also describes the dog as “docile”, or being submissive towards the trashbasket, unable to say no, or restrain itself. The apeal of the trashbasket along with the submissiveness of the dog causes a passionate and compelling attachment between the two. Near the end of the second stanza, the
Throughout life, we have all experienced the loneliness of being excluded at some point or another. In “This Lime-Tree Bower My Prison,” Samuel Taylor Coleridge shows how his experience with this resentful jealousy matured into a selfless brotherly love and the acceptance of the beneficial effects some amount of denial can have. Each of the poem’s three stanzas demonstrates a separate step in this transition, showing Coleridge’s gradual progression from envy to appreciation. The pervading theme of Nature and the fluctuating diction are used to convey these, while the colloquial tone parallels the message’s universal applications. The poem culminates to show the reader that being deprived of something in life is not always to be regretted, but rather to be welcomed as an opportunity to “smell the roses,” so to speak, and appreciate the blessings we often take for granted.
In “Habitation”, Atwood uses simple images such as the “forest,” “desert,” “unpainted stairs,” and “fire” to refer to the reality of marriage, but yet, she delivers an optimistic message about the unstable relationship or problems between the newlyweds by showing hopeful interpretations. Therefore, the poem implies the marriage is like building a house because it starts with very simple things, but as times goes by, couple can learn how to deal with all problems and maintains a happy marriage.
The message the poet is portraying is that island man is representing her and that this is how she feels. She is also saying that she will never forget about her culture. In my opinion the main character likes his old life because it’s more adventurous and the feeling of never being alone is relaxing. He might be use to the struggle in his hometown that he finds it boring that he can get things to easily in this country. My beliefs are that the message the poet is portraying is that life may be more adventurous in your homeland but there is a better quality of life in London. The lifestyle you choose has to be the lifestyle you need even if you find it dreary.
“He who seeks rest finds boredom and he who seeks work finds rest.” Dylan Thomas was a talented poet with a troubled life. Like others with his passion, he turned his pain into poetry. His literature professor father and supportive family had a role to play in his success. He was considered the “Archetypal romantic poet of the popular American imagination”. His poetry was thought of as images that come together to form other images. (“Dylan Thomas” ) In his lifetime, Dylan Thomas wrote a collection of poems, plays, and an autobiography.
Progress is in the eye of the beholder. Throughout the years society has forced nature out of its life and has instead adopted a new mechanical and industrialized lifestyle. Technology may be deemed as progress by some, where it is thought of as a positive advancement for mankind. Yet technology can also be a hindrance for society, by imposing itself on society and emptying the meaning out of life. In “Autobiography at an Air-Station,” Philip Larkin conveys his distaste of how society has denounced nature. By employing an ironic tone in the sonnet, Larkin comments on the significance of the sonnet in relation to industrial life. Life has become ironic because it is no longer a natural life that society leads, but a fabricated life. Through his use of rhyme and meter, the extended metaphor comparing the air-station to life, imagery, and diction, Larkin reflects on what life has come to be: a deviation from the intrinsic.
The mark of a great poet is his ability to engage the reader so that they analyse their own lives. Robert Lee Frost (1874 – 1963) – an influential American poet often associated with rural New England – is brilliant at this and uses poetry as a platform for the expression of his own general ideology. Frost’s belief that human society was often chaotic and stressful and that the meaning of life is elusive, has been promoted in his poetry. Frost looked to nature, whose undying beauty and simplicity did not force him into a strict, moulded society, but represented freedom from life and its constant stresses of family and work as a metaphor to show the stark comparison. This ideology derives from Frost’s childhood – where strict rules and punishments were a normal occurrence. When Frost’s first poem was published professionally to rave reviews, he devoted himself entirely to his art by moving to England – where a combination of the natural beauty of the English farm life, sole determination, and pure talent made him one of the most recognisable figures in American history – inspiring this anthology – “Robert Frost – Breaking the Walls.” Some of the famous poems included in this anthology consist of, “The Road Not Taken”, “Stopping by the Woods on a Snowy Evening”, “Mending Wall” and “After Apple Picking.”.