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Traditional and modern literature
Vietnam War and communism
Vietnam War and communism
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Recommended: Traditional and modern literature
Duong Thu Huong’s 1988 novel Paradise of the Blind, is placed in two of the most tumultuous times in Vietnamese history. Flashbacks are used to discuss pre-war Vietnam during the Land Reform campaign, a movement which sought to give land to peasants and punish the “land owners”. The contemporary period is set after the Vietnam War, when the communist party was trying to consolidate its power, as well the bleak landscape of the Soviet countryside. It seeks to expose the blinding ideology of the communists, as well as the inability to change of the traditionalists. Huong uses the motif of blindness, the contrast between the vivid colours and flavours of Vietnam, and stark landscape of the Soviet countryside, and the characters of Aunt Tam and Uncle Chinh to illustrate the hypocrisy of both the Communists and the traditionalists in her Paradise of the Blind. …show more content…
There are two types of blind people that appear throughout the story. The most common are the benevolent and harmless kind, like the “blind singers” (Huong 54) who serenade Hang and her mother on their way to the pagoda. The blind all make a living by pleasing people, with song, or by “fortune telling” (44 Huong), which suggests that the blind can still contribute to society. They are usually shy, and do not talk much. However, the other kind of blind people are avaricious, and self righteous. For example, during Aunt Tam’s party for Hang, she tells a story about Tran Binh, who is so greedy that he refuses to pay the doctor that could cure his father and son’s blindness(Huong 159) . Due to his selfishness, he is cursed to become blind as well. This story can illustrate the blindness of the Communists and their supporters, whose inability to accept flaws means they become
Another strength of this book is Prochnau's treatment of the central characters. These journalists were often reviled and criticized for their caustic and searing articles about the Vietnamese situation. These popular opinions undermined the legitimacy of their work and the truthfulness of their reportage of the deterioration of South Vietnam. Prochnau's accounting of these individuals runs contrary to these opinions, and in effect, reaffirms the validity of these journalists' work. For example, the David Halberstram has often been portrayed as an antiwar hero, yet the author stated that Halberstram was quite the opposite. "But not once during his Vietnam years or well afterward, did he (Halberstram) question America's right, even her need to be there (Vietnam). His criticisms were of methods and foolishness, lying and self-delusion, of a failure to set a policy that could win."(pg 141) These depictions exonerate the image of this hardy "band of brothers."
The Vietnam War: A Concise International History is a strong book that portrays a vivid picture of both sides of the war. By getting access to new information and using valid sources, Lawrence’s study deserves credibility. After reading this book, a new light and understanding of the Vietnam war exists.
The aim of this book by Bui Diem with David Chanoff is to present the Vietnam War told from a South Vietnamese perspective. The large-scale scope of the work concerns the fighting between North and South Vietnam over which party would run the country and wanting to become an independent state free from the Western powers. Diem's memoir contains in-depth details about his life and politics in Vietnam in 1940-1975. The book serves as a primary source in documenting the events in Vietnam during the war and as an autobiography of Diem's life. The purpose of this book is to give insight of the war through Diem's eyes and how it affected his life.
Pham, Andrew X. Catfish and Mandala: A Two-Wheeled Voyage Through the Landscape and Memory of Vietnam. New York: Farrar, Straus and Giroux, 1999. Print.
shows how Uncle Chinh's position on being a Communist, gets in the way of Vietnamese
In the novel Paradise of the Blind, Doung Thu Huong explores the effect the Communist regime has had upon Vietnamese cultural gender roles. During the rule of the Communist Viet Minh, a paradigm shift occurred within which many of the old Vietnamese traditions were dismantled or altered. Dounh Thu Huong uses the three prominent female characters – Hang, Que and Aunt Tam – to represent the changing responsibilities of women in Vietnamese culture. Que, Hang’s mother, represents a conservative, orthodox Vietnamese woman, who has a proverb-driven commitment to sustaining her manipulative brother, Chinh. Aunt Tam embodies a capitalistic
From the contrast of the slums of Hanoi and the breathtaking beauty of a natural vista, Huong has revealed the impact of this disparity on her protagonist. The author utilises the connection between the land and the villagers of Que’s birthplace to emphasise the steadiness and support the landscape gives, in times of upheaval, illuminating that it is possible to recover from disaster. Despite Huong’s criticism of Vietnam, she emphasises the resilience of the people of Vietnam and the ability for beauty and hope to flourish through oppression.
Hayslip, Le Ly, and Jay Wurts. When Heaven and Earth Changed Places: A Vietnamese Woman's Journey from War to Peace. New York: Plume, 1990. Print.
Tranguyen, T. (2004). Orange County, Yellow History: An Intimate Encounter with Vietnamese American Lives. Journal Of Archival Organization, 2(4), 5-28. doi:10.1300/J20 Iv02n04•02
The narrator is biased against the blind from the beginning. For instance, he stereotypes all blind people thinking they ...
Duong’s novel depicts a Vietnam caught up from the 1950’s through the 1980’s in turmoil and chaos. Many of the ‘land owning class’ were forced to flee their homeland or were sentenced to forced labour camps, this is shown in the novel through the characters Aunt Tam and her brother Ton, both dispossessed of their property. Through Paradise of the Blind Duong is able to personalise the struggles of the working class during these times of political change and criticise the Vietnamese government, “Their fate hung from a thread; and just as an overripe fruit hangs from a branch, they could fall at any moment.” The comparison made between one’s fate and an overripe fruit that could fall at any moment depicts the power that the government had over the people and the many injustices that can occur. Despite doing no wrong, their social class is enough for them to be considered the enemy. This mirrors the lives of the Untouchables in The God of Small Things, namely Velutha whose future is determined by his social status. Duong adopts many differing literary techniques to criticise the actions of the Vietnamese government during the 1950s, “You say our dances are decadent. But haven’t you done some dancing yourself? Invisible dances, infinitely more decadent than ours.” Here Duong compares western style dance and music to the fraudulent actions of
The story focuses on her great-grandfather, who was in disapproval of the French occupation of Vietnam, but still excelled at his job as a Mandarin under the puppet imperial court, fearing persecution of his family if he were to resign. In this section, the author also mentions more about the how the values of confusion had influenced the Vietnamese people in attempts to justify her great grandfather’s
Often in novels the author 's use of style, technique, and structure create a greater meaning in the novel. In Paradise of the Blind by Duong Thu Huong, the use of style, technique, and structure work in tandem to emphasize Hang’s journey to find her own individual purpose. By using circular writing, symbols, and setting, Huong establishes the theme that one must find one’s own purpose.
Although, it is obvious throughout the story, that the Narrators views of blind people has changed, -
The husband in Raymond Carvers “Cathedral” wasn’t enthusiastic about his wife’s old friend, whom was a blind man coming over to spend the night with them. His wife had kept in touch with the blind man since she worked for him in Seattle years ago. He didn’t know the blind man; he only heard tapes and stories about him. The man being blind bothered him, “My idea of blindness came from the movies. In the movies, the blind moved slowly and never laughed. Sometimes they were led by seeing-eye dogs. A blind man in my house was not something I looked forward to. (Carver 137)” The husband doesn’t suspect his ideas of blind people to be anything else. The husband is already judging what the blind man will be like without even getting to actually know him. It seems he has judged too soon as his ideas of the blind man change and he gets a better understanding of not only the blind man, but his self as well.