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Psychological effects of the Holocaust
Mental effects of the holocaust
Mental effects of the holocaust
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Secrets are powerful forms of speech and concept. They hold the power to build a nation- or to destroy one. Secrets conceal and destroy, the block others from fully knowing who you are. Truth-truth is possibly one of the most powerful forces in humanity. Truth has the power to set people free, to change lives- and to end them. The truth is typically feared and often concealed. In Susan Griffin’s “Our Secret”, the concealment of truth becomes a major theme in the advancement of the plot. It holds close the meaning of the title “Our Secrets”- referring to the truths the Characters concealed. Through examining others, Griffin comes to terms with her own feelings, secrets, and fears. The characters she uses represent humans and human emotion. She …show more content…
relates with all of these characters even though she is different from all of them. The realization of this allows for the acceptance that all people hold at least one thing in common. Everyone holds a secret close to them. They keep a part of themselves concealed from others in a way that is almost deceptive- they keep their true selves hidden away from one and other. Tucked safely in the back of a closet with the door shut and locked- so they don’t have to be burdened with the way those around them perceive them. They give the perception themselves. Griffon reveals that there is a hidden side to everyone that is only known within, and anything outside could be a false representation,a facade put on as an act.
“I think of it now as a kind of mask, not an animated mask that expresses the essence of an inner truth, but a mask that falls like dead weight over the human face...” (Griffin 349). This quote directs our attention to how Griffon feels about the “mask” and begins to allow us to look at secrets from another perspective. A “Mask”, in Griffon’s example, is a barrier of secrets and lies concealing the truth of a person. Griffin talks about Heinrich Himmler and the secrets that he hides within himself. Throughout his childhood Himmler’s life was hidden, overshadowed by a mask or barrier formed by his upbringing and culture, his perspective of himself was skewed as he takes who he is and puts it deep away within himself. Hiding in fear and guilt- he told no one until the voice he heard from his father became the one he used on himself- chastising him until his being was at war with itself. Griffon discusses how Heinrich causes an emotional build up that results in the loss of his own emotions or a “void”, because of his secrets that have formed a barrier between him and the outside world, as a result of his upbringing and ideals. Griffon relates with him on an almost emotional level- or rather the lack thereof. “But at this moment in his life Heinrich is facing a void. I remember a similar void, when a long and intimate …show more content…
relationship ended. What I felt then was fear. And at times panic” (Griffin 358). Her characters throughout her writing were a wide variety, another was Heinz, a homosexual German boy in the time of WWII, who knew well to conceal his secret.
Heinz knew that he would be killed if anyone found out about his truth, and hence told no one of his secret aside from his mother. However, the Nazis discovered a picture of Heinz with his lover, and sent him to a Concentration Camp to be killed. Heinz is only one of many characters she uses to bring her point to light. That individuals who are being forced to conceal their lives are, in a way, being forced to conceal who they truly are. Keeping secrets from others, means that they have not come fully to terms with who you are, with your
truth. Griffin uses examples from her own family life as well to expand upon the title’s meaning. Griffin claims her family was constantly pretending to be happy, perfect and aristocratic. In family photos, everyone smiled together and attempted to make it seem like nothing was wrong. When Griffon looks back to the photos- she knows that nothing was perfect, she knows the truths of her family as they tried to portray a mask to the world. Griffon know that if the world were to know about the secrets kept behind locked kitchen doors, the world would not approve.
On Hitler’s Mountain is a memoir of a child named Irmgard Hunt and her experiences growing up in Nazi Germany. She herself has had many experiences of living during that dark time, she actually met Hitler, had a grandfather who hated Hitler's rule, and had no thoughts or feelings about the Nazi rule until the end of WWII. Her memoir is a reminder of what can happen when an ordinary society chooses a cult of personality over rational thought. What has happened to the German people since then, what are they doing about it today and how do they feel about their past? Several decades later, with most Nazis now dead or in hiding, and despite how much Germany has done to prevent another Nazi rule, everyone is still ashamed of their ancestors’ pasts.
Humans are capable of many expressions of emotion, but holding this ability also allows for many people to hide what they are truly feeling within their own minds. Those who shield their emotions from others around them frequently do so in order to protect either themselves or their loved ones from the pains that may occur in life, both in a society and in a family. In Pamela Painter’s Toasters, Jose Padua’s poem Barbie, Utahna Faith’s short story All Girl Band, and George the Poet’s One Number, the recurring theme of outward appearances not reflecting the mindset of the speakers is illustrated.
The character of Himmler reflects how masks are developed at an early age, and how individuals start to hide behind them frequently in order to gain acceptance from others. However, by pretending to be something that a person is not, that individual starts to become frustrated about his identity, and codependence may be developed. In “Our Secret,” Himmler is given a journal during his childhood to start developing his writing skills, and because he is told by his father that he needs to start to maturate. According to Griffin, “Heinrich …. does not write of his feelings …. Or dreams,” and that “[the] entries … [are] like the words of a schoolboy commanded to write what the teacher requires of him” (Griffin 315). In this statement Griffin emphasizes that when a person writes in a journal feelings can be perceived through the writing, but in Himmler’s case, he was taught by his father to regulate his emotions by constraining the display of such. Additionally, by limiting Himmler’s expressions to what was considered appropriate, he started to develop codependence on his father while he was struggling inside. Therefore, the only way that Himmler found a solution to his struggles was by portraying the image of the child his father wanted him to be, while inside he was feeling insecure and frustrated. Griffin also gives the idea that individuals hide behind masks to find acceptance, and to look ordinary because appearing otherwise would be improper. This is addressed when Griffin states, “ordinary … a kind of m...
The unimaginable actions from German authorities in the concentration camps of the Holocaust were expected to be tolerated by weak prisoners like Wiesel or death was an alternate. These constant actions from the S.S. officers crushed the identification of who Wiesel really was. When Wiesel’s physical state left, so did his mental state. If a prisoner chose to have a mind of their own and did not follow the S.S. officer’s commands they were written brutally beaten or even in severe cases sentenced to their death. After Wiesel was liberated he looked at himself in the mirror and didn’t even recognize who he was anymore. No prisoner that was a part of the Holocaust could avoid inner and outer turmoil.
In Erich Maria Remarque’s All Quiet on the Western Front, Paul Baumer, a German soldier, along with his comrades, suffer through traumatic events and devastating losses as they struggle to survive the violent maelstrom of the Great War. As they fight, the grave circumstances and decimated landscapes they witness has a haunting effect on them. In order to cope with this drastic setting, they resort to dehumanization. By seeing their enemies as less than human, the war conditions them to kill, relying solely on instinct alone. They distance themselves from their comrades by dehumanizing them, making it easier to cope with their deaths. To maintain their sanity and face the horrors of the war, Paul and his company must suppress their humanity.
Throughout the memoir, Wiesel demonstrates how oppression and dehumanization can affect one’s identity by describing the actions of the Nazis and how it changed the Jewish people’s outlook on life. Wiesel’s identity transformed dramatically throughout the narrative. “How old he had grown the night before! His body was completely twisted, shriveled up into itself. His eyes were petrified, his lips withered, decayed.
...mpletely covered his face and he was stuck under a mask and didn’t know who he really was. This is a symbolism for when people do not know who they are or what they've become but then realize it through a specific action or event.
Perhaps no other event in modern history has left us so perplexed and dumbfounded than the atrocities committed by Nazi Germany, an entire population was simply robbed of their existence. In “Our Secret,” Susan Griffin tries to explain what could possibly lead an individual to execute such inhumane acts to a large group of people. She delves into Heinrich Himmler’s life and investigates all the events leading up to him joining the Nazi party. In“Panopticism,” Michel Foucault argues that modern society has been shaped by disciplinary mechanisms deriving from the plague as well as Jeremy Bentham’s Panopticon, a structure with a tower in the middle meant for surveillance. Susan Griffin tries to explain what happened in Germany through Himmler’s childhood while Foucault better explains these events by describing how society as a whole operates.
In "Our Secret" by Susan Griffin, the essay uses fragments throughout the essay to symbolize all the topics and people that are involved. The fragments in the essay tie together insides and outsides, human nature, everything affected by past, secrets, cause and effect, and development with the content. These subjects and the fragments are also similar with her life stories and her interviewees that all go together. The author also uses her own memories mixed in with what she heard from the interviewees. Her recollection of her memory is not fully told, but with missing parts and added feelings. Her interviewee's words are told to her and brought to the paper with added information. She tells throughout the book about these recollections.
It is arguably human to keep our darkest secrets hidden from others, this truth is explored within the film Mystic River, in which characters are marked by their secrets and find themselves struggling to cope with their
While the script is often one of the most crucial elements in a film, the brevity of speech and precise movements of the primary character accentuate the changing nature of his integrity. As viewers follow Captain Wiesler of the East German secret police, it is soon clear that he only says what is necessary, such as when noting his surveillance partner’s lateness or setting instructions for the surveillance bugging team (“twenty minutes”). It is important to note that Wiesler does not say a single word when Axel Stiegler cracks a joke in the cafeteria about Honecker, or when Grubitz himself makes a joke. Only
Griffin explores Heinrich Himmler and the secrets that are hidden within him. Throughout his childhood Himmler’s secrets and thoughts were hidden, overshadowed by a mask or barrier formed by his upbringing and culture.
The narrator's life is filled with constant eruptions of mental traumas. The biggest psychological burden he has is his identity, or rather his misidentity. He feels "wearing on the nerves" (Ellison 3) for people to see him as what they like to believe he is and not see him as what he really is. Throughout his life, he takes on several different identities and none, he thinks, adequately represents his true self, until his final one, as an invisible man.
In the short story “ A Dead Woman’s Secret by Guy de Maupassant, the basic theme is devoted to family and private relationships. The main characters in the story are Marguerite (the daughter), the judge (the son), the priest, and the deceased mother. Marguerite is a nun and she is very religious. The dead woman’s son, the Judge, handled the law as a weapon with which he smote the weak ones without pity. The story begins by telling the reader that the woman had died quietly, without pain. The author is very descriptive when explaining the woman’s appearance - “Now she was resting in her bed, lying on her back, her eyes closed, her features calm, her long white hair carefully arranged as though she had done it up ten minutes before dying. The whole pale countenance of the dead woman was so collected, so calm, so resigned that one could feel what a sweet soul had lived in that body, what a quiet existence this old soul had led, how easy and pure the death of this parent had been” (1). The children had been kneeling by their mother’s bed for awhile just admiring her. The priest had stopped by to help the children pass by the next hours of great sadness, but the children decided that they wanted to be alone as they spend the last few hours with their mother. Within in the story, the author discusses the relationship between the children’s father and their mother. The father was said to make the mother most unhappy. Great
If This Is a Man or Survival in Auschwitz), stops to exist; the meanings and applications of words such as “good,” “evil,” “just,” and “unjust” begin to merge and the differences between these opposites turn vague. Continued existence in Auschwitz demanded abolition of one’s self-respect and human dignity. Vulnerability to unending dehumanization certainly directs one to be dehumanized, thrusting one to resort to mental, physical, and social adaptation to be able to preserve one’s life and personality. It is in this adaptation that the line distinguishing right and wrong starts to deform. Primo Levi, a survivor, gives account of his incarceration in the Monowitz- Buna concentration camp.