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Introduction Analysis Of Ethical Dilemma
Gender roles in Literature
Ethical dilemma summary paper
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Within the novel “Delirium” written by Lauren Oliver, there was a girl by the name of Magdalena (Lena) Haloway. She existed within a society where love was considered a deadly disease, and upon reaching the age of 18 it was mandatory you were ‘cured’ of it. Most accepted this fate, as it guaranteed you a life without the inconvenience love may bring. But those with the illness did not want to live without it. Despite their wishes, not a single citizen had a choice in the matter. Each and every citizen was forced to receive “The Cure”.
At the beginning of the story, Lena was excited for this. She self-identified as your average girl, attending school and abiding by societal expectations. There was never a time where she came into contact with those of the opposing gender, nor did she break the strict 9:00 pm curfew.
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As a result of her obedient nature, she believed that “criticizing the system [was] the worst offense there [was]” (Oliver 20).
This quotation demonstrates her devotion to the government. She had the belief that it was not flawed, and their pure motive was their citizen's safety. When Hana (her best friend) was caught criticizing the lack of choices citizens were able to make, Lena responded saying, “Every choice is limited. That's life” (Oliver 21). She was content with the order of society and said it at the time when she believed in everything the government claimed. Her most dreaded nightmare was leering off the strict path previously paved for her. Her life was set out for her, there was no doubt about it. She would receive the procedure, be paired with her husband and they would exist together for all of
eternity. When her time for ‘The Cure’ came she did not resist. Due to unfortunate circumstances, her test came to a halt when a rampage of cows came barging in. It was led to believe it was a protest staged by those rebelling against the government. During the commotion, she witnessed a boy staring, and momentarily let her thoughts drift from the uproar. Due to the intrusion to her original test, it was rescheduled. During the waiting period, she spends numerous days accompanied by the boy who caught her eye. This boy, Alex, was the person who came into her life and turned it upside down. As a person, she transitioned from shy and obedient, to evolving into her true self. She lived and loved, taking risks and experiencing things no one ever dared to before. She soon became accustomed to other perspectives and discovered truths and lies within her society. This resulted in her no longer acting as obedient as she did previously. As her second test neared, she came to a realization. She had caught the disease, and no longer was accepting of the procedure. The procedure was mandatory, and being in love was considered deadly. The government did not care if you were in love, it was forbidden and must be destroyed. This society was anything but supportive of love, and if you were infected you must be ‘treated’ immediately. To not conform, was punishable by death.
Lauren Alleyne uses the rigid form of the sonnet to navigate through the healing process after being sexually assaulted. Ten years after that night, she writes the sonnet sequence Eighteen, which deviates from the typical sonnet form in the aspects of the speaker, subject, and format. Playing off of the standard sonnet form, Alleyne is able to recount the emotions of that night during the first sonnet in the sequence. The typical sonnet tends to objectify the female body or one’s lover; in this sequence, the sonnets address what happens when an individual acts on these objectifications and assaults Alleyne. Alleyne deviates from the standard subject and speaker of the typical sonnet form to begin the healing process; the process begins
Sisters Stories in Louise Erdrich's Love Medicine and Tales of Burning Love." MELUS 24.2 (Summer 1999): 89-105. Rpt. in Contemporary Literary Criticism Select. Detroit: Gale, 2008. Literature Resource Center. Web. 13 Apr. 2010.
Smashed: Story of a Drunken Girlhood is Koren Zailckas' account of life as an alcoholic. It traces her life from her first drink, when she was fourteen, to her last, at twenty-two; Smashed chronicles Zailckas' struggle with alcohol abuse, in an effort to explain the binge drinking phenomenon that plagues America's youth.
herself and her attempt to break through the strict bonds of society that all the other
In the book Margaret Sanger: A life of passion by Jean H. Baker. Margaret Sanger, the subject depicted in Baker’s novel Margaret Sanger: A Life of Passion is one of the leading women in the fight for birth control. Born in 1879 to Irish immigrant parents in Corning, New York she is the 6th of 11 children. Her mother was a devout Catholic and had a total of 18 pregnancies in her 22 year marriage 11 of which were births and 7 were miscarriages. “My mother died at 48”, says Sanger “My father died at 80”. Her mother was a victim of tuberculosis not long after her last child was born. Sanger grew up in poverty and soon realized that bigger families were associated with lower means. Sanger was not one for domesticated duties and soon defied social norms and went to nursing school her aspirations included becoming a doctor. She did not complete nursing school she instead married William Sanger, an architect and artist. They settled into domestic life for a short time in the suburbs. Together they had three children, two sons and a daughter. Soon a fire consumed their home and this was the turning point for Sanger. The family then moved back to the city and Sanger became a nurse. Their daughter would later die of pneumonia at a very young age due to horrible conditions at her boarding school. The two older sons would eventually grow to blame Sanger for her death and she would divorce her husband and maintain the company of several men after. Despite the number of suitors she acquires she will be single when she dies.
...g the society she loves. When she no longer has any hope of putting her family together the way she reckons it should be, she can no longer face society because she will never fit in. Even if she married Bunch, he would still not be her child’s father, which would make their family an anomaly. Lena has turned into a voluntary outcast, dragging Byron Bunch around to help her run her daily life but never letting him get intimate, never really making him a part of her life. After being forced into isolation from society for most of her life, Lena has now chosen to remain isolated. She is just as alone as any other character in Light in August.
...ut men, family ties and financial stability would be difficult to obtain, which were necessary to secure an identity in the early south. Early Southern women were ultimately forced to identify themselves by the males to which they were tied. Three female characters from the works read thus far, struggled without men to identify them. For Désirée, her past and family heritage proved too much to overcome. Without the surname provided by her husband, Désirée was without an identity to call her own and gave way to societal code. Yet, due to their internal fight for self-satisfaction, Lena and Janie were able to overcome their lack of identity by establishing their own without the aid of a male. In conclusion, identity is attainable for some women. However, it takes a Southern woman dedicated to her own beliefs to overcome such obstacles and return stronger than before.
Louise Mallard is a woman who enjoys freedom and independence. She feels soaring relief and fiery triumph upon realizing that, yes, she is finally free. She is free of the weighted ropes of marriage. She fantasizes of her days ahead, living for herself and only herself. “A kind intention or cruel intention made the act seem no less a crime as she looked upon it in that brief moment of illumination” (Chopin 234). She views the imposing of one’s will on another person as a crime, no matter the intention behind it. She has a taste of freedom after Mr. Mallard’s death and can finally see days without stress ahead of her. Prior to her husband’s death, young Mrs. Mallard feels tied down and even oppressed. “She was young, with a fair, calm face, whose lines bespoke repression and even a certain strength” (Chopin 233). Despite the typical oppression of women throughout the centuries prior to the 1920s, Mrs. Mallard possesses a free spirit.
The authoritative voices of her husband and other doctors urge her to be voiceless and passive. John’s assumption of his own superior knowledge and maturity leads him to misjudge and control his wife, all in the name of helping her. He did not realize the severity of her condition and instructed her to instead take a break with the country air and so he isolates her. She was given the “rest cure” women were frequently prescribed in the nineteenth century; a time of complete isolation with no forms of creative outlets for the mind. The connection between the compliance of the narrator under her role in the family and under a doctor is clear- where her silent compliance had led to bad consequences. She states, "If a physician of high standing, and one’s own husband, assures friends and relatives that there is really no...
Societies can sometimes be exposed to periods of moral panic. A condition, episode, person or group of people appears as a threat to certain societal standards and interests. This phenomenon is depicted in a stylized and stereotypical fashion and presented to the public through the moral perspective of editors, bishops, politicians, and other influential people, whose principles define the societal values. These people pronounce their diagnoses and resort to certain ways of coping (although, sometimes, the parties can come to an agreement and a way of coping could evolve). After the condition disappears, submerges or deteriorates, it becomes even more visible. Every now and then the object of the panic is quite unusual, although mostly it is something that has been debated for a long time, but that suddenly appears in the spotlight. Occasionally, the episode is overlooked and forgotten, except in folk-lore and collective memory, but at other times it manages to create a serious impact, producing changes in legal and social policy or even in the way society conceives itself (Cohen, 2002).
Diane was a patient of Dr. Timothy Quill, who was diagnosed with acute myelomonocytic leukemia. Diane overcame alcoholism and had vaginal cancer in her youth. She had been under his care for a period of 8 years, during which an intimate doctor-patient bond had been established. It was Dr. Quill’s observation that “she was an incredibly clear, at times brutally honest, thinker and communicator.” This observation became especially cogent after Diane heard of her diagnosis. Dr. Quill informed her of the diagnosis, and of the possible treatments. This series of treatments entailed multiple chemotherapy sessions, followed by a bone marrow transplant, accompanied by an array of ancillary treatments. At the end of this series of treatments, the survival rate was 25%, and it was further complicated in Diane’s case by the absence of a closely matched bone-marrow donor. Diane chose not to receive treatment, desiring to spend whatever time she had left outside of the hospital. Dr. Quill met with her several times to ensure that she didn’t change her mind, and he had Diane meet with a psychologist with whom she had met before. Then Diane complicated the case by informing Dr. Quill that she be able to control the time of her death, avoiding the loss of dignity and discomfort which would precede her death. Dr. Quinn informed her of the Hemlock Society, and shortly afterwards, Diane called Dr. Quinn with a request for barbiturates, complaining of insomnia. Dr. Quinn gave her the prescription and informed her how to use them to sleep, and the amount necessary to commit suicide. Diane called all of her friends to say goodbye, including Dr. Quinn, and took her life two days after they met.
Many people can suffer through comas. Although not many people suffer in comas for more than 7 years. Fiona Taris last remembered herself as a 13 year old girl living in a perfect world. She then woke up from a coma and had no clue where she was. She found herself in a world filled with blood thirsty, flesh tearing beasts. The main character in the book(Fiona Tarsis) does change for the better as a result of the conflict due to the fact that Fiona became more humble as a result of the conflict, she became more knowledgeable of her surroundings as a result of the conflict, and finally, Fiona learns to be prepared for any tragic situation and learns survival skills as a result of the conflict.
Reading this book has been interesting and heartbreaking experience. A Year of Magical Thinking, a journey through the grieving process. While dealing with the death of her husband, she is confronted with the sickness of her only child. This book touches me, and it makes me think of what would happen if my loved one died. This paper is a reflection of my thoughts and feelings about this woman’s journey that has been explored by book and video. I will also explore the author’s adjustment process, and how she views her changed self.
Before she knew it, Anna quickly got overtaken by this passion, and it ultimately led to her own demise, as the love that Vronsky had to offer quickly diminished. This became a problematic force since Anna practically gave up everything she owned to chase the life that this man offered her. She did it in such a manner that she could no longer return back to her family or normal lifestyle. In a way, she was victim to a lifeless marriage by which she found herself to pretend to be happy. When Anna finally gets a shot at love, she realizes all that she has missed, and it is easy to see how she falls victim to such an enamored opportunity. Anna simply wanted to know that she mattered, to have been appreciated and admired. Unfortunately, being a
We trace her struggles with personal grief, a restricted social life, socio-economic decline, and romantic misfortune, a long history of trauma and repression.”(445)